Medieval architecture was the art and science of designing and constructing buildings in the Middle Ages. The major styles of the period included pre-Romanesque, Romanesque, and Gothic. In the fifteenth century, architects began to favour classical forms again, in the Renaissance style, marking the end of the medieval period. Many examples of religious, civic, and military architecture from the Middle Ages survive throughout Europe.
The pre-Romanesque period lasted from the beginning of the Middle Ages (around 500 AD) to the emergence of the Romanesque style (from the 10th century). Much of the notable architecture from the period comes from France and Germany, under the Merovingians and the Carolingians and the Ottonians. Other regions also have examples of architecture from this period, including Croatia, England and Iberia (especially in Asturias and León). In Lombardy, the pre-Romanesque style included many Romanesque features and is therefore known as the First Romanesque. [1]
The Romanesque style was predominant across Europe during the 11th and 12th centuries. It is characterized by rounded arches, by barrel or groin vaulting and by thick walls. The first and greatest patrons of Romanesque architecture came from the Church, especially monastic traditions such as Cluniacs and the Cistercians, but examples of Romanesque civic and military buildings survive. [1] [2]
The term 'Romanesque' (literally meaning 'in the manner of the Romans') was first used to describe the style in 1819. [3] Although the style did draw on ancient Roman architecture, it was ultimately an original style and had a wider range of influences than the name suggests. [2]
Examples of Romanesque architecture survive across Europe, including in England, France, Germany, Italy, Spain, Scandinavia and Eastern Europe. [1]
The Gothic style was predominant across Europe between the late 12th century and the end of the Middle Ages in the 15th century. The key feature of Gothic architecture is pointed arches. Other features, including rib vaulting, exterior buttresses, elaborate tracery and stained glass, are commonly found in Gothic architecture. The choir of the Basilica of Saint-Denis in France, completed in 1144, is considered to be the first wholly Gothic building, combining all of these elements. [4] [5]
The term 'Gothic' (literally meaning 'in the manner of the Goths') was first used in the 16th century by Giorgio Vasari. However, the Goths, an ancient Germanic people, had no influence on the Gothic style. The Gothic style actually evolved from Romanesque architecture in France. A number of other factors and styles may have influenced early Gothic architecture. Architecture that combines elements of both the Romanesque and Gothic styles is sometimes referred to as Romano-Gothic. [4]
Scholars have divided Gothic architecture into a number of different periods: Early Gothic in the 12th century, High Gothic (similar to Classic Gothic) in the 13th century, and Late Gothic from the 14th century. During the High Gothic period, Rayonnant was the primary style in France and Decorated was the main style in England. In the Late Gothic period, Flamboyant was the primary style in France (and Spain) and Perpendicular was the main style in England. Although from the 15th century the Gothic style was replaced by Renaissance architecture, marking the end of the Middle Ages and medieval architecture, there were Gothic Revival and Romanesque Revival movements in the nineteenth century. [4]
Both religious and secular examples of medieval Gothic architecture survive, notably a number of cathedrals. Examples survive across Europe, including in Belarus, Czechia, England, France, Italy, Lithuania, the Low Countries, Poland, Portugal, Scandinavia, and Spain. Each country developed a unique style of Gothic architecture, as did many smaller regions, including Southern France, Milan, Venice, Catalonia, Levante, and Valencia. The Brick Gothic style was widespread around the Baltic and in North Germany. Towards the end of the Gothic period, a number of new regional styles emerged, often incorporating elements of Renaissance architecture. These include the Plateresque in Spain, Isabelline in Castile, Manueline in Portugal, and Sondergotik around Germany. [4]
Many surviving medieval buildings originally served a religious purpose. The architecture of the buildings depended on the religion it served, the region it was located in, and the styles during the time. For example, mosques often had domes, whereas churches usually had bell towers. Although some examples of medieval synagogues and mosques survive, particularly in Spain, Christian churches and monasteries are the most common survival throughout Europe.
A number of different types of medieval church survive: parish churches, such as in York; cathedral churches; such as across England; and abbey churches, such as across England. Most surviving churches are in the Gothic style, and share a number of features — stained glass, vaulting, buttresses, and an altar at the east end. Churches usually took the shape of a cross, with a nave, chancel, transepts and aisles. [6] Churches often had reliquaries to display precious relics. [7] Their design often had religious symbolism, such as Sunday Christ paintings and biblical narratives in stained glass. [8] The surviving churches are almost entirely made out of stone.
Surviving examples of medieval secular architecture mainly served for defense, these include forts, castles, tower houses, and fortified walls. Fortifications were built during the Middle Ages to display the power of the lords of the land and reassure common folk in their protection of property and livelihood. [9] In the early Middle Ages, fortifications were made from wood and earth, these were called Motte and bailey castles. These consist of a stockade or palisade surrounding an enclosed courtyard and man-made mound. This fortification acted as a passive obstacle that potential enemies would have to face to attack the civilization. However, this method of fortification had its downside including being vulnerable to fires so more methods of fortification were created.
Military architecture began to start being created with stone in the 11th century, it was also used to indicate wealth and power of the area protected with it. Stone was much more durable and was fireproof. They also began to adopt the use of cylindrical ground plans. There were many benefits to a cylindrical shape, it reduced blindspots, they were more resistant. [10] Some examples of cylindrical fortifications are the gate towers at Harlech Castle and the Tour des Pénitents.
