Tanbur

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Tanbur
Ghobad ghobadi45677.jpg
A man playing a bağlama, a tanbur-family instrument
String instrument
Classification Plucked string instrument; fretted lute
Related instruments

The term Tanbur [a] can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. [1] According to the New Grove Dictionary of Music and Musicians , "terminology presents a complicated situation. Nowadays the term tanbur (or tambur) is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, Iraq, India, Armenia, Afghanistan, Azerbaijan (especially Avar community), Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan. [2] [3] [4]

Contents

Origins

Tanburs have been present in Mesopotamia since the Akkadian era, or the third millennium BC. [1]

Three figurines have been found in Susa that belong to 1500 BC, and in hands of one of them is a tanbur-like instrument. [5] Also an image on the rocks near Mosul that belong to about 1000 BC shows tanbur players. [5]

Playing the tanbur was common at least by the late Parthian era and Sassanid period, [6] and the word 'tanbur' is found in middle Persian and Parthian language texts, for instance in Drakht-i Asurig, Bundahishn, Kar-Namag i Ardashir i Pabagan, and Khosrow and Ridag . [note 1] [5] [ better source needed ]

In the tenth century AD Al-Farabi described two types of tanburs found in Persia, a Baghdad tunbūr, distributed south and west of Baghdad, and a Khorasan tunbūr. [1] [5] This distinction may be the source of modern differentiation between Arabic instruments, derived from the Baghdad tunbūr, and those found in northern Iraq, Syria, Iran, Sindh and Turkey, from the Khorasan tunbūr. [1]

The name spread widely, eventually taking in Long-necked string instruments used in Central Asian music such as the Dombura and the classical Turkish tambur as well as the Kurdish tanbur. [1] [7] Until the early twentieth century, the names chambar and jumbush were applied to instruments in northern Iraq. [1] In India the name was applied to the tanpura (tambura), a fretless drone lute. [1] Tanbur traveled through Al-Hirah to the Arabian Peninsula and in the early Islam period went to the European countries. Tanbur was called 'tunbur' or 'tunbureh/tunbura' in Al-Hirah, and in Greek it was named tambouras, then went to Albania as tampura, in Russia it was named domra, in Siberia and Mongolia as dombra, and in Byzantine Empire was named pandura/bandura. It travelled through Byzantine Empire to other European countries and was called pandura, mandura, bandura, etc. [5]

Later the Iranian (Kurdish) tanbur became associated with the music of the Ahl-e Haqq, a primarily Kurdish ghulat religious movement similar to a Sufi order, in Kurdish areas and in the Lorestān and Sistan va Baluchestan provinces of Iran, where it is called the 'tembûr'. [8]

Types

Kurdish Tembur Tanboor.JPG
Kurdish Tembur

Kurdish Tanbur

Nowadays Kermanshahan tanbur (or Kurdish tanbur or tembûr or tanboor or tanbour) is played all over Iran, and that is what is called just "tanbur" in Iran nowadays. Kurdish tanbur is mainly designed in Kermanshahan (about Kermanshah Province), Kurdistan Province and Lorestan. Kermanshahan tanburs are more famous and accepted and are specially designed in Kermanshah's Goran Region and Sahneh. [5] The tanbur is currently the musical instrument used in Ahl-e Haqq (Yarsani) rituals, and practitioners venerate tembûrs as sacred objects. [7]

There is also a Taleshi tanbur in small region Talesh in the north of Iran, and Tanburak (Tanburg) in Balochistan in the southeast of Iran. [9] But Kermanshahan tanbur is the main and the most famous tanbur in Iran. [5] [10]

The Kurdish tanbur has a narrow pear-shaped body that normally is made with 7 to 10 glued together separate ribs. Its soundboard is usually made of mulberry wood and some patterned holes are burned in it. The long neck is separate, and has three metal strings that the first course is double. The melody is played on the double strings with a unique playing technique with three fingers of the right hand. Kurdish tanbur is associated with the Kurdish Sufi music of Western Iran. [2]

It measures 80 cm in height and 16 cm in breadth. [8] The resonator is pear-shaped and made of either a single piece or multiple carvels of mulberry wood. [8] The neck is made of walnut and has fourteen frets, arranged in a semi-tempered chromatic scale. [8] It has two steel strings tuned in fifth, fourth, or second intervals. [7] [8] The higher string may be double-coursed. [7] [8]

Central Asia

Turkish tambur

left to right: Turkish tambur, Greek Baglamas, tambouras Greek musical instruments.jpg
left to right: Turkish tambur, Greek Baglamas, tambouras

Other plucked string instruments

North Indian Tanpura (left) used as a drone to accompany a sarod recital Music ensemble of benares 1983 hp5 010.jpg
North Indian Tanpura (left) used as a drone to accompany a sarod recital
Iranian setar Setar.jpg
Iranian setar
Uzbek dutar Joueur de dutar ouzbek.jpg
Uzbek dutar
  • Turkestani dambura is fretless, and has two gut or nylon strings fixed to T-shaped flat pegs, and run over a small wooden bridge to a pin at the end of the body. [3]
  • The Badachstan dambura is similar to the Turkestani dambura, but it is a bit smaller, and the neck and body are carved from one single piece of (usually mulberry) wood. [3]

Furthermore, the fretted Tanbur influenced the design of many instruments other than those above, notably:

Other instruments

The name also came to apply to several other instruments of different classes including:

See also

Notes

  1. Also variously spelt, romanized or translated as: Tanbūr, Tambur, Tembur, Tanbuur, Tampur, Tempur, Tanbura, Tampolles, Tanpura, Tanpenes, Tembûr, Tambura, Tamboura, Tanboor, Tanbour, Turunbo, Tænbur, Tenbur, Tənbur, Tänbur, Tanbo'er, etc.

