Iona is an island in the Inner Hebrides, off the Ross of Mull on the western coast of Scotland. It is mainly known for Iona Abbey, though there are other buildings on the island. Iona Abbey was a centre of Gaelic monasticism for three centuries and is today known for its relative tranquility and natural environment. It is a tourist destination and a place for spiritual retreats. Its modern Scottish Gaelic name means "Iona of (Saint) Columba".
A high cross or standing cross is a free-standing Christian cross made of stone and often richly decorated. There was a unique Early Medieval tradition in Ireland and Britain of raising large sculpted stone crosses, usually outdoors. These probably developed from earlier traditions using wood, perhaps with metalwork attachments, and earlier pagan Celtic memorial stones; the Pictish stones of Scotland may also have influenced the form. The earliest surviving examples seem to come from the territory of the Anglo-Saxon kingdom of Northumbria, which had been converted to Christianity by Irish missionaries; it remains unclear whether the form first developed in Ireland or Britain.
A shamrock is a type of clover, used as a symbol of Ireland. Saint Patrick, one of Ireland's patron saints, is said to have used it as a metaphor for the Christian Holy Trinity. The name shamrock comes from Irish seamróg, which is the diminutive of the Irish word seamair and simply means "young clover".
The Culdees were members of ascetic Christian monastic and eremitical communities of Ireland, Scotland, Wales and England in the Middle Ages. Appearing first in Ireland and then in Scotland, subsequently attached to cathedral or collegiate churches; they lived in monastic fashion though not taking monastic vows.
Charles Pierre Péguy was a French poet, essayist, and editor. His two main philosophies were socialism and nationalism; by 1908 at the latest, after years of uneasy agnosticism, he had become a believing Roman Catholic. From that time, Catholicism strongly influenced his works.
A triskelion or triskeles is an ancient motif consisting either of a triple spiral exhibiting rotational symmetry or of other patterns in triplicate that emanate from a common center. The spiral design can be based on interlocking Archimedean spirals, or represent three bent human legs. It occurs in artifacts of the European Neolithic and Bronze Ages with continuation into the Iron Age – especially in the context of the La Tène culture and of related Celtic traditions. The actual triskeles symbol of three human legs is found especially in Greek antiquity, beginning in archaic pottery and continued in coinage of the classical period.
Clonmacnoise is a ruined monastery situated in County Offaly in Ireland on the River Shannon south of Athlone, founded in 544 by Saint Ciarán, a young man from Rathcroghan, County Roscommon. Until the 9th century it had close associations with the kings of Connacht.
Saint Ciarán of Clonmacnoise, supposedly born Ciarán mac an tSaeir, was one of the Twelve Apostles of Ireland and the first abbot of Clonmacnoise. He is sometimes called Ciarán the Younger to distinguish him from the 5th-century Saint Ciarán the Elder who was bishop of Osraige. His name produced many variant spellings, including Ceran, Kieran, Queran and Queranus.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
Iona Abbey is an abbey located on the island of Iona, just off the Isle of Mull on the West Coast of Scotland.
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character.
The Kildalton Cross is a monolithic high cross in Celtic cross form in the churchyard of the former parish church of Kildalton (from Scottish Gaelic Cill Daltain, "Church of the Foster Son" on the island of Islay in the Inner Hebrides, Scotland. It was carved probably in the second half of the 8th century AD, and is closely related to crosses of similar date on Iona. It is often considered the finest surviving Celtic cross in Scotland, and is certainly one of the most perfect monuments of its date to survive in western Europe. The cross and the adjacent roofless medieval parish church are in the care of Historic Environment Scotland and are jointly a scheduled ancient monument. A simpler cross of late medieval date stands nearby.
Jeune Nation was a French nationalist, neo-Pétainist and neo-fascist far-right movement founded in 1949 by Pierre Sidos and his brothers. Inspired by Fascist Italy and Vichy France, the group attracted support from many young nationalists during the Algerian war (1954–62), especially in the French colonial army. Promoting street violence and extra-parliamentarian insurrection against the Fourth Republic, members hoped the turmoils of the wars of decolonization would lead to a coup d'état followed by the establishment of a nationalist regime. Jeune Nation was the most significant French neo-fascist movement during the 1950s; it gathered at its height 3,000 to 4,000 members.
The Woodwrae Stone is a Class II Pictish Stone that was found in 1819 when the foundations of the old castle at Woodwrae, Angus, Scotland were cleared. It had been reused as a floor slab in the kitchen of the castle. Following its removal from the castle, it was donated to the collection of Sir Walter Scott at Abbotsford House. It is now on display at the Museum of Scotland in Edinburgh.
In the early Middle Ages, there were distinct material cultures evident in the different federations and kingdoms within what is now Scotland. Pictish art was the only uniquely Scottish medieval style; it can be seen in the extensive survival of carved stones, particularly in the north and east of the country, which hold a variety of recurring images and patterns. It can also be seen in elaborate metal work that largely survives in buried hoards. Irish-Scots art from the kingdom of Dál Riata suggests that it was one of the places, as a crossroads between cultures, where the Insular style developed.
Ahenny is a small village and townland in County Tipperary, Ireland. It is notable for its ancient Irish high crosses. Close to the village is the early Christian foundation of Kilclispeen monastery and in the adjoining graveyard stand two celebrated Irish High Crosses: the Ahenny High Crosses.
Kilkieran High Crosses are a group of high crosses which form a National Monument in County Kilkenny, Ireland.
Odhran Ua hEolais was a medieval scribe and scholar at the abbey of Clonmacnoise. He must have been born, and lived his childhood, in the kingdom of Conmaicne Magh Réin, which corresponds to present day south county Leitrim. We do not know any significant details of his personal life, but Odhran moved to county Offaly in adult life, to become Lector and a famous scriba of Clonmacnoise. His death is recorded in the Annals of the Four Masters. A cross-stone of Odhran, with his name inscription legible in middle Irish, is preserved to this day.
The ringed cross is a class of Christian cross symbols featuring a ring or nimbus. The concept exists in many variants and dates to early in the history of Christianity. One variant, the cruciform halo, is a special type of halo placed behind the head of Jesus in Christian art. Other common variants include the Celtic cross, used in the stone high crosses of Ireland and Britain; some forms of the Coptic cross; and ringed crosses from western France and Galicia.
An Insular crozier is a type of processional bishop's staff (crozier) produced in Ireland and Scotland between 800 and 1200. Such items can be distinguished from mainland European types by their curved and open crooks, and drop. By the end of the 12th century, production of Irish croziers had largely ended, but examples continued to be reworked and added to throughout the Romanesque and Gothic periods. Although many of the croziers are associated with 5th- and 6th-century saints, the objects were not made until long after the saints had died. A majority originate from around the 9th century, and were often used as embellishment between the 11th and 13th centuries.
