In Christian tradition, the Four Evangelists are Matthew, Mark, Luke, and John, the authors attributed with the creation of the four Gospel accounts in the New Testament that bear the following titles: Gospel according to Matthew; Gospel according to Mark; Gospel according to Luke and Gospel according to John.
The gospels of Matthew, Mark, and Luke are known as the Synoptic Gospels, because they include many of the same stories, often in the same sequence. While the periods to which the gospels are usually dated suggest otherwise,convention traditionally holds that the authors were two of the Twelve Apostles of Jesus, John and Matthew, as well as two "apostolic men," Mark and Luke, whom Orthodox Tradition records as members of the 70 Apostles (Luke 10):
They are called evangelists, a word meaning "people who proclaim good news," because their books aim to tell the "good news" ("gospel") of Jesus.
In iconography, the evangelists often appear in Evangelist portraits derived from classical tradition, and are also frequently represented by the symbols which originate from the four "living creatures" that draw the throne-chariot of God, the Merkabah, in the vision in the Book of Ezekiel (Chapter 1) reflected in the Book of Revelation (4:6–9ff), though neither source links the creatures to the Evangelists. Images normally, but not invariably, appear with wings like angels.When the symbols of the Four Evangelists appear together, it is called a Tetramorph, and is common in the Romanesque art of Europe, in church frescoes or mural paintings, for instance.
The meanings accruing to the symbols grew over centuries, with an early formulation by Jerome,and were fully expressed by Rabanus Maurus, who set out three layers of meaning for the beasts, as representing firstly the Evangelists, secondly the nature of Christ, and thirdly the virtues required of a Christian for salvation: These animals may have originally been seen as representing the highest forms of the various types of animals, i.e., man, the king of creation as the image of the creator; the lion as the king of beasts of prey (meat-eating); the ox as the king of domesticated animals (grass-eating) and the eagle as the king of the birds.
Each of the symbols is depicted with wings, following the biblical sources first in Ezekiel 1–2, and in Revelation. The symbols are shown with, or in place of, the Evangelists in early medieval Gospel Books, and are the usual accompaniment to Christ in Majesty when portrayed during the same period, reflecting the vision in Revelation. They were presented as one of the most common motifs found on church portals and apses, as well as many other locations.
When surrounding Christ, the figure of the man usually appears at top left – above Christ's right hand, with the lion above Christ's left arm. Underneath the man is the ox and underneath the lion is the eagle. This both reflects the medieval idea of the order of "nobility" of nature of the beasts (man, lion, ox, eagle) and the text of Ezekiel 1:10. From the thirteenth century their use began to decline, as a new conception of Christ in Majesty, showing the wounds of the Passion, came into use.Sometimes in Evangelist portraits they appear to dictate to the writing evangelist.
Matthew is often cited as the "first Gospel account," not only owing to its place in the canon, but also in view of the patristic witness to this effect. Most biblical scholars however, see the gospel account of Mark as having been written first (see Markan priority) and John's gospel account as having been written last.
It has become customary to speak of "the Gospel of Matthew" ... "the Gospel of John", not least because it is shorter and rolls much more smoothly off the tongue; but it is worth noting that the ancient titles do not use the genitive of possession, but the preposition "according to", signifying that each evangelist sets forth the one "Gospel of God" according to his own capacity, but not in the sense of creating his own story.
The Acts of the Apostles, often referred to simply as Acts, or formally the Book of Acts, is the fifth book of the New Testament; it tells of the founding of the Christian church and the spread of its message to the Roman Empire.
The Gospel according to Mark is the second of the four canonical gospels and of the three synoptic gospels. It tells of the ministry of Jesus from his baptism by John the Baptist to his death and burial and the discovery of Jesus’ empty tomb. There is no miraculous birth or doctrine of divine pre-existence, nor, in the original ending, any post-resurrection appearances of Jesus. It portrays Jesus as a heroic man of action, an exorcist, a healer, and a miracle worker. He is also the Son of God, but keeps his messianic nature secret, with even his disciples failing to understand him. All this is in keeping with prophecy, which foretold the fate of the messiah as suffering servant. The gospel ends, in its original version, with the discovery of the empty tomb, a promise to meet again in Galilee, and an unheeded instruction to spread the good news of the resurrection.
The Gospel according to Luke, also called the Gospel of Luke, or simply Luke, is the third of the four canonical Gospels. It tells of the origins, birth, ministry, death, resurrection, and ascension of Jesus Christ.
John the Evangelist is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, or John the Presbyter, although this has been disputed by some modern scholars.
Luke the Evangelist is one of the Four Evangelists—the four traditionally ascribed authors of the canonical gospels. The Early Church Fathers ascribed to him authorship of both the Gospel of Luke and the Acts of the Apostles, which would mean Luke contributed over a quarter of the text of the New Testament, more than any other author. Prominent figures in early Christianity such as Jerome and Eusebius later reaffirmed his authorship, although a lack of conclusive evidence as to the identity of the author of the works has led to discussion in scholarly circles, both secular and religious.
