New Classical architecture, also known as New Classicism or Contemporary Classical architecture, [1] is a contemporary movement that builds upon the principles of Classical architecture. It is sometimes considered the modern continuation of Neoclassical architecture, [2] [3] [4] even though other styles might be cited as well, such as Gothic, Baroque, Renaissance or even non-Western styles [5] – often referenced and recreated from a postmodern perspective rather than as strict revivals. [6]
The design and construction of buildings in evolving classical styles continued throughout the 20th and 21st centuries, even as modernist and other non-classical theories broke with the classical language of architecture. The New Classical movement is also tied to a resurgence in new traditional architecture, which emphasizes craftsmanship rooted in local building traditions and materials. [7]
During the 1950s and 1960s, a small group of architects in Europe continued designing classical buildings contrary to the prevailing fashion for Modernist architecture. British architects Donald McMorran, who designed several noteworthy neoclassical buildings such as the Cripps Hall at the University of Nottingham and described the Modernist movement as "a dictatorship of taste", [8] [9] and Raymond Erith, who mentored New Classical architect Quinlan Terry – Erith's pupil, employee, partner, and ultimately successor – were notable for their neoclassical works, including numerous civic buildings and housing estates. In mainland Europe, François Spoerry contributed to the European Urban Renaissance with his classical designs and by the late 1970s, architects like Leon Krier and Maurice Culot began challenging modernist planning through publications and counter-projects, [10] a movement further bolstered by the support of King Charles III (then Prince of Wales) and initiatives such as The Prince's Foundation for Building Community. [11]
During the same period, postmodern architecture emerged as a critique to modernist architectural aesthetics. [12] Influential architects inside this movement, such as Charles Moore, Robert Venturi, [13] and Michael Graves used classical elements as ironic motifs to criticize modernism's sterility. A broad spectrum of more than two dozen architects, theorists, and historians also presented alternatives to modernism [14] and among them were several serious New Classical architects who viewed classicism as a legitimate mode of architectural expression, some of whom would later become Driehaus Prize Laureates, including figures like Thomas Beeby and Robert A.M. Stern, who practiced both postmodern and classical styles. Some postmodernist firms, such as Stern and Albert, Righter, & Tittman, outright transitioned from postmodern design to new interpretations of traditional architecture. [12]
On the education front, Thomas Gordon Smith, a Rome Prize laureate from the American Academy in Rome, published Classical Architecture: Rule and Invention in 1988 and was appointed to chair the University of Notre Dame's Department of Architecture a year later, structuring the curriculum around classical and traditional building practices. [15] [16] Today, programs that teach New Classical Architecture are offered at the University of Miami, Judson University, Andrews University and the Center for Advanced Research in Traditional Architecture in Traditional Architecture at the University of Colorado Denver. [17]
The New Classical movement continues to develop at the professional and popular level, gaining momentum after the 1963 demolition of McKim, Mead & White's Pennsylvania Railroad Station in New York City, which led to the formation of Classical America. Led by Henry Hope Reed, Jr., [18] which advocated for the appreciation of classical architecture by teaching architects the classical orders and hosting various events and conferences. [19] In 2002, the Institute of Classical Architecture merged with Classical America to form the Institute of Classical Architecture & Art (ICAA), which supports regional chapters in the United States that host awards programs, [20] publishes the peer-reviewed journal The Classicist, [21] and offers educational programs for professionals and the public. [22] The international expansion of the movement was catalyzed by the creation of the International Network for Traditional Building, Architecture & Urbanism (INTBAU) in 2001 [23] , a global organization under the patronage of King Charles III, [24] focused on supporting traditional architecture and preserving local character. [25]
In 2003, philanthropist Richard H. Driehaus established the Driehaus Architecture Prize, awarded by the University of Notre Dame School of Architecture, to honor architects whose work embodies classical and traditional principles in architecture and urbanism, seen as the alternative to the modernist Pritzker Prize, but with double the cash prize. [26] It is awarded alongside the Reed Award which recognizes individuals outside architecture who support traditional city design through writing, planning, or promotion. [27] Other notable classical architecture awards include the American Palladio Award, [28] the European Philippe Rotthier Prize , [29] the Iberian Rafael Manzano Prize, [30] the Edmund N. Bacon Prize, [31] and the Rieger Graham Prize [32] of the Institute of Classical Architecture and Art (ICAA) for architecture graduates.
