Saint Cecilia playing the pipe organ
|Virgin and Martyr|
|Born||2nd century AD|
|Died||176–180 or 222–235 AD |
|Major shrine||Santa Cecilia in Trastevere, Rome|
|Attributes||Flute, organ, roses, violin, harp, Baritone harpsichord, singing|
|Patronage||Hymns, great musicians, poets; Albi, France; Archdiocese of Omaha; Mar del Plata, Argentina, Pipe organs|
Saint Cecilia (Latin : Sancta Caecilia, English: alternate spelling - Cecelia) is the patroness of musicians. It is written that as the musicians played at her wedding she "sang in her heart to the Lord". Her feast day is celebrated in the Latin Catholic, Eastern Catholic and Eastern Orthodox churches and in some churches of the Anglican Communion on November 22. She is one of seven women, in addition to the Blessed Virgin, commemorated by name in the Canon of the Mass in the Roman Catholic Church.
While the details of her story are apparently fictional,her existence and martyrdom are considered a historical fact. She is said to have been beheaded with a sword. An early church, Santa Cecilia, was founded in the 3rd century by Pope Urban I in the Trastevere section of Rome, reputedly on the site of the house in which she lived. A number of musical compositions are dedicated to her, and her feast day has become the occasion for concerts and musical festivals.
St. Cecilia is one of the most famous of the Roman martyrs, although some elements of the stories recounted about her do not seem to be founded on historical fact.According to Johann Peter Kirsch, while some details bear the mark of a pious romance, like so many other similar accounts compiled in the fifth and sixth century, the existence of the martyr is a historical fact. The relation between St. Cecilia and Valerian, Tiburtius, and Maximus, mentioned in the Acts of the Martyrs, has some historical foundation. Her feast day has been celebrated since about the fourth century.
It was long supposed that she was a noble lady of Romewho, with her husband Valerian, his brother Tiburtius, and a Roman soldier named Maximus, suffered martyrdom in about 230, under the Emperor Alexander Severus. Research by Giovanni Battista de Rossi , however, supports the report of Venantius Fortunatus, Bishop of Poitiers (d. 600), that instead she perished in Sicily under the Emperor Marcus Aurelius between 176 and 180.
According to the story, despite her vow of virginity, she was forced by her parents to marry a pagan nobleman named Valerian. During the wedding, Cecilia sat apart singing to God in her heart, and for that she was later declared the saint of musicians.When the time came for her marriage to be consummated, Cecilia told Valerian that watching over her was an angel of the Lord, who would punish him if he sexually violated her but would love him if he respected her virginity. When Valerian asked to see the angel, Cecilia replied that he could if he would go to the third milestone on the Via Appia and be baptized by Pope Urban I. After following Cecilia's advice, he saw the angel standing beside her, crowning her with a chaplet of roses and lilies.
The martyrdom of Cecilia is said to have followed that of her husband Valerian and his brother at the hands of the prefect Turcius Almachius.The legend about Cecilia's death says that after being struck three times on the neck with a sword, she lived for three days, and asked the pope to convert her home into a church.
Cecilia was buried in the Catacomb of Callixtus, and later transferred to the Church of Santa Cecilia in Trastevere. In 1599, her body was found still incorrupt, seeming to be asleep.
There is no mention of Cecilia in the Depositio Martyrum , but there is a record of an early Roman church founded by a lady of this name, Santa Cecilia in Trastevere.
The church of Santa Cecilia in Trastevere is reputedly built on the site of the house in which she lived. The original church was constructed in the fourth century; during the ninth century, Pope Paschal I had remains which were supposedly hers buried there. In 1599, while leading a renovation of the church, Cardinal Paolo Emilio Sfondrati had the remains, which he reported to be incorrupt, excavated and reburied.
The name "Cecilia" applied generally to Roman women who belonged to the plebeian clan of the Caecilii. Legends and hagiographies, mistaking it for a personal name, suggest fanciful etymologies. Among those cited by Chaucer in "The Second Nun's Tale" are: lily of heaven, the way for the blind, contemplation of heaven and the active life, as if lacking in blindness, and a heaven for people to gaze upon.
The first record of a music festival in her honor was held at Évreux in Normandy in 1570.
The Accademia Nazionale di Santa Cecilia in Rome is one of the oldest musical institutions in the world. It was founded by the papal bull, Ratione congruit, issued by Sixtus V in 1585, which invoked two saints prominent in Western musical history: Gregory the Great, after whom Gregorian chant is named, and Saint Cecilia, the patron saint of music.
