Spanish Romanesque designates the Romanesque art developed in the Hispanic-Christian kingdoms of the Iberian Peninsula in the 11th and 12th centuries. Its stylistic features are essentially common to the European Romanesque although it developed particular characteristics in the different regions of the peninsula. There is no Romanesque art in the southern half of the peninsula because it remained under Muslim rule (Al-Andalus). The examples of Romanesque buildings in the central area of the peninsula are sparse and of the latest period, with virtually no presence south of the Ebro and the Tagus. Most Romanesque buildings can be found in the northern third of the peninsula. Romanesque art was introduced into the peninsula from east to west, so scholars have usually defined regional characteristics accordingly: the "eastern kingdoms" comprising the Pyrenean areas, Catalan Romanesque, Aragonese Romanesque and Navarrese Romanesque, and the "western kingdoms" comprising Castilian-Leonese Romanesque, Asturian Romanesque, Galician Romanesque and Portuguese Romanesque.
The First Romanesque or Lombard Romanesque is specially present in Catalonia, while the full Romanesque spread from the foundations of the Order of Cluny along the axis of the Camino de Santiago. The late-romanesque of the 13th century, can be found specially in rural buildings. [1]
From the 11th century the European artistic influence, specially from the Burgundian Cluniac monasteries and the Lombard monasteries, was superimposed on local artistic traditions such as "Pre-Romanesque, Visigothic art, Asturian art, Mozarabic art and Repoblación art) as well as Andalusi art, also called Hispanic Muslim, and cohabited with the so-called Mudéjar Romanesque (or "Romanesque of brick") dominant in some areas such as the centre of the northern plateau – from Sahagún to Cuéllar – Toledo or Teruel, giving rise to an art of strong personality.
The chronology in the penetration of architectural forms can be followed from east to west. The first examples are in Catalonia (Sant Pere de Rodes, 1022) and those developed along the Camino de Santiago in Aragon (Cathedral of Jaca, from 1054), Navarre (Leire, 1057), Castile (San Martin de Frómista, 1066) and Leon (San Isidoro – portal of 1067), ending in Galicia, where the most outstanding work was raised: the cathedral of Santiago de Compostela (begun in 1075 with the pilgrimage plan characteristic of most of the churches of the Way (for example St. Sernin of Toulouse).
The 12th century saw the culmination of the style with:
The transition from Romanesque to Gothic starts from the late 12th century and can be seen in the Cathedral of Tarragona and La Seu Vella (Lleida). [2]
Few but notable are the churches of central plan, which are often associated with models from the Holy Land brought by the military orders. The main examples are the church of Saint Mary of Eunate in Navarre, the church of the Holy Sepulchre (Torres del Río) and the church of the Vera Cruz (Segovia). [3]
The earliest works of Romanesque sculpture in the Hispanic-Christian peninsular kingdoms are two lintels of the Roussillon area which share similar iconography. One can be found in the Saint-Génis-des-Fontaines Abbey (dated in 1020) [4] and the other in the monastery of Sant Andreu de Sureda. Also from the 11th century are the tympanum of the Cathedral of Jaca, the gables of San Isidoro (León), the Platerías façade of the Cathedral of Santiago de Compostela from Master Esteban and the cloister of the monastery of Santo Domingo de Silos.
The most outstanding examples from the 12th century are the façades of Santa Maria de Ripoll, of the Church of Santa María la Real, Sangüesa, of the monastery of San Pedro el Viejo (Huesca) and the cloister of the monastery of San Juan de la Peña. To the late 12th century belong the facades of the Church of Santa María del Camino (Carrión de los Condes) and Santo Domingo (Soria). The transition to Gothic is visible in some works of this period: the apostolate of the Cámara Santa (Oviedo), the facade of San Vicente (Ávila) and the Portico of Glory of the Cathedral of Santiago de Cosmpostela authored by Master Mateo. [5] Another of the early sculptors was Arnau Cadell who produced the capitals of the cloister of Sant Cugat.
The round bulge carvings that have been preserved in polychrome wood usually depict either the Christ crucified in the type called Majesty or the Madonna with Child in the type called sedes sapientiae ("Seat of Wisdom"). An exceptional sculptural group is the Davallament of Sant Joan de les Abadesses , which shows the transition to the Gothic style. [6]
Spanish Romanesque can boast some outstanding frescoes such as the Pantheon of the Kings of San Isidoro (León), retained 'in situ', or those removed from their original locations such as San Baudelio de Berlanga and the hermitage of la Vera Cruz (Maderuelo), both in the Prado, and the collection assembled in the National Art Museum of Catalonia. [7]
Panel painting produced antependiums or altar frontals that specially in Catalonia absorbed the Italian-Byzantine influence from the 12th century ( Altar frontal from La Seu d'Urgell or of The Apostles ). In the later period painting evolved to the Gothic style, of higher narrative capacity and lesser stiffness ( Altar frontal from Avià ). [8]
The preparation of manuscripts in the monasteries and cathedrals scriptoriums was an outstanding activity that continued the tradition of Beatus de Liébana's Commentary on the Apocalypse and incorporated European influences. Some of the best examples include the Libro de los testamentos , the Tumbos compostelanos and the Codex Calixtinus .
