New York School (art)

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The New York School was an informal group of American poets, painters, dancers, and musicians active in the 1950s and 1960s in New York City. They often drew inspiration from surrealism and the contemporary avant-garde art movements, in particular action painting, abstract expressionism, jazz, improvisational theater, experimental music, and the interaction of friends in the New York City art world's vanguard circle.

Contents

People

Frank O'Hara was at the center of the group before his death in 1966. Because of his numerous friendships and his post as a curator at the Museum of Modern Art, he provided connections between the poets and painters such as Jane Freilicher, Fairfield Porter, and Larry Rivers (who was O'Hara's lover). There were many joint works and collaborations, particularly between poets such as O'Hara, Kenneth Koch, John Ashberry, and James Schuyler: Rivers inspired a play by Koch, Koch and Ashbery together wrote the poem "A Postcard to Popeye", Ashbery and Schuyler wrote the novel A Nest of Ninnies, and Schuyler collaborated on an ode with O'Hara, whose portrait was painted by Rivers. [1]

Ron Padgett and Ted Berrigan both came to the group from Tulsa, Oklahoma.

Koch, O'Hara, Schuyler, and Ashbery were quite different as poets, but they admired each other and had much in common personally: [1]

All four were inspired by French Surrealists such as Raymond Roussel, Pierre Reverdy, and Guillaume Apollinaire. David Lehman, in his book on the New York poets, wrote: "They favored wit, humor and the advanced irony of the blague (that is, the insolent prank or jest) in ways more suggestive of Jasper Johns and Robert Rauschenberg than of the New York School abstract expressionist painters after whom they were named." [1]

Poetry

Concerning the New York School poets, critics argued that their work was a reaction to the Confessionalist movement in Contemporary Poetry. Their poetic subject matter was often light, violent, or observational, while their writing style was often described as cosmopolitan and world-traveled.

The poets often wrote in an immediate and spontaneous manner reminiscent of stream of consciousness writing, often using vivid imagery. They drew on inspiration from Surrealism and the contemporary avant-garde art movements, in particular the action painting of their friends in the New York City art world circle such as Jackson Pollock and Willem de Kooning.

Poets often associated with the New York School include John Ashbery, Frank O'Hara, Joe Brainard, Kenneth Koch, James Schuyler, Barbara Guest, Ted Berrigan, Bernadette Mayer, Alice Notley, Kenward Elmslie, Frank Lima, Ron Padgett, Lewis Warsh, Tom Savage and Joseph Ceravolo.

Visual art

The New York School which represented the New York abstract expressionists of the 1950s was documented through a series of artists' committee invitational exhibitions commencing with the 9th Street Art Exhibition in 1951 and followed by consecutive exhibitions at the Stable Gallery, NYC: Second Annual Exhibition of Painting and Sculpture, 1953; [2] Third Annual Exhibition of Painting and Sculpture, 1954; [3] Fourth Annual Exhibition of Painting and Sculpture, 1955; [4] Fifth Annual Exhibitions of Painting and Sculpture, 1956 [5] and Sixth New York Artists’ Annual Exhibition, 1957. [6]

Included in the New York School were Bradley Walker Tomlin, Robert Goodnough, Rosemarie Beck, [7] and Philip Guston. [7]

Other New York School artists, including those of the 1960s, have included painters Richard Pousette-Dart, Cecile Gray Bazelon, William Baziotes, Nell Blaine, Seymour Boardman, Ilya Bolotowsky, Ernest Briggs, Peter Busa, [8] Lawrence Calcagno, Nicolas Carone, Nanno de Groot, Beauford Delaney, Lynne Mapp Drexler, Edward Dugmore, Amaranth Ehrenhalt, John Ferren, Perle Fine, Karl Hagedorn, John Hultberg, Albert Kotin, Clarence Major, Knox Martin, Hugh Mesibov, Misha Reznikoff, William Scharf, Ethel Schwabacher, Kendall Shaw, Gloria Shapiro, Thomas Sills, Merton Simpson, Hedda Sterne, and Jack Stewart. [9] [10] In addition, painter/sculptors Karel Appel, Claire Falkenstein, Betty Parsons, and Antoni Tàpies are known as members of the New York School. [11] [12] [13] [14] [15] [16] [17] [18] [19] [20] [21]

