The Polish cathedral architectural style is a North American genre of Catholic church architecture found throughout the Great Lakes and Middle Atlantic regions as well as in parts of New England. [1] These monumentally grand churches are not necessarily cathedrals, defined as seats of bishops or of their dioceses.
Polish cathedral churches generally have large amounts of ornamentation in the exterior and interior, comparable only to the more famous Churrigueresque or Spanish Baroque style. [2] The decorations used reflect the tastes of the Polish immigrants to these regions in both the symbols and statuary of saints prominently displayed throughout. Additionally there is a heavy proclivity towards ornamentation drawn from the Renaissance and Baroque periods as well as modeling designs after famous churches in Poland. [3] The claim of different 'architectural styles' of Europe ascribed to these churches is misleading, as most of them are already labeled by art historians as examples of Eclecticism and Historicism, characterized by the various architectural revivals found in styles of the late 19th and early 20th centuries. These churches exhibit a mixture of architectural traits from numerous past eras characteristic of Europe and the Americas.
Skerrett says Polish churches surpassed other immigrants' churches in size. Their style promoted the immigrants' vision of Polish identity. [4]
Kantowicz writes in The Archdiocese of Chicago: A Journey of Faith: "The preference of the Polish League for Renaissance and Baroque forms seems more clear cut. The glory days of the Polish Commonwealth came in the sixteenth and seventeenth centuries when it formed the largest state in Europe… The architectural style of Chicago's Polish churches in Chicago reflect this, particularly the magnificent edifices of Worthmann and Steinbach built along Milwaukee Avenue on the Northwest Side, reflected the renaissance glory of Polish Catholicism".
Peter Williams in his book Houses of God: Region, Religion, and Architecture in the United States on p. 179 writes,"[I]n Detroit and Chicago especially, a distinctive genre of church building emerged among Polish communities, the "Polish cathedral." Where most Catholic churches were built in grander or humbler variations and Gothic and Romanesque themes popular across the country, the ambitious prelates in the Great Lakes Polonias often chose to make monumental statements in the Renaissance style of their mother country. The scale of these structures was often enormous, both in the great size of these parishes and the episcopal ambitions of their clerical leaders... Still visible from the freeways, many of these "cathedrals" such as St. Stanislaus Kostka in Chicago now serve African-American or Latino constituencies while others have been closed by their archbishops as no longer economically viable.
The churches are major tourist attractions in Chicago, with tours devoted exclusively to them. [5] [6] In May 1980 the Chicago Architecture Foundation's ArchiCenter held an exhibit on these treasures titled Chicago's Polish Churches.
These ornate temples were largely built by the working poor in these regions in the era spanning the period from the end of the American Civil War until the end of World War II. [7] [8]
Many of Chicago's Protestant elites criticized these stylistically grand churches as "ostentatious" in comparison with the "plainer" style in vogue for Protestant houses of worship. [9] Catholic hierarchs such as John Lancaster Spalding, the first Bishop of Peoria, responded by comparing the churches that the immigrants financed to the pyramids of Egypt that were built by slaves. [9]
The need for identity was evident in the unique architecture of the Polish cathedral style. It was often associated with the religious order of the Congregation of the Resurrection, in addition to the architectural styles of the Renaissance and Baroque periods. [10] [11] Both in scale and scope, these edifices were attempts to contradict the marginal status of Polish immigrants in society. As a stateless people whose culture was systematically attacked in its homeland during the years of partition, they also had a low economic rank in the industrial centers to which they had immigrated at the turn of the century. [12] The construction of these churches greatly influenced the development of neighborhoods that surrounded them. World views that the Polish immigrants from the Old World retained, and their creative assimilation into the New World, shaped the landscape of the rapidly growing industrial regions to which they immigrated. [13]
The Basilica of Saint Hyacinth is a historic church of the Roman Catholic Archdiocese of Chicago, located at 3636 West Wolfram Street in the Avondale neighborhood of Chicago, Illinois.
