Years active | 1815–1848 |
---|---|
Location | Central Europe |
Influences | Empire style |
Influenced | Świdermajer |
The Biedermeier period was an era in Central Europe between 1815 and 1848 during which the middle classes grew in number and the arts began to appeal to their sensibilities. The period began with the end of the Napoleonic Wars in 1815 and ended with the onset of the Revolutions of 1848.
The term derives from the fictional mediocre poet Gottlieb Biedermaier [sic], who featured in the Munich magazine Fliegende Blätter (Flying Leaves). [1] It is used mostly to denote the unchallenging artistic styles that flourished in the fields of literature, music, the visual arts and interior design. Biedermeier has influenced later styles.
The Biedermeier period does not refer to the era as a whole, but to a particular mood and set of trends that grew out of the unique underpinnings of the time in Central Europe. There were two driving forces for the development of the period. One was the growing urbanization and industrialization leading to a new urban middle class, which created a new kind of audience for the arts. The other was the political stability prevalent under Klemens von Metternich following the end of the Napoleonic Wars [2] and the Congress of Vienna.[ citation needed ]
The effect was for artists and society in general to concentrate on the domestic and, at least in public, the non-political. Writers, painters, and musicians began to stay in safer territory, and the emphasis on home life for the growing middle class meant a blossoming of furniture design and interior decorating. [3]
The affluent middle class values that are associated with Biedermeier include affection, sensibility, moderation, and modesty. Biedermeier Gemütlichkeit means, that one reaches a state of cosiness, as well as friendliness. Biedermeier style displays the conflict between ideals and reality, as human life was grey and gloomy. [4]
Biedermeier family values reflected the bourgeois consensus and the housewife was responsible for furnishing and choosing the appropriate design. Middle class women were held responsible for family cohesion and children had to be socialized within the family. [5]
The term Biedermeier appeared first in literary circles in the form of a pseudonym, Gottlieb Biedermaier, used by the country doctor Adolf Kussmaul and lawyer Ludwig Eichrodt in poems that the duo had published in the Munich satirical weekly Fliegende Blätter in 1850. [6]
The verses parodied the people of the era, namely Samuel Friedrich Sauter, a primary teacher and sort of amateurish poet, as depoliticized and petit-bourgeois. [7] The name was constructed from the titles of two poems—"Biedermanns Abendgemütlichkeit" (Biedermann's Evening Comfort) and "Bummelmaiers Klage" (Bummelmaier's Complaint)—which Joseph Victor von Scheffel had published in 1848 in the same magazine.[ citation needed ]
As a label for the epoch, the term has been used since around 1900.[ citation needed ]
Due to the strict control of publication and official censorship, Biedermeier writers primarily concerned themselves with non-political subjects, like historical fiction and country life. Political discussion was usually confined to the home, in the presence of close friends.[ citation needed ]
Typical Biedermeier poets are Annette von Droste-Hülshoff, Friedrich Halm, Adelbert von Chamisso, Eduard Mörike, and Wilhelm Müller, the last three of whom have well-known musical settings by Robert Schumann, Hugo Wolf and Franz Schubert respectively. Adalbert Stifter was a novelist and short story writer whose work also reflected the concerns of the Biedermeier movement, particularly with his novel Der Nachsommer. As historian Carl Emil Schorske put it, "To illustrate and propagate his concept of Bildung, compounded of Benedictine world piety, German humanism, and Biedermeier conventionality, Stifter gave to the world his novel Der Nachsommer". [8]
Jeremias Gotthelf published The Black Spider in 1842 as an allegorical work that uses Gothic themes. It is Gotthelf's best known work. At first little noticed, the story is now considered by many critics to be among the masterworks of Biedermeier era and sensibility.[ citation needed ]
Biedermeier furniture is admired for quality craftsmanship and comfort. Original early 19th century Biedermeier furniture was manufactured to be publicly displayed, with less concern for convenience and private enjoyment. Biedermeier upholstery makes extensive use of coil-springs. Biedermeier furniture design was purchased or commissioned by the prosperous middle class to celebrate comfort and leisure. [9]
Middle to late-Biedermeier furniture design represented a heralding towards historicism and revival eras long sought for. Social forces originating in France would change the artisan-patron system that achieved this period of design, first in the German states, and then into Scandinavia. The middle class growth originated in the Industrial Revolution in Britain and many Biedermeier designs owe their simplicity to Georgian lines of the 19th century, as the proliferation of design publications reached the German states and the Austrian Empire. [10]
The Biedermeier style was a simplified interpretation of the influential French Empire style of Napoleon, which introduced the romance of ancient Roman Empire styles, adapting these to modern early 19th century households. Biedermeier furniture used locally available materials such as cherry, ash, and oak woods rather than the expensive timbers such as fully imported mahogany.
Unique designs were created in Vienna. Furniture from the earlier period (1815–1830) was the most severe and neoclassical in inspiration. It also supplied the most fantastic forms which the second half of the period (1830–1848) lacked, being influenced by the many style publications from Britain. Biedermeier furniture was the first style in the world that emanated from the growing middle class. It preceded Victoriana and influenced mainly German-speaking countries.