Medieval Fortifications also displayed many different defensive elements including, hoardings, loopholes or crosslets, and moats. Hoarding and loopholes were both beneficial for the archers or missile throwers, allowing them to see their targets better. Windows gained a cross-shape for more than decorative purposes, they provided a perfect fit for a crossbowman to shoot invaders from inside safely. Moats were used as a defensive mechanism for keeping attackers further away from the fort, while most were kept dry, moats were much more effective when wet. [11]
While much of the surviving medieval architecture is either religious or military, examples of civic and even domestic architecture can be found throughout Europe. Examples include manor houses, town halls, almshouses and bridges, but also residential houses.Walled towns were constructed across Europe, including in Austria. The Civic landscape of Europe was built up of the crown, the church, guilds, mayors, and the elite. It was also largely running off of ceremonies that connected these relationships. [12] The examples of the civic architecture mentioned in the last paragraph were mostly owned by the elite or government buildings. For example, manor houses were owned by bishops and located closely in relation to churches. These buildings, due to their higher class ownership, were more large in scale with elements that displayed wealth. [13] They also provide an insight into the social history of the area it sits in through its architecture due to them adapting throughout the years to accommodate what the owner needed most. [14] Majority of these buildings were made of stone while some were also wood framed. [15]
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.
Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.
The medieval art of the Western world covers a vast scope of time and place, with over 1000 years of art in Europe, and at certain periods in Western Asia and Northern Africa. It includes major art movements and periods, national and regional art, genres, revivals, the artists' crafts, and the artists themselves.
Rose window is often used as a generic term applied to a circular window, but is especially used for those found in Gothic cathedrals and churches. The windows are divided into segments by stone mullions and tracery. The term rose window was not used before the 17th century and comes from the English flower name rose.
The term Norman architecture is used to categorise styles of Romanesque architecture developed by the Normans in the various lands under their dominion or influence in the 11th and 12th centuries. In particular the term is traditionally used for English Romanesque architecture. The Normans introduced large numbers of castles and fortifications including Norman keeps, and at the same time monasteries, abbeys, churches and cathedrals, in a style characterised by the usual Romanesque rounded arches and especially massive proportions compared to other regional variations of the style.
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognisable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace.
The architecture of England is the architecture of modern England and in the historic Kingdom of England. It often includes buildings created under English influence or by English architects in other parts of the world, particularly in the English and later British colonies and Empire, which developed into the Commonwealth of Nations.
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style.
Gothic Revival architecture in Canada is an historically influential style, with many prominent examples. The Gothic Revival style was imported to Canada from Britain and the United States in the early 19th century, and it rose to become the most popular style for major projects throughout the late 19th and early 20th centuries.
The architecture of Germany has a long, rich and diverse history. Every major European style from Roman to Postmodern is represented, including renowned examples of Carolingian, Romanesque, Gothic, Renaissance, Baroque, Classical, Modern and International Style architecture.
English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows. Important examples include Westminster Abbey, Canterbury Cathedral and Salisbury Cathedral. The Gothic style endured in England much longer than in Continental Europe.
A tympanum is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element, although it is most commonly associated with Romanesque and Gothic architecture.
The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region and houses the throne of a bishop. Each cathedral also serves as a regional centre and a focus of regional pride and affection.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe. In some countries, such as Sweden and England, only a small number of original stained windows has survived to this day.
Islamic influences on Western art refers to the stylistic and formal influence of Islamic art, defined as the artistic production of the territories ruled by Muslims from the 7th century onward, on European Christian art. Western European Christians interacted with Muslims in Europe, Africa, and the Middle East and formed a relationship based on shared ideas and artistic methods. Islamic art includes a wide variety of media including calligraphy, illustrated manuscripts, textiles, ceramics, metalwork, and glass, and because the Islamic world encompassed people of diverse religious backgrounds, artists and craftsmen were not always Muslim, and came from a wide variety of different backgrounds. Glass production, for example, remained a Jewish speciality throughout the period. Christian art in Islamic lands, such as that produced in Coptic Egypt or by Armenian communities in Iran, continued to develop under Islamic rulers.
Romanesque architecture is an architectural style of medieval Europe characterised by semi-circular arches. The term "Romanesque" is usually used for the period from the 10th to the 12th century with "Pre-Romanesque" and "First Romanesque" being applied to earlier buildings with Romanesque characteristics. Romanesque architecture can be found across the continent, diversified by regional materials and characteristics, but with an overall consistency that makes it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture.
Gothic architecture is a style of architecture that flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture.
The Romanesque style of architecture was introduced in Portugal between the end of the 11th and the beginning of the 12th century. In general, Portuguese cathedrals have a heavy, fortress-like appearance, with crenellations and few decorative elements apart from portals and windows. Portuguese Romanesque cathedrals were later extensively modified, among others the Old Cathedral of Coimbra, although it only had some minor changes.
The Gothic style of architecture was strongly influenced by the Romanesque architecture which preceded it. Why the Gothic style emerged from Romanesque, and what the key influences on its development were, is a difficult problem for which there is a lack of concrete evidence because medieval Gothic architecture was not accompanied by contemporary written theory, in contrast to the 'Renaissance' and its treatises. A number of contrasting theories on the origins of Gothic have been advanced: for example, that Gothic emerged organically as a 'rationalist' answer to structural challenges; that Gothic was informed by the methods of medieval Scholastic philosophy; that Gothic was an attempt to imitate heaven and the light referred to in various Biblical passages such as Revelation; that Gothic was 'medieval modernism' deliberately rejecting the 'historicist' forms of classical architecture. Beyond specific theories, the style was also shaped by the specific geographical, political, religious and cultural context of Europe in the 12th century onwards.
Perpendicular Gothic architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British-Irish Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.
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