A two-barred cross is similar to a Latin cross but with an extra bar added. The lengths and placement of the bars (or "arms") vary, and most of the variations are interchangeably called the cross of Lorraine, the patriarchal cross, the Orthodox cross or the archiepiscopal cross. [1]
The two bars can be placed tight together (condensed) or far apart. They can be symmetrically spaced either around the middle, or above or below the middle. One asymmetrical variation has one bar near the top and the other just below the middle. Finally the bars can be of equal length, or with one shorter than the other.
The ends of the arms can be decorated according to different styles. A style with round or rounded ends is called treflée or botonée (from French bouton) in heraldic use. The same style is called budded, apostles' or cathedral cross in religious use. [2] A straight and pointy style called pattée also includes maltese cross variations, [3] and finally a pointed style called aiguisé|aiguisé . [4]
The crosses appear in heraldic use in the second century A.D. [5] A balanced cross is used in the Coat of arms of Hungary as well as in several small shields within shields of Vytis. An outlined balanced cross (equal length outlined bars on equal distances) is used on coat of arms shields and order medals. [6]
In Slovakia, the flag, the coat of arms and several municipal symbols include a double cross, where graded bars are more common than equally long bars, and balanced distances along the vertical line are more common. [7]
The two-barred cross was also, since around the year 1140, used in Kopnik, Branibor (currently Berlin, Brandenburg) as seen on one of the five emissions of the silver bracteate of Iakša (Jaxa), a Christian state, fief of Poland (archbishops of Gniezno), coined until its invasion and destruction by Germanic "Wendish Crusade" of 1147.
In typography the double cross (U+2021 ‡) is called double dagger, double obelisk, or diesis. [8]
The International Union Against Tuberculosis and Lung Disease has used a red two-barred cross as its logo since 1920, following a proposal at the 1902 Berlin International Conference on Tuberculosis. [9] The two equally long bars are on the upper half of the cross and all six ends are aiguisé . [10] A similar but blue two-barred cross is used as the logo of the American Lung Association.
In botany, a balanced cross (equal length bars on equal distances) is used to mark very poisonous plants. [11]
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
The coat of arms of Canada, also known as the Royal Coat of Arms of Canada or, formally, as the Arms of His Majesty the King in Right of Canada, is the arms of dominion of the Canadian monarch and, thus, also the official coat of arms of Canada. In use since 1921, it is closely modelled after the royal coat of arms of the United Kingdom, with French and distinctive Canadian elements replacing or added to those derived from the British version.
The Cross of Lorraine, known as the Cross of Anjou in the 16th century, is a heraldic two-barred cross, consisting of a vertical line crossed by two shorter horizontal bars. In most renditions, the horizontal bars are "graded" with the upper bar being the shorter, though variations with the bars of equal length are also seen. The Lorraine name has come to signify several cross variations, including the Patriarchal cross with its bars near the top. The Cross of Lorraine came to the Duchy of Lorraine via the Kingdom of Hungary in the 15th century. Similar two-barred cross symbols prominently feature in heraldry from Poland, Lithuania and Belarus. Its ultimate origins are theorised to be Byzantine. The Cross of Lorraine was used as a symbol of Free France during World War II and was earlier used by French patriots to signify desire to reclaim provinces lost to Germany in the Franco-Prussian War.
The coat of arms of the Republic of Serbia consists of two main heraldic symbols which represent the identity of the Serbian state and Serbian people across the centuries: the Serbian eagle and the Serbian cross. The coat of arms also features the Serbian historical crown; while unusual for republics, it is not unprecedented, as can be seen in coat of arms of numerous European countries with republican form of government.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
The Patriarchal cross is a variant of the Christian cross, the religious symbol of Christianity, and is also known as the Cross of Lorraine. Similar to the familiar Latin cross, the patriarchal cross possesses a smaller crossbar placed above the main one so that both crossbars are near the top. Sometimes the patriarchal cross has a short, slanted crosspiece near its foot. This slanted, lower crosspiece often appears in Byzantine Greek and Eastern European iconography, as well as in other Eastern Orthodox churches. In most renditions of the Cross of Lorraine, the horizontal bars are "graded" with the upper bar being the shorter, though variations with the bars of equal length are also seen.
