The Classical Period was an era of classical music between roughly 1750 and 1820.
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section, brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts.
Carl Philipp Stamitz was a German composer of partial Czech ancestry. He was the most prominent representative of the second generation of the Mannheim School.
Johann Wenzel Anton Stamitz was a Bohemian composer and violinist. His two surviving sons, Carl and Anton Stamitz, were composers of the Mannheim school, of which Johann is considered the founding father. His music is stylistically transitional between the Baroque and Classical periods.
Sinfonia concertante is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century.
Johann Christian Innocenz Bonaventura Cannabich, was a German violinist, composer, and Kapellmeister of the Classical era. A composer of some 200 works, he continued the legacy of Johann Stamitz and helped turn the Mannheim orchestra into what Charles Burney described as "the most complete and best disciplined in Europe.". The orchestra was particularly noted for the carefully graduated crescendos and diminuendos characteristic of the Mannheim school. Together with Stamitz and the other composers of the Mannheim court, he helped develop the orchestral texture that paved the way for the orchestral treatment of the First Viennese School.
Ignaz Jakob Holzbauer was an Austrian composer of symphonies, concertos, operas, and chamber music, and a member of the Mannheim school. His aesthetic style is in line with that of the Sturm und Drang "movement" of German art and literature.
FranzXaver Richter, known as François Xavier Richter in France was an Austro-Moravian singer, violinist, composer, conductor and music theoretician who spent most of his life first in Austria and later in Mannheim and in Strasbourg, where he was music director of the cathedral. From 1783 on, Haydn's favourite pupil, Ignaz Pleyel, was his deputy director.
Anton Thadäus Johann Nepomuk Stamitz was a German composer and violinist. He was born in the Holy Roman Empire.
Franz Ignaz Beck was a German violinist, composer, conductor and music teacher who spent the greater part of his life in France, where he became director of the Grand Théâtre de Bordeaux. Possibly the most talented pupil of Johann Stamitz, Beck is an important representative of the second generation of the so-called Mannheim school. His fame rests on his 24 symphonies that are among the most original and striking of the pre-Classical period. He was one of the first composers to introduce the regular use of wind instruments in slow movements and put an increasing emphasis on thematic development. His taut, dramatic style is also remarkable for its employment of bold harmonic progressions, flexible rhythms and highly independent part writing.
London Mozart Players (LMP) are a British chamber orchestra founded in 1949. LMP are the longest-established chamber orchestra in the United Kingdom. Since 1989, the orchestra has been Resident Orchestra at Fairfield Halls, Croydon.
Ignaz Fränzl was a German violinist, composer and representative of the second generation of the so-called Mannheim School. Mozart, who heard him at a concert in November 1777, wrote of him in a letter to his father: He may not be a sorcerer, but he is a very solid violinist indeed. Fränzl carried the Mannheim violin technique, established by Johann Stamitz, one step further to real virtuosity. Mozart, quite a good violinist himself and thoroughly acquainted with the instrument, praised Fränzl's double trill and said he had never heard a better one.
Rose Cannabich (1764–1839) was a German classical pianist. Mozart dedicated a piano sonata to her when he was her teacher in Mannheim, where her father led the well-known orchestra.
The New Dutch Academy (NDA) is an international Dutch Baroque orchestra based in The Hague, the Netherlands. It is composed of 40 international, early music, specialist musicians, who gather in The Hague to explore 18th-century music in all of its forms, including symphonic, chamber, opera and ballet. It performs exclusively on authentic instruments.
Simon Francis Murphy is a Dutch-based, Australian conductor and viola player with a focus on the music of the 18th and early 19th centuries. He is originally from Balmain, Sydney, Australia.
Johann Baptist Wendling was a flute player and composer of the Mannheim School. He held the position of principal flute in the Mannheim and Munich court orchestras under directors Johann Stamitz and Christian Cannabich, and was acknowledged as one of the finest virtuosos of his time.
Jean-Georges Sieber was a German born French musician and music publisher.
The Symphony in D minor, Opus 34 by the Viennese composer Anton Eberl (1765-1807) was written during the course of 1804. The premiere took place in Vienna, Austria on January 25, 1805. It is classical in style. The performance time is about 30 minutes. It is scored for 2 clarinets, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings.
