Adelaide Arcade is a heritage shopping arcade in the centre of Adelaide, South Australia. It is linked to, and closely associated with, Gay's Arcade.
The property on which the Arcade was built was the scene of two disastrous fires: the first was George Debney's fine furniture factory and showrooms at 103–105 Rundle Street (parts of Section 84 and 85), which was destroyed, along with a great deal of stock and raw material, on the evening of 16 July 1855.
Patrick Gay, who had been working for Debney, took over the business in 1867. [1] He also took over the cabinetmaking business next door, owned by his father, also named Patrick Gay.
In 1880 the warehouse had a 52 ft frontage to Rundle Street and extended halfway to Grenfell Street. The rear half, which Gay had enlarged to three storeys, extended to Twin street, so the property was L-shaped, [2] the remaining portion at the corner of Twin and Rundle streets being occupied by James Calder's City Steam Biscuit Factory.
The premises were completely destroyed by fire on Saturday 15 November 1884. [3] The shop had been closed around 2:30 pm, and first signs of smoke noticed around 9 pm, and a fire hose deployed around 10. Without any evidence, the newspapers assumed arson ("incendiarists"), perhaps thinking of a disgruntled ex-employee, as Gay had the previous year sacked some of his work-force in response to the economic downturn, and those remaining were on short hours. Though it was conceivable that someone in Baker & Chambers' Sturt Stables, between the rear of Gay's factory and Grenfell Street could have been responsible, there was no evidence to support arson. All witnesses insisted Gay maintained good relations with all employees, past and present, and there was no enmity between his English and German workmen, who were on equal pay rates. The insurance payout was enough to start again, but insufficient to cover losses.
A Syndicate was formed consisting largely of Emanuel Cohen, J. M. Wendt, Patrick Gay, Saul Solomon, and L. H. Berens to erect a shopping arcade linking Rundle and Grenfell streets, the largest in the Southern Hemisphere. Withall & Wells [5] were selected as architects and W. Pett and Son as contractors.
It would have a frontage of 77 feet to Rundle Street and 97 feet to Grenfell Street, [8] and possessed a right-of-way 12 feet wide along the whole length of the western side, and an entrance to Twin Street on the eastern side. The additional twenty feet on the eastern side of the Grenfell Street entrance was occupied by a Turkish Bath complex conducted by C. Bastard and F. Needham. (T. Bastard had the Public Baths on King William Road from 1861.) The design had a promenade 24 feet wide, the flooring material Carrara marble and black and white encaustic tiles in mosaic patterns, with 44 shops lining the arcade, each 15 feet (4.6 m) wide by 24 feet (7.3 m) feet deep, with 15 foot ceilings. The fronts of the shops and showrooms over in the arcade constructed entirely of open wood and iron framing, glazed with polished plate glass, and broken up in outline into identical bays.
Entrances on Rundle and Grenfell streets were 19 feet (5.8 m) wide, flanked by larger shops, their fronts returning into the entrances. The slabs at the entrances were of Kapunda marble. [8]
The elevations, similar on both Rundle and Grenfell streets, were of Italian style; the lower half dominated by the glass shop-fronts and arcade entrances, protected by verandahs supported by decorative iron columns, with a square balcony at the centre, behind which was an octagonal tower and dome, bearing an Australian coat-of-arms (not the coat of arms — Federation was still 15 years away, but the design used bore a strong resemblance to that ultimately chosen). [9] Inside, the ceiling featured wide cornices constructed of moulded galvanized iron, and the upper cornices being surmounted by a deep cove finished with panelled soffit, returning down the cove and across the ceiling, which is broken up into a series of deeply recessed panelled bays, glazed with diapered and coloured glass. Additional sunlight was supplied by circular bullseye lights in alternate bays of the cove. Special attention was devoted to the lighting and ventilation, the latter provided by air tunnels and shafts connected with the towers.
Lighting at night was provided by sixteen Siemens arc lamps, each fitting having six carbon electrodes requiring replacement after 18 hours' service, [8] the large glass globular fittings being suspended by a cables with pulleys to facilitate lowering for maintenance. Three-phase power for the lights was provided by a pair of Siemens alternators, belt driven from an Otto Crossley gas engine with a pair of one-ton flywheels. This equipment was housed in a separate engine room on the ground floor. This was only four years after the historic implementation of a similar system in Godalming. Gas lamps by Strode & Co. of London were provided external to each shop for illumination in the event of generator failure, or for decorative purposes.
