An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians; they include many loggias, but here arches are not an essential element. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. [1]
Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, [2] or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters.
A different, related meaning is "a covered passage with shops on one or both sides". [3] Many medieval open arcades housed shops or stalls, either in the arcaded space itself, or set into the main wall behind. From this, "arcade" has become a general word for a group of shops in a single building, regardless of the architectural form.
The word "arcade" comes from French arcade from Provençal arcada or Italian arcata, based on Latin arcus, ‘bow’ (see arc and arch). [4]
A related but ambiguous term is arcature, which is either a small arcade or a blind arcade. [5] [6]
Arcades go back to at least the Ancient Greek architecture of the Hellenistic period, and were much used by the Romans, for example at the base of the Colosseum. Church cloisters very often use arcading. Islamic architecture very often uses arcades in and outside mosques in particular. In Renaissance architecture elegant arcading was often used as a prominent feature of facades, for example in the Ospedale degli Innocenti (commissioned 1419) or the courtyard of the Palazzo Bardi, both by Filippo Brunelleschi in Florence.
The French architect, Bertrand Lemoine, described the period, 1786 to 1935, as l’Ère des passages couverts (the Arcade Era). [7] He was referring to the grand shopping "arcades" that flourished across Europe during that period. A shopping arcade refers to a multiple-vendor space, operating under a covered roof. Typically, the roof was constructed of glass to allow for natural light and to reduce the need for candles or electric lighting. [8] The 18th and 19th century arcades were designed to attract the genteel middle classes. In time, these arcades came to be the place to shop and to be seen. Arcades offered shoppers the promise of an enclosed space away from the chaos that characterised the noisy, dirty streets; a warm, dry space away from the harsh elements, and a safe haven where people could socialise and spend their leisure time. As thousands of glass covered arcades spread across Europe, they became grander and more ornately decorated. By the mid-nineteenth century, they had become prominent centres of fashion and social life. Promenading in these arcades became a popular nineteenth-century pastime for the emerging middle classes. [9]
The inspiration for the grand shopping arcades may have derived from the fashionable open loggias of Florence however medieval vernacular examples known as 'butterwalks' were traditional jettied colonnades in British and North European marketplaces; examples remain for example in Totnes and Dartmouth in Devon. During the 16th-century, a pattern of market trading using mobile stalls under covered arcades was established in Florence, from where it spread throughout Italy. Examples of the earliest open loggias include: Mercato Nuovo (1547) by Giovanni Battista del Tasso (and funded by the Medici family); Mercato Vecchio, Florence by Giorgio Vasari (1567) and Loggia del Grano (1619) by Giulio Parigi. [10]
Arcades soon spread across Europe, North America and the antipodes. Examples of these grand shopping arcades include: Palais Royal in Paris (opened in 1784); Passage de Feydeau in Paris (opened in 1791); London's Piccadilly Arcade (1810) and Milan's Galleria Vittorio Emanuele (1878). [11] Some examples of arcades in North America include New York's Paddock Arcade (1850), Ohio's Dayton Arcade (1904), [12] and Rhode Island's Westminster Arcade (1828). Other notable nineteenth century grand arcades include the Galeries Royales Saint-Hubert in Brussels which was inaugurated in 1847 and Istanbul's Çiçek Pasajı opened in 1870. Shopping arcades were the precursor to the modern shopping mall, and the word "arcade" is now often used for malls which do not use the architectural form at all.[ citation needed ]
