The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism. Early on, the paintings typically depicted the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and White Mountains.
Works by second-generation artists expanded to include other locales in New England, the Maritimes, the American West, and South America.
The school of landscape painters flourished between 1825 and 1870, which was often called the "native," "American," or "New York" school. New York City was the center of it, many members had studios in the Tenth Street Studio Building in Greenwich Village. [1] The term Hudson River School is thought to have been coined by the New York Tribune art critic Clarence Cook or by landscape painter Homer Dodge Martin. [2] The name appeared in print in 1879, it was initially used during the 1870s disparagingly, as the style had gone out of favor after the plein-air Barbizon School had come into vogue among American patrons and collectors. [1]
Hudson River School paintings reflect three themes of America in the 19th century: discovery, exploration, and settlement. [3] They also depict the American landscape as a pastoral setting, where human beings and nature coexist peacefully. Hudson River School landscapes are characterized by their realistic, detailed, and sometimes idealized portrayal of nature, often juxtaposing peaceful agriculture and the remaining wilderness which was fast disappearing from the Hudson Valley just as it was coming to be appreciated for its qualities of ruggedness and sublimity. [4] In general, Hudson River School artists believed that nature in the form of the American landscape was a reflection of God, [5] though they varied in the depth of their religious conviction. They were inspired by European masters such as Claude Lorrain, John Constable, and J. M. W. Turner. Several painters were members of the Düsseldorf School of Painting, and they were educated by German Paul Weber. [6]
Thomas Cole is generally acknowledged as the founder of the School. [7] He took a steamship up the Hudson in the autumn of 1825, stopping first at West Point then at Catskill landing. He hiked west high into the eastern Catskill Mountains of New York to paint the first landscapes of the area. The first review of his work appeared in the New York Evening Post on November 22, 1825. [8] Cole was from England and the brilliant autumn colours in the American landscape inspired him. [7] His close friend Asher Brown Durand became a prominent figure in the school. [9] A prominent element of the Hudson River School was its themes of nationalism, nature, and property. Adherents of the movement also tended to be suspicious of the economic and technological development of the age. [10]
The second generation of Hudson River School artists emerged after Cole's premature death in 1848; its members included Cole's prize pupil Frederic Edwin Church, John Frederick Kensett, and Sanford Robinson Gifford. Works by artists of this second generation are often described as examples of Luminism. Kensett, Gifford, and Church were also among the founders of the Metropolitan Museum of Art in New York City. [11]
Most of the finest works of the second generation were painted between 1855 and 1875. Artists such as Frederic Edwin Church and Albert Bierstadt were celebrities then. They were both influenced by the Düsseldorf school of painting, and Bierstadt had studied in that city for several years. Thousands of people would pay 25 cents per person to view paintings such as Niagara [12] and The Icebergs . [13] The epic size of these landscapes was unexampled in earlier American painting and reminded Americans of the vast, untamed, and magnificent wilderness areas in their country. This was the period of settlement in the American West, preservation of national parks, and establishment of green city parks.
Several women were associated with the Hudson River School. Susie M. Barstow was an avid mountain climber who painted the mountain scenery of the Catskills and the White Mountains. Eliza Pratt Greatorex was an Irish-born painter who was the second woman elected to the National Academy of Design. Julie Hart Beers led sketching expeditions in the Hudson Valley region before moving to a New York City art studio with her daughters. Harriet Cany Peale studied with Rembrandt Peale and Mary Blood Mellen was a student and collaborator with Fitz Henry Lane. [14] [15]
Hudson River School art has had minor periods of a resurgence in popularity. The school gained interest after World War I, likely due to nationalist attitudes. Interest declined until the 1960s, and the regrowth of the Hudson Valley[ vague ] has spurred further interest in the movement. [16] Historic house museums and other sites dedicated to the Hudson River School include Olana State Historic Site in Hudson, New York, the Thomas Cole National Historic Site in the town of Catskill, the Newington-Cropsey Foundation's historic house museum, art gallery, and research library in Hastings-on-Hudson, New York, and the John D. Barrow Art Gallery in the village of Skaneateles, New York.
One of the largest collections of paintings by artists of the Hudson River School is at the Wadsworth Atheneum in Hartford, Connecticut. Some of the most notable works in the Atheneum's collection are 13 landscapes by Thomas Cole and 11 by Hartford native Frederic Edwin Church. They were personal friends of the museum's founder, Daniel Wadsworth.
The Newington-Cropsey Foundation, in their Gallery of Art Building, maintains a research library of Hudson River School art and painters, open to the public by reservation. [18]
|
|
|
Frederic Edwin Church was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States.
Albert Bierstadt was a German American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes. He was not the first artist to record the sites, but he was the foremost painter of them for the remainder of the 19th century.
Thomas Cole was an English-born American artist and the founder of the Hudson River School art movement. Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural landscapes. They are usually escapist, framing the New World as a natural eden contrasting with the smog-filled cityscapes of Industrial Revolution-era Britain, in which he grew up. His works, often seen as conservative, criticize the contemporary trends of industrialism, urbanism, and westward expansion.
