Jacopo Bambini (1582–1629 [1] [2] ) was an Italian painter of the Baroque period, active mainly in Ferrara.
He trained with Domenico Mona. Along with Giulio Croma (Giulio Cromer), he set up a painter's academy in Ferrara. He painted three altarpieces for the cathedral: a Flight into Egypt, an Annunciation, and a Conversion of St. Paul. He died at Ferrara. An account of his other works will be found in Barotti's Future e Scolture di Ferrara.
Girolamo Da Carpi was an Italian painter and decorator who worked at the Court of the House of Este in Ferrara. He began painting in Ferrara, by report apprenticing to Benvenuto Tisi ; but by age 20, he had moved to Bologna, and is considered a figure of Early Renaissance painting of the local Bolognese School.
Ortolano was an Italian painter of the Ferrara School, active in the Renaissance period. Ticozzi cites his birth as ca. 1480.
Giovanni Andrea Ansaldo was an Italian painter active mainly in Genoa.
Stefano Amedei was an Italian painter of the early Baroque period, who painted still-life and sacred paintings.
Alessandro Araldi was an Italian painter of the Renaissance, active mainly in Parma.
Giulio Giacinto Avellino was an Italian painter of the Baroque period.
Camillo Berlinghieri was an Italian painter of the Baroque period. Born in Ferrara. He trained with Carlo Bononi. Among his paintings was a Gathering of the Manna in San Niccolo; and an Annunciation for Sant Antonio Abbate in Ferrara. His works are chiefly at Ferrara and at Venice, where he was called Il Ferraresino. He died at Ferrara.
Giovanni Biliverti was an Italian painter of the late-Mannerism and early-Baroque period, active mainly in his adoptive city of Florence, as well as Rome.
Giuseppe Agellio was an Italian painter of the Baroque period. Born in Sorrento, he was a pupil of the painter Cristoforo Roncalli and worked in Rome. He excelled in painting landscape and architecture.
Giacomo Alboresi (1632–1677) was an Italian painter of the Baroque period.
Tommaso Aldrovandini was an Italian painter of the Baroque period. He mainly painted perspective views and architectural subjects (quadratura), in which the figures were painted by Marcantonio Franceschini and Carlo Cignani. He decorated churches, palaces, and theaters in Forlì, Verona, Venice, Parma, Turin, Ferrara, and Genoa, and especially in his native Bologna. Among his pupils was Giovanni Benedetto Paolazzi.
Ippolito Andreasi was an Italian painter of the Renaissance period. He was a pupil of Giulio Romano in his hometown of Mantua. He collaborated with Teodoro Ghisi in painting the ceiling and cupola of the Cathedral.
Giacomo Argente was an Italian painter of the Baroque period, specializing in portrait miniature. He was born in Ferrara in the 17th century, and was mainly active in Turin.
Gaspare Bazzani was an Italian painter active in Reggio Emilia as a painter of vedute or landscapes, as well as a scenic designer.
Giulio Cesare Begni was an Italian painter active in the early-Baroque period, born in Pesaro, but also active in Fano, Cagli, Venice and Udine. He was a pupil of Antonio Cimatori (Visacci) in Urbino. His works included San Liborio at the Cagli Cathedral, Martyr of a Saint which is now at the Musée des Beaux-Arts, Rennes and frescoes of the Scenes of the Life of St Augustine at the cloister of an Augustinian monastery in Fano. Some sources say that he was active between 1620 and 1680.
Giovanni Maria Bottala (1613–1644) was an Italian painter active in the Baroque period.
Giovanni Lorenzo Bertolotti (1640–1721) was an Italian painter of the Baroque period, active in Genoa.
Giovanni Battista Bertani (1516–1576) was an Italian painter and architect of the late Renaissance period. He trained with Giulio Romano in Mantua, and was promoted after Romano's death to the post of prefect of the ducal studio (fabbriche). Painters who assisted him over the years include his brother Domenico, as well as Giovanni Battista del Moro, Geronimo Mazzuola, Paolo Farinato, Domenico Brusasorci, Giulio Campi, and Paolo Veronese. He is said to have completed a partial translation of the work of Vitruvius.
Leonardo Brescia (1520–1582) was an Italian painter of the Renaissance period. He was born and active in Ferrara, and worked with Bastianino. He painted an Assumption of the Virgin for the church of II Gesu, an Annunciation for the Madonna del Buon Amore; and a Resurrection for Santa Monica. He also painted the Virgin Mary for the church of III Gesu, which was an Annunciation for the Leonardo Da Vinci.
Stefano Ticozzi (1762-1836) was an Italian art historian.