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Mary, the mother of Jesus in Christianity, is known by many different titles (Blessed Mother, Virgin Mary, Mother of God, Our Lady, Holy Virgin, Madonna), epithets (Star of the Sea, Queen of Heaven, Cause of Our Joy), invocations ( Panagia , Mother of Mercy, God-bearer Theotokos ), and several names associated with places (Our Lady of Loreto, Our Lady of Fátima).
All of these descriptives refer to the same woman named Mary, the mother of Jesus Christ (in the New Testament). They are used differently by Roman Catholics, Eastern Orthodox, Oriental Orthodox, and some Anglicans. (Note: Mary Magdalene, Mary of Clopas, and Mary Salome are different women.)
Some descriptives of Mary are properly titles, dogmatic in nature, while some are invocations. Other descriptives are poetic or allegorical or have lesser or no canonical status, but form part of popular piety, with varying degrees of acceptance by Church authorities. Another class of titles refer to depictions of Mary in Catholic Marian art and in art generally. A rich range of Marian titles also are used in musical settings of pieces dedicated to her. [1]
The relatively large number of titles given to Mary may be explained in several ways. [2] Some titles grew due to geographic and cultural reasons, e.g., through the veneration of specific icons. Others were related to Marian apparitions.
Mary's intercession is sought for a large spectrum of human needs in varied situations. This has led to the formulation of many of her titles (good counsel, Help of the Sick, etc.). Moreover, meditations and devotions on the different aspects of Mary's role in the life of Jesus have led to additional titles, such as Our Lady of Sorrows. [3] Still further titles have been derived from dogmas and doctrines, such as, the Assumption of Mary, Dormition of the Mother of God and Immaculate Conception.
The veneration of Mary was consolidated in the year 431 when, at the Council of Ephesus, the descriptive, Theotokos , or Mary the bearer (or mother) of God, was declared a dogma. Thereafter Marian devotion, centred on the subtle and complex relationship between Mary, Jesus, and the Church, began to flourish, first in the East and later in the West.
The Reformation diminished Mary's role in many parts of Europe in the 16th and 17th centuries. The Council of Trent and Counter Reformation intensified Marian devotion among Roman Catholics. Around the same period, Mary became an instrument of evangelisation in the Americas and parts of Asia and Africa, e.g. gaining impetus from reported apparitions at Our Lady of Guadalupe, which resulted in a large number of conversions to Christianity in Mexico.
Following the Reformation, baroque literature on Mary experienced unprecedented growth, with over 500 instances of Mariological writings during the 17th century alone. [4] During the Age of Enlightenment, the emphasis on scientific progress and rationalism put Catholic theology and Mariology often on the defensive later in the 18th century. Books, such as The Glories of Mary by Alphonsus Liguori, were written in defence of the cult of Mary.
In the Orthodox and Eastern Catholic Churches the Assumption of Mary may be celebrated as the Dormition, or the "Falling Asleep" of the Mother of God, it is an important feast day, not based on a scriptural canon but affirmed by tradition.
"Our Lady" is a common title to give to Mary as a sign of respect and honor. In French she is called "Notre Dame" and in Spanish she is "Nuestra Señora". [9]
English | Latin | Greek | Notes |
---|---|---|---|
"Our Lady" | Nostra Domina | Commonly used to prefix many Marian titles | |
"Full of Grace", "Blessed", "Most Blessed", "Blessed Virgin Mary" | Gratia plena, Beata, Beatissima, Beatae Mariae Virginis (BMV) | kecharitomene [11] (κεχαριτωμένη) | from the angel's greeting to Mary in Luke 1:28; |
"Virgin", "the Virgin" | Virgo | Parthenos [12] [13] (Παρθένος) | Greek parthenos used in Matthew 1:22; Ignatius of Antioch refers to Mary's virginity and motherhood (ca. 110); |
"Cause of our Salvation" | causa salutis | according to Irenaeus of Lyons (150–202); [14] | |
"Mother of God" | Mater Dei | Meter Theou (Μήτηρ Θεοῦ) | often abbr. ΜΡ ΘΥ in Greek iconography; |
"God-bearer" | Deipara, Dei genitrix | Theotokos (Θεοτόκος) | lit. "one who bears the One who is God"; a common title in Eastern Christianity with christological implications; adopted officially during Council of Ephesus (431) in response to Nestorianism, which questioned the Church's teaching that Jesus Christ's nature was unified; |
"Ever-virgin" | semper virgo | aei-parthenos [12] (ἀειπάρθενος) | Hippolytus of Rome (c.170 – c.235) held Mary to be "all-holy ever-virgin" [15] |
"Holy Mary", "Saint Mary" | Sancta Maria | Hagia Maria [12] (Ἁγία Μαρία) | Greek invocation is infrequent in contemporary Eastern Christianity; [16] |
