Medieval architecture

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12th-century romanesque nave of Durham Cathedral. Durham Cathedral Nave.jpg
12th-century romanesque nave of Durham Cathedral.

Medieval architecture was the art of designing and constructing buildings in the Middle Ages. Major styles of the period include pre-Romanesque, Romanesque, and Gothic. The Renaissance marked the end of the medieval period, when architects began to favour classical forms. While most surviving medieval constructions are churches and military fortifications, examples of civic and domestic architecture can be found throughout Europe, including in manor houses, town halls, almshouses, bridges, and residential houses.

Contents

Guilds were formed by craftsmen during this period to organize their trades. Architects were usually master masons (Magister lathomorum), and were typically responsible for the structural engineering of their buildings, for ensuring that they were stable, unlike in later periods.

Styles

Pre-Romanesque

Early medieval secular architecture in pre-romanesque Spain: the palace of Santa Maria del Naranco, c. 850. Santa Maria del Naranco.jpg
Early medieval secular architecture in pre-romanesque Spain: the palace of Santa María del Naranco, c.850.

European architecture in the Early Middle Ages may be divided into Early Christian, Romanesque architecture, Russian church architecture, Norse architecture, Pre-Romanesque, including Merovingian, Carolingian, Ottonian, and Asturian. While these terms are problematic,[ why? ] they nonetheless serve adequately as entries into the era. Considerations that enter into histories of each period include Trachtenberg's "historicising" and "modernising" elements, Italian versus northern, Spanish, and Byzantine elements, and especially the religious and political maneuverings between kings, popes, and various ecclesiastic officials.

Romanesque

Romanesque, prevalent in medieval Europe during the 11th and 12th centuries, was the first pan-European style since Roman Imperial architecture and examples are found in every part of the continent. The term was not contemporary with the art it describes, but rather, is an invention of modern scholarship based on its similarity to Roman Architecture in forms and materials. Romanesque is characterized by a use of round or slightly pointed arches, barrel vaults, and cruciform piers supporting vaults. Romanesque buildings are widely known throughout Europe.

The spread of Romanesque architecture through Europe has been described as "revolutionary"[ by whom? ]. This style is sometimes called Anglo-Norman, though it continues under the Angevin and Plantagenet rulers. Motifs of Roman origin were common to Norman and Anglo-Saxon architectural styles. Though usually classed broadly as "Romanesque", the period of architecture can now be divided into two stages. The first stage from 1070 A.D. to 1100 A.D. saw the style emerge during the rebuilding of many great churches, cathedrals, and monasteries (surviving examples include the Durham Cathedral, Norwich Cathedral and the Peterborough Cathedral). The second stage lasted from 1100 A.D. to 1170 A.D. when many smaller churches were built and renovated. During this time, the style became more detailed and ornamental. Identifying these latter churches is made difficult due to something called the Saxo-Norman overlap, where many Anglo-Saxon aspects are present in the masonry. The Church at Kilpeck is identified as 12th century based on its shallow and flat buttresses, emphatic corbel table and apse. [1]

Gothic

The various elements of Gothic architecture emerged in a number of 11th and 12th century building projects, particularly in the Île de France area, but were first combined to form what we would now recognise as a distinctively Gothic style at the 12th century abbey church of Saint-Denis in Saint-Denis, near Paris. Verticality is emphasized in Gothic architecture, which features almost skeletal stone structures with great expanses of glass, pared-down wall surfaces supported by external flying buttresses, pointed arches using the ogive shape, ribbed stone vaults, clustered columns, pinnacles and sharply pointed spires. Windows contain stained glass, showing stories from the Bible and from lives of saints. Such advances in design allowed cathedrals to rise taller than ever.

Functions

Cloisters of Mont Saint-Michel, Normandy, France. Normandie Manche Mont1 tango7174.jpg
Cloisters of Mont Saint-Michel, Normandy, France.

Religious architecture

The Latin cross plan, common in medieval ecclesiastical architecture, takes the Roman basilica as its primary model with subsequent developments. It consists of a nave, transepts, and the altar stands at the east end (see Cathedral diagram ). Also, cathedrals influenced or commissioned by Justinian employed the Byzantine style of domes and a Greek cross (resembling a plus sign), with the altar located in the sanctuary on the east side of the church.