John the Apostle was one of the Twelve Apostles of Jesus according to the New Testament. Generally listed as the youngest apostle, he was the son of Zebedee and Salome or Joanna. His brother was James, who was another of the Twelve Apostles. The Church Fathers identify him as John the Evangelist, John of Patmos, John the Elder and the Beloved Disciple, and testify that he outlived the remaining apostles and that he was the only one to die of natural causes. However, modern scholars believe these to be separate people. The traditions of most Christian denominations have held that John the Apostle is the author of several books of the New Testament.
Mark the Evangelist is the traditionally ascribed author of the Gospel of Mark. Mark is said to have founded the Church of Alexandria, one of the most important episcopal sees of early Christianity. His feast day is celebrated on April 25, and his symbol is the winged lion.
The ascension of Jesus is the Christian teaching that Christ physically departed from Earth by rising into Heaven, in the presence of eleven of his apostles. According to the New Testament narrative, the ascension occurred 40 days after the resurrection. In the Christian tradition, reflected in the major Christian creeds and confessional statements, God exalted Jesus after his death, raising him from the dead and taking him to Heaven, where Jesus took his seat at the right hand of God.
The transfiguration of Jesus is a story told in the New Testament when Jesus is transfigured and becomes radiant in glory upon a mountain. The Synoptic Gospels describe it, and the Second Epistle of Peter also refers to it. It has also been hypothesized that the first chapter of the Gospel of John alludes to it John 1:14).
A tetramorph is a symbolic arrangement of four differing elements, or the combination of four disparate elements in one unit. The term is derived from the Greek tetra, meaning four, and morph, shape.
The living creatures, living beings, or hayyoth are a class of heavenly beings described in the prophet Ezekiel's vision of the heavenly chariot in the first and tenth chapters of the Book of Ezekiel. References to the creatures recur in texts of Second Temple Judaism, in rabbinical merkabah ("chariot") literature, and in the Book of Revelation in the New Testament.
Two names and a variety of titles are used to refer to Jesus in the New Testament. In Christianity, the two names Jesus and Emmanuel that refer to Jesus in the New Testament have salvific attributes. After the crucifixion of Jesus the early Church did not simply repeat his messages, but focused on him, proclaimed him, and tried to understand and explain his message. One element of the process of understanding and proclaiming Jesus was the attribution of titles to him. Some of the titles that were gradually used in the early Church and then appeared in the New Testament were adopted from the Jewish context of the age, while others were selected to refer to, and underscore the message, mission and teachings of Jesus. In time, some of these titles gathered significant Christological significance.
The miracles of Jesus are the supernatural deeds attributed to Jesus in Christian and Islamic texts. The majority are faith healings, exorcisms, resurrection, control over nature and forgiveness of sins.
In the Eastern Orthodox Church, the feast of the Resurrection of Jesus, called Pascha (Easter), is the greatest of all holy days and as such it is called the "feast of feasts". Immediately below it in importance, there is a group of Twelve Great Feasts. Together with Pascha, these are the most significant dates on the Orthodox liturgical calendar. Eight of the great feasts are in honor of Jesus Christ, while the other four are dedicated to the Virgin Mary — the Theotokos.
Evangelist portraits are a specific type of miniature included in ancient and mediaeval illuminated manuscript Gospel Books, and later in Bibles and other books, as well as other media. Each Gospel of the Four Evangelists, the books of Matthew, Mark, Luke, and John, may be prefaced by a portrait of the Evangelist, usually occupying a full page. Their symbols may be shown with them, or separately. Often they are the only figurative illumination in the manuscript. They are a common feature in larger Gospel Books from the earliest examples in the 6th century until the decline of that format for illustrated books in the High Middle Ages, by which time their conventions were being used for portraits of other authors.
This article relates to a number of episodes in the New Testament in which Jesus was rejected in accordance with the Jewish tradition which was followed during his lifetime.
The burial of Jesus refers to the burial of the body of Jesus after crucifixion, described in the New Testament. According to the canonical gospel accounts, he was placed in a tomb by a man named Joseph of Arimathea. In art, it is often called the Entombment of Christ.
In Christian theology and ecclesiology, apostles, particularly the Twelve Apostles, were the primary disciples of Jesus according to the New Testament. In addition to Christian theology, Islamic theology also acknowledges the apostles in the Quran. During the life and ministry of Jesus in the 1st century AD, the apostles were his closest followers and became the primary teachers of the gospel message of Jesus.
The Apse of Sant Climent de Taüll is a Romanesque fresco in the National Art Museum of Catalonia, Barcelona. This is one of the masterpieces of the European Romanesque. from which the unknown Master of Taüll takes his name. Painted in the early 12th century, it was in the church of Sant Climent de Taüll at the Vall de Boí, Alta Ribagorça in the Catalan Pyrenees until removed in 1919-1923, along with other parts of the fresco decoration, in an attempt to preserve the paintings by placing them in a stable, secure museum setting.
The iconostasis of the Cathedral of Hajdúdorog is the largest Greek Catholic icon screen in Hungary. It is 11 m tall and 7 m wide, holding 54 icons on five tiers. Creating such a monumental work of art requires a number of different craftsmen. Miklós Jankovits was hired by the Greek Catholic parish of Hajdúdorog in 1799 to carve the wooden framework, including the doors and the icon frames of the iconostasis. Mátyás Hittner and János Szűts could only start the painting and gilding works in 1808. The last icon was completed in 1816.
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