Galleries

The Anita Shapolsky Gallery in New York City specializes in 1950s and 1960s New York School art, and exhibits expressionism, geometric abstraction, and painterly abstraction. [12] [22] [23] [24] [25] It most frequently exhibits works in oil and acrylic, as well as sculpture. [12] The Tibor de Nagy Gallery and Stable Gallery have also exhibited New York School art, and in 1998, the Gagosian Gallery also in New York City presented an exhibit of New York School art. [26] [27] [28]

Music

The term also refers to a circle of composers in the 1950s which included John Cage, Morton Feldman, Earle Brown and Christian Wolff. [29] Their music influenced the music and events of the Fluxus group, and drew its name from the Abstract Expressionist painters above.

Dance

During the 1960s the Judson Dance Theater located at the Judson Memorial Church, New York City, revolutionized Modern dance. Combining in new ways the idea of Performance art, radical and new Choreography, sound from avant-garde composers, and dancers in collaboration with several New York School Visual artists.

The group of artists that formed Judson Dance Theater are considered the founders of Postmodern dance. The theater grew out of a dance composition class taught by Robert Dunn, a musician who had studied with John Cage. The artists involved with Judson Dance Theater were avant-garde experimenatalists who rejected the confines of ballet technique, vocabulary and theory.

The first Judson concert took place on July 6, 1962, with dance works presented by Steve Paxton, Freddie Herko, David Gordon, Alex and Deborah Hay, Yvonne Rainer, Elaine Summers, William Davis, and Ruth Emerson. Seminal dance artists that were a part of the Judson Dance Theater include: David Gordon, Steve Paxton, Yvonne Rainer, Trisha Brown, Lucinda Childs, Deborah Hay, Elaine Summers, Sally Gross, Aileen Passloff, and Meredith Monk. The years 1962 to 1964 are considered the golden age of the Judson Dance Theater.

During the 1950s, 1960s, and 1970s New York School artists collaborated with several other choreographer / dancers including: Simone Forti, Anna Halprin, Merce Cunningham, Martha Graham, and Paul Taylor.

Related Research Articles

Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Paris. Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates, it had been first used in Germany in 1919 in the magazine Der Sturm, regarding German Expressionism. In the United States, Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky.

Franz Kline American painter

Franz Kline was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s. Kline, along with other action painters like Jackson Pollock, Willem de Kooning, Robert Motherwell, John Ferren, and Lee Krasner, as well as local poets, dancers, and musicians came to be known as the informal group, the New York School. Although he explored the same innovations to painting as the other artists in this group, Kline's work is distinct in itself and has been revered since the 1950s.

Elaine de Kooning American painter

Elaine Marie Catherine de Kooning was an Abstract Expressionist and Figurative Expressionist painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine.

Conrad Marca-Relli American painter

Conrad Marca-Relli was an American artist who belonged to the early generation of New York School Abstract Expressionist artists whose artistic innovation by the 1950s had been recognized across the Atlantic, including Paris. New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline, Robert Motherwell, Marca-Relli and others became a leading art movement of the postwar era.

Albert Kotin belonged to the early generation of New York School Abstract Expressionist artists whose artistic innovation by the 1950s had been recognized across the Atlantic, including in Paris. The New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline, and others became a leading art movement of the post-World War II era.

9th Street Art Exhibition

[The] 9th Street Art Exhibition of Paintings and Sculpture is the official title artist Franz Kline hand-lettered onto the poster he designed for the Ninth Street Show(May 21-June 10, 1951). Now considered historic, the artist-led exhibition marked the formal debut of Abstract Expressionism, and the first American art movement with international influence. The School of Paris, long the headquarters of the global art market, typically launched new movements, so there was both financial and cultural fall-out when all the excitement was suddenly emanating from New York. The post-war New York avant-garde, artists like Willem de Kooning and Jackson Pollock, would soon become "art stars," commanding large sums and international attention. The Ninth Street Show marked their "stepping-out," and that of nearly 75 other artists, including Helen Frankenthaler, Joan Mitchell, Grace Hartigan, Robert De Niro Sr., Philip Guston, Elaine de Kooning, Lee Krasner, Franz Kline, Ad Reinhardt, David Smith, Milton Resnick, Robert Motherwell, Barnett Newman and many others who were then mostly unknown to an art establishment that ignored experimental art without a ready market.

