Following Robert William Billings's Baronial and Ecclesiastical Antiquities of Scotland, architectural historians identified the stylistic features characteristic of the baronial castles built from the latter 16th century as Scots baronial style, which as a revived idiom architects continued to employ up until 1930s. Scottish baronial was core influence on Charles Rennie Mackintosh's Modern Style architecture.[1] The style was considered a British national idiom emblematic of Scotland, and was widely used for public buildings, country houses, residences and follies throughout the British Empire. The Scottish National War Memorial was the last significant monument of the baronial style, built 1920 in Edinburgh Castle after World War I.[2]
The Scottish baronial style is also called Scotch baronial,[3][4] Scots baronial or just baronial style.[5] The name was invented in the 19th century and may come from Robert William Billings's book Baronial and Ecclesiastical Antiquities of Scotland, published in 1852.[6] Before, the style does not seem to have had a name. The buildings produced by the Scottish baronial revival by far outnumber those of the original Scottish "baronial" castles of the Early Modern Period.
Claypotts Castle consists of a rectangular central block with two round towers crowned by square garret chambers. The corners of these chambers or cap-houses are strongly corbelled out over the round form and have crow-stepped gables.
Scottish baronial style drew upon the buildings of the Scottish Renaissance. The style of elite residences built by barons in Scotland developed under the influence of French architecture and the architecture of the County of Flanders in the 16th century and was abandoned by about 1660.[5][4] The style kept many of the features of the high-rising medieval Gothic castles and introduced Renaissance features. The high and relatively thin-walled medieval fortifications had been made obsolete by gunpowder weapons but were associated with chivalry and landed nobility. High roofs, towers and turrets were kept for status reasons. Renaissance elements were introduced. This concerned mainly the windows that became bigger, had straight lintels or round bows and typically lacked mullions. The style drew on tower houses and peel towers,[4] retaining many of their external features. French Renaissance also kept the steep roofs of medieval castles as can be seen for example at Azay-le-Rideau (1518), and the original Scottish baronial style might have been influenced by French masons brought to Scotland to work on royal palaces.
The style was quite limited in scope: a style for lesser Scottish landlords. The walls usually are rubble work and only quoins, window dressings and copings are in ashlar. Sculpted ornaments are sparsely used. In most cases the windows lack pediments. The style often uses corbelledturrets sometimes called tourelles, bartizans or pepperpot turrets. The corbels supporting the turret typically are roll-moulded. Their roofs were conical. Gables are often crow-stepped. Round towers supporting square garret chambers corbelled out over the cylinder of their main bodies are particular the Scottish baronial style. They can be seen at Claypotts, Monea, Colliston, Thirlestane, Auchans, Balvenie, and Fiddes.
Such castles or tower houses are typically built on asymmetric plans. Often this is a Z-plan as at Claypotts Castle (1569–1588), or on an L-plan as at Colliston. Roof lines are uneven and irregular.