"Most Holy" | Sanctissima, tota Sancta [17] | Panagia (Παναγία) | Hippolytus held Mary to be "all-holy ever-virgin" [15] |
"Most Pure" | Purissima | Parallels have been drawn between the Ark of the Covenant and the Holy Mother. She travels to the hill country of Judea, where John leaps at her approach, Elizabeth cries out and says "Who Am I that the mother of my Lord should come to me", stays in Zechariah's home for three months, blessing it. Afterward she goes to Jerusalem. | |
"Immaculate" | immaculata | akeratos [12] (ἀκήρατος) | The Angel Gabriel calls Mary "Full of Grace". This is taken by many Christians to imply that Mary was free from all sin. |
"Lady", "Mistress" | Domina | Despoina [12] (Δέσποινα) | related, "Madonna" (Italian: Madonna, from ma "my" + donna "lady"; from Latin domina); also, "Notre Dame" (French: Notre Dame, lit. "our lady"); |
"Queen of Heaven" | Regina caeli, Regina coeli | As the mother of Jesus, who in mainstream Christianity is God and King of Heaven, multiple Christian denominations give her the title "Queen of Heaven". Mary is identified with the figure in Revelation 12:1; | |
"Queen of all creation" | Regina totius creati | This term is used by Pope Francis in his encyclical letter Laudato si' (2015). [18] |
Image Type | Typical Art Style | Description |
---|---|---|
Eleusa icon | Byzantine | In this 12th c. depiction by an unknown artist, Mary holds her baby's face to her cheek as an expression of maternal tenderness. The evocative pose was copied two centuries later by the great Russian painter Andrei Rublev. The original was saved from destruction several times in its history. After the Russian Revolution it was housed in the Tretyakov Gallery in Moscow, but representations from the Russian Orthodox Church ensured it is once again in a nearby church, where services are held; |
Hodegetria | Byzantine | Mary holds Christ in her left hand and with her right hand she "shows the way" by pointing to Him; |
Sedes Sapientiae | Romanesque | Christ is seated in His mother Mary's lap, symbolically the "Throne of Wisdom"; |
"Gothic Madonna" | Gothic | Based loosely on Byzantine Hodegetria iconography; typically depicts a standing, smiling Mary and playful Christ Child; considered one of the earliest depictions of Mary that is strictly Western; [23] |
Madonna Lactans | Gothic and Renaissance | The Virgin is depicted breastfeeding the Holy Infant. Our Lady Nursing, as painted in the Catacomb of Priscilla in Rome, c. A.D. 250, is one of the earliest depictions (if not the earliest depiction) of Mary; [24] Discouraged by the Council of Trent and rare subsequently. |
Mater Misericordiae | Gothic, Renaissance, Baroque | A regal, celestial Mary is depicted covering the faithful in her protective mantle; first arose in the late 13th century in Central Europe and Italy; depiction is commonly associated with plague monuments. [25] |
Maestà | Gothic | Mary is seated in majesty, holding the Christ Child; based on Byzantine Nikopoia iconography; |
Pietà | Renaissance | Mary cradles the dead body of Jesus Christ after his crucifixion; this type emerged first in the 13th century in Germany as an Andachtsbild or devotional icon relating to grief; Italian Pietàs appeared in the 14th century; [26] Michelangelo's Pietà (1498–1499) is considered a masterpiece; |
Mater Amabilis | Renaissance, Baroque | Iconic Western depiction with many variations; based loosely on Byzantine Glykophilousa ("sweet kisses") iconography; Mary turns her gaze away from the Christ Child as she contemplates His future Passion; Renaissance emphasis on classical ideal types, realistic human anatomy, and linear perspective are evident; |
Madonna della seggiola | Renaissance round painting | Mary with toddlers Jesus and his cousin, John the Baptist, looking on, painted 1513-1514 during Raphael's Roman period. The unusual non-linear style and colouring is more reminiscent of Titian and Sebastiano del Piombo and bears out their influence. This painting has been greatly admired by many people, including Nathaniel Hawthorne, and by subsequent painters of the stature of Ingres. [27] |
In the Loreto Litanies Mary's prayers are invoked under more than fifty separate titles, such as "Mother Most Pure", "Virgin Most Prudent", and "Cause of Our Joy". [28]
Other devotional titles include:
With the exception of Jesus Christ, who is believed to have a twofold nature, both human and divine, (dyophysitism), the Blessed Virgin Mary is considered among many Christians to be the unique human being about whom there is a dogma. She is connected to four different dogmas and numerous Marian titles. Christian invocations, titles, and art bear witness to the prominent role she has been accorded in the history and programme of salvation in parts of Christendom, although this is not shared by many (mainly reformed) Christian churches.
