Seat of Wisdom or Throne of Wisdom (Latin: sedes sapientiae) is one of many devotional titles for Mary in Roman Catholic tradition. In Seat of Wisdom icons and sculptures, Mary is seated on a throne with the Christ Child on her lap. For the more domestic and intimate iconic representations of Mary with the infant Jesus on her lap, see Madonna and Child. The Roman Catholic Church honors Mary, Seat of Wisdom, with a feast day on June 8.
The title and the imagery associated with it are occasionally also found in Protestant tradition; for example Merton College, Oxford commissioned a statue of "Our Lady, Seat of Wisdom" for its chapel in 2014. [1]
The invocation, "Seat of Wisdom", originated in the eleventh century. [2] Many early Christians saw Christ as Wisdom incarnate; therefore, by holding him on her lap, Mary becomes the “seat” of wisdom. [3] It later became part of the Litany of Loreto. [4]
This type of Madonna image is based on the Byzantine prototype of the Chora tou Achoretou ("Container of the Uncontainable"), [5] an epithet mentioned in the Acathist Hymn and present in the Greek East by the early 11th century, when the Byzantine-inspired enamels were made in Germany for the Cross of Mathilde. The type appeared in a wide range of sculptural and, later, painted images in Western Europe, especially around 1200. In these representations, some structural elements of the throne invariably appear, even if only handholds and front legs. The Virgin's feet often rest on a low stool. Later, Gothic sculptures of the type are more explicitly identifiable with the Throne of Solomon, where: "...two lions stood, one at each hand. And twelve little lions stood upon the six steps on the one side and on the other."(I Kings 10: 18–20)
The Sedes sapientiae icon also appeared in illuminated manuscripts and Romanesque frescoes and mosaics, and was represented on seals. The icon possesses in addition emblematic verbal components: the Virgin as the Throne of Wisdom is a trope of Damiani or Guibert de Nogent, based on their typological interpretation of the passage in the Books of Kings, that describes the throne of Solomon (I Kings 10: 18–20, repeated at II Chronicles 9: 17–19). This was much used in Early Netherlandish painting in works like the Lucca Madonna by Jan van Eyck. [6]
In modern times, sedes sapientiae is on the seal of the Catholic University of Leuven (here a play on words, since the university itself is a major seat of learning in the Low Countries). In 1999, Notre Dame College in Dhaka created a collage of Mata Mary (Mother Mary, Bengali : মাতা মেরি; the common name in which the college is known as) where Mary is shown as the Seat of Wisdom.
In art, a Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady' (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir, Agiosoritissa, Blachernitissa, etc., or descriptive of the depicted posture, as in Hodegetria, Eleusa, etc.
The term Black Madonna or Black Virgin tends to refer to statues or paintings in Western Christendom of the Blessed Virgin Mary and the Infant Jesus, where both figures are depicted with dark skin. Examples of the Black Madonna can be found both in Catholic and Orthodox countries.
Queen of Heaven is a title given by Christians to Mary, mother of Jesus, mainly in the Catholic Church and Eastern Orthodoxy, and, to a lesser extent, in Anglicanism and Lutheranism. The title has long been a tradition, included in prayers and devotional literature and seen in Western art in the subject of the Coronation of the Virgin from the High Middle Ages, long before the Church gave it a formal definition status.
The Litany of the Blessed Virgin Mary is a Marian litany originally approved in 1587 by Pope Sixtus V. It is also known as the Litany of Loreto, after its first-known place of origin, the Shrine of Our Lady of Loreto (Italy), where its usage was recorded as early as 1558.
The Basilica della Santa Casa is a Marian shrine in Loreto, in the Marches, Italy. The basilica is known for enshrining the house in which the Blessed Virgin Mary is believed by some Catholics to have lived. Pious legends claim the same house was flown over by angelic beings from Nazareth to Tersatto, then to Recanati, before arriving at the current site.
Our Lady of Guadalupe in Extremadura is a Marian shrine in Cáceres, Spain that traces its history to the medieval kingdom of Castile. The image is enshrined in the Monastery of Santa María de Guadalupe, in the Extremadura autonomous community of Spain, and is considered the most important Marian shrine in the country.
The Golden Madonna of Essen is a sculpture of the Virgin Mary and the infant Jesus. It is a wooden core covered with sheets of thin gold leaf. The piece is part of the treasury of Essen Cathedral, formerly the church of Essen Abbey, in North Rhine-Westphalia, Germany, and is kept on display at the cathedral.
Our Lady of Good Counsel is a title given to the Blessed Virgin Mary, after a painting said to be miraculous, now found in the thirteenth century Augustinian church at Genazzano, near Rome, Italy. Measuring 40 to 45 centimetres the image is a fresco executed on a thin layer of plaster no thicker than an egg shell. Over the centuries, devotions to Our Lady of the Good Counsel grew among saints and Popes, to the extent that a reference to it was added to the Litany of Loreto and the devotion spread throughout the world. Her feast day is 26 April.
The Sedes Sapientiae, also known as Our Lady of Leuven, is a Medieval wooden statue of the Virgin Mary located at St Peter's Church in Leuven, Belgium. It was carved in 1442 by Nicolaas De Bruyne as an enlarged copy of an earlier statue from the 13th century. The polychromy was done by Roelof van Velpen. It was restored in 1842 and 1945. A longstanding local landmark, the statue was depicted on the seals of the Katholieke Universiteit Leuven and UCLouvain.
The Lucca Madonna is an oil painting by the Early Netherlandish master Jan van Eyck, painted in approximately 1437. It shows Mary seated on a wooden throne and crowned by a canopy, breastfeeding the infant Christ. Its carpentry suggests it was once the inner panel of a triptych, while its small size indicates it was meant for private devotion. The painting is in the collection of the Städel Museum, Frankfurt.
The Nativity of Jesus has been a major subject of Christian art since the 4th century.
Mary, the mother of Jesus in Christianity, is known by many different titles, epithets, invocations, and several names associated with places.
Mary, Help of Christians is a Catholic title of the Blessed Virgin Mary, based on a devotion now associated with a feast day of the General Roman Calendar on 24 May.
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli.
Immaculate Heart of Mary (IHM) Seminary is a Roman Catholic college seminary for men in Winona, Minnesota, in the United States that is sponsored by the Diocese of Winona.
The Virgin of Mercy is a subject in Christian art, showing a group of people sheltering for protection under the outspread cloak, or pallium, of the Virgin Mary. It was especially popular in Italy from the 13th to 16th centuries, often as a specialised form of votive portrait; it is also found in other countries and later art, especially Spain and Latin America.
A Madonna of humility or Virgin of humility is a depiction in art of the Virgin Mary sitting on the ground, or upon a low cushion. She usually holds the Christ Child in her lap, making it one form of the Madonna and Child. The iconography originated in the 14th century, and was most common in that and the following century.
The Virgin from Ger is a 12th century sculpture exhibited at the National Art Museum of Catalonia in Barcelona.
The Pagagnotti Triptych is an oil-on-wood triptych by Hans Memling produced circa 1480. The original was disassembled and separated, with the center panel held at the Uffizi gallery in Florence and the two wing panels at the National Gallery in London.
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