The Scottish baronial style coexisted even in Scotland with Northern Renaissance architecture, which was preferred by the wealthier clients. William Wallace's work at the North Range of Linlithgow Palace (1618–1622) and at Heriot's Hospital (1628–1633) are examples of a contemporaneous Scottish Renaissance architecture. Wallace worked for the Countess of Home at Moray House on Edinburgh's Canongate, an Anglo-Scottish client who employed the English master mason Nicholas Stone at her London house in Aldersgate.[7]
The baronial style as well as the Scottish Renaissance style finally gave way to the grander English forms associated with Inigo Jones in the later part of the seventeenth century.[4]
Scottish baronial
European architecture of the 19th century was dominated by revivals of various historic styles. This current took off in the middle of the 18th century with the Gothic Revival in Britain. The Gothic Revival in architecture has been seen as an expression of romanticism and according to Alvin Jackson, the Scots baronial style was "a Caledonian reading of the gothic".[8] Some of the earliest evidence of a revival in Gothic architecture is from Scotland. Inveraray Castle, built starting from 1746 with design input from William Adam, incorporates turrets. These were largely conventional Palladian style houses that incorporated some external features of the Scots baronial style. William Adam's son's, Robert and James continued their father's approach, with houses such as Mellerstain and Wedderburn in Berwickshire and Seton House in East Lothian, but most clearly at Culzean Castle, Ayrshire, remodelled by Robert from 1777.[9]
Large windows of plate glass are not uncommon. Bay windows often have their individual roofs adorned by pinnacles and crenulations. Porches, porticos and porte-cocheres, are often given the castle treatment. An imitation portcullis on the larger houses would occasionally be suspended above a front door, flanked by heraldic beasts and other medieval architectural motifs.[citation needed]
Important for the adoption of the style in the early nineteenth century was Abbotsford House,[10] the residence of the novelist and poet Sir Walter Scott. Rebuilt for him from 1816, it became a model for the Scottish baronial Revival style. Common features borrowed from 16th- and 17th-century houses included battlemented gateways, crow-stepped gables, spiral stairs, pointed turrets and machicolations.[11]Orchardton Castle near Auchencairn, Scotland is a superb example dating from the 1880s.[12]
Important for the dissemination of the style was Robert Billings's (1813–1874) four-volume work Baronial and Ecclesiastical Antiquities of Scotland (1848–1852).[13] It was applied to many relatively modest dwellings by architects such as William Burn (1789–1870), David Bryce (1803–76),[11]Edward Blore (1787–1879), Edward Calvert (c. 1847–1914) and Robert Stodart Lorimer (1864–1929) and in urban contexts, including the building of Cockburn Street in Edinburgh (from the 1850s) as well as the National Wallace Monument at Stirling (1859–1869).[14]Dall House (1855) and Helen's Tower (1848) have square-corbelled-on-round towers or turrets. The rebuilding of Balmoral Castle as a baronial palace and its adoption as a royal retreat from 1855 to 1858 by Queen Victoria confirmed the popularity of the style.[15]
This architectural style was often employed for public buildings, such as Aberdeen Grammar School (about 1860). However, it was by no means confined to Scotland and is a fusion of the Gothic revival castle architecture first employed by Horace Walpole for Strawberry Hill and the ancient Scottish defensive tower houses. In the 19th century it became fashionable for private houses to be built with small turrets. Such buildings were dubbed "in Scottish baronial style". In fact the architecture often had little in common with tower houses, which retained their defensive functions and were deficient with respect to 19th-century ideas of comfort.[citation needed] The revival often adapted the style to the needs and technical abilities of a later time.
In Ireland, a young English architect of the York School of Architecture, George Fowler Jones, designed Castle Oliver, a 110-room mansion of about 29,000sqft (2,700m2), built in a pink sandstone similar to Belfast Castle. Castle Oliver had all the classic features of the style, including battlements, porte-cochère, crow-stepped gables, numerous turrets, arrow slits, spiral stone staircases, and conical roofs.[citation needed]
This form of architecture was popular in the dominions of the British Empire. In New Zealand it was advocated by the architect Robert Lawson, who designed frequently in this style, most notably at Larnach Castle in Dunedin. Other examples in New Zealand include works by Francis Petre. In Canada, Craigdarroch Castle, British Columbia, was built for Robert Dunsmuir, a Scottish coal baron, in 1890. In Toronto, E. J. Lennox designed Casa Loma in the Gothic Revival style for Sir Henry Pellatt, a prominent Canadian financier and industrialist. The mansion has battlements and towers, along with modern plumbing and other conveniences. Another Canadian example is the Banff Springs Hotel in the Banff National Park in Alberta, Canada. The style can also be seen outside the empire at Vorontsov Palace near the city of Yalta, Crimea.[citation needed]
Dunrobin Castle is largely the work of Sir Charles Barry and similar to the ornate conical turrets, foundations and windows of contemporary restorations such as Josselin Castle in Brittany.