In the Hail Mary prayer, she is addressed as "full of grace" by Archangel Gabriel of the Annunciation speaking in the Name of God. The Nicene Creed, declares that Jesus was "incarnate by the Holy Ghost and of the Virgin Mary, and was made man,". This has given rise to the descriptive, "spouse of the Holy Spirit".
Tradition has it that the Virgin Mother of God was anointed by the Holy Spirit, hence putting her on a par with the anointing of the Kings, Prophets, Judges, and High Priests of Israel, as Jesus Christ is said to have been. This in turn opens the way to titles such as:
In the Roman Catholic and in the Orthodox Churches, the Virgin Mother of God is venerated in a special form expressed in Greek as hyperdulia, that is, secondary only to the adoration reserved for the Triune God. She is venerated and honoured in this way since no other being--whether angelic or human--has greater power than Mary to intercede with God in the distribution of Grace to His children.
Titles of images related to epithets include:
Titles of images related to places of worship include:
A number of titles of Mary found in Latin America pertain to cultic images of her represented in iconography identified with a particular already existent title adapted to a particular place. Our Lady of Luján in Argentina refers to a small terracotta image made in Brazil and sent to Argentina in May, 1630. Its appearance seems to have been inspired by Murillo's Immaculates. Our Lady of Copacabana (Bolivia): is a figure related to devotion to Mary under the title "Most Blessed Virgin de la Candelaria, Our Lady of Copacabana". About four feet in height, the statue was made by Francisco Tito Yupanqui around 1583 and is garbed in the colors and dress of an Inca princess. [32]
Theotokos means "God-bearer" and is translated as "Mother of God". This title was given to Mary at the Third Ecumenical Council in Ephesus in 431 AD.(cf. Luke 1:43). [35]
The Qur'an refers to Mary (Arabic : مريم, romanized: Maryam) by the following titles:
τῆς παναγίας ἀειπαρθένου Μαρίας[the all-holy, ever-virgin Mary]
Mary was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is an important figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. The Church of the East historically regarded her as Christotokos, a term still used in Assyrian Church of the East liturgy. Other Protestant views on Mary vary, with some holding her to have lesser status. She has the highest position in Islam among all women and is mentioned numerous times in the Quran, including in a chapter named after her. She is also revered in the Baháʼí Faith and the Druze Faith.
Queen of Heaven is a title given by Christians to Mary, mother of Jesus, mainly in the Catholic Church and Eastern Orthodoxy, and, to a lesser extent, in Anglicanism and Lutheranism. The title has long been a tradition, included in prayers and devotional literature and seen in Western art in the subject of the Coronation of the Virgin from the High Middle Ages, long before the Church gave it a formal definition status.
The Litany of the Blessed Virgin Mary is a Marian litany originally approved in 1587 by Pope Sixtus V. It is also known as the Litany of Loreto, after its first-known place of origin, the Shrine of Our Lady of Loreto (Italy), where its usage was recorded as early as 1558.
Catholic Mariology is the systematic study of the person of Mary, mother of Jesus, and of her place in the Economy of Salvation in Catholic theology. According to the doctrine of the Immaculate Conception taught by the Catholic Church, Mary was conceived and born without sin, hence she is seen as having a singular dignity above the saints, receiving a higher level of veneration than all angelic spirits and blessed souls in heaven. Catholic Mariology thus studies not only her life but also the veneration of her in daily life, prayer, hymns, art, music, and architecture in modern and ancient Christianity throughout the ages.
The Solemnity of Mary, the Holy Mother of God is a feast day of the Blessed Virgin Mary under the aspect of her motherhood of Jesus Christ, whom she had circumcised on the eighth day after his birth according to Levitical Law. Christians see him as the Lord and Son of God.
Co-Redemptrix is a title used by some Catholics for the Blessed Virgin Mary, and refers to Mary's role in the redemption of all peoples.
Anglican Marian theology is the summation of the doctrines and beliefs of Anglicanism concerning Mary, mother of Jesus. As Anglicans believe that Jesus was both human and God the Son, the second Person of the Trinity, within the Anglican Communion and Continuing Anglican movement, Mary is accorded honour as the theotokos, a Koiné Greek term that means "God-bearer" or "one who gives birth to God".
Mediatrix is a title given to Mary, mother of Jesus in Catholicism. It refers to the intercessory role of the Blessed Virgin Mary as a mediator in the salvific redemption by her son Jesus Christ and that he bestows graces through her. Mediatrix is an ancient title that has been used by many saints since at least the 5th century. Its use grew during the Middle Ages and reached its height in the writings of saints Louis de Montfort and Alphonsus Liguori in the 18th century.