Jasper Francis Cropsey was an American architect and artist. He is best known for his Hudson River School landscape paintings.
The Wadsworth Atheneum is an art museum in Hartford, Connecticut. The Wadsworth is noted for its collections of European Baroque art, ancient Egyptian and Classical bronzes, French and American Impressionist paintings, Hudson River School landscapes, modernist masterpieces and contemporary works, as well as collections of early American furniture and decorative arts.
Jervis McEntee was an American painter of the Hudson River School. He is a lesser-known figure of the 19th-century American art world, but was a close friend and traveling companion of several of the important Hudson River School artists. Aside from his paintings, McEntee's unpublished journals, written from 1872 to 1890, are an enduring legacy, documenting the life of a New York painter during and after the Gilded Age.
William Trost Richards was an American landscape artist. He was associated with both the Hudson River School and the American Pre-Raphaelite movement.
Sanford Robinson Gifford was an American landscape painter and a leading member of the second generation of Hudson River School artists. A highly-regarded practitioner of Luminism, his work was noted for its emphasis on light and soft atmospheric effects.
Luminism is a style of American landscape painting of the 1850s to 1870s, characterized by effects of light in a landscape, through the use of aerial perspective and the concealing of visible brushstrokes. Luminist landscapes emphasize tranquility, often depicting calm, reflective water and a soft, hazy sky. Artists who were most central to the development of the luminist style include Fitz Henry Lane, Martin Johnson Heade, Sanford Gifford, and John F. Kensett. Painters with a less clear affiliation include Frederic Edwin Church, Jasper Cropsey, Albert Bierstadt, Worthington Whittredge, Raymond Dabb Yelland, Alfred Thompson Bricher, James Augustus Suydam, and David Johnson. Some precursor artists are George Harvey and Robert Salmon. Joseph Rusling Meeker also worked in the style.
Olana State Historic Site is a historic house museum and landscape in Greenport, New York, near the city of Hudson. The estate was home to Frederic Edwin Church (1826–1900), one of the major figures in the Hudson River School of landscape painting. The centerpiece of Olana is an eclectic villa which overlooks parkland and a working farm designed by the artist. The residence has a wide view of the Hudson River Valley, the Catskill Mountains and the Taconic Range. Church and his wife Isabel (1836–1899) named their estate after a fortress-treasure house in ancient Greater Persia, which also overlooked a river valley.
Daniel Wadsworth (1771–1848) of Hartford, Connecticut, was an American amateur artist and architect, arts patron and traveler. He is most remembered as the founder of the Wadsworth Atheneum Museum of Art in his native city.
The Thomas Cole National Historic Site, also known as Cedar Grove, is a National Historic Landmark that includes the home and the studio of painter Thomas Cole, founder of the Hudson River School of American painting. It is located at 218 Spring Street, Catskill, NY, United States. The site provided Thomas Cole with a residence and studio from 1833 through his death in 1848.
The Rocky Mountains, Lander's Peak is an 1863 landscape oil painting by the German-American painter Albert Bierstadt. It is based on sketches made during Bierstadt's travels with Frederick W. Lander's Honey Road Survey Party in 1859. The painting shows Lander's Peak in the Wyoming Range of the Rocky Mountains, with an encampment of Native Americans in the foreground. It has been compared to, and exhibited with, The Heart of the Andes by Frederic Edwin Church. Lander's Peak immediately became a critical and popular success and sold in 1865 for $25,000.
The Catskills by Asher Brown Durand, an American engraver, portraitist, and landscape artist, was commissioned by William Thompson Walters in 1858.
The Newington-Cropsey Foundation (NCF) is a nonprofit private organization based in Hastings-on-Hudson, New York. The foundation's aim is to maintain and preserve the works of Jasper Cropsey and the art movement he was a part of, the Hudson River School. The foundation also promotes representational painting and sculpture.
Niagara is an oil painting produced in 1857 by the American artist Frederic Edwin Church. Niagara was his most important work at the time, and confirmed his reputation as the premier American landscape painter of the time. In his history of Niagara Falls, Pierre Berton writes, "Of the hundreds of paintings made of Niagara, before Church and after him, this is by common consent the greatest."
Among the Sierra Nevada, California is an 1868 oil-on-canvas painting by German-American artist Albert Bierstadt which depicts a landscape scene of the Sierra Nevada mountain range in California. Created at his studio in Rome, the painting was exhibited throughout Europe, creating interest in immigration to the United States. Measuring 72 by 120+1⁄8 inches, the painting is a centerpiece of the 19th-century landscape collection at the Smithsonian American Art Museum in Washington, D.C.
Kaaterskill Falls is an 1826 oil-on-canvas painting by British-American painter Thomas Cole, founder of the Hudson River School. It depicts the Kaaterskill Falls in Upstate New York.
Notes
Sources
{{cite book}}
: CS1 maint: multiple names: authors list (link)