The contract, for somewhat over £30,000, was signed on 29 April 1885. [10] and the foundation stone laid by Mayor Bundey on 6 May 1885. Shareholders in addition to directors Solomon, Wendt, Cohen, Gay and Berens were Robert Carr Castle and Hermann Carl Koeppen Wendt. [11]
Defying the sceptics, the building was opened on Saturday 12 December 1885 by the Governor Sir William Robinson. It would have been completed by the promised date of 1 December but for late delivery of some imported items. The quantity of glass involved was prodigious: 50,000 square feet (4,600 m2), of which more than 30,000 square feet (2,800 m2) was polished plate glass. [8]
The Arcade was built at a time of an economic downturn, and great difficulty was had in attracting paying tenants. A year's rent holiday was offered to suitable clients. Return on capital was so low that one-by-one the various subscribers relinquished their shares to Wendt, who by 1906 was the sole owner. [12] Other accounts have the company going into liquidation and the assets being purchased by Wendt from the liquidator. [13]
The Adelaide Arcade construction was well underway when a separate, though connected, venture was embarked on: a short arcade of similar design, between Twin Street and Adelaide Arcade close to its centre.
In August 1885, just a few months after engaging architect and builder for the Adelaide Arcade, a different architect, James Cumming (c. 1825–1901), and contractor, Nicholas Wallis Trudgen (c. 1829–1892) [14] were engaged for the extension, to be named Gay's Arcade.
Gay's Arcade as designed had a frontage of 100 feet (30 m) to Twin Street and a depth of 119 feet (36 m) to Adelaide Arcade. The building on Twin Street would have three storeys, plus cellars, with five shops on the ground floor, with Gay's furniture store and workshops on the two upper floors. The passage through this building then opens up into an arcade of two storeys containing twelve shops, having carved wooden frames for plate-glass windows, all very similar to the Adelaide Arcade. The fronts of these shops to be chiefly plate-glass, with light wooden frames enclosed in ornamental cast-iron work. The roof would be of glass in metal sashes, with ample provision for ventilation, and the walkway paved with encaustic tiles, marble, and Mintaro slate. Where lighting in the main arcade was to be electric arc-lamps, in Gay's Arcade it would be by "Wenham" gas-lights, a recent innovation. [15] This emphasis on lighting was a result of insistence by insurance companies that gas lighting for drapers shops' displays be outside the windows, [16] another impetus for incandescent electric lighting, which became general around 1900. Gay was to occupy the two upper floors of the block building and one side of the arcade. [17] As there is a right-of-way along the north side of the building, and a light court was reserved on the south side, adequate natural light was provided, and the shops had back entrances. "Wenham" gaslights were provided for illumination of the arcade in the evening. [18] [19]
With the death of Wendt, his legatees sold the Adelaide Arcade lease to two Adelaide industrialists: T. E. Crompton [20] and one Simpson. Perhaps Alfred Allen Simpson (1875–1939) or Frederick Neighbour Simpson (1877–1954), who were related to Crompton by marriage.
Those gentlemen later sold it to a consortium of Charles Angel (c. 1877–1943), [21] (Malcolm Eric) Angus Scott (–1951) and Captain Johann George Arnold (c. 1863–1949). [13]
Gay's Arcade was owned by J. R. Skipper in 1955–56 when alterations were supervised by architect Bevan Rutt. [22]
The arcade grew to over 100 shops through the addition of a balcony area in the 1960s. [23]
On 3 August 1980, a fire started in Gays Arcade, which was largely destroyed, and smoke and other damage extended to Adelaide Arcade, which was closed to the public for over a week.
On 21 October 1980, the building was listed on the now-defunct Register of the National Estate. [24] On 14 February 1985, it was listed on the South Australian Heritage Register. [25]
The arcade is said to be haunted. Television show Haunting: Australia conducted the first ever official paranormal investigation of the Adelaide Arcade in 2013. The episode aired on Syfy Australia as episode 5 of the series. The episode features local paranormal historian, and recipient of the 2017 South Australian Emerging Historian of the Year Award, Allen Tiller. Haunting: Australia aired to a global audience via networks such as REALLY on UKTV and SYFY in USA.
Francis Cluney was an early beadle (caretaker) of the Arcade, who died in its engine room on 21 June 1887. He had become entangled with one of the two great flywheels of the gas engine that by belts drove the two alternators. Cluney had been deputised by the Arcade electrician H. Harcourt, who wished to visit the Jubilee Exhibition, to keep an eye on the plant but on no account to touch the machinery. It was conjectured that he slipped on floor of the engine-room; [26] not unlikely as such floors are notoriously slippery. The engine room is reported to have become a dry cleaners shop.