Scots-Baronial-style turrets on Victorian tenements in Edinburgh
Scots baronial turret above entrance to The Kirna, an 1867 Ballantyne property in Walkerburn, Scottish Borders.
Balmoral Castle shows the final Victorian embodiment of the style. A principal keep reminiscent of Craigievar is the middle of the castle, while a large turreted country house is attached.
The popularity of the baronial style peaked towards the end of the nineteenth century, and the building of large houses declined in importance in the twentieth century.[16] The baronial style continued to influence the construction of some estate houses, including Skibo Castle, which was rebuilt from 1899 to 1903 for industrialist Andrew Carnegie by Ross and Macbeth.[16][17] Isolated examples included the houses designed by Basil Spence, Broughton Place (1936) and Gribloch (1937–1939), which combined modern and baronial elements.[16]
The 20th-century Scottish baronial castles have the reputation of architectural follies. Among most patrons and architects the style became disfavoured along with the Gothic revival style during the early years of the 20th century.[citation needed]
↑ MacKechnie, Aoughus; Glendinning, Miles (2019). Scotch Baronial – The Architecture of Scotland and Unionist Nationalism. London: Bloomsbury. ISBN978-1474283472.
1 2 3 4 Summerson, J. (1993). Architecture in Britain, 1530 to 1830 (9thed.). New Haven, Connecticut: Yale University Press. pp.502–511. ISBN0300058861. Within the decade 1560–70, an unmistakable national style emerged—the style which the nineteenth century christened, affectionately, 'Scotch Baronial'. It continued to develop, and held its ground for about a hundred years...
1 2 Billings, Robert William (1852). The Baronial and Ecclesiastical Antiquities of Scotland, Volume 1 (1901ed.). Edinburg: Oliver & Boyd. p.6. Retrieved 8 October 2018. From the year 1500 to 1660 or therabouts, Scotland adopted the sterner features of French and Flemish residences, and so cleverly mingled their peculiarities with the castellated architecture of their own growth as to produce a baronial style peculiar to the country.
↑ Nick Haynes & Clive B. Fenton, Building Knowledge, An Architectural History of the University of Edinburgh (Edinburgh, 2017), pp. 236–239, 237–238.
↑ Jackson, Alvin (2011). The Two Unions: Ireland, Scotland, and the Survival of the United Kingdom, 1707–2007. Oxford University Press. p.152. ISBN978-0-19-959399-6.
↑ I. D. Whyte and K. A. Whyte, The Changing Scottish Landscape, 1500–1800 (London: Taylor & Francis, 1991), ISBN0-415-02992-9, p. 100.
↑ Dunbar, John G. (1978). The Architecture of Scotland (2nded.). London: Batsford. p.124. ISBN07134-11422. Abbotsford (...), with its angle-turrets and crowsteps, foreshadows the early Victorian revival of the Scottish Baronial style...
1 2 L. Hull, Britain's Medieval Castles (London: Greenwood, 2006), ISBN0-275-98414-1, p. 154.
↑ Paterson, George B. L. (1983). Orchardton House, Auchencairn, by Castle Douglas. University of Glasgow, Mackintosh School of Architecture: University of Glasgow. pp.17, 21, 30, 38, 56–57.
↑ M. Glendinning, R. MacInnes and A. MacKechnie, A History of Scottish Architecture: From the Renaissance to the Present Day (Edinburgh: Edinburgh University Press, 2002), ISBN978-0-7486-0849-2, pp.276–285.
↑ H.-R. Hitchcock, Architecture: Nineteenth and Twentieth Centuries (New Haven, Connecticut: Yale University Press, 4th edn., 1989), ISBN0-300-05320-7, p. 146.
1 2 3 D. Mays, "Housing: 4 Country seat, c. 1600–Present", in M. Lynch, ed., Oxford Companion to Scottish History (Oxford: Oxford University Press, 2011), ISBN0-19-969305-6, pp.326–328.
