A blind arcade or blank arcade [1] is an arcade (a series of arches) that has no actual openings and that is applied to the surface of a wall as a decorative element: i.e., the arches are not windows or openings but are part of the masonry face. It is designed as an ornamental architectural element and has no load-bearing function.
Whereas a blind arch is usually a single arch or a series of joined arches as a frieze (sometimes called Lombard band), a blind arcade is composed of a series of arches that have well-defined columns in between its arches.
A blind arcade may resemble several blind windows (false/blank windows or sealed-up windows) [1] or blind niches that are side by side.
Blind arcades are a common decorative features on the facades of Romanesque and Gothic buildings throughout Western Europe, and are also a common feature in Byzantine Orthodox churches in Eastern Europe, and in Armenian churches.
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Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England is traditionally referred to as Norman architecture.
Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.
The architecture of cathedrals and great churches is characterised by the buildings' large scale and follows one of several branching traditions of form, function and style that derive ultimately from the Early Christian architectural traditions established in Late Antiquity during the Christianization of the Roman Empire.
An arcade is a succession of contiguous arches, with each arch supported by a colonnade of columns or piers. Exterior arcades are designed to provide a sheltered walkway for pedestrians. The walkway may be lined with retail stores. An arcade may feature arches on both sides of the walkway. Alternatively, a blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that influenced Gothic architecture. In the Gothic architectural tradition, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters.
A triforium is an interior gallery, opening onto the tall central space of a building at an upper level. In a church, it opens onto the nave from above the side aisles; it may occur at the level of the clerestory windows, or it may be located as a separate level below the clerestory. Masonry triforia are generally vaulted and separated from the central space by arcades. Early triforia were often wide and spacious, but later ones tend to be shallow, within the thickness of an inner wall, and may be blind arcades not wide enough to walk along. The outer wall of the triforium may itself have windows, or it may be solid stone. A narrow triforium may also be called a "blind-storey", and looks like a row of window frames.
A keystone is the wedge-shaped stone at the apex of a masonry arch or typically round-shaped one at the apex of a vault. In both cases it is the final piece placed during construction and locks all the stones into position, allowing the arch or vault to bear weight. In arches and vaults keystones are often enlarged beyond the structural requirements and decorated. A variant in domes and crowning vaults is a lantern.
A rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows.
Tracery is an architectural device by which windows are divided into sections of various proportions by stone bars or ribs of moulding. Most commonly, it refers to the stonework elements that support the glass in a window. The term probably derives from the tracing floors on which the complex patterns of windows were laid out in late Gothic architecture. Tracery can also be found on the interior of buildings and the exterior.
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms.
In French Gothic architecture, Rayonnant is the period from about the mid-13th century to mid-14th century. It was characterized by a shift away from the High Gothic search for increasingly large size toward more spatial unity, refined decoration, and additional and larger windows, which filled the space with light. Prominent features of Rayonnant include the large rose window, more windows in the upper-level clerestory; the reduction of the importance of the transept; and larger openings on the ground floor to establish greater communication between the central vessel and the side aisles. Interior decoration increased, and the decorative motifs spread to the outside, to the facade and the buttresses. utilizing great scale and spatial rationalism towards a greater concern for two-dimensional surfaces and the repetition of decorative motifs at different scales. The use of tracery gradually spread from the stained glass windows to areas of stonework, and to architectural features such as gables.
This page is a glossary of architecture.
A four-centered arch is a low, wide type of arch with a pointed apex. Its structure is achieved by drafting two arcs which rise steeply from each springing point on a small radius, and then turning into two arches with a wide radius and much lower springing point. It is a pointed sub-type of the general flattened depressed arch. This type of arch uses space efficiently and decoratively when used for doorways. It is also employed as a wall decoration in which arcade and window openings form part of the whole decorative surface. Two of the most notable types are known as the Persian arch, which is moderately "depressed" and found in Islamic architecture, and the Tudor arch, which is much flatter and found in English architecture. Another variant, the keel arch, has partially straight rather than curved sides and developed in Fatimid architecture.
The Cathedral of Cefalù is a Roman Catholic basilica in Cefalù, Sicily. It is one of nine structures included in the UNESCO World Heritage Site known as Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale.
French architecture consists of numerous architectural styles that either originated in France or elsewhere and were developed within the territories of France.
Samtavisi is an eleventh-century Georgian Orthodox cathedral in eastern Georgia, in the region of Shida Kartli, some 45 km from the nation's capital Tbilisi, near Igoeti village. The cathedral is now one of the centers of the Eparchy of Samtavisi and Gori of the Georgian Orthodox Church. The church is a typical example and the founder of the Georgian interpretation of the cross-in-square churches. It was built in the period of decorative and artistic bloom in the architecture of Georgia.
Early Gothic is the style of architecture that appeared in northern France, Normandy and then England between about 1130 and the mid-13th century. It combined and developed several key elements from earlier styles, particularly from Romanesque architecture, including the rib vault, flying buttress, and the pointed arch, and used them in innovative ways to create structures, particularly Gothic cathedrals and churches, of exceptional height and grandeur, filled with light from stained glass windows. Notable examples of early Gothic architecture in France include the ambulatory and facade of Saint-Denis Basilica; Sens Cathedral (1140); Laon Cathedral; Senlis Cathedral; (1160) and most famously Notre-Dame de Paris.
Ishkani or Ishkhan, is a ruined Christian monastery in the territory of Turkey in the village of Arpacık, Artvin province. The name Ishkhani derives from the word “Իշխան” (Ishkhan) which means “prince” in the Armenian language. It was one of the important spiritual centers in the Middle Ages Tayk/Tao-Klarjeti. Only the magnificent church and the adjacent chapel have survived. The earliest mention of the monastery is found in The Life of Grigol Khandzteli, a Georgian manuscript dating from the year 951, which is now kept in Jerusalem.
The Romanesque style of architecture was introduced in Portugal between the end of the 11th and the beginning of the 12th century. In general, Portuguese cathedrals have a heavy, fortress-like appearance, with crenellations and few decorative elements apart from portals and windows. Portuguese Romanesque cathedrals were later extensively modified, among others the Old Cathedral of Coimbra, although it only had some minor changes.
Blank arcade. Same as blind arcade. […] blank/blind/false window. 1. A recess […] having the external appearance of a window. 2. A window which has been sealed off but is still visible.
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