Related Research Articles

<i>Dombra</i> Long-necked musical string instrument

The dombra, also known as dombyra, is a long-necked musical string instrument used by the Kazakhs, Hazaras, Uzbeks, Tajiks, Nogais, Bashkirs, and Tatars in their traditional folk music. The dombra shares certain characteristics with the komuz and dutar instruments, such as its long, thin neck and oblong body shape. It is a popular instrument mostly among Turkic communities in Central Asian countries.

<i>Bağlama</i> Stringed musical instrument

The bağlama or saz/ساز is a family of plucked string instruments and long-necked lutes used in Azerbaijan, Iran, Turkey. It is commonly used by the ashiks.

<span class="mw-page-title-main">Bouzouki</span> Greek plucked stringed instrument

The bouzouki is a musical instrument popular in the West Asia, Europe and Balkans. It is a member of the long-necked lute family, with a round body with a flat and a long neck with a fretted fingerboard. It has steel strings and is played with a plectrum producing a sharp metallic sound, reminiscent of a mandolin but pitched lower. It is the precursor to the Irish bouzouki, an instrument derived from the Greek bouzouki that is popular in Celtic, English, and North American folk music. There are 3 main types of Greek bouzouki: the trichordo (three-course) has three pairs of strings the tetrachordo (four-course) has four pairs of strings, & then the pentachordo (five-course) with 5 pairs of strings. The instrument was brought to Greece in the early 1900s by Greek refugees from Anatolia, and quickly became the central instrument to the rebetiko genre and its music branches. It is now an important element of modern Laïko pop Greek music.

<i>Cümbüş</i> Turkish stringed instrument

The cümbüş is a Turkish stringed instrument of relatively modern origin. It was developed in 1930 by Zeynel Abidin Cümbüş as an oud-like instrument that could be heard as part of a larger ensemble.

Tamburica or tamboura refers to a family of long-necked lutes popular in Southeast Europe and Central Europe, especially Bosnia and Herzegovina, Croatia, Hungary, Serbia, and Slovenia. It is also known in Burgenland, Austria. All took their name and some characteristics from the Persian tanbur but also resemble the mandolin and guitar in the sense that its strings are plucked and often paired. The frets may be moveable to allow the playing of various modes. The variety of tamburica shapes known today were developed in Serbia and Croatia by a number of indigenous contributors near the end of the 19th century.

The musical traditions of Central Asia mirror the immense diversity found in the cultures and populations residing in the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly sige at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, Tam origin of the bowed string Use of the bowed string is thought to originate with nomads who mainly used the snake-skin, covered horsetail-bowed lute. In Mongolia instruments like the morin khuur or horse-head fiddle survive today.

<span class="mw-page-title-main">Šargija</span> Balkan stringed instrument

The šargija, anglicized as shargia, is a plucked, fretted long necked lute used in the folk music of various Balkan countries, including Bosnia and Herzegovina, Serbia, Albania, Kosovo and North Macedonia. The instrument is part of a larger family of instruments which includes the Balkan tambura and the saz, tamburica, and the tambouras.

<span class="mw-page-title-main">Pandura</span> Ancient string instrument

The pandura or pandore, an ancient Greek string instrument, belonged in the broad class of the lute and guitar instruments. Akkadians played similar instruments from the 3rd millennium BC. Ancient Greek artwork depicts such lutes from the 3rd or 4th century BC onward.

<span class="mw-page-title-main">Buzuq</span> Musical instrument

The buzuq is a long-necked fretted lute related to the Greek bouzouki and Iranian and Turkish saz.

<span class="mw-page-title-main">Plucked string instrument</span> Subcategory of string instruments

Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum.

<span class="mw-page-title-main">Yaylı tambur</span> Long-neck lute from Turkey

The yaylı tambur is a bowed long-neck lute from Turkey. Derived from the older plucked mızraplı tambur variant of the Turkish tambur, it has a long, fretted neck and a round metal or wooden soundbox which is often covered on the front with a skin or acrylic head similar to that of a banjo.

Kurdish tanbur or tanbour a fretted string instrument, is an initial and main form of the tanbūr instrument family, used by the Kurds. It is highly associated with the Yarsan religion in Kurdish areas and in the Lorestān provinces of Iran. It is one of the few musical instruments used in Ehli Heq rituals, and practitioners venerate the tembûr as a sacred object. Another popular percussion instrument used together with the tembur is the Kurdish daf, but that's not sacred in Yarsan spirituality and Jam praying ceremony.

