Carlo Saraceni was an Italian early-Baroque painter, whose reputation as a "first-class painter of the second rank" was improved with the publication of a modern monograph in 1968.
Saint Cecilia, also spelled Cecelia, was a Roman virgin martyr and is venerated in Catholic, Orthodox, Anglican, and some Lutheran churches, such as the Church of Sweden. She became the patroness of music and musicians, it being written that, as the musicians played at her wedding, Cecilia "sang in her heart to the Lord". Musical compositions are dedicated to her, and her feast, on 22 November, is the occasion of concerts and musical festivals. She is also known as Cecilia of Rome.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Domenico Zampieri, known by the diminutive Domenichino after his shortness, was an Italian Baroque painter of the Bolognese School of painters.
Orazio Lomi Gentileschi (1563–1639) was an Italian painter. Born in Tuscany, he began his career in Rome, painting in a Mannerist style, much of his work consisting of painting the figures within the decorative schemes of other artists.
Giovanni Lanfranco was an Italian painter of the Baroque period.
Antônio de Castro Mayer was a Brazilian prelate of the Roman Catholic Church. A Traditionalist Catholic and ally of Archbishop Marcel Lefebvre, he was Bishop of Campos from 1949 until his resignation in 1981.
Giovanni Baglione was an Italian Late Mannerist and Early Baroque painter and art historian. Although a prolific painter, Baglione is best remembered for his encyclopedic collection of biographies of the other artists working in Rome during his lifetime, and particularly his acrimonious relationship with the slightly younger artist Caravaggio through his art and writings.
The Metropolitan Cathedral of Our Lady Assumption and Saint Paul, also known as the See Cathedral, is the cathedral of the Roman Catholic Archdiocese of São Paulo, Brazil. Its current and seventh metropolitan archbishop is Dom Odilo Pedro Cardinal Scherer, appointed by Pope Benedict XVI on March 21, 2007, and installed on April 29 of the same year. The existing cathedral's construction, in a Gothic revival style, began in 1913 and ended four decades later. It was ready for its dedication on the 400th anniversary of the foundation of the then humble villa of São Paulo by Chief or Cacique Tibiriçá and the Jesuit priests Manuel da Nóbrega and José de Anchieta. Despite its Renaissance-style dome, the São Paulo Metropolitan Cathedral is considered by some to be the fourth largest neo-Gothic cathedral in the world.
Saint Cecilia's is a Roman Catholic parish church in the Diocese of Brooklyn located at North Henry and Herbert streets, Greenpoint, Brooklyn, New York. It is named for Saint Cecilia, the patron saint of music. It is a contributing building in the Greenpoint Historic District, listed on the National Register of Historic Places in 1983.
Mary Magdalene is a religious figure in Christianity.
The Annunciation is the Christian celebration of the announcement by the archangel Gabriel to the virgin Mary that she would become the mother of Jesus Christ.
Domenico Fiasella was an Italian painter of the Baroque period, mainly active in Genoa. He was nicknamed Il Sarzana, after his birthplace.
Bernardo Cavallino (1616–1656) was an Italian painter and draughtsman. He is regarded as one of the most original painters active in Naples during the first half of the 17th century.
Aurelio Lomi was an Italian painter of the late-Renaissance and early-Baroque periods, active mainly in his native town of Pisa, Tuscany.
Orazio Riminaldi was an Italian painter who painted mainly history subjects in a Caravaggist style.
Italian Baroque art is a term that is used here to refer to Italian painting and sculpture in the Baroque manner executed over a period that extended from the late sixteenth to the mid eighteenth centuries. Italian Baroque architecture is not covered.
Santa Cecilia is an early painting, from c. 1620, by the Baroque painter Artemisia Gentileschi, a painter described as "a grand exception in the history of art - a successful woman painter in an era in which art was dominated by men."
Penitent Magdalene is a 1616–1618 painting by the Italian baroque artist Artemisia Gentileschi. This painting hangs in the Pitti Palace in Florence. The subject is the biblical figure Mary Magdalene, but the painting references another biblical woman, Mary, the sister of Lazarus. This painting was likely painted during Gentileschi's Florentine period.
Saint Januarius in the Amphitheatre at Pozzuoli is a 1635-1637 oil on canvas painting by Artemisia Gentileschi. The work shows the moment that the Christian martyr Januarius and his followers are thrown to a group of wild animals in the amphitheatre in Pozzuoli - however, they lick the saint's feet rather than attacking him and Januarius is unharmed.