Her feast day became an occasion for musical concerts and festivals that occasioned well-known poems by John Dryden and Alexander Popeand music by Henry Purcell ( Ode to St. Cecilia ); several oratorios by Marc-Antoine Charpentier (In honorem Caeciliae, Valeriani et Tiburtij canticum; and several versions of Caecilia virgo et martyr to libretti probably written by Philippe Goibaut); George Frideric Handel ( Ode for St. Cecilia's Day ; Alexander's Feast ); Charles Gounod ( St. Cecilia Mass ); as well as Benjamin Britten, who was born on her feast day ( Hymn to St Cecilia , based on a poem by W. H. Auden). Herbert Howells' A Hymn to Saint Cecilia has words by Ursula Vaughan Williams; Gerald Finzi's "For Saint Cecilia", Op. 30, was set to verses written by Edmund Blunden; Michael Hurd's 1966 composition "A Hymn to Saint Cecilia" sets John Dryden's poem; and Frederik Magle's Cantata to Saint Cecilia is based on the history of Cecilia. The Heavenly Life, a poem from Des Knaben Wunderhorn (which Gustav Mahler used in his Symphony No. 4 ) mentions that "Cecilia and all her relations make excellent court musicians."
From the name of St. Cecilia comes Cecyliada, the name of festival of sacred, choral and contemporary music, held from 1994 in Police, Poland.
Cecilia symbolizes the central role of music in the liturgy.
The Sisters of Saint Cecilia, religious sisters, shear the lambs' wool used to make the palliums of new metropolitan archbishops. The lambs are raised by the Cistercian Trappist Fathers of the Tre Fontane (Three Fountains) Abbey in Rome. The lambs are blessed by the Pope every January 21, the Feast of the martyr Saint Agnes. The pallia are given by the Pope to the new metropolitan archbishops on the Solemnity of Saints Peter and Paul, June 29.
Located on the Isle of Wight, St. Cecilia's Abbey, Ryde was founded in 1882. The nuns live a traditional monastic life of prayer and work, and study in accordance with the ancient Rule of St. Benedict.
The famous luthier Jean-Baptiste Vuillaume produces a line of violin and viola under the name St. Cécile with a decal stamped on the upper back.
Cecilia is frequently depicted playing a viola, a small organ, or other musical instrument,evidently to express what was often attributed to her, namely that while the musicians played at her nuptials, she sang in her heart to God, though the organ may be attributed to her erroneously, as the result of a mistranslation.
A miniature Saint Cecilia beneath Worcester Cathedral was featured on the reverse side of the Sir Edward Elgar £20 banknote, which was withdrawn by the Bank of England in 2010.
Judith Shatin wrote The Passion of Saint Cecilia for piano and orchestraand Fantasy on Saint Cecilia for solo piano.
Fred Momotenko composed "Cecilia", a composition for full mixed choir, "a hymn to the past as well as to the future of the monastic tradition". The world premiere was at Koningshoeven Abbey on Saint Cecilia's feast day 2014.
Benjamin Britten wrote a Hymn to St Cecilia, a setting for the poem by W. H. Auden.
Lou Harrison wrote his Mass for St. Cecilia's Day for choir, harp, and drone (1983-6).
Arvo Pärt was commissioned to compose a work for the Great Jubilee in Rome in 2000, and wrote Cecilia, vergine romana (Cecilia, Roman virgin) for mixed choir and orchestra. The Italian text deals with the saint's life and martyrdom. It was first performed on 19 November 2000, close to her feast day, by the Accademia Nazionale di Santa Cecilia conducted by Myung-whun Chung.
Gerald Finzi composed "For St. Cecilia" for solo tenor, chorus (SATB) and orchestra. Setting of a work by English poet and author Edmund Blunden. Duration ca 18 minutes.
On the 2015 Feast of Saint Cecilia, Foo Fighters released their EP "Saint Cecilia" for free download via their website. The five song EP features a track named after the EP "Saint Cecilia". The EP was recorded during an impromptu studio session at Hotel Saint Cecilia located in Austin Texas.
Informator Choristarum (organist and master of the choristers) at Magdalen College, Oxford (1957–1981), Bernard Rose's unaccompanied anthem for SATB choir (with divisions) Feast Song For St. Cecilia (1974) is a setting a poem of the same name by his son, musician Gregory Rose.[ citation needed ]
Singer/Songwriter/Guitarist, Rik Emmett, composed the song "Calling St. Cecilia" on his 1992 LP Ipso Facto. [ citation needed ]
Paul Simon wrote the song "Cecilia" about writer's block.
The Chicago band Turnt (now known as Everybody All The Time) released a song called Girls which refers to St Cecilia in the lyrics. The song was first performed at Northwestern University's Mayfest Battle of the Bands on Friday May 24th 2013 at 27 Live in downtown Evanston.
On 2008 Brian Eno's and David Byrne's album "Everything That Happens Will Happen Today", St. Cecilia is referred to in the song "The River".
The poem "Moschus Moschiferus", by Australian poet A. D. Hope (1907–2000), is sub-titled "A Song for St Cecilia's Day". The poem is of 12 stanzas and was written in the 1960s.
St. Cecilia is also the subject of Alexander Pope's poem "Ode on St. Cecilia's Day."
Geoffrey Chaucer retells the story of St. Cecilia and Valerian and his brother in "The Second Nun's Tale" in The Canterbury Tales .
St. Cecilia is a symbol for the divine power of music in Heinrich von Kleist's extended anecdote, "St. Cecilia, or the Power of Music".
Domenichino's Fresco Cycle in San Luigi dei Francesi, Rome (1614)
The apse mosaic in the Church of St. Cecilia in Trastevere
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