Some excellent examples of textiles from liturgical vestments and tapestries have survived such as the Tapestry of Creation of the Cathedral of Girona.
The Ivory carving of Andalusian influence developed an important workshop at the Leonese court.
Goldsmiths produced elaborated pieces such as the Cáliz de las Ágatas also called "of Doña Urraca" -ca 1063- [9] and the Ark of San Isidoro . Some artists incorporated the Limoges enamels technique as can be seen in the Frontal of Santo Domingo de Silos ). [10]
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.
The Cathedral of Saint Mary of Burgos is a Catholic church dedicated to the Virgin Mary located in the historical center of the Spanish city of Burgos. Its official name is the Holy Metropolitan Cathedral Basilica Church of St Mary of Burgos.
Santa María de Regla de León Cathedral is a Catholic church, the episcopal see of the diocese of León in the city of León, Castile and León, north-western Spain, consecrated under the name of the Virgin Mary. It was the first monument declared by the Royal Order of Spain on August 28, 1844.
One of the first streams of Romanesque architecture in Europe from the 10th century and the beginning of 11th century is called First Romanesque or Lombard Romanesque. It took place in the region of Lombardy and spread into Catalonia and into the south of France. Its principal decoration for the exterior, bands of ornamental blind arches are called Lombard bands. It was characterized by thick walls and lack of sculpture in facades, and with interiors profusely painted with frescoes.
The Isabelline style, also called the Isabelline Gothic, or Castilian late Gothic, was the dominant architectural style of the Crown of Castile during the reign of the Catholic Monarchs, Queen Isabella I of Castile and King Ferdinand II of Aragon in the late-15th century to early-16th century. The Frenchman Émile Bertaux named the style after Queen Isabella.
Spanish Renaissance architecture emerged in the late 15th century as Renaissance ideals reached Spain, blending with existing Gothic forms. Rooted in Renaissance humanism and a renewed interest inClassical architecture, the style became distinguished by a synthesis of Gothic and Italian Renaissance elements. The style is a creation of uniquely Spanish phases notable because of both rich ornamentation and restrained minimalism. The period saw contributions from the patronage of noble families, notably the House of Mendoza, and architects like Lorenzo Vázquez de Segovia, whose works in places like the Colegio Mayor Santa Cruz in Valladolid, incorporated Tuscan-Roman motifs alongside Gothic forms.
The Cathedral of Zamora is a Catholic cathedral in Zamora, in Castile and León, Spain, located above the right bank of the Duero It remains surrounded by its old walls and gates.
Portuguese Gothic architecture is the architectural style prevalent in Portugal in the Late Middle Ages. As in other parts of Europe, Gothic style slowly replaced Romanesque architecture in the period between the late 12th and the 13th century. Between the late 15th and early 16th century, Gothic was replaced by Renaissance architecture through an intermediate style called Manueline.
Mozarabic art is an early medieval artistic style that is part of the pre-Romanesque style and is linked to the kingdom of León. It was developed by the Hispanic Christians who lived in Arab-Muslim territory and in the expansion territories of the León crown, in the period from the Arab-Islamic Conquest of the Iberian Peninsula (711) to the end of the 11th century. During this period, disciplines such as painting, goldsmithing and architecture with marked Caliphate influences were cultivated in a context of medieval coexistence - Christian, Hebrew and Muslim - in which the territories were constantly changing in size and status. Other names for this artistic style are Leonese art or repopulation art.
The Monastery of Santa Maria de Ripoll is a Benedictine monastery, built in the Romanesque style, located in the town of Ripoll in Catalonia, Spain. Although much of the present church is 19th century rebuilding, the sculptured portico is a renowned work of Romanesque art.
The Monastery of Sant Jeroni de Cotalba is a monastic building of Valencian Gothic, Mudéjar, Renaissance, Baroque and Neoclassical styles constructed between the 14th and 18th centuries, located in the municipal area of Alfauir, (Valencia), Spain, about 8 km. from the well-known city of Gandia.
The Church of Saint Martin of Tours, in Frómista, province of Palencia, Spain, was built in the 11th century in Romanesque style. It is located on the Way of St. James to Santiago de Compostella.
The Master of Taüll is considered the greatest mural painter of the 12th century in Catalonia, as well as one of the most important Romanesque painters in Europe. His main work is the church of Sant Climent de Taüll, with the famous apse painting now moved to the Museu Nacional d'Art de Catalunya in Barcelona.
Romanesque architecture in Spain is the architectural style reflective of Romanesque architecture, with peculiar influences both from architectural styles outside the Iberian Peninsula via Italy and France as well as traditional architectural patterns from within the peninsula. Romanesque architecture was developed in and propagated throughout Europe for more than two centuries, ranging approximately from the late tenth century until the thirteenth century.
Valencian Gothic is an architectural style. It occurred under the Kingdom of Valencia between the 13th and 15th centuries, which places it at the end of the European Gothic period and at the beginning of the Renaissance. The term "Valencian Gothic" is confined to the Kingdom of Valencia and its area of influence, which has its own characteristics.
The Church of San Andrés is a Catholic church located in the town of Cuéllar, province of Segovia, in the autonomous community of Castile and León, Spain. Located outside the walls of the town and in the neighborhood to which it gives its name, during the Middle Ages it was the head of a small suburb that over time merged with the town.