Santa Maria de Ripoll

Last updated
Facade of the monastery. 169 Monestir de Santa Maria, pl. Abat Oliba (Ripoll).jpg
Façade of the monastery.

The Monastery of Santa Maria de Ripoll is a Benedictine monastery, built in the Romanesque style, located in the town of Ripoll in Catalonia, Spain. Although much of the present church is 19th century rebuilding, the sculptured portico is a renowned work of Romanesque art.

Contents

History

The cloister. Ripoll35.jpg
The cloister.

The Monastery of Santa Maria de Ripoll was founded in 888 by Count Wilfred the Hairy [1] (called Guifré el Pilós in Catalan) who used it as a centre to bring about the repopulation of the region after conquering it. Wilfred's son, Ridulph, was educated there and was later abbot of the monastery, as well as bishop of Urgell. The monastery grew rapidly, and was subsequently reconsecrated in 935, 977 and 1032, though the monks are known to have been established there permanently only from 1025 or 1032. The scriptorium and the monastic school quickly gained renown under Arnold Scholasticus. [2] The monastery had several offshoots which included the abbeys of St. Martin-du-Canigou (now in France) and that of Santa Maria de Montserrat. It was also known for its collection of manuscripts which numbered 246 by the year 1046, and later included the 13th century Gesta comitum Barcinonensium , considered to be the first history of Catalonia and written by the monks themselves.

From 1070 to 1169 the monastery was governed by the Abbey of St. Victor of Marseille. Santa Maria de Ripoll was the main religious center of Catalonia until the 15th century, when it started to decline, beginning with the loss of control over the Monastery of Montserrat in 1402. In 1428 it was severely damaged by an earthquake, after which it was restored with the new parts in Gothic style.

The monastery became the family mausoleum for the Counts of Barcelona and Counts of Besalú, and well as a great center of learning, with a large library. [3]

The library and much of the monastery's vast archives were destroyed by fire in 1835, after it had been secularized. In 1847 part of the cloister was demolished, followed in 1856 by the abbey palace. It was rebuilt in 1886, under the direction of architect Elias Rogent, the basilica being consecrated in 1896.

Architecture

The original monastic church had a nave and four aisles, roofed by barrel vaults. The nave and aisle terminated in five apses, later increased to seven when apses were added to the transepts also. The current church dates to Rogent's reconstruction in 1896, and although maintaining features of the original church, the present building has only two aisles. The transept houses the tombs of the counts of Besalú and of several counts of Barcelona, from Wilfred the Hairy to Ramón Berenguer IV.

The cloister contains more of the original structure than the church itself, the first floor having been built between 1180 and the early 15th century. The second floor dates to the 15th and 16th century. It is formed, on each side, by thirteen semicircular arches supported by small pairs of columns with carved Corinthian-like capitals, sculpted by Pere Gregori and Jordi de Déu. Each one of the latter has a different decoration, inspired by mythological themes or by daily life.

Portal. Ripoll05.jpg
Portal.

The portal, although damaged by fires and restored in modern times, is a notable example of Catalan Romanesque sculpture. The frontal section features a relief from the mid-13th century (stylistically similar to the tomb of Ramón Berenguer III in the cloister), divided in seven horizontal bands. The upper two show God enthroned, near whom are the symbols of the Four Evangelists; the scene is completed by several angels in adoration and the Twenty-four Elders. The central bands are dedicated to the story of David and Solomon (left) and Moses (right). At the bottom are various mythical animals commonly identified with the visions of the prophet Daniel.

The portico is flanked by two statues, nearly destroyed, of St. Peter and St. Paul. Around them are various scenes, including the stories of Cain and Abel, that of Jonah and others.

Notable interments

Also buried at the abbey, but in a now-unknown place:

See also

Notes

  1. Lapunzina 2005, p. 236.
  2. Lambert 1930, p. 572-573.
  3. Southern 1961, p. 121.

Related Research Articles

<span class="mw-page-title-main">Vic</span> Municipality in Spain

Vic is the capital of the comarca of Osona, in the province of Barcelona, Catalonia, Spain. Vic is located 69 km (43 mi) from Barcelona and 60 km (37 mi) from Girona.