James Rosati

James Rosati was an American abstract sculptor.

Theodoros Stamos Greek-American artist (1922–1997)

Theodoros Stamos was a Greek-American painter. He is one of the youngest painters of the original group of abstract expressionist painters, which included Jackson Pollock, Willem de Kooning and Mark Rothko. His later years were negatively affected by his involvement with the Rothko case.

Jan Müller was a New York-based figurative expressionist artist of the 1950s. According to art critic Carter Ratcliff, "His paintings usually erect a visual architecture sturdy enough to support an array of standing, riding, levitating figures. Gravity is absent, banished by an indifference to ordinary experience." According to the poet John Ashbery, Müller "brings a medieval sensibility to neo-Expressionist paintings."

Michael Goldberg was an American abstract expressionist painter and teacher known for his gestural action paintings, abstractions and still-life paintings. A retrospective show, "Abstraction Over Time: The Paintings of Michael Goldberg", was shown at MOCA Jacksonville in Florida from 9/21/13 to 1/5/14. His work was seen in September 2007 in a solo exhibition at Knoedler & Company in New York City, as well as several exhibitions at Manny Silverman Gallery in Los Angeles. Additionally, a survey of Goldberg's work is exhibited at the University Art Museum at California State University, Long Beach since September 2010.

Nicolas Carone

Nicolas Carone belonged to the early generation of New York School Abstract Expressionist artists. Their artistic innovation by the 1950s had been recognized internationally, including in London and Paris. New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline, Conrad Marca-Relli and others, became a leading art movement of the postwar era.

Ernest P. Briggs Jr. (1923–1984) was a second-generation Abstract Expressionist painter known for his expressive, sometimes calligraphic brushwork, his geometric compositions, and revolution in abstract painting that secured New York City's position as the art capital of the world in the post-World War II period.

Alfred Leslie is an American artist and filmmaker. He first achieved success as an Abstract Expressionist painter, but changed course in the early 1960s and became a painter of realistic figurative paintings.

Perle Fine American artist (1905–1988)

Perle Fine (1905–1988) was an American Abstract expressionist painter. Fine was most known by her combination of fluid and brushy rendering of the materials and her use of biomorphic forms encased and intertwined with irregular geometric shapes.

Joe Stefanelli, also known as Joseph J. Stefanelli, belonged to the New York School Abstract Expressionist artists whose influence and artistic innovation by the 1950s had been recognized around the world. New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline and others became a leading art movement of the era that followed World War II. He died in September 2017 at the age of 96.

Robert Goodnough was an American abstract expressionist painter. A veteran of World War II, Goodnough was one of the last of the original generation of the New York School;, even though he began exhibiting his work in galleries in New York City in the early 1950s. Robert Goodnough was among the 24 artists from the total of 256 participants who were included in the famous 9th Street Art Exhibition, (1951) and in all the following New York Painting and Sculpture Annuals from 1953 to 1957. These Annuals were important because the participants were chosen by the artists themselves. Early in his career starting in 1950 he showed his paintings at the Wittenborn Gallery, NYC. He had shown at the Tibor de Nagy Gallery in New York City from 1952 to 1970 and again from 1984 to 1986. In 1960 and 1961 he had solo exhibitions at The Art Institute of Chicago. A veteran of scores of solo exhibitions and hundreds of group exhibitions in the United States and abroad, Goodnough also had solo exhibitions in 1969 at the Whitney Museum of American Art in NYC and the Albright-Knox Art Gallery in Buffalo. A major work by Goodnough is included in The Governor Nelson A. Rockefeller Empire State Plaza Art Collection in Albany, NY. In later years his paintings were also associated with the Color Field movement.

Nanno de Groot was a self-taught artist. He belonged to the group of New York School Abstract expressionist artists of the 1950s. He wrote:

In moments of clarity of thought I can sustain the idea that everything on earth is nature, including that which springs forth from a man's mind, and hand. A Franz Kline is nature as much as a zinnia.