Archbishop Quigley Preparatory Seminary was an American seminary preparatory school administered by the Roman Catholic Archdiocese of Chicago for young men considering the priesthood. Located in downtown Chicago at 103 East Chestnut Street, adjacent to Loyola University Chicago's Water Tower campus, it closed in 2007, and became the Archbishop Quigley Center in 2008. Between 1961 and 1990, the seminary was split into two campuses: Quigley South and Quigley North, with Quigley North housed at the original building. The south campus was closed in 1990, with all seminary operations returning to the original building.
Saint Mary of the Angels is a historic church of Roman Catholic Archdiocese of Chicago in Chicago, Illinois.
St. Adalbert Church is a historic church of the Roman Catholic Archdiocese of Chicago. The church is located on 17th Street between Paulina Street and Ashland Avenue in the Pilsen neighborhood of Chicago, Illinois. St. Adalbert has served generations of Polish immigrants and their American-born children; at its peak, parish membership numbered 4,000 families with more than 2,000 children enrolled in the school. Today, the church is an anchor for the Mexican immigrants that have made the Pilsen area their home.
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St. Barbara's in Chicago - historic church of the Roman Catholic Archdiocese of Chicago located in Chicago, Illinois, at 2859 South Throop St.
Saint Stanislaus Kostka Catholic Church is a historic Polish church of the Roman Catholic Archdiocese of Chicago that is located at 1351 West Evergreen Avenue in the Pulaski Park neighborhood of Chicago, Illinois, United States. It is designated as the Sanctuary of Divine Mercy of the Archdiocese.
St. Hedwig's Church is a historic parish church of the Roman Catholic Archdiocese of Chicago located in Chicago, Illinois. Constructed in the grand Polish Cathedral style, it is one of the many monumental Polish churches visible from the Kennedy Expressway. The church is located at 2226 North Hoyne Avenue.
The Church of the Immaculate Conception, referred to in Polish as Kościół Niepokalanego Poczęcia Najświętszej Maryi Panny, is a historic church of the Roman Catholic Archdiocese of Chicago located at 2944 East 88th Street in Chicago, Illinois. It is a prime example of the so-called 'Polish Cathedral style' of churches in both its opulence and grand scale. Along with St. Michael's, it is one of the two monumental Polish churches dominating the South Chicago skyline.
Holy Innocents Church,, is a church of the Roman Catholic Archdiocese of Chicago located at 743 North Armour Street in the East Village neighborhood of Chicago, Illinois. It is a prime example of the so-called "Polish Cathedral style" of churches in both its opulence and grand scale.
Holy Trinity Church is a historic church of the Roman Catholic Archdiocese of Chicago located at 1118 North Noble Street. It is a prime example of the so-called 'Polish cathedral style' of churches, in both its opulence and grand scale. Along with such monumental religious edifices as St. Mary of the Angels, St. Hedwig's or St. John Cantius, it is one of the many Polish churches that dominate over the Kennedy Expressway in the Pulaski Park neighborhood of Chicago.
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St. Josaphat is a historic church of the Roman Catholic Archdiocese of Chicago located at 2311 North Southport Avenue in Chicago, Illinois.
Holy Cross Church (Chicago), referred to in Lithuanian as Šv. Kryžiaus Bažnyčia, is a historic church of the Roman Catholic Archdiocese of Chicago located on West 46th Street in Chicago, Illinois. Built by Lithuanian immigrants, it bears a striking resemblance to many of Chicago's so-called "Polish Cathedrals" by virtue of the common heritage Poles and Lithuanians shared during the Polish–Lithuanian Commonwealth and reflected in their architectural tastes. Holy Cross merged with the nearby Immaculate Heart of Mary Church on 45th and Ashland to make one parish, Holy Cross - Immaculate Heart of Mary. In 2021, the parish was further united with two nearby churches.
St. Ladislaus - historic church of the Roman Catholic Archdiocese of Chicago located in Chicago, Illinois.
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Reynold Henry Hillenbrand was an American Catholic priest and leader in the Liturgical Movement, He was a seminary rector, pastor, and Catholic Action chaplain. He followed the methods of Belgian Cardinal Joseph Cardijn.
In terms of sheer size and monumentality, Polish Catholic churches on the Near Northwest Side surpassed the parish churches constructed by most German, Bohemian and Irish congregations. The architectural style promoted by the Resurrectionists used Renaissance and Baroque forms molded to distinctively promote their vision of Polish history and identity.