Informationist poetry was a literary movement of the 1990s in Scotland. The poets usually associated with this movement are Richard Price (who coined the term in 1991 in the magazine Interference), Robert Crawford, W. N. Herbert, David Kinloch, Peter McCarey and Alan Riach.
The anthology Contraflow on the SuperHighway (Southfields, 1994), edited by Price and Herbert, set the parameters for the movement; Vennel Press published collections by the Informationists; and the magazines Verse, Gairfish and Southfields addressed Informationist concerns. Iain Bamforth, Kathleen Jamie, Alison Kermack and Don Paterson, though not included in the anthology, are referenced in Price's introduction as contemporaries with similar interests and aesthetics.
One of the features of Informationist poetry is its engagement with and deliberate mixing of different linguistic registers, and the interrogation of language's power-bearing qualities in the process. Informationism can be seen as a descendant of Oulipo for its creative use of rules-based procedures, notably in the work of Peter McCarey's monumental Syllabary project, which attempts a poem for every spoken syllable in the English language, randomising the presentation on its dedicated website. All the poets are also translators of poetry and internationalism and translation itself are arguably themes in their work.
Informationism can also be fruitfully grouped with the later flarf movement as both explore technological innovation, jargons of various kinds and the interconnectedness of the "information society" in an often irreverent and perhaps subversive mode. However, the combination of lyric and experimental aesthetics probably bears better comparison with American Hybrid poets such as Peter Gizzi and Harryette Mullen (after the anthology edited by Cole Swensen and David St. John in 2009). The twentieth-century poets Hugh MacDiarmid and Edwin Morgan were particularly influential on the Informationists.
In 2013 and 2014, Kinloch, McCarey and Price toured with Iain Bamforth as Informationists in "The Last Men on Mercury" tour, reading in Manchester, London, Geneva, Strasbourg and Glasgow.
Imagism was a movement in early-20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. Imagism is sometimes viewed as "a succession of creative moments" rather than a continuous or sustained period of development. The French academic René Taupin remarked that "it is more accurate to consider Imagism not as a doctrine, nor even as a poetic school, but as the association of a few poets who were for a certain time in agreement on a small number of important principles".
The Language poets are an avant-garde group or tendency in United States poetry that emerged in the late 1960s and early 1970s. The poets included: Bernadette Mayer, Leslie Scalapino, Stephen Rodefer, Bruce Andrews, Charles Bernstein, Ron Silliman, Barrett Watten, Lyn Hejinian, Tom Mandel, Bob Perelman, Rae Armantrout, Alan Davies, Carla Harryman, Clark Coolidge, Hannah Weiner, Susan Howe, James Sherry, and Tina Darragh.
The British Poetry Revival is the general name now given to a loose movement in the United Kingdom that took place in the late 1960s and 1970s. The term was a neologism first used in 1964, postulating a New British Poetry to match the anthology The New American Poetry (1960) edited by Donald Allen.
Children of Albion: Poetry of the Underground in Britain, an anthology of poetry, was edited by Michael Horovitz and published by Penguin Books in 1969. According to Martin Booth it was "virtually a manifesto of New Departures doctrine and dogma".
George Sutherland Fraser was a Scottish poet, literary critic and academic.
Thomas Ernest Hulme was an English critic and poet who, through his writings on art, literature and politics, had a notable influence upon modernism. He was an aesthetic philosopher and the 'father of imagism'.
Jon Silkin was a British poet. He was also the founder of Stand magazine in 1952.
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.
Flarf poetry was an avant-garde poetry movement of the early 21st century. The term flarf was coined by the poet Gary Sullivan, who also wrote and published the earliest Flarf poems. Its first practitioners, working in loose collaboration on an email mailing list, used an approach that rejected conventional standards of quality and explored subject matter and tonality not typically considered appropriate for poetry. One of their central methods, invented by Drew Gardner, was to mine the Internet with odd search terms then distill the results into humorous or disturbing poems, plays and other texts.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Tears in the Fence is a triannual British literary journal edited by David Caddy. It has been characterized as "a forward-looking magazine that is not afraid to take risks.... [and that] represents the cutting edge of modern poetry."
Bloodaxe Books is a British publishing house specializing in poetry.
Ōrongohau | Best New Zealand Poems is an annual online anthology of poems chosen by guest editors. The anthology began in 2001 and is published by the International Institute of Modern Letters at Victoria University of Wellington in New Zealand. It is supported by a grant from Creative New Zealand.
W. N. Herbert, also known as Bill Herbert is a poet from Dundee, Scotland. He writes in both English and Scots. He and Richard Price founded the poetry magazine Gairfish. He currently teaches at Newcastle University.
Richard John Price is a British poet, novelist, and translator.
Robert Crawford is a Scottish poet, scholar and critic. He is emeritus Professor of English at the University of St Andrews.
Scottish Gaelic literature refers to literary works composed in the Scottish Gaelic language, which is, like Irish and Manx, a member of the Goidelic branch of Celtic languages. Gaelic literature was also composed in Gàidhealtachd communities throughout the global Scottish diaspora where the language has been and is still spoken.
Alembic was a poetry magazine established by Peter Barry, Ken Edwards, and Robert Gavin Hampson, which appeared eight times during the 1970s. It existed between 1973 and 1978. The magazine was based in London.
Judith Muriel Lonie was an Australian poet. She published one volume of poetry during her lifetime, with a second published posthumously; her poetry was often about personal or intimate subjects but treated in an impersonal way. Her poems have been included in several anthologies. Her husband, the New Zealand poet Iain Lonie, wrote three volumes of poetry about the intense grief he felt after her death.