Balmoral Castle is a large estate house in Aberdeenshire, Scotland, and a residence of the British royal family. It is near the village of Crathie, 9 miles (14 km) west of Ballater and 50 miles (80 km) west of Aberdeen.
Gothic Revival is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century, mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world, only to begin to fall out of fashion in the 1880s and early 1890s.
In architecture, a turret is a small tower that projects vertically from the wall of a building such as a medieval castle.
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure. A piece of timber projecting in the same way was called a "tassel" or a "bragger" in England.
Victorian architecture is a series of architectural revival styles in the mid-to-late 19th century. Victorian refers to the reign of Queen Victoria (1837–1901), called the Victorian era, during which period the styles known as Victorian were used in construction. However, many elements of what is typically termed "Victorian" architecture did not become popular until later in Victoria's reign, roughly from 1850 and later. The styles often included interpretations and eclectic revivals of historic styles (see Historicism). The name represents the British and French custom of naming architectural styles for a reigning monarch. Within this naming and classification scheme, it followed Georgian architecture and later Regency architecture and was succeeded by Edwardian architecture.
Castles are buildings that combine fortifications and residence, and many were built within the borders of modern Scotland. They arrived in Scotland with the introduction of feudalism in the twelfth century. Initially these were wooden motte-and-bailey constructions, but many were replaced by stone castles with a high curtain wall. During the Wars of Independence, Robert the Bruce pursued a policy of castle slighting. In the Late Middle Ages, new castles were built, some on a grander scale as "livery and maintenance" castles that could support a large garrison. Gunpowder weaponry led to the use of gun ports, platforms to mount guns and walls adapted to resist bombardment.
William Burn was a Scottish architect. He received major commissions from the age of 20 until his death at 81. He built in many styles and was a pioneer of the Scottish Baronial Revival, often referred to as the golden age of Scottish architecture.
Robert William Billings was a British architect and author. He trained as a topographical draughtsman, wrote and illustrated many books early in his career, before concentrating on his architectural practice.
Robert Arthur Lawson was one of New Zealand's pre-eminent 19th century architects. It has been said he did more than any other designer to shape the face of the Victorian era architecture of the city of Dunedin. He is the architect of over forty churches, including Dunedin's First Church for which he is best remembered, but also other buildings, such as Larnach Castle, a country house, with which he is also associated.
Helen's Tower is a 19th-century folly and lookout tower in Conlig, County Down, Northern Ireland. It was built by 5th Lord Dufferin and Clandeboye and named for his mother, Helen. He intended it as a shrine for poems, first of all a poem by his mother and then others that he solicited from famous poets over the years. Tennyson's Helen's Tower is the best known of them. The tower is an example of Scottish Baronial architecture. Helen's Tower inspired the design of the Ulster Tower, a war memorial at Thiepval, France.
Cesvaine Palace is located in the town of Cesvaine, Latvia in Madona Municipality. Next to the palace lies remains of the old bishop's castle.
The architecture of the United Kingdom, or British architecture, consists of a combination of architectural styles, dating as far back to Roman architecture, to the present day 21st century contemporary. England has seen the most influential developments, though Ireland, Scotland, and Wales have each fostered unique styles and played leading roles in the international history of architecture. Although there are prehistoric and classical structures in the United Kingdom, British architectural history effectively begins with the first Anglo-Saxon Christian churches, built soon after Augustine of Canterbury arrived in Great Britain in 597. Norman architecture was built on a vast scale throughout Great Britain and Ireland from the 11th century onwards in the form of castles and churches to help impose Norman authority upon their dominions. English Gothic architecture, which flourished between 1180 until around 1520, was initially imported from France, but quickly developed its own unique qualities.