The Palais-Royal, which opened in 1784 and became one of the most important marketplaces in Paris, is generally regarded as the earliest example of the grand shopping arcades. [13] Originally, a royal palace, the complex consisted of gardens, shops and entertainment venues situated under the original colonnades. The area boasted some 145 boutiques, cafés, salons, hair salons, bookshops, museums, and numerous refreshment kiosks as well as two theatres. The retail outlets specialised in luxury goods such as fine jewellery, furs, paintings and furniture designed to appeal to the wealthy elite. Retailers operating out of the Palais complex were among the first in Europe to abandon the system of bartering, and adopt fixed-prices thereby sparing their clientele the hassle of bartering. Stores were fitted with long glass exterior windows which allowed the emerging middle-classes to window shop and indulge in fantasies, even when they may not have been able to afford the high retail prices. Thus, the Palais-Royal became one of the first examples of a new style of shopping arcade, frequented by both the aristocracy and the middle classes. It developed a reputation as being a site of sophisticated conversation, revolving around the salons, cafés, and bookshops, but also became a place frequented by off-duty soldiers and was a favourite haunt of prostitutes, many of whom rented apartments in the building. [14]
One of the earliest British examples of a shopping arcade, the Covered Market, Oxford, England was officially opened on 1 November 1774 and is still active today. The Covered Market was started in response to a general wish to clear "untidy, messy and unsavoury stalls" from the main streets of central Oxford. John Gwynn, the architect of Magdalen Bridge, drew up the plans and designed the High Street front with its four entrances. In 1772, the newly formed Market committee, half of whose members came from the town and half from the university, accepted an estimate of nine hundred and sixteen pounds ten shillings, for the building of twenty butchers' shops. Twenty more soon followed, and after 1773 meat was allowed to be sold only inside the market. From this nucleus the market grew, with stalls for garden produce, pig meat, dairy products and fish.[ citation needed ]
Gostiny Dvor in St Petersburg, Russia is another early shopping arcade. Sprawling at the intersection of Nevsky Prospekt and Sadovaya Street for over one kilometer and embracing the area of 53,000 m2 (570,000 sq ft), the indoor complex of more than 100 shops took twenty-eight years to construct. Building commenced in 1757 to an elaborate design by Bartolomeo Rastrelli, but that subsequently was discarded in favour of a less expensive and more functional Neoclassical design submitted by Jean-Baptiste Vallin de la Mothe (1729–1800).[ citation needed ]
Throughout the following century, Gostiny Dvor was augmented, resulting in ten indoor streets and as many as 178 shops by the 20th century. During the post-World War II reconstructions, its inner walls were demolished and a huge shopping mall came into being. This massive 18th-century structure got a face-lift recently and entered the 21st century as one of the most fashionable shopping centres in Eastern Europe. [15]
An early French arcade is the Passage du Caire created in 1798 as a tribute to the French campaign in Egypt and Syria. It was appreciated by the public for its protection from the weather, noise and filth of the streets. [16] A year later American architect William Thayer created the Passage des Panoramas with a row of shops passing between two panorama paintings. Shopping arcades increasingly were built in the second Bourbon Restoration. [17] Upper levels of arcades often contained apartments [18] and sometimes brothels. [19]
Shopping is an activity in which a customer browses the available goods or services presented by one or more retailers with the potential intent to purchase a suitable selection of them. A typology of shopper types has been developed by scholars which identifies one group of shoppers as recreational shoppers, that is, those who enjoy shopping and view it as a leisure activity.
A shopping center, shopping centre, also called a shopping complex, shopping arcade, shopping plaza or galleria, is a group of shops built together, sometimes under one roof.
In classical architecture, a colonnade is a long sequence of columns joined by their entablature, often free-standing, or part of a building. Paired or multiple pairs of columns are normally employed in a colonnade which can be straight or curved. The space enclosed may be covered or open. In St. Peter's Square in Rome, Bernini's great colonnade encloses a vast open elliptical space.
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures.
Andrea Palladio was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition.
The Palais-Royal is a former French royal palace located on Rue Saint-Honoré in the 1st arrondissement of Paris. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre. Originally called the Palais-Cardinal, it was built for Cardinal Richelieu from about 1633 to 1639 by architect Jacques Lemercier. Richelieu bequeathed it to Louis XIII, before Louis XIV gave it to his younger brother, the Duke of Orléans. As the succeeding Dukes of Orléans made such extensive alterations over the years, almost nothing remains of Lemercier's original design.