Military architecture

Zvolen Castle in Slovakia strongly inspired by Italian castles of the fourteenth century Zolyomcivertanlegi1.jpg
Zvolen Castle in Slovakia strongly inspired by Italian castles of the fourteenth century

Surviving examples of medieval secular architecture mainly served for defense. Castles and fortified walls provide the most notable remaining non-religious examples of medieval architecture. Windows gained a cross-shape for more than decorative purposes, they provided a perfect fit for a crossbowman to safely shoot invaders from inside. Crenellated walls (battlements) provided shelters for archers on the roofs to hide behind when not shooting invaders.

Civic architecture

While much of the surviving medieval architecture is either religious or military, examples of civic and even domestic architecture can be found throughout Europe. Examples include manor houses, town halls, almshouses and bridges, but also residential houses.

Regions

Central Europe

Malbork Castle in Poland Castillo de Malbork, Polonia, 2013-05-19, DD 04.jpg
Malbork Castle in Poland

Byzantine Empire

Bulgarian Empire

Baba Vida, Bulgaria Baba Vida Klearchos 1.jpg
Baba Vida, Bulgaria

Scandinavia

Turku Castle, Finland Castle of Turku 3.jpg
Turku Castle, Finland

Kievan Rus

See also

Related Research Articles

<span class="mw-page-title-main">Romanesque architecture</span> Architectural style of Medieval Europe

Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.

<span class="mw-page-title-main">Gothic architecture</span> Architectural style of Medieval Europe

Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.

<span class="mw-page-title-main">Architecture of cathedrals and great churches</span>

Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.

<span class="mw-page-title-main">Medieval art</span> Art during the Middle Ages in Europe and beyond

The medieval art of the Western world covers a vast scope of time and place, with over 1000 years of art in Europe, and at certain periods in Western Asia and Northern Africa. It includes major art movements and periods, national and regional art, genres, revivals, the artists' crafts, and the artists themselves.

<span class="mw-page-title-main">Rib vault</span> Architectural feature to cover a wide space

A rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows.

<span class="mw-page-title-main">Archivolt</span> Ornamental molding or band following the curve on the underside of an arch

An archivolt is an ornamental moulding or band following the curve on the underside of an arch. It is composed of bands of ornamental mouldings surrounding an arched opening, corresponding to the architrave in the case of a rectangular opening. The word is sometimes used to refer to the under-side or inner curve of the arch itself. Most commonly archivolts are found as a feature of the arches of church portals. The mouldings and sculptures on these archivolts are used to convey a theological story or depict religious figures and ideologies of the church in order to represent the gateway between the holy space of the church and the external world. The presence of archivolts on churches is seen throughout history, although their design, both architecturally and artistically, is heavily influenced by the period they were built in and the churches they were designed for.

<span class="mw-page-title-main">Rose window</span> Type of circular window often found in Gothic churches and cathedrals

Rose window is often used as a generic term applied to a circular window, but is especially used for those found in Gothic cathedrals and churches. The windows are divided into segments by stone mullions and tracery. The term rose window was not used before the 17th century and comes from the English flower name rose.

<span class="mw-page-title-main">Norman architecture</span> Styles of Romanesque architecture developed by the Normans

The term Norman architecture is used to categorise styles of Romanesque architecture developed by the Normans in the various lands under their dominion or influence in the 11th and 12th centuries. In particular the term is traditionally used for English Romanesque architecture. The Normans introduced large numbers of castles and fortifications including Norman keeps, and at the same time monasteries, abbeys, churches and cathedrals, in a style characterised by the usual Romanesque rounded arches and especially massive proportions compared to other regional variations of the style.

<span class="mw-page-title-main">Gothic art</span> Style of medieval art

Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace.

<span class="mw-page-title-main">Architecture of England</span> Architectural styles of modern England and the historic Kingdom of England

The architecture of England is the architecture of modern England and in the historic Kingdom of England. It often includes buildings created under English influence or by English architects in other parts of the world, particularly in the English and later British colonies and Empire, which developed into the Commonwealth of Nations.

<span class="mw-page-title-main">Romanesque art</span> Artistic style of Europe from 1000 AD to the 13c

Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style.

