The Guitarra morisca or Mandora medieval is a plucked string instrument. It is a lute that has a bulging belly and a sickle-shaped headstock. Part of that characterization comes from a c. 1330 poem, Libro de buen amor by Juan Ruiz, arcipestre de Hita, which described the "Moorish gittern" as "corpulent". [1] The use of the adjective morisca tacked to guitarra may have been to differentiate it from the commonly seen Latin European variety, when the morisca was seen on a limited basis during the 14th century. [2]
Appeared in the early 9th century, it is an instrument mentioned in the Cantigas de Santa Maria , and by Johannes de Grocheio (towards 1300) who called it quitarra sarracénica. In the 14th century it is known by the term "guitarra morisca", coined by Arcipreste de Hita in Libro de buen amor . It has similarities to both the guitarra latina and medieval lute, usually played by fingers or plectrum.
It has roots in the four-string Arabic oud, brought to Iberia by the Moors in the 8th century. [3] The guitarra morisca is a direct ancestor of the modern guitar. By the 14th century, the guitarra morisca was simply referred to as a guitar. [4]
The guitarra morisca is an obscure instrument, known mainly from pictures. Early instrument expert Francis William Galpin mentioned the instrument in his book, Old English Instruments of Music (pages 21-22), calling it the "Guitare Moresca" or "Chittara Saraacenica", with its "long neck, oval shaped body and round back." He also felt it related to the Colascione. [5]
A lute is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.
Juan Ruiz, known as the Archpriest of Hita, was a medieval Castilian poet. He is best known for his ribald, earthy poem, ElLibro de buen amor.
The cittern or cithren is a stringed instrument dating from the Renaissance. Modern scholars debate its exact history, but it is generally accepted that it is descended from the Medieval citole. Its flat-back design was simpler and cheaper to construct than the lute. It was also easier to play, smaller, less delicate and more portable. Played by people of all social classes, the cittern was a popular instrument of casual music-making much like the guitar is today.
Mester de Clerecía is a Spanish literature genre that can be understood as an opposition and surpassing of Mester de Juglaría. It was cultivated in the 13th century by Spanish learned poets, usually clerics.
The bandurria is a plucked chordophone from Spain, similar to the mandolin and bandola, primarily used in Spanish folk music, but also found in former Spanish colonies.
The Book of Good Love, considered to be one of the masterpieces of Spanish poetry, is a pseudo-biographical account of romantic adventures by Juan Ruiz, the Archpriest of Hita, the earliest version of which dates from 1330; the author completed it with revisions and expansions in 1343.
The citole was a string musical instrument, closely associated with the medieval fiddles and commonly used from 1200–1350. It was known by other names in various languages: cedra, cetera, cetola, cetula, cistola, citola, citula, citera, chytara, cistole, cithar, cuitole, cythera, cythol, cytiole, cytolys, gytolle, sitole, sytholle, sytole, and zitol. Like the modern guitar, it was manipulated at the neck to get different notes, and picked or strummed with a plectrum. Although it was largely out of use by the late 14th century, the Italians "re-introduced it in modified form" in the 16th century as the cetra, and it may have influenced the development of the guitar as well. It was also a pioneering instrument in England, introducing the populace to necked, plucked instruments, giving people the concepts needed to quickly switch to the newly arriving lutes and gitterns. Two possible descendant instruments are the Portuguese guitar and the Corsican Cetera, both types of cittern.
The gittern was a relatively small gut-strung, round-backed instrument that first appeared in literature and pictorial representation during the 13th century in Western Europe. It is usually depicted played with a quill plectrum, as can be seen clearly beginning in manuscript illuminations from the thirteenth century. It was also called the guiterna in Spain, guiterne or guiterre in France, the chitarra in Italy and Quintern in Germany. A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered an ancestor of the modern guitar and other instruments like the mandore, bandurria and gallichon.
The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings. The terms were interchangeable, with mandora more commonly used from the mid-18th century onwards.
The Baroque guitar is a string instrument with five courses of gut strings and moveable gut frets. The first course sometimes used only a single string.
The evolution of classical guitars began with the influences of the gittern and vihuela in the 16th century and ended with the modern classical guitar in the mid-19th century.
An acoustic guitar is a musical instrument in the string family. When a string is plucked, its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. While the original, general term for this stringed instrument is guitar, the retronym 'acoustic guitar' – often used to indicate the steel stringed model – distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4.
The cythara is a wide group of stringed instruments of medieval and Renaissance Europe, including not only the lyre and harp but also necked, string instruments. In fact, unless a medieval document gives an indication that it meant a necked instrument, then it likely was referring to a lyre. It was also spelled cithara or kithara and was Latin for the Greek lyre. However, lacking names for some stringed instruments from the medieval period, these have been referred to as fiddles and citharas/cytharas, both by medieval people and by modern researchers. The instruments are important as being ancestors to or influential in the development of a wide variety of European instruments, including fiddles, vielles, violas, citoles and guitars. Although not proven to be completely separate from the line of lute-family instruments that dominated Europe, arguments have been made that they represent a European-based tradition of instrument building, which was for a time separate from the lute-family instruments.
The mandore is a musical instrument, a small member of the lute family, teardrop shaped, with four to six courses of gut strings and pitched in the treble range. Considered a French instrument, with much of the surviving music coming from France, it was used across "Northern Europe" including Germany and Scotland. Although it went out of style, the French instrument has been revived for use in classical music. The instrument's most commonly played relatives today are members of the mandolin family and the bandurria.
The kithara, Latinized as cithara, was an ancient Greek musical instrument in the yoke lutes family. It was a seven-stringed professional version of the lyre, which was regarded as a rustic, or folk instrument, appropriate for teaching music to beginners. As opposed to the simpler lyre, the cithara was primarily used by professional musicians, called kitharodes. In modern Greek, the word kithara has come to mean "guitar", a word which etymologically stems from kithara.
A conchera or concha is Mexican stringed-instrument, plucked by concheros dancers. The instruments were important to help preserve elements of native culture from Eurocentric-Catholic suppression. The instruments are used by concheros dancers for singing at velaciones and for dancing at obligaciones.
The guitarra latina is a plucked string instrument of the Medieval period in Europe. It has single string courses, and it is normally played with a pick. This gittern or citole with curved sides is illustrated in the medieval musical text the Cantigas de Santa Maria, alongside another gittern, the guitarra morisca.
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body".
The mandolin is a modern member of the lute family, dating back to Italy in the 18th century. The instrument was played across Europe but then disappeared after the Napoleonic Wars. Credit for creating the modern bowlback version of the instrument goes to the Vinaccia family of Naples. The deep bowled mandolin, especially the Neapolitan form, became common in the 19th century, following the appearance of an international hit, the Spanish Students. They toured Europe and America, and their performances created a stir that helped the mandolin to become widely popular.
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Old English Instruments of Music.