It is said[ by whom? ] that his death was caused by two unruly locals whom Cluney had kicked out of the arcade, pushing him into the generator. [27] His ghost was claimed to have been recorded on security camera footage in 2008. [28] [29] [30] Footsteps and strange sounds have also been heard within the ceiling spaces, the rooftop and the dome of the arcade – all believed to be Francis Cluney.
Shop 50 of the arcade is said to be haunted by the ghost of Florence Horton, a local woman who was walking down Rundle Street with two friends and was shot three times in the back by her estranged husband Thomas Horton on Saturday 27 February 1904. Florence was carried into a tobacconist, (now Koko Black/Shop 50 in the arcade), where she died soon after. [31]
Three year old Sydney Kennedy Byron died under unknown circumstances in the Regent Arcade, near the Adelaide Arcade, on the 10 or 11 January 1902. Sydney's mother, Bridget Lauretta Kennedy Byron, more commonly known as 'Madame Kennedy' a palm reader who worked from a shop front of the Adelaide Arcade, was tried but later acquitted of smothering the boy to death. She died six months later after drinking herself to death. Her body was found in the west parklands. The ghosts of Sydney and Bridget are said to haunt the alley between the Regent and Adelaide Arcades. [32]
Adelaide Arcade was not the first in Australia. Melbourne had the Queen's Arcade in Lonsdale Street (1853), Victoria Arcade, Bourke Street (1854, reopened 1876), Royal Arcade, Bourke Street (1870), and Eastern Arcade, Bourke Street (1874) before 1885, and Sydney had the Royal Arcade between George and Pitt Streets (1881), followed by the Sydney Arcade between George and King Streets (1882). Melbourne's Royal Arcade has the record for the longest continuous operation.
Rundle Mall is a pedestrian street mall located in Adelaide, South Australia. It was opened as a pedestrian mall in September 1976 by closing the section of Rundle Street between King William Street and Pulteney Street, to vehicular traffic. The street continues as Rundle Street to the east and Hindley Street to the west.
King William Street is the part of a major arterial road that traverses the CBD and centre of Adelaide, continuing as King William Road to the north of North Terrace and south of Greenhill Road; between South Terrace and Greenhill Road it is called Peacock Road. At approximately 40 metres (130 ft) wide, King William Street is the widest main street of all the Australian State capital cities. Named after King William IV in 1837, it is historically considered one of Adelaide's high streets, for its focal point of businesses, shops and other prominent establishments. The Glenelg tram line runs along the middle of the street through the city centre.
This is a timeline of Adelaide history.
Grenfell Street is a major street in the north-east quarter of the Adelaide city centre, South Australia. The street runs west-east from King William Street to East Terrace. Its intersection with Pulteney Street is formed by Hindmarsh Square. On the west side of King William Street, it continues as Currie Street towards West Terrace.
Grote Street is a major street running east to west in the western half of Adelaide city centre, South Australia. It is on the northern border of Chinatown and the Adelaide Central Market, and is a lively centre for shopping and restaurants. The historic Her Majesty's Theatre is located here.
Joachim Matthias "J. M." Wendt was a silversmith and manufacturing jeweller in the early days of South Australia.
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J. T. Fitch & Son was an Adelaide drapery store established by John Thomas Fitch, and carried on by his son John Thomas Fitch, jr.
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Emanuel Cohen was businessman in South Australia, and was responsible for the erection of several of Adelaide's premier buildings.
George Debney was an early settler of South Australia, a cabinetmaker whose shop became Gay's Arcade and part of Adelaide Arcade.
Patrick Gay was a cabinetmaker and businessmen of Adelaide, South Australia, for whom Gay's Arcade was named.
Charles Beck arrived in South Australia aboard Eden in June 1838. He started business in partnership with James Waddell of Leadenhall Street as the Adelaide representative of ship brokers, merchants and insurance and commission agents Waddell, Beck & Co. and Charles Beck & Co., with offices in Finsbury Square, which companies became bankrupt in 1843.
James Hill was a businessman in South Australia, founder of James Hill & Sons, motor cycle dealers.
H. L. Vosz was an Adelaide, South Australia business, for a time Australia's largest supplier of paints and glass, the earliest progenitor of Dulux paints, and became the prosperous glass merchant A. E. Clarkson Ltd. The company was founded in a modest way by a painter, plumber and glazier of more than usual business acumen, who unwittingly became the name behind many of the stained glass windows in South Australian churches and public buildings.
The Academy of Music was a live performance venue in Adelaide, South Australia, remembered as the scene of three major fires within a decade.