The architecture of Scotland includes all human building within the modern borders of Scotland, from the Neolithic era to the present day. The earliest surviving houses go back around 9500 years, and the first villages 6000 years: Skara Brae on the Mainland of Orkney being the earliest preserved example in Europe. Crannogs, roundhouses, each built on an artificial island, date from the Bronze Age and stone buildings called Atlantic roundhouses and larger earthwork hill forts from the Iron Age. The arrival of the Romans from about 71 AD led to the creation of forts like that at Trimontium, and a continuous fortification between the Firth of Forth and the Firth of Clyde known as the Antonine Wall, built in the second century AD. Beyond Roman influence, there is evidence of wheelhouses and underground souterrains. After the departure of the Romans there were a series of nucleated hill forts, often utilising major geographical features, as at Dunadd and Dunbarton.
Kincardine Castle is a Victorian country house in Royal Deeside, Scotland. Formerly known as Kincardine House, it is the private home of the Bradford family and also operates as a hospitality venue. The house sits 1 kilometre (0.62 mi) north-east of the village of Kincardine O'Neil, and 8 kilometres (5.0 mi) east of Aboyne on the north side of the River Dee, Aberdeenshire.
The architecture of Scotland in the Middle Ages includes all building within the modern borders of Scotland, between the departure of the Romans from Northern Britain in the early fifth century and the adoption of the Renaissance in the early sixteenth century, and includes vernacular, ecclesiastical, royal, aristocratic and military constructions. The first surviving houses in Scotland go back 9500 years. There is evidence of different forms of stone and wooden houses exist and earthwork hill forts from the Iron Age. The arrival of the Romans led to the abandonment of many of these forts. After the departure of the Romans in the fifth century, there is evidence of the building of a series of smaller "nucleated" constructions sometimes utilizing major geographical features, as at Dunadd and Dumbarton. In the following centuries new forms of construction emerged throughout Scotland that would come to define the landscape.
Architecture in early modern Scotland encompasses all building within the borders of the kingdom of Scotland, from the early sixteenth century to the mid-eighteenth century. The time period roughly corresponds to the early modern era in Europe, beginning with the Renaissance and Reformation and ending with the start of the Enlightenment and Industrialisation.
Architecture of Scotland in the Industrial Revolution includes all building in Scotland between the mid-eighteenth century and the end of the nineteenth century. During this period, the country underwent an economic and social transformation as a result of industrialisation, which was reflected in new architectural forms, techniques and scale of building. In the second half of the eighteenth century, Edinburgh was the focus of a classically inspired building boom that reflected the growing wealth and confidence of the capital. Housing often took the form of horizontally divided tenement flats. Some of the leading European architects during this period were Scottish, including Robert Adam and William Chambers.
Church architecture in Scotland incorporates all church building within the modern borders of Scotland, from the earliest Christian structures in the sixth century until the present day. The early Christian churches for which there is evidence are basic masonry-built constructions on the west coast and islands. As Christianity spread, local churches tended to remain much simpler than their English counterparts. By the eighth century more sophisticated ashlar block-built buildings began to be constructed. From the eleventh century, there were larger and more ornate Romanesque buildings, as with Dunfermline Abbey and St Magnus Cathedral in Orkney. From the twelfth century the introduction of new monastic orders led to a boom in ecclesiastical building, often using English and Continental forms. From the thirteenth century elements of the European Gothic style began to appear in Scotland, culminating in buildings such as Glasgow Cathedral and the rebuilt Melrose Abbey. Renaissance influences can be seen in a move to a low-massive style that was probably influenced by contacts with Italy and the Netherlands.
Estate houses in Scotland or Scottish country houses, are large houses usually on landed estates in Scotland. They were built from the sixteenth century, after defensive castles began to be replaced by more comfortable residences for royalty, nobility and local lairds. The origins of Scottish estate houses are in aristocratic emulation of the extensive building and rebuilding of royal residences, beginning with Linlithgow, under the influence of Renaissance architecture. In the 1560s the unique Scottish style of the Scots baronial emerged, which combined features from medieval castles, tower houses, and peel towers with Renaissance plans, in houses designed primarily for residence rather than defence.
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