Since 2014, the "Arkitekturupprororet" (Architectural Uprising) movement in Sweden has advocated for traditional designs in new developments. [33] Originally a Facebook group, it has expanded to other Nordic countries and the rest of the world, [34] achieving moderate success in promoting traditional architecture. [33] The movement's main goal is to "make architecture available to everyone" [33] through social media and annual awards recognizing the best and worst new buildings in Sweden.
In 2021, efforts to reintroduce New Classical architecture into urban planning were furthered in the U.S. by architect Nir Buras, [35] who founded the Classic Planning Institute (CPI). Based in Washington, D.C., the CPI focuses on research, practice, and education to incorporate New Classical principles into contemporary urban planning. The CPI also hosts the Traditional Architecture Gathering (TAG), [36] an international conference that attracts hundred of architects and enthusiasts to discuss New Classical Architecture worldwide.
New Classical professionals tend to work under the assumption that there is no such thing as purely original creation, and that innovation unavoidably occurs in an environment laden with suggestions, influences, a precedent of problems solved and, perhaps more importantly, mistakes to be avoided. [37]
Many New Classical architects believe in the importance of sustainability, and aim to create long-lasting, well-crafted buildings of great quality, adapted to the context and with an efficient use of natural resources. [38]
While most universities worldwide teach modernist design principles, some institutions teach (solely, mainly, or partly) the principles of traditional and classical architecture and urban planning. Some of these are: [39]
Robert Arthur Morton Stern is a New York City–based architect, educator, and author. He is the founding partner of the architecture firm, Robert A. M. Stern Architects, also known as RAMSA. From 1998 to 2016, he was the Dean of the Yale School of Architecture.
Léon Krier CVO is a Luxembourgish architect, architectural theorist, and urban planner, a prominent critic of modernist architecture and advocate of New Classical architecture and New Urbanism. Krier combines an international architecture and planning practice with writing and teaching. He is well known for his master plan for Poundbury, in Dorset, England. He is the younger brother of architect Rob Krier.
Alireza Sagharchi RIBA FRSA is a British-Iranian architect. He is an internationally renowned and leading practitioner of contemporary classical architecture and traditional urban design. During his professional career, he has been responsible for major master planning and building projects in the UK, Europe, North America and the Middle East.
Richard Herman Driehaus was an American businessman, investor, and philanthropist. He was the founder, chief investment officer, and chairman of the hedge fund, Driehaus Capital Management LLC, based in Chicago.
The University of Notre Dame School of Architecture is the architecture school at the University of Notre Dame. It was the first Catholic university in America to offer a degree in architecture, beginning in 1898.
The Institute of Classical Architecture & Art (ICAA) is an American nonprofit organization dedicated to advancing the appreciation and practice of traditional architecture and its allied arts by engaging with educators, professionals, students, and enthusiasts. It does so through education, publication, awards, and advocacy. The institute was formed in 2002 with the merger of two nonprofit organizations: The Institute of Classical Architecture, and Classical America.
Peter Morgan Pennoyer FAIA is an American architect and the principal of Peter Pennoyer Architects, an architecture firm based in New York City and with an office in Miami. Pennoyer, his four partners and his forty associates have an international practice in traditional and classical architecture, or New Classical Architecture. Many of the firm's institutional and commercial projects involve historic buildings, and the Institute of Classical Architecture & Art has stated that the firm's strength is in "deftly fusing history and creative invention into timeless contemporary designs."