Burlington Arcade is a covered shopping arcade in London, England, United Kingdom. It is 196 yards (179 m) long, parallel to and east of Bond Street from Piccadilly through to Burlington Gardens. It is one of the precursors of the mid-19th-century European shopping gallery and the modern shopping mall. It is near the similar Piccadilly Arcade.
The Petit Palais is an art museum in the 8th arrondissement of Paris, France.
The Passage, from the French word passage, is an élite department store on Nevsky Avenue in Saint Petersburg, Russia, which was founded in 1848. The Passage premises have long had associations with the entertainment industry and houses the Komissarzhevskaya Theatre.
A sahn, is a courtyard in Islamic architecture, especially the formal courtyard of a mosque. Most traditional mosques have a large central sahn, which is surrounded by a riwaq or arcade on all sides. In traditional Islamic design, residences and neighborhoods can have private sahn courtyards.
The Ospedale degli Innocenti 'Hospital of the Innocents', also known in old Tuscan dialect as the Spedale degli Innocenti, is a historic building in Florence, Italy. It was designed by Filippo Brunelleschi, who received the commission in 1419 from the Arte della Seta. It was originally a children's orphanage. It is regarded as a notable example of early Italian Renaissance architecture. The hospital, which features a nine bay loggia facing the Piazza SS. Annunziata, was built and managed by the "Arte della Seta" or Silk Guild of Florence. That guild was one of the wealthiest in the city and, like most guilds, took upon itself philanthropic duties.
A four-centred arch or four-centered arch is a low, wide type of arch with a pointed apex. Its structure is achieved by drafting two arcs which rise steeply from each springing point on a small radius, and then turning into two arches with a wide radius and much lower springing point. It is a pointed sub-type of the general flattened depressed arch. This type of arch uses space efficiently and decoratively when used for doorways. It is also employed as a wall decoration in which arcade and window openings form part of the whole decorative surface. Two of the most notable types are known as the Persian arch, which is moderately "depressed" and found in Islamic architecture, and the Tudor arch, which is much flatter and found in English architecture. Another variant, the keel arch, has partially straight rather than curved sides and developed in Fatimid architecture.
Giulio Parigi was an Italian architect and designer.
Romanesque architecture is an architectural style of medieval Europe characterised by semi-circular arches. The term "Romanesque" is usually used for the period from the 10th to the 12th century with "Pre-Romanesque" and "First Romanesque" being applied to earlier buildings with Romanesque characteristics. Romanesque architecture can be found across the continent, diversified by regional materials and characteristics, but with an overall consistency that makes it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture.
Gostinyi dvor is a historic Russian term for an indoor market or shopping centre. It is translated from Russian either as "guest court" or "merchant yard", although both translations are inadequate. These structures originated as collections of small shops where merchants from other cities could, at designated times, come to sell their wares. Some such structures, constructed in every large Russian town during the first decades of the 19th century, are fine examples of Neoclassical architecture.
The city of Paris has notable examples of architecture of every period, from the Middle Ages to the 21st century. It was the birthplace of the Gothic style, and has important monuments of the French Renaissance, Classical revival, the Flamboyant style of the reign of Napoleon III, the Belle Époque, and the Art Nouveau style. The great Exposition Universelle (1889) and 1900 added Paris landmarks, including the Eiffel Tower and Grand Palais. In the 20th century, the Art Deco style of architecture first appeared in Paris, and Paris architects also influenced the postmodern architecture of the second half of the century.
Kök Bazaar is located in Almaty, Kazakhstan. Since its inauguration in 1875, the market has been an important trading point in Almaty. The market currently sells spices, prepared foods, produce, textile, furniture, and a wide variety of different objects, including antiques.
Window shopping, sometimes called browsing, refers to an activity in which a consumer browses through or examines a store's merchandise as a form of leisure or external search behaviour without a current intent to buy. Depending on the individual, window shopping can be a pastime or be used to obtain information about a product's development, brand differences, or sale prices.
The history of retail encompasses the sale of goods and services to consumers across all cultures and time periods from ancient history to the present.
Perpendicular Gothic architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.
ARCATURE . — A small arcade formed by a series of little arches. It may be blind or open.