 | This article needs additional citations for verification .(July 2022) |
In Christian tradition, the Four Evangelists are Matthew, Mark, Luke, and John, the authors attributed with the creation of the four canonical Gospel accounts. In the New Testament, they bear the following titles: the Gospel of Matthew; the Gospel of Mark; the Gospel of Luke; and the Gospel of John. [1]
The gospels of Matthew, Mark, and Luke are known as the Synoptic Gospels, because they include many of the same stories, often in the same sequence or even verbatim. While the periods to which the gospels are usually dated suggest otherwise, [2] [3] convention traditionally holds that the authors were two of the Twelve Apostles of Jesus, John and Matthew, as well as two "apostolic men", [4] Mark and Luke, whom Orthodox Tradition records as members of the 70 Apostles (Luke 10):
They are called evangelists, a word meaning "people who proclaim good news", because their books aim to tell the "good news" ("gospel") of Jesus. [5]
In iconography, the evangelists often appear in Evangelist portraits derived from classical tradition, and are also frequently represented by the symbols which originate from the four "living creatures" that draw the throne-chariot of God in the vision in Ezekiel 1 reflected in the Book of Revelation (4:6–9ff), referred to as the four 'Seraphim', though neither source links the creatures to the Evangelists (of course the depiction of the Seraphim predates in chronology the writing of the New Testament which portrays the writers John, Luke, Mark, Matthew as symbolically embodied by the four Seraphim). Images normally, but not invariably, appear with wings like angels. [6] [7] When the symbols of the Four Evangelists appear together, it is called a Tetramorph, common in the Romanesque art of Europe such as church frescoes or murals.
The meanings accruing to the symbols grew over centuries, with an early formulation by Jerome, [6] and were fully expressed by Rabanus Maurus, who set out three layers of meaning for the beasts: representing first the Evangelists, second the nature of Christ, and third the virtues required of a Christian for salvation. [7] These animals may have originally been seen as representing the highest forms of the various types of animals: man, as king of creation, as the image of the creator; the lion, as king of beasts of prey (meat-eating); the ox, as king of domesticated animals (grass-eating); the eagle, as king of birds.
Each of the symbols is depicted with wings, following the biblical sources first in Ezekiel 1–2, and in Revelation. The symbols are shown with, or in place of, the Evangelists in early medieval Gospel Books, and are the usual accompaniment to Christ in Majesty when portrayed during the same period, reflecting the vision in Revelation. They were presented as one of the most common motifs found on church portals and apses, as well as many other locations. [8]
When surrounding Christ, the figure of the man usually appears at top left—above Christ's right hand, with the lion above Christ's left arm. Underneath the man is the ox and underneath the lion is the eagle. This both reflects the medieval idea of the order of "nobility" of nature of the beasts (man, lion, ox, eagle) and the text of Ezekiel 1:10. From the 13th century, their use began to decline, as a new conception of Christ in Majesty, showing the wounds of the Passion, came into use. [8] In Evangelist portraits, they sometimes appear to dictate to the writing evangelist.
Matthew is often cited as the "first Gospel account", not only owing to its place in the canon, but also in view of the patristic witness to this effect. However, most biblical scholars see the gospel account of Mark as having been written first and John's gospel account as having been written last of the four.
It is customary to refer to the gospels phrased as "the Gospel of Matthew" or as "Matthew's Gospel", and so on.
The Gospel of Luke is the third of the New Testament's four canonical Gospels. It tells of the origins, birth, ministry, death, resurrection, and ascension of Jesus. Together with the Acts of the Apostles, it makes up a two-volume work which scholars call Luke–Acts, accounting for 27.5% of the New Testament. The combined work divides the history of first-century Christianity into three stages, with the gospel making up the first two of these – the life of Jesus the messiah (Christ) from his birth to the beginning of his mission in the meeting with John the Baptist, followed by his ministry with events such as the Sermon on the Plain and its Beatitudes, and his Passion, death, and resurrection.
John the Evangelist is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although there is no consensus on how many of these may actually be the same individual.
Luke the Evangelist is one of the Four Evangelists—the four traditionally ascribed authors of the canonical gospels. The Early Church Fathers ascribed to him authorship of both the Gospel of Luke and the Acts of the Apostles. Prominent figures in early Christianity such as Jerome and Eusebius later reaffirmed his authorship, although a lack of conclusive evidence as to the identity of the author of the works has led to discussion in scholarly circles, both secular and religious.
John the Apostle, also known as Saint John the Beloved and, in Eastern Orthodox Christianity, Saint John the Theologian, was one of the Twelve Apostles of Jesus according to the New Testament. Generally listed as the youngest apostle, he was the son of Zebedee and Salome. His brother James was another of the Twelve Apostles. The Church Fathers identify him as John the Evangelist, John of Patmos, John the Elder, and the Beloved Disciple, and testify that he outlived the remaining apostles and was the only one to die of natural causes, although modern scholars are divided on the veracity of these claims.
Mark the Evangelist, also known as John Mark or Saint Mark, is the person who is traditionally ascribed to be the author of the Gospel of Mark. Modern Bible scholars have concluded that the Gospel of Mark was written by an anonymous author rather than an identifiable historical figure. According to Church tradition, Mark founded the episcopal see of Alexandria, which was one of the five most important sees of early Christianity. His feast day is celebrated on April 25, and his symbol is the winged lion.
The Transfiguration of Jesus is an event described in the New Testament, where Jesus is transfigured and becomes radiant in glory upon a mountain. The Synoptic Gospels recount the occasion, and the Second Epistle of Peter also refers to it.