Henry Hope Reed Jr. was an American architecture critic known for his advocacy of classical architecture and his outspoken criticism of modernist architecture.
The Driehaus Architecture Prize, fully named The Richard H. Driehaus Prize at the University of Notre Dame, is a global award to honor a major contributor in the field of contemporary traditional and classical architecture. The Driehaus Prize was conceived as an alternative to the predominantly modernist Pritzker Prize.
Allan Greenberg is an American architect and one of the leading classical architects of the twenty-first century, also known as New Classical Architecture.
Richard Sammons is an American architect, architectural theorist, visiting professor, and chief designer of Fairfax & Sammons Architects with offices in New York City, New York and Palm Beach, Florida. The firm has an international practice specializing in classical and traditional architecture, interior design and urban planning. Sammons was instrumental in the reemergence of classical design as a major movement in America through his designs as well as his work as an instructor at the Prince of Wales Institute in Britain in 1992-3 and as a founding member of the Institute of Classical Architecture in 1991. From 1996 to 2004, the Fairfax & Sammons office also served as the headquarters for the noted American architecture critic Henry Hope Reed Jr. (1915) and Classical America, the organization he founded in 1968. In 2013, Fairfax & Sammons received the Arthur Ross Award for Lifetime Achievement in Architecture, an award created to recognize and celebrate excellence in the classical tradition.
Thomas H. Beeby is an American architect who was a member of the "Chicago Seven" architects and has been Chairman Emeritus of Hammond, Beeby, Rupert, Ainge Architects (HBRA) for over thirty-nine years.
Pier Carlo Bontempi is an Italian architect.
Stripped Classicism is primarily a 20th-century classicist architectural style stripped of most or all ornamentation, frequently employed by governments while designing official buildings. It was adopted by both totalitarian and democratic regimes. The style embraces a "simplified but recognizable" classicism in its overall massing and scale while eliminating traditional decorative detailing. The orders of architecture are only hinted at or are indirectly implicated in the form and structure.
David M. Schwarz is an American architect. He is the President & CEO of Washington, D.C.–based David M. Schwarz Architects, Inc. and serves as the chairman of the Yale School of Architecture's Dean's Council.
The Rafael Manzano Prize for New Traditional Architecture is an award organized by the Traditional Building Cultures Foundation, thanks to Richard H. Driehaus and the collaboration of INTBAU Spain, INTBAU Portugal, the Serra Henriques Foundation, the Royal Academy of Fine Arts of San Fernando and the Ordem dos Arquitectos of Portugal, and with the High Sponsorship of the Presidency of the Portuguese Republic.
Robert Adam is a Driehaus Architecture Prize winning British architect, urban designer and author, known for championing classical and traditional styles. Adam is a visiting professor at the University of Strathclyde and Design Council Expert.
Michael Lykoudis is an architect, urban designer and consultant, known for his work as dean of the University of Notre Dame School of Architecture and a co-founder of the Driehaus Prize at the University of Notre Dame. He is a member of the College of Fellows of the American Institute of Architects.
The Walsh Family Hall of Architecture is a building on the campus of the University of Notre Dame and houses of the Notre Dame School of Architecture. Construction started in 2016 and was completed in 2019. The school was previously hosted in Bond Hall. Designed by John Simpson, it is an example of New Classical architecture, for which the School of Architecture is well known for. The complex features a Greek-architecture inspired Hall of Casts, a stoa, a tower and a courtyard. The building design won several awards for its design.
Sergi Bastidas is a Spanish designer and auto didactical architect. He is known for the integrative handling of historical buildings and the preservation of their original building substance.
We will engage with the fundamental architectural considerations of scale and language, and the application of the order of classicism at the scale of the town, building, room and fitting.
Throughout the educational process, students are challenged to base architectural decisions on thoughtful and learned criteria, including the body of knowledge found within vernacular and classical traditions.