Georgian architecture is the name given in most English-speaking countries to the set of architectural styles current between 1714 and 1830. It is named after the first four British monarchs of the House of Hanover—George I, George II, George III, and George IV—who reigned in continuous succession from August 1714 to June 1830. The so-called great Georgian cities of the British Isles were Edinburgh, Bath, pre-independence Dublin, and London, and to a lesser extent York and Bristol. The style was revived in the late 19th century in the United States as Colonial Revival architecture and in the early 20th century in Great Britain as Neo-Georgian architecture; in both it is also called Georgian Revival architecture. In the United States the term "Georgian" is generally used to describe all buildings from the period, regardless of style; in Britain it is generally restricted to buildings that are "architectural in intention", and have stylistic characteristics that are typical of the period, though that covers a wide range.
Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until the second world war, though it continues to inform many architects to this day.
John Nash was one of the foremost British architects of the Georgian and Regency eras, during which he was responsible for the design, in the neoclassical and picturesque styles, of many important areas of London. His designs were financed by the Prince Regent and by the era's most successful property developer, James Burton. Nash also collaborated extensively with Burton's son, Decimus Burton.
The Regency era of British history officially spanned the years 1811 to 1820, though the term is commonly applied to the longer period between c. 1795 and 1837. King George III succumbed to mental illness in late 1810 and, by the Regency Act 1811, his eldest son George, Prince of Wales, was appointed Prince Regent to discharge royal functions. When George III died in 1820, the Prince Regent succeeded him as George IV. In terms of periodisation, the longer timespan is roughly the final third of the Georgian era (1714–1837), encompassing the last 25 years or so of George III's reign, including the official Regency, and the complete reigns of both George IV and his brother William IV. It ends with the accession of Queen Victoria in June 1837 and is followed by the Victorian era (1837–1901).
Decimus Burton was one of the foremost English architects and landscapers of the 19th century. He was the foremost Victorian architect in the Roman revival, Greek revival, Georgian neoclassical and Regency styles. He was a founding fellow and vice-president of the Royal Institute of British Architects, and from 1840 architect to the Royal Botanic Society, and an early member of the Athenaeum Club, London, whose clubhouse he designed and which the company of his father, James Burton, the pre-eminent Georgian London property developer, built.
William Wilkins was an English architect, classical scholar and archaeologist. He designed the National Gallery and University College London, and buildings for several Cambridge colleges.
Sir Robert Smirke was an English architect, one of the leaders of Greek Revival architecture, though he also used other architectural styles. As architect to the Board of Works, he designed several major public buildings, including the main block and façade of the British Museum. He was a pioneer of the use of concrete foundations.
Sir John Newenham Summerson was one of the leading British architectural historians of the 20th century.
Tudor Revival architecture first manifested itself in domestic architecture in the United Kingdom in the latter half of the 19th century. Based on revival of aspects that were perceived as Tudor architecture, in reality it usually took the style of English vernacular architecture of the Middle Ages that had survived into the Tudor period. The style later became an influence elsewhere, especially the British colonies. For example, in New Zealand, the architect Francis Petre adapted the style for the local climate. In Singapore, then a British colony, architects such as R. A. J. Bidwell pioneered what became known as the Black and White House. The earliest examples of the style originate with the works of such eminent architects as Norman Shaw and George Devey, in what at the time was considered Neo-Tudor design.
Christopher Edward Clive Hussey was one of the chief authorities on British domestic architecture of the generation that also included Dorothy Stroud and Sir John Summerson.
London's architectural heritage involves many architectural styles from different historical periods. London's architectural eclecticism stems from its long history, continual redevelopment, destruction by the Great Fire of London and The Blitz, and state recognition of private property rights which have limited large scale state planning. This sets London apart from other European capitals such as Paris and Rome which are more architecturally homogeneous. London's architecture ranges from the Romanesque central keep of The Tower of London, the great Gothic church of Westminster Abbey, the Palladian royal residence Queen's House, Christopher Wren's Baroque masterpiece St Paul's Cathedral, the High Victorian Gothic of The Palace of Westminster, the industrial Art Deco of Battersea Power Station, the post-war Modernism of The Barbican Estate and the Postmodern skyscraper 30 St Mary Axe 'The Gherkin'.
Charles Augustin Busby was an English architect.
Amon Henry Wilds was an English architect. He was part of a team of three architects and builders who—working together or independently at different times—were almost solely responsible for a surge in residential construction and development in early 19th-century Brighton, which until then had been a small but increasingly fashionable seaside resort on the East Sussex coast. In the 1820s, when Wilds, his father Amon Wilds and Charles Busby were at their most active, nearly 4,000 new houses were built, along with many hotels, churches and venues for socialising; most of these still survive, giving Brighton a distinctive Regency-era character, and many are listed buildings.
Brighton and Hove, a city on the English Channel coast in southeast England, has a large and diverse stock of buildings "unrivalled architecturally" among the country's seaside resorts. The urban area, designated a city in 2000, is made up of the formerly separate towns of Brighton and Hove, nearby villages such as Portslade, Patcham and Rottingdean, and 20th-century estates such as Moulsecoomb and Mile Oak. The conurbation was first united in 1997 as a unitary authority and has a population of about 253,000. About half of the 20,430-acre (8,270 ha) geographical area is classed as built up.
Thomas Lainson, FRIBA was a British architect. He is best known for his work in the East Sussex coastal towns of Brighton and Hove, where several of his eclectic range of residential, commercial and religious buildings have been awarded listed status by English Heritage. Working alone or in partnership with two sons as Lainson & Sons, he designed buildings in a wide range of styles, from Neo-Byzantine to High Victorian Gothic; his work is described as having a "solid style, typical of the time".
Prodigy houses are large and showy English country houses built by courtiers and other wealthy families, either "noble palaces of an awesome scale" or "proud, ambitious heaps" according to taste. The prodigy houses stretch over the periods of Tudor, Elizabethan, and Jacobean architecture, though the term may be restricted to a core period of roughly 1570 to 1620. Many of the grandest were built with a view to housing Elizabeth I and her large retinue as they made their annual royal progress around her realm. Many are therefore close to major roads, often in the English Midlands.
Sir Jeffry Wyatville was an English architect and garden designer. Born Jeffry Wyatt into an established dynasty of architects, in 1824 he was allowed by King George IV to change his surname to Wyatville. He is mainly remembered for making alterations and extensions to Chatsworth House and Windsor Castle.
St Mary, Haggerston, was an Anglican parish church built to the designs of John Nash in 1827, in what is now the London Borough of Hackney. Built in the Gothic style of its time, it had an elaborate west front with a disproportionately tall tower. The rest of the church was, in comparison, rather plain. It was altered later in the 19th century by James Brooks as the first initiative of the Haggerston Church Scheme, and destroyed by bombs during the Second World War. The site is now a children's playground west of Haggerston Park, between Thurtle Road and Queensbridge Road.
Gothic House is a Gothic-style building in the centre of Brighton, part of the English city of Brighton and Hove. Although it has been in commercial use for more than a century, it retains some of its original appearance as "one of the most fascinating houses" built by the prolific partnership of Amon Henry Wilds and Charles Busby. It is the only Gothic Revival building they are known to have designed: they typically adopted the Regency style, sometimes with Classical or Italianate touches. The building is Grade II listed.
The Percy and Wagner Almshouses are a group of 12 almshouses in the inner-city Hanover area of the English coastal city of Brighton and Hove. The first six date from 1795 and are among the few pre-19th-century buildings left in the city. Six more were added in a matching style in 1859. They are the only surviving almshouses in Brighton and have been listed at Grade II for their architectural and historical importance.
