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Dosso Dossi was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
Girolamo Da Carpi was an Italian painter and decorator who worked at the Court of the House of Este in Ferrara. He began painting in Ferrara, by report apprenticing to Benvenuto Tisi ; but by age 20, he had moved to Bologna, and is considered a figure of Early Renaissance painting of the local Bolognese School.
Alfonso d'Este was Duke of Ferrara during the time of the War of the League of Cambrai.
Lorenzo Costa was an Italian painter of the Renaissance.
The Bolognese School or the School of Bologna of painting flourished in Bologna, the capital of Emilia Romagna, between the 16th and 17th centuries in Italy, and rivalled Florence and Rome as the center of painting. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration from their literary contemporaries; the studio formulated a style that was distinguished from the recognized manners of art in their time. This style was seen as both systematic and imitative, borrowing particular motifs from the past Roman schools of art and innovating a modernistic approach.
Scarsellino or Ippolito Scarsella was an Italian mid-to-late sixteenth century reformist painter and one of the most important representatives of the School of Ferrara. His landscapes of both sacred and secular themes strongly anticipate the landscape painting traditions of the 17th century.
Ludovico Mazzolino - also known as Mazzolini da Ferrara, Lodovico Ferraresa, and Il Ferrarese - was an Italian Renaissance painter active in Ferrara and Bologna.
Sebastiano Filippi was an Italian late Renaissance – Mannerist painter of the School of Ferrara.
Palazzo dei Diamanti is a Renaissance palace located on Corso Ercole I d'Este 21 in Ferrara, region of Emilia Romagna, Italy. The main floor of the Palace houses the Pinacoteca Nazionale di Ferrara.
Giuseppe Mazzuoli was an Italian painter of the Mannerist period, active mainly in the court of Alfonso II d'Este of Ferrara.
Francesco Costanzo Catanio, was a painter of the Italian Baroque period, born and mainly active in Ferrara. He was variously known as Catanio, Cattani, Cattaneo, or Cattanio, sometimes without the forename Francesco.
Giuseppe Bonati was an Italian painter of the Baroque period, active in Rome and Ferrara.
Giuseppe Caletti or Calletti was an Italian painter and engraver of the Baroque period, active in Ferrara and Cremona. He often painted religious themes in a genre like dress and surroundings, including the theme of Bacchanalia like Titian.
Giacomo Parolini was an Italian painter of the Baroque period, mainly active in Ferrara.
Ercole Grandi was an Italian painter of the early-Renaissance period, active mainly in Ferrara. Also known as Ercole da Ferrara and Ercole di Giulio Cesare Grandi, he has been claimed to be a favourite pupil of the painter Lorenzo Costa. Ercole Grandi first appeared in the historical record as being in the service of the house of Este in 1489. Between 1489 and 1495, Ercole Grandi seems to have been working in Bologna, both in San Petronio and in the Cappella Bentivoglio of San Giacomo Maggiore, as an assistant to Lorenzo Costa. In 1495, he was in Ferrara as the chief architect for realising Duke Ercole's plans to embellish the city and renovate the churches; the facade and interior of Santa Maria in Vado were executed from his design. He worked with Ludovico Mazzolino and others on the decoration of the Castello, and painted in the apartments of Lucretia Borgia. Also in Ferrara, he painted the frescoes for the church of San Pietro Martire, although some frescoes are preserved. One problem in assigning attribution to the hand of Ercole Grandi is that none of his works is signed or dated, or accompanied by supporting documents, but he is thought by some scholars to have painted—in the manner of Mantegna—or had a hand in, the decorative frescoed ceiling in the Sala del Tesoro of the Palazzo Costabili in Ferrara between 1503 and 1506. Other scholars attribute the work to Benvenuto Tisi da Garofalo. Confusingly, the identity of Ercole Grandi is sometimes conflated with Garofalo, and an Ercole da Bologna, and with that of Ercole di Antonio Roberti or Ercole de' Roberti, who was first documented as being in Ferrara in 1479, and was author of the great frescoes of the Garganelli chapel in Bologna. Most of Ercole Grandi's works have been reattributed to other Ferrarese painters, such as Giovan Francesco Maineri and Lorenzo Costa, while other scholars insist that Ercole Grandi is a mythical character.
Battista Dossi, also known as Battista de Luteri, was an Italian painter who belonged to the Ferrara School of Painting. He spent nearly his entire career in service of the Court of Ferrara, where he worked with his older brother Dosso Dossi. It is believed that Battista worked in the Rome studio of Raphael from 1517 to 1520. Battista’s students include Camillo Filippi.
The Galleria Estense is an art gallery in the heart of Modena, centred around the collection of the d’Este family: rulers of Modena, Ferrara and Reggio from 1289 to 1796. Located on the top floor of the Palazzo dei Musei, on the St. Augustine square, the museum showcases a vast array of works ranging from fresco and oil painting to marble, polychrome and terracotta sculpture; musical instruments; numismatics; curios and decorative antiques.
Ferrara Charterhouse, of which the present Church of San Cristoforo alla Certosa was previously the monastic church, is a former charterhouse or Carthusian monastery built in Renaissance style, located on Piazza Borso 50 in Ferrara, Region of Emilia-Romagna, Italy. The monastery was suppressed in the time of Napoleon, but the church was reconsecrated in 1813 and remains in use. The site also accommodates a large municipal cemetery, which was established in 1813.
San Francesco is a late-Renaissance, Roman Catholic minor basilica church located on via Terranuova in Ferrara, region of Emilia-Romagna, Italy.
The Pinacotecta Nazionale is an art gallery in Ferrara, Emilia-Romagna, Italy. It is located on the piano nobile of the Palazzo dei Diamanti, a work of Renaissance architecture by Biagio Rossetti, commissioned by Leonello d’Este in 1447. Not to be confused with the Civic Museum on the lower floor, which has hosted temporary exhibitions of contemporary art since 1992, the Pinacoteca houses a collection of paintings by the Ferrarese School dating from the thirteenth to the eighteenth centuries. It was founded in 1836 by the Municipality of Ferrara after Napoleon's widespread dissolution of churches threatened the protection of important public artworks. The gallery is formed as much around notable northern Italian painters as it is around the exquisite interior decoration of the palace itself, together with remnants of frescoes from local churches and later acquisitions from the Sacrati Strozzi collection.
References
- Freedberg, Sydney J. (1993). Pelican History of Art (ed.). Painting in Italy, 1500–1600. Penguin Books Ltd.
- Francis P. Smyth and John P. O'Neill (Editors in Chief (1986). National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries.
- Camillo Laderchi (1856). La pittura ferrarese, memorie. Googlebooks.