Turkish <i>tambur</i> Musical instrument

The tambur is a fretted string instrument of Turkey and the former lands of the Ottoman Empire. There are two variants, one of which is played with a plectrum and the other with a bow. The player is called a tamburî.

<span class="mw-page-title-main">Tanbūra (lyre)</span> Traditional string instrument

The tanbūra or "Kissar" is a bowl lyre of East Africa and the Middle East. Tanbūra traces its etymology to the Persian tanbur via the Arabic tunbur, though this term refers to long-necked lutes. The instrument probably originated in Upper Egypt and the Sudan in Nubia and is used in the Fann At-Tanbura in the Persian Gulf Arab States. It also plays an important role in zār rituals.

<span class="mw-page-title-main">Tambouras</span> Greek traditional string instrument

The tambouras is a Greek traditional string instrument of Byzantine origin. It has existed since at least the 10th century, when it was known in Assyria and Egypt. At that time, it might have had between two and six strings, but Arabs adopted it, and called it a tanbur. The characteristic long neck bears two strings, tuned five notes apart.

The bulgari or boulgari is a string instrument that originates from Turkey, especially from Anatolia among the Oghuz Turks living in the Taurus Mountains, similar to the bağlama and the çağür, especially to Egypt and Crete. belonging to the 'tampoura' family and closely related to the 'tzoura', it is played with strings plucked with a pick. This long-necked lute first appeared towards the end of the 18th century and became well-known after 1915 through the Greeks of Asia Minor. It was mainly played in Rethimno during the mid-war and owes its popularity to Stelio Foustalieri. It is rarely come across in Crete today.

Tambura may refer to:

<span class="mw-page-title-main">Balkan tambura</span> Stringed instrument

The tambura is a stringed instrument that is played as a folk instrument in Bosnia and Herzegovina, Bulgaria, Croatia, Hungary, North Macedonia, Serbia and Turkey. It has doubled steel strings and is played with a plectrum, in the same manner as a mandolin.

<span class="mw-page-title-main">History of lute-family instruments</span>

Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body".

References

  1. 1 2 3 4 5 6 7 8 9 10 11 Scheherezade Qassim Hassan; Morris, R. Conway; Baily, John; During, Jean (2001). "Tanbūr". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians . Vol. xxv (2nd ed.). London: Macmillan. pp. 61–62.
  2. 1 2 3 4 "ATLAS of Plucked Instruments – Middle East". ATLAS of Plucked Instruments. Archived from the original on January 16, 2013. Retrieved February 27, 2013.
  3. 1 2 3 4 5 6 7 8 "ATLAS of Plucked Instruments – Central Asia". ATLAS of Plucked Instruments. Archived from the original on May 21, 2011. Retrieved February 27, 2013.
  4. McCollum, Jonathan (2014). "Tambur(iv) [tampur, tanbur, tanpur]." New Grove Dictionary of Musical Instruments. Second Edition. Oxford University Press. ISBN   9780199743391.
  5. 1 2 3 4 5 6 7 "تنبور (یا تمبور/ طنبور)". Encyclopaedia Islamica. Archived from the original on June 23, 2013. Retrieved March 3, 2013.
  6. Jean During, Spirit of Sounds : The Unique Art of Ostad Elahi (1895–1974), ASSOCIATED UNIVERSITY PRESS, ISBN   978-0-8453-4884-0, ISBN   0-8453-4884-1
  7. 1 2 3 4 Shiloah, Amnon (2001). "Kurdish music". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians . Vol. xiv (2nd ed.). London: Macmillan. p. 40.
  8. 1 2 3 4 5 6 Scheherezade Qassim Hassan; Morris, R. Conway; Baily, John; During, Jean (2001). "Tanbur". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians . Vol. xxv (2nd ed.). London: Macmillan. pp. 61–62.
  9. "Grup Müştak Hıdırellez 2016" (PDF). alevibektasikulturenstitusu.de. Alevitisch-Bektaschitisches Kulturinstitut E. V. 8 May 2016. Archived (PDF) from the original on 13 October 2016. Retrieved 12 October 2016. In the Northern parts of Iran, Northwest of Gilan province, a version of Tanbour called Taleshi Tanbour is played in Taleshi people Rituals.
  10. درویشی, محمدرضا. "تنبور – کرمانشاهان (Tanbur-kantot-Kermanshahan)". دایرة‌المعارف سازهای ایران . تهران: موسسه فرهنگی هنری ماهور. pp. 95, 213, 303. ISBN   9646409458.
  11. "Instruments, Tanbur". akdn.org. Aga Khan Development Network. Archived from the original on 13 October 2016. Retrieved 12 October 2016.
  12. Cerys Matthews, BBC Radio 6, 22 June 2018
  13. "Main Page". Archived from the original on 2010-07-06. Retrieved 2010-06-06.
  14. Chambers Twentieth Century Dictionary 1977, "Tambourine".
  15. 1 2 3 Poché, Christian (2001). "Tanbūra". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians . Vol. xxv (2nd ed.). London: Macmillan. pp. 62–63.