<span class="mw-page-title-main">Romano-Gothic</span> Architectural style

Romano-Gothic is a term, rarely used in writing in English, for an architectural style, part of Early Gothic architecture, which evolved in Europe in the 12th century from the Romanesque style, and was an early style in Gothic architecture. In England "Early English Gothic" remains the usual term. The style is characterized by rounded and pointed arches on a vertical plane. Flying buttresses were used, but are mainly undecorated. Romanesque buttresses were also used. Romano-Gothic began to use the decorative elements of Gothic architecture, but not the constructional principles of more fully Gothic buildings. However, the walls did start to become thinner by using some pointed arches and ribbed vaults to distribute weight more evenly.

<span class="mw-page-title-main">Islamic influences on Western art</span>

Islamic influences on Western art refers to the stylistic and formal influence of Islamic art, defined as the artistic production of the territories ruled by Muslims from the 7th century onward, on European Christian art. Western European Christians interacted with Muslims in Europe, Africa, and the Middle East and formed a relationship based on shared ideas and artistic methods. Islamic art includes a wide variety of media including calligraphy, illustrated manuscripts, textiles, ceramics, metalwork, and glass, and because the Islamic world encompassed people of diverse religious backgrounds, artists and craftsmen were not always Muslim, and came from a wide variety of different backgrounds. Glass production, for example, remained a Jewish speciality throughout the period. Christian art in Islamic lands, such as that produced in Coptic Egypt or by Armenian communities in Iran, continued to develop under Islamic rulers.

<span class="mw-page-title-main">Romanesque secular and domestic architecture</span> Period of architectural design

Romanesque architecture is an architectural style of medieval Europe characterised by semi-circular arches. The term "Romanesque" is usually used for the period from the 10th to the 12th century with "Pre-Romanesque" and "First Romanesque" being applied to earlier buildings with Romanesque characteristics. Romanesque architecture can be found across the continent, diversified by regional materials and characteristics, but with an overall consistency that makes it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture.

<span class="mw-page-title-main">Gothic secular and domestic architecture</span>

Gothic architecture is a style of architecture that flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture.

<span class="mw-page-title-main">Portuguese Romanesque architecture</span>

The Romanesque style of architecture was introduced in Portugal between the end of the 11th and the beginning of the 12th century. In general, Portuguese cathedrals have a heavy, fortress-like appearance, with crenellations and few decorative elements apart from portals and windows. Portuguese Romanesque cathedrals were later extensively modified, among others the Old Cathedral of Coimbra, although it only had some minor changes.

<span class="mw-page-title-main">Pointed arch</span> Arch with a pointed crown

A pointed arch, ogival arch, or Gothic arch is an arch with a pointed crown meet at an angle at the top of the arch. Also known as a two-centred arch, its form is derived from the intersection of two circles. This architectural element was particularly important in Gothic architecture. The earliest use of a pointed arch dates back to bronze-age Nippur. As a structural feature, it was first used in eastern Christian architecture, Byzantine architecture and Sasanian architecture, but in the 12th century it came into use in France and England as an important structural element, in combination with other elements, such as the rib vault and later the flying buttress. These allowed the construction of cathedrals, palaces and other buildings with dramatically greater height and larger windows which filled them with light.

<span class="mw-page-title-main">Influences upon Gothic architecture</span>

The Gothic style of architecture was strongly influenced by the Romanesque architecture which preceded it. Why the Gothic style emerged from Romanesque, and what the key influences on its development were, is a difficult problem for which there is a lack of concrete evidence because medieval Gothic architecture was not accompanied by contemporary written theory, in contrast to the 'Renaissance' and its treatises. A number of contrasting theories on the origins of Gothic have been advanced: for example, that Gothic emerged organically as a 'rationalist' answer to structural challenges; that Gothic was informed by the methods of medieval Scholastic philosophy; that Gothic was an attempt to imitate heaven and the light referred to in various Biblical passages such as Revelation; that Gothic was 'medieval modernism' deliberately rejecting the 'historicist' forms of classical architecture. Beyond specific theories, the style was also shaped by the specific geographical, political, religious and cultural context of Europe in the 12th century onwards.

References

  1. Cannon, Jon (10 July 2014). Medieval Church Architecture. ISBN   9780747815327.

Further reading