<span class="mw-page-title-main">Barcelona Cathedral</span> Gothic cathedral and seat of the Archbishop of Barcelona, Spain

The Cathedral of the Holy Cross and Saint Eulalia, also known as Barcelona Cathedral, is the Gothic cathedral and seat of the Archbishop of Barcelona, Catalonia, Spain. The cathedral was constructed from the thirteenth to fifteenth centuries, with the principal work done in the fourteenth century. The cloister, which encloses the Well of the Geese, was completed in 1448. In the late nineteenth century, the neo-Gothic façade was constructed over the nondescript exterior that was common to Catalan churches. The roof is notable for its gargoyles, featuring a wide range of animals, both domestic and mythical.

<span class="mw-page-title-main">Ramon Berenguer III, Count of Barcelona</span> 11th Century Holy Roman Empire nobleman

Ramon Berenguer IIIthe Great was the count of Barcelona, Girona, and Ausona from 1086, Besalú from 1111, Cerdanya from 1117, and count of Provence in the Holy Roman Empire, from 1112, all until his death in Barcelona in 1131. As Ramon Berenguer I, he was Count of Provence in right of his wife.

<span class="mw-page-title-main">Berenguer Ramon I, Count of Barcelona</span> Count of Barcelona, Girona and Ausona (1005-1035) (r.1018-1035)

Berenguer Ramon I [Berengar Raymond I], called the Crooked or the Hunchback, was the count of Barcelona, Girona, and Ausona from 1018 to his death.

<span class="mw-page-title-main">Santes Creus</span>

The Monastery of Santa Maria de Santes Creus, is a former Cistercian monastery in the municipality of Aiguamúrcia, Catalonia, Spain. The abbey was erected in the 12th century, in today's municipality of Aiguamúrcia, in the village of Santes Creus, in the province of Tarragona (Catalonia). However, it was in the thirteenth century when Peter III of Aragon expressed his desire to be buried in the monastery and a royal crypt was built for himself and his son, King James II that many of the local nobility established the custom to choose this place for burial. This led the monastery to increase in splendor and greatness thanks to the numerous donations received.

<span class="mw-page-title-main">Abbot Oliba</span> Catalan count, abbot and bishop (c.971-1046)

Oliba was the count of Berga and Ripoll (988–1002), and later abbot of the monasteries of Santa Maria de Ripoll and Sant Miquel de Cuixà (1008–1046) and the bishop of Vic (1018–1046). He is considered one of the spiritual founders of Catalonia and perhaps the most important prelate of his age in the Iberian Peninsula. Oliba was a great writer and from his scriptorium at Ripoll flowed a ceaseless stream of works which are enlightening about his world. Most important are the Arabic manuscripts he translated into Latin for the benefit of 11th century and later scholars.

<span class="mw-page-title-main">County of Besalú</span>

The County of Besalú was one of the landlocked medieval Catalan counties near the Mediterranean coastline. It was roughly coterminous with the modern comarca of Garrotxa and at various times extended as far north as Corbières, Aude, now in France. Its capital was the village of Besalú. Throughout most of its history it was attached to one of the other more powerful counties, but it experienced a century of independence before it was finally and irrevocably annexed to the County of Barcelona.

<span class="mw-page-title-main">First Romanesque</span>

One of the first streams of Romanesque architecture in Europe from the 10th century and the beginning of 11th century is called First Romanesque or Lombard Romanesque. It took place in the region of Lombardy and spread into Catalonia and into the south of France. Its principal decoration for the exterior, bands of ornamental blind arches are called Lombard bands. It was characterized by thick walls and lack of sculpture in facades, and with interiors profusely painted with frescoes.

<span class="mw-page-title-main">Sant Pau del Camp</span>

Sant Pau del Camp is a church and former monastery in Barcelona, Catalonia, Spain. While the monastery now stands within the El Raval district in central Barcelona, it once stood outside the city ; its rural location gave the church its name.