A tetramorph is a symbolic arrangement of four differing elements, or the combination of four disparate elements in one unit. The term is derived from the Greek tetra, meaning four, and morph, shape.
The living creatures, living beings, or hayyot are a class of heavenly beings in Jewish mythology. They are described in the prophet Ezekiel's vision of the heavenly chariot in the first and tenth chapters of the Book of Ezekiel. References to the sacred creatures recur in texts of Second Temple Judaism, in rabbinical merkabah ("chariot") literature, in the Book of Revelation in the Christian New Testament, and in the Zohar.
Two names and a variety of titles are used to refer to Jesus in the New Testament. In Christianity, the two names Jesus and Emmanuel that refer to Jesus in the New Testament have salvific attributes. After the crucifixion of Jesus the early Church did not simply repeat his messages, but focused on him, proclaimed him, and tried to understand and explain his message. One element of the process of understanding and proclaiming Jesus was the attribution of titles to him. Some of the titles that were gradually used in the early Church and then appeared in the New Testament were adopted from the Jewish context of the age, while others were selected to refer to, and underscore the message, mission and teachings of Jesus. In time, some of these titles gathered significant Christological significance.
In the Eastern Orthodox Church, the feast of the death and Resurrection of Jesus, called Pascha (Easter), is the greatest of all holy days and as such it is called the "feast of feasts". Immediately below it in importance, there is a group of Twelve Great Feasts. Together with Pascha, these are the most significant dates on the Orthodox liturgical calendar. Eight of the great feasts are in honor of Jesus Christ, while the other four are dedicated to the Virgin Mary—the Theotokos.
Evangelist portraits are a specific type of miniature included in ancient and mediaeval illuminated manuscript Gospel Books, and later in Bibles and other books, as well as other media. Each Gospel of the Four Evangelists, the books of Matthew, Mark, Luke, and John, may be prefaced by a portrait of the Evangelist, usually occupying a full page. Their symbols may be shown with them, or separately. Often they are the only figurative illumination in the manuscript. They are a common feature in larger Gospel Books from the earliest examples in the 6th century until the decline of that format for illustrated books in the High Middle Ages, by which time their conventions were being used for portraits of other authors.
There are a number of episodes in the New Testament in which Jesus was rejected. Jesus is rejected in Judaism as a failed Jewish messiah claimant and a false prophet by all denominations of Judaism.
The Gospels of Máel Brigte is an illuminated Gospel Book, with glosses.
The Ebbo Gospels is an early Carolingian illuminated Gospel book known for its illustrations that appear agitated. The book was produced in the ninth century at the Benedictine Abbaye Saint-Pierre d’Hautvillers, by Ebbo, the archbishop of Reims. Its style influenced Carolingian art and the course of medieval art. The Gospels contains the four gospels by Saint Mark, Saint Luke, Saint John, and Saint Matthew, along with their illustrations containing symbolism and iconography. The evangelists illustrations reflect an expressive art style called Emotionalism, that has a stylistic relationship with the Utrecht Psalter and the Codex Aureus of St. Emmeram. In comparison to the Utrecht Psalter and the Codex Aureus of St. Emmeram, the Ebbo Gospels demonstrates very energetic lines and dimension, in contrast to the Classical Roman art style of the past.
Zion Lutheran Church is located in Fredericksburg, in Gillespie County, in the U.S. state of Texas. It is the oldest Lutheran Church in the Texas Hill Country and one of the oldest in Texas. The church was built by six families in 1852. On January 13, 1853, twelve founders signed its articles of organization. The cornerstones for the church were set on March 6, 1854. Designated a Recorded Texas Historic Landmark in 1964, Marker number 10132.
The Harmony of the Gospels is a book by the Christian philosopher Augustine of Hippo. It was written around 400 AD, while Augustine was also writing On the Trinity. In the book, Augustine examines the four canonical Gospels to show that none of them contradicts any of the others. The book had a major influence in the West on the understanding of the relationships between the four Gospels.
The Apse of Sant Climent de Taüll is a Romanesque fresco in the National Art Museum of Catalonia, Barcelona. The fresco is one of the masterpieces of the European Romanesque, from which the unknown Master of Taüll takes his name. It was painted in the early 12th century in the church of Sant Climent de Taüll in the Vall de Boí, Alta Ribagorça in the Catalan Pyrenees. The mural covered the apse of the church. In 1919-1923 it was moved, along with other parts of the fresco decoration, to Barcelona, in an attempt to preserve the murals in a stable, secure museum setting.
The Portico of Glory of Santiago de Compostela Cathedral is a Romanesque portico and the cathedral's main gate created by Master Mateo and his workshop, on the orders of King Ferdinand II of León. The king donated to Mateo one hundred maravedís annually between 1168 and 1188. To commemorate its completion in 1188, the date was carved on a stone set in the cathedral and on the lintel that supports the richly ornamental tympanum. Under the contract made in 1168, if Mateo was to renege on the deal to create the portico at any time, he would have to pay 1,000 gold pieces (aureos). The complete three-piece set took until 1211 to completely finish; when the cathedral was consecrated in the presence of King Alfonso IX of León.
Christ Enthroned is a tempera icon by Emmanuel Tzanes, a Greek painter of the late Cretan school. It is currently at the Byzantine & Christian Museum in Athens.
Limousin workshop evangeliarium book cover is a 13th century evangeliary cover made of embossed copper and decorated in champlevé Limousin enamels with gilt figures in bas-relief fixed to a substituted olive wood tablet. The cover is surrounded by a silver frame with watermark meanders and rosettes and has the measurements of about 32.2x19.5 cm. The object is preserved and put on display at the Diocesan Museum in Padua (Italy) as a part of its collection.