The coat of arms of Russia derives from the earlier coat of arms of the Russian Empire. Though modified more than once since the reign of Ivan III (1462–1505), the current coat of arms is directly derived from its medieval original, with the double-headed eagle having Byzantine and earlier antecedents. The general tincture corresponds to the fifteenth-century standard.
The coat of arms of the Swiss Confederation shows the same white-on-red cross as the flag of Switzerland, but on a heraldic shield instead of the square field.
The anchored cross, or mariner's cross, is a stylized cross in the shape of an anchor. It is a symbol which is shaped like a plus sign depicted with anchor-like fluke protrusions at its base. There are many variations on this symbol, but the most common form connects a ring with a bar, with a cross-bar, terminating on the other end with two curved branches or arrowheads. The anchor symbolizes hope, steadfastness, calm and composure. It also can symbolize security in one or more uncertain experiences of life, such as sea voyages, one's fate after death, and the vagaries of fortune.
The coat of arms of the Slovak Republic consists of a red (gules) shield, in early Gothic style, charged with a silver (argent) double cross standing on the middle peak of a dark blue mountain consisting of three peaks. Extremities of the cross are amplified, and its ends are concaved. The double cross is a symbol of its Christian faith and the hills represent three symbolic mountain ranges: Tatra, Fatra, and Matra.
The coat of arms of Greece or national seal of Greece comprises a white Greek cross on a blue escutcheon, surrounded by two laurel branches. It has been in use in its current form since 1975. Prior to the adoption of the current coat of arms, Greece used a number of different designs, some of which were not heraldic; the first heraldic design was introduced in 1832 and its main element, the blue shield with the white cross, has been the base for all other national coats of arms since then. The design is a heraldic representation of the Greek national flag adopted in 1822, which featured a white cross on a blue field.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
Ecclesiastical heraldry refers to the use of heraldry within Christianity for dioceses, organisations and Christian clergy. Initially used to mark documents, ecclesiastical heraldry evolved as a system for identifying people and dioceses. It is most formalized within the Catholic Church, where most bishops, including the Pope, have a personal coat of arms. Clergy in Anglican, Lutheran, Eastern Catholic and Eastern Orthodox churches follow similar customs, as do institutions such as schools and dioceses.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
In heraldic achievements, the helmet or helm is situated above the shield and bears the torse and crest. The style of helmet displayed varies according to rank and social status, and these styles developed over time, in step with the development of actual military helmets. In some traditions, especially German and Nordic heraldry, two or three helmets may be used in a single achievement of arms, each representing a fief to which the bearer has a right. For this reason, the helmets and crests in German and Nordic arms are considered essential to the coat of arms and are never separated from it.
Icelandic heraldry is the study of coats of arms and other insignia used in Iceland. It belongs to the German-Nordic heraldic tradition, as the heraldry of Iceland has been primarily influenced by the heraldic traditions of Norway, Denmark and other Nordic countries. Iceland does not have a strong sense of heraldic tradition, however, because the country lacks a governing body to oversee this. As a result, coats of arms registered as such are virtually nonexistent in modern Iceland. While many municipalities use more or less heraldic logos, there are no heraldic standards to which these must adhere, and they are registered as graphic designs rather than as coats of arms.
A number of cross symbols were developed for the purpose of the emerging system of heraldry, which appeared in Western Europe in about 1200. This tradition is partly in the use of the Christian cross an emblem from the 11th century, and increasingly during the age of the Crusades. Many cross variants were developed in the classical tradition of heraldry during the late medieval and early modern periods. Heraldic crosses are inherited in modern iconographic traditions and are used in numerous national flags.
An equestrian seal is a type of seal used in the European Middle Ages, characterized by the depiction of the owner as a mounted warrior in full armour. Originating in the high medieval period, the type was frequently used throughout the 13th to 14th centuries. Continued use into the 15th and 16th centuries was mostly limited to high nobility, especially royalty, while lower nobility switched to the use of simple heraldic seals.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.