Mariology is the Christian theological study of Mary, the mother of Jesus. Mariology seeks to relate doctrine or dogma about Mary to other doctrines of the faith, such as those concerning Jesus and notions about redemption, intercession and grace. Christian Mariology aims to place the role of the historic Mary in the context of scripture, tradition and the teachings of the Church on Mary. In terms of social history, Mariology may be broadly defined as the study of devotion to and thinking about Mary throughout the history of Christianity.
Marian feast days in the liturgical year are celebrated in honour of the Blessed Virgin Mary. The number of Marian feasts celebrated, their names can vary among Christian denominations.
The history of Catholic Mariology traces theological developments and views regarding Mary from the early Church to the 21st century. Mariology is a mainly Catholic ecclesiological study within theology, which centers on the relation of Mary, the Mother of God, and the Church. Theologically, it not only deals with her life but with her veneration in life and prayer, in art, music, and architecture, from ancient Christianity to modern times.
Throughout history, Catholic Mariology has been influenced by a number of saints who have attested to the central role of Mary in God's plan of salvation. The analysis of Early Church Fathers continues to be reflected in modern encyclicals. Irenaeus vigorously defended the title of "Theotokos" or Mother of God. The views of Anthony of Padua, Robert Bellarmine and others supported the doctrine of the Immaculate Conception of the Virgin Mary, which was declared a dogma in 1850.
The Mariology of the popes is the theological study of the influence that the popes have had on the development, formulation and transformation of the Roman Catholic Church's doctrines and devotions relating to the Blessed Virgin Mary.
Lutheran Mariology or Lutheran Marian theology is derived from Martin Luther's views of Mary, the mother of God and these positions have influenced those taught by the Lutheran Churches. Lutheran Mariology developed out of the deep Christian Marian devotion on which Luther was reared, and it was subsequently clarified as part of his mature Christocentric theology and piety. Lutherans hold Mary in high esteem, universally teaching the dogmas of the Theotokos and the Virgin Birth. Luther dogmatically asserted what he considered firmly established biblical doctrines such as the divine motherhood of Mary while adhering to pious opinions of the Immaculate Conception and the perpetual virginity of Mary, along with the caveat that all doctrine and piety should exalt and not diminish the person and work of Jesus Christ. By the end of Luther's theological development, his emphasis was always placed on Mary as merely a receiver of God's love and favour. His opposition to regarding Mary as a mediatrix of intercession or redemption was part of his greater and more extensive opposition to the belief that the merits of the saints could be added to those of Jesus Christ to save humanity. Lutheran denominations may differ in their teaching with respect to various Marian doctrines and have contributed to producing ecumenical meetings and documents on Mary.
The veneration of Mary in the Catholic Church encompasses various devotions which include prayer, pious acts, visual arts, poetry, and music devoted to her. Popes have encouraged it, while also taking steps to reform some manifestations of it. The Holy See has insisted on the importance of distinguishing "true from false devotion, and authentic doctrine from its deformations by excess or defect". There are significantly more titles, feasts, and venerative Marian practices among Roman Catholics than in other Western Christian traditions. The term hyperdulia indicates the special veneration due to Mary, greater than the ordinary dulia for other saints, but utterly unlike the latria due only to God.
Ecumenical meetings and documents on Mary, involving ecumenical commissions and working groups, have reviewed the status of Mariology in the Eastern Orthodox, Protestantism, and Roman Catholic Churches.
Mary, Help of Christians is a Catholic title of the Blessed Virgin Mary, based on a devotion now associated with a feast day of the General Roman Calendar on 24 May. The Catholic saint, John Chrysostom was the first person to use this Marian title in year 345 AD. Don Bosco also propagated the same devotion Mary, Help of Christians. It is also associated with the defense of Christian Europe, the north of Africa and the Middle East from non-Christian peoples during the Middle Ages.
Mediatrix of all graces is a title that some in the Catholic Church give to the Blessed Virgin Mary; as the Mother of God, it includes the understanding that she mediates the Divine Grace. In addition to Mediatrix, other titles are given to her in the Church: Advocate, Helper, Benefactress. In a papal encyclical of 8 September 1894, Pope Leo XIII said: "The recourse we have to Mary in prayer follows upon the office she continuously fills by the side of the throne of God as Mediatrix of Divine grace."
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli.
Mariological papal documents have been a major force that has shaped Roman Catholic Mariology over the centuries. Mariology is developed by theologians on the basis not only of Scripture and Tradition but also of the sensus fidei of the faithful as a whole, "from the bishops to the last of the faithful", and papal documents have recorded those developments, defining Marian dogmas, spreading doctrines and encouraging devotions within the Catholic Church.