Frederic Edwin Church was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States.
Albert Bierstadt was a German American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes. He was not the first artist to record the sites, but he was the foremost painter of them for the remainder of the 19th century.
Thomas Cole was an English-born American artist and the founder of the Hudson River School art movement. Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural landscapes. They are usually escapist, framing the New World as a natural eden contrasting with the smog-filled cityscapes of Industrial Revolution-era Britain, in which he grew up. His works, often seen as conservative, criticize the contemporary trends of industrialism, urbanism, and westward expansion.
Jasper Francis Cropsey was an American architect and artist. He is best known for his Hudson River School landscape paintings.
Jervis McEntee was an American painter of the Hudson River School. He is a lesser-known figure of the 19th-century American art world, but was a close friend and traveling companion of several of the important Hudson River School artists. Aside from his paintings, McEntee's unpublished journals, written from 1872 to 1890, are an enduring legacy, documenting the life of a New York painter during and after the Gilded Age.
William Trost Richards was an American landscape artist. He was associated with both the Hudson River School and the American Pre-Raphaelite movement.
Sanford Robinson Gifford was an American landscape painter and a leading member of the second generation of Hudson River School artists. A highly-regarded practitioner of Luminism, his work was noted for its emphasis on light and soft atmospheric effects.
Luminism is an American landscape painting style of the 1850s to 1870s, characterized by effects of light in landscape, through the use of aerial perspective and the concealment of visible brushstrokes. Luminist landscapes emphasize tranquility, and often depict calm, reflective water and a soft, hazy sky. Artists who were most central to the development of the luminist style include Fitz Hugh Lane, Martin Johnson Heade, Sanford Gifford, and John F. Kensett. Painters with a less clear affiliation include Frederic Edwin Church, Jasper Cropsey, Albert Bierstadt, Worthington Whittredge, Raymond Dabb Yelland, Alfred Thompson Bricher, James Augustus Suydam, and David Johnson. Some precursor artists are George Harvey and Robert Salmon. Joseph Rusling Meeker also worked in the style.
Olana State Historic Site is a historic house museum and landscape in Greenport, New York, near the city of Hudson. The estate was home to Frederic Edwin Church (1826–1900), one of the major figures in the Hudson River School of landscape painting. The centerpiece of Olana is an eclectic villa which overlooks parkland and a working farm designed by the artist. The residence has a wide view of the Hudson River Valley, the Catskill Mountains and the Taconic Range. Church and his wife Isabel (1836–1899) named their estate after a fortress-treasure house in ancient Greater Persia, which also overlooked a river valley.
Daniel Wadsworth (1771–1848) of Hartford, Connecticut, was an American amateur artist and architect, arts patron and traveler. He is most remembered as the founder of the Wadsworth Atheneum Museum of Art in his native city.
David Johnson was an American painter, a member of the second generation of Hudson River School painters.
The Rocky Mountains, Lander's Peak is an 1863 landscape oil painting by the German-American painter Albert Bierstadt. It is based on sketches made during Bierstadt's travels with Frederick W. Lander's Honey Road Survey Party in 1859. The painting shows Lander's Peak in the Wyoming Range of the Rocky Mountains, with an encampment of Native Americans in the foreground. It has been compared to, and exhibited with, The Heart of the Andes by Frederic Edwin Church. Lander's Peak immediately became a critical and popular success and sold in 1865 for $25,000.
The Catskills by Asher Brown Durand, an American engraver, portraitist, and landscape artist, was commissioned by William Thompson Walters in 1858.
The Newington-Cropsey Foundation (NCF) is a nonprofit private organization based in Hastings-on-Hudson, New York. The foundation's aim is to maintain and preserve the works of Jasper Cropsey and the art movement he was a part of, the Hudson River School. The foundation also promotes representational painting and sculpture.
Niagara is an oil painting produced in 1857 by the American artist Frederic Edwin Church. Niagara was his most important work to date, and confirmed his reputation as the premier American landscape painter of the time. In his history of Niagara Falls, Pierre Berton writes, "Of the hundreds of paintings made of Niagara, before Church and after him, this is by common consent the greatest."
Susie M. Barstow was an American painter associated with the Hudson River School who was known for her luminous landscapes.
Among the Sierra Nevada, California is an 1868 oil-on-canvas painting by German-American artist Albert Bierstadt which depicts a landscape scene of the Sierra Nevada mountain range in California. Created at his studio in Rome, the painting was exhibited throughout Europe, creating interest in immigration to the United States. Measuring 72 by 120+1⁄8 inches, the painting is a centerpiece of the 19th-century landscape collection at the Smithsonian American Art Museum in Washington, D.C.
Kaaterskill Falls is an 1826 oil-on-canvas painting by British-American painter Thomas Cole, founder of the Hudson River School. It depicts the Kaaterskill Falls in Upstate New York.