In Sweden, Jean-Baptiste Bernadotte, who was adopted by King Charles XIII (who was childless), became Sweden's new king in 1818 as Karl XIV Johan. The Swedish Karl Johan style, similar to Biedermeier, retained its elegant and blatantly Napoleonic style throughout the 19th century.
Biedermeier furniture and lifestyle was a focus on exhibitions at the Vienna applied arts museum in 1896. The many visitors to this exhibition were so influenced by this fantasy style and its elegance that a new resurgence or revival period became popular amongst European cabinetmakers. This revival period lasted up until the Art Deco style was taken up. Biedermeier also influenced the various Bauhaus styles through their truth in material philosophy.
The original Biedermeier period changed with the political unrests of 1845–1848 (its end date). With the revolutions in European historicism, furniture of the later years of the period took on a distinct Wilhelminian or Victorian style.
The term Biedermeier is also used to refer to a style of clocks made in Vienna in the early 19th century. The clean and simple lines included a light and airy aesthetic, especially in Viennese regulators of the Laterndluhr and Dachluhr styles.
The 19th century population growth and urbanization in Europe resulted in Biedermeier architecture marked by functionality and elegance. [11]
The Geymüllerschlössel in Vienna was constructed in 1808, it houses today the Biedermeier collection of the Museum of Applied Arts.[ citation needed ]
In Wilhelmine Germany social reformers regarded Biedermeier architecture as the perfect example for middle class culture and domestic reform. [12]
During the Weimar Republic Germany faced another housing crisis. Paul Schultze-Naumburg was among Germany's most respected neo-Biedermeier architects and in his mind, new housing should imitate the German Biedermeier architecture of around 1800. Paul Mebes popularized the neo-Biedermeier style, which was widely endorsed by German architects. A modernist neo-Biedermeier architectural style was contrived by Adolf Behne, Bruno Taut, and Peter Behrens. [13] Schultz-Naumburg and Heinrich Tessenow advocated for interpreting Biedermeier architecture liberally, allowing for little modernization. [14]
The Polish architectural style Świdermajer was named as a play on Biedermeier.[ citation needed ]
The German word bieder translates into plain, while Maier is a common bourgeois surname. In the visual arts, Biedermeier style is associated with sentimentality and dullness. Biedermeier paintings are known for their preoccupation with the everyday world with few grand gestures. [15]
This formed an aesthetic is evidenced in the portraits (e.g., Portrait of the Arthaber Family, 1837, by Friedrich von Amerling), landscapes (e.g. see Waldmüller or Gauermann landscapes) and contemporary-reporting genre scenes (e.g., Controversy of the Coachmen, 1828, by Michael Neder).
Key painters of the Biedermeier movement were Carl Spitzweg (1808–1885), Ferdinand Georg Waldmüller (1795–1865), Henrik Weber (1818–1866), Josip Tominc (1780–1866), Friedrich von Amerling (1803–1887), Friedrich Gauermann (1807–1862), Johann Baptist Reiter (1813–1890), Peter Fendi (1796–1842), Michael Neder (1807–1882), Josef Danhauser (1805–1845), and Edmund Wodick (1806–1886) among others.[ citation needed ]
The biggest collection of Viennese Biedermeier paintings in the world is currently hosted by the Belvedere Palace Museum in Vienna.[ citation needed ]
Biedermeier music was most evident in the numerous publications for in-home music making. Published arrangements of operatic excerpts, German Lieder, and some symphonic works that could be performed at the piano without professional musical training, illustrated the broadened reach of music in this period. Composers from this period include Beethoven, Schubert, Rossini, Weber, Mendelssohn, Chopin, Schumann and Liszt.
The so called Schubertiad were people who gathered around the composer Franz Schubert to provide a forum or meeting place for political secret societies. However, Biedermeier home music making was decidedly unpretentious and nonpolitical, the backdrop being politically explosive. Even the critical discussion of music itself was avoided. [16]
The Biedermeier period coincided with the Czech National Revival movement in the Czech-speaking areas. The most famous writers of the period were Božena Němcová, Karel Hynek Mácha, František Ladislav Čelakovský, Václav Kliment Klicpera, and Josef Kajetán Tyl. Key painters of the Czech Biedermeier were Josef Navrátil, Antonín Machek, and Antonín Mánes. Landscapes, still lifes, courtyards, family scenes, and portraits were very popular. Václav Tomášek composed lyric piano pieces and songs to the patriotic lyrics of Czech authors. Biedermeier was also reflected in the applied arts: glass and porcelain, fashion, jewellery, and furniture.
Art Deco, short for the French Arts décoratifs, is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s, and flourished in the United States and Europe during the 1920s to early 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look, Art Deco has influenced bridges, buildings, ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects including radios and vacuum cleaners.
German literature comprises those literary texts written in the German language. This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora. German literature of the modern period is mostly in Standard German, but there are some currents of literature influenced to a greater or lesser degree by dialects.