Ezio Martinelli American painter

Ezio Martinelli was an American artist who belonged to the New York School Abstract Expressionist artists, a leading art movement of the post-World War II era.

Jane Freilicher was an American representational painter of urban and country scenes from her homes in lower Manhattan and Water Mill, Long Island. She was a member of the informal New York School beginning in the 1950s, and a muse to several of its poets and writers.

Amaranth Roslyn Ehrenhalt was an American painter, sculptor, and writer, who spent the majority of her career living and working in Paris, France before returning to New York City.

References

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  2. Second Annual Exhibition of Painting and Sculpture, (poster) Archived February 5, 2012, at the Wayback Machine , Albertkotin.com.
  3. Third Annual Exhibition of Painting and Sculpture, (poster) Archived February 9, 2012, at the Wayback Machine , Albertkotin.com.
  4. Fourth Annual Exhibition of Painting and Sculpture, (poster) Archived February 9, 2012, at the Wayback Machine , Albertkotin.com.
  5. Fifth Annual Exhibition of Painting and Sculpture, (poster) Archived February 9, 2012, at the Wayback Machine , Albertkotin.com.
  6. New York Artists' 6th Annual Exhibition. (poster) Archived February 9, 2012, at the Wayback Machine , Albertkotin.com.
  7. 1 2 "In the Know, and In the Thick Of It". Observer. November 13, 2007. Retrieved September 13, 2019.
  8. "Peter Busa - Biography". Acme Fine Art. Archived from the original on October 3, 2013. Retrieved July 25, 2015.
  9. "The Art of Karl Hagedorn", Highbrow Magazine, May 7, 2014.
  10. "Event Listings tagged with abstract expressionism". artfixdaily.com. Retrieved May 10, 2021.
  11. Holland Cotter (July 13, 2005). "'Betty Parsons and the Women'; An Artist and Dealer and the Women She Promoted", The New York Times.
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  13. Stephen Pace; Christine A. Berry; Lisa N. Peters (2011). Stephen Pace:Abstract Expressionist. Spanierman Gallery LLC. ISBN   978-1935617112.
  14. Keith Eldon Byerman (2012). The Art and Life of Clarence Major. University of Georgia Press. ISBN   978-0820330556.
  15. 2009 Artist's & Graphic Designer's Market – Listings. F+W Media, Inc. 2008. ISBN   978-1582976549.
  16. Art Now Gallery Guide: National & international. 18. Art Now, Incorporated. 1999.
  17. The Studio Museum in Harlem: Twenty-Five Years of African-American Art. The Studio Museum in Harlem. 1994. ISBN   0942949110.
  18. Marcia G. Yerman (March 9, 2015). "A Conversation With Amaranth Ehrenhalt". The Huffington Post.
  19. Peter Plagens (May 26, 2012). "Art Confronts Issues of War And Bigotry". The Wall Street Journal.
  20. David Cohen (July 10, 2008). "The Location of the Second Generation". The New York Sun.
  21. "The Writer's Brush". CBS News. December 16, 2007.
  22. Magda Salvesen; Diane Cousineau (2005). Artists' Estates: Reputations in Trust. Rutgers University Press. ISBN   0813536049.
  23. Marika Herskovic (2003). American Abstract Expressionism of the 1950s: An Illustrated Survey: with Artists' Statements, Artwork and Biographies. New York School Press. ISBN   0967799414.
  24. "About". anitashapolskygallery.com. Archived from the original on March 7, 2015.
  25. Jane Maulfair (August 7, 1987). "Her Concrete Love of Abstract Art Turned a Jim Thorpe Church into a Gallery". The Morning Call.
  26. Cate McQuaid (January 31, 2015). "Helen Frankenthaler's art prompts new take on history at the Rose". Boston Globe.
  27. "Raymond Spillenger of the New York School Gets Noticed", The New York Times, June 8, 2014.
  28. "The New York School – March 17 – April 25, 1998 – Gagosian Gallery". gagosian.com.
  29. See David Ni of Music and the Visual Arts, Routledge 2001, pp. 17–56.

Bibliography