<span class="mw-page-title-main">Vallbona Abbey</span> Cistercian abbey in Catalonia

Vallbona Abbey, otherwise the Monastery of Santa Maria de Vallbona, is a Cistercian nunnery in Vallbona de les Monges, in the comarca of Urgell, Catalonia, Spain. Founded in the early 12th century, and built between then and the 14th century, it is one of the most important monastic sites in Catalonia. Its church represents an example of transition between Romanesque and Gothic architecture. The abbey was declared a national monument on 3 June 1931.

<span class="mw-page-title-main">Monastery of Sant Joan de les Abadesses</span>

The Monastery of Sant Joan de les Abadesses is a monastery in the comarca of Ripollès, Catalonia, northern Spain. Until the year 945 it was the only female monastery in the area.

<span class="mw-page-title-main">Santa Maria, Manresa</span>

The Collegiate Basilica of Santa Maria, also known as La Seu, is a Romanesque-Gothic church in Manresa, Catalonia, north of Spain.

<span class="mw-page-title-main">Sant Pere de Galligants</span>

Sant Pere de Galligants is Benedictine abbey in Girona, Catalonia. Since 1857, it is home to the Archaeology Museum of Catalonia venue in the city. The name translates to English as "Saint Peter of Galligants", where Galligants refers to the River Galligants that runs past the abby.

<span class="mw-page-title-main">Monastery of Sant Cugat</span>

The Monastery of Sant Cugat is a Benedictine abbey in Sant Cugat del Vallès, Catalonia, Spain. Founded in the ninth century, and under construction until the 14th century, it was the most important monastery in the county of Barcelona. Its most notable architectural feature is its large Romanesque cloister.

<span class="mw-page-title-main">Santa Maria de Gerri</span>

Santa Maria de Gerri is a monastery in Gerri de la Sal, in the comarca of Pallars Sobirà, Catalonia, Spain, situated on the shores of the Noguera Pallaresa river.

Wilfred or Wifred, called the Hairy, was Count of Urgell, Cerdanya, Barcelona, Girona, Besalú and Ausona. On his death in 897, his son, Wilfred Borrell, inherited these Catalan counties.

<span class="mw-page-title-main">Vall de Ribes</span>

The Vall de Ribes is a geographic zone in the northwest of the Ripollès in the valley of the river Freser. Its largest municipality is Ribes de Freser. It also contains the municipalities of Queralbs, Toses, Planoles, Pardines and Campelles, and the sanctuary and resort of Vall de Núria.

<span class="mw-page-title-main">Santa Maria, Serrateix</span> Historic site in Catalonia, Spain

Santa Maria de Serrateix is the Romanesque church of a former Benedictine abbey located on the BV-4235 road in Serrateix in the comarca of Berguedà, Catalonia.

<span class="mw-page-title-main">Sant Serni de Tavèrnoles</span>

Sant Serni de Tavèrnoles is a Romanesque Benedictine monastery in Anserall, in the municipality of Les Valls de Valira, Alt Urgell, in the Province of Lleida, Catalonia, Spain. It became a Bien de Interés Cultural site on 3 June 1931 and was restored in 1971.

<span class="mw-page-title-main">Spanish Romanesque</span>

Spanish Romanesque designates the Romanesque art developed in the Hispanic-Christian kingdoms of the Iberian Peninsula in the 11th and 12th centuries. Its stylistic features are essentially common to the European Romanesque although it developed particular characteristics in the different regions of the peninsula. There is no Romanesque art in the southern half of the peninsula because it remained under Muslim rule (Al-Andalus). The examples of Romanesque buildings in the central area of the peninsula are sparse and of the latest period, with virtually no presence south of the Ebro and the Tagus. Most Romanesque buildings can be found in the northern third of the peninsula. Romanesque art was introduced into the peninsula from east to west, so scholars have usually defined regional characteristics accordingly: the "eastern kingdoms" comprising the Pyrenean areas, Catalan Romanesque, Aragonese Romanesque and Navarrese Romanesque, and the "western kingdoms" comprising Castilian-Leonese Romanesque, Asturian Romanesque, Galician Romanesque and Portuguese Romanesque.

References

Commons-logo.svg Media related to Monestir de Santa Maria de Ripoll at Wikimedia Commons

Coordinates: 42°12′5.51″N2°11′26.69″E / 42.2015306°N 2.1907472°E / 42.2015306; 2.1907472