Rococo, less commonly Roccoco, also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement.
Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.
Adalbert Stifter was a Bohemian-Austrian writer, poet, painter, and pedagogue. He was notable for the vivid natural landscapes depicted in his writing and has long been popular in the German-speaking world.
Otto Koloman Wagner was an Austrian architect, furniture designer and urban planner. He was a leading member of the Vienna Secession movement of architecture, founded in 1897, and the broader Art Nouveau movement. Many of his works are found in his native city of Vienna, and illustrate the rapid evolution of architecture during the period. His early works were inspired by classical architecture. By mid-1890s, he had already designed several buildings in what became known as the Vienna Secession style. Beginning in 1898, with his designs of Vienna Metro stations, his style became floral and Art Nouveau, with decoration by Koloman Moser. His later works, 1906 until his death in 1918, had geometric forms and minimal ornament, clearly expressing their function. They are considered predecessors to modern architecture.
Friedrich von Amerling was an Austro-Hungarian portrait painter in the court of Franz Josef. He was born in Vienna and was court painter between 1835 and 1880. With Ferdinand Georg Waldmüller, he is one of the outstanding Austrian portrait painters of the 19th century.
The Wiener Werkstätte, established in 1903 by the graphic designer and painter Koloman Moser, the architect Josef Hoffmann and the patron Fritz Waerndorfer, was a productive association in Vienna, Austria that brought together architects, artists, designers and artisans working in ceramics, fashion, silver, furniture and the graphic arts. The Workshop was "dedicated to the artistic production of utilitarian items in a wide range of media, including metalwork, leatherwork, bookbinding, woodworking, ceramics, postcards and graphic art, and jewelry." It is regarded as a pioneer of modern design, and its influence can be seen in later styles such as Bauhaus and Art Deco.
The Empire style is an early-nineteenth-century design movement in architecture, furniture, other decorative arts, and the visual arts, representing the second phase of Neoclassicism. It flourished between 1800 and 1815 during the Consulate and the First French Empire periods, although its life span lasted until the late-1820s. From France it spread into much of Europe and the United States.
Austrian literature is mostly written in German, and is closely connected with German literature.
Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy, France and Germany. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer, more complete, and more authentic classical style, adapted to modern purposes.
The Alte Nationalgalerie is a listed building on the Museum Island in the historic centre of Berlin, Germany. The gallery was built from 1862 to 1876 by the order of King Frederick William IV of Prussia according to plans by Friedrich August Stüler and Johann Heinrich Strack in Neoclassical and Renaissance Revival styles. The building's outside stair features a memorial to Frederick William IV. Currently, the Alte Nationalgalerie is home to paintings and sculptures of the 19th century and hosts a variety of tourist buses daily. As part of the Museum Island complex, the gallery was inscribed on the UNESCO World Heritage List in 1999 for its outstanding architecture and its testimony to the development of museums and galleries as a cultural phenomenon in the late 19th century.
German art has a long and distinguished tradition in the visual arts, from the earliest known work of figurative art to its current output of contemporary art.
Vormärz was a period in the history of Germany preceding the 1848 March Revolution in the states of the German Confederation. The beginning of the period is less well-defined. Some place the starting point directly after the fall of Napoleon and the establishment of the German Confederation in 1815. Others, typically those who emphasise the Vormärz as a period of political uprising, place the beginning at the French July Revolution of 1830.
Josef Hoffmann was an Austrian-Moravian architect and designer. He was among the founders of Vienna Secession and co-establisher of the Wiener Werkstätte. His most famous architectural work is the Stoclet Palace, in Brussels, (1905–1911) a pioneering work of Modern Architecture, Art Deco and peak of Vienna Secession architecture.
Der Nachsommer is a novel in three volumes by Adalbert Stifter. A 19th century Bildungsroman that describes the journey of an idealistic, sheltered young man from childhood to maturity, it combines aspects of Biedermeier thought with elements of German humanism to create what is generally considered to be a great work of German bourgeois realism.
Friedrich von Schmidt was an architect who worked in late 19th century Vienna.
Josef Kriehuber was an Austrian lithographer and painter, notable for the high quality of his lithographic portraits. A prolific yet meticulous artist, he made numerous portraits for nobility, well-known personalities, and government officials. Josef Kriehuber left more than 3000 lithographs, with portraits of many people including some of the most illustrious figures of mid-19th century Central Europe.
Horn furniture is a name given to furniture which is manufactured completely by shed antlers or pieces of furniture such as e.g. cabinets which are appliqued with antler elements such as carved horn roses or with antler pieces from tusks, fallow deer, stag and deer. Trophies of chase have already been used during the late Middle Age for furnishing and in modern times furniture makers use the horns and antlers of animals such as cattle, antelope, moose and elk.
The Geymüllerschlössel is a small palace situated in Pötzleinsdorf, a neighborhood in Vienna's suburban outskirts. It is a branch of the Museum of Applied Arts and Contemporary Art, displaying a diverse collection of furniture and decorative art from the Biedermeier period as well as Franz Sobek's clock collection.