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Pastorale refers to something of a pastoral nature in music, whether in form or in mood.
In Baroque music, a pastorale is a movement of a melody in thirds over a drone bass, recalling the Christmas music of pifferari, players of the traditional Italian bagpipe (zampogna) and reed pipe (piffero). Pastorales are generally in 6/8 or 9/8 or 12/8 metre, at a moderate tempo. They resemble a slowed-down version of a tarantella, encompassing many of the same rhythms and melodic phrases.
Common examples include the last movement of Corelli's Christmas Concerto (Op.6, No.8), the third movement of Vivaldi's Spring concerto from The Four Seasons, the Pifa movement of Handel's Messiah , the first movements of Bach's Pastorale (BWV 590) for organ, and the Sinfonia that opens part II of his Christmas Oratorio as an introduction to the angelic announcement to the shepherds. Scarlatti wrote some examples in his keyboard sonatas, and many other composers in the transition between the baroque and classical eras, particularly French (Marc-Antoine Charpentier), used this technique. Rossini famously included a Pastorale section in his William Tell Overture. The Italian pastorale Tu scendi dalle stelle , sometimes called "Carol of the Bagpipers" (Canzone d'i zampognari), is a widely popular Christmas carol by St. Alfonso Liguori, and Pietro Yon's Gesù bambino is another.
The Swedish poet and performer Carl Michael Bellman's song collection Fredman's Epistles contain several pastorales, including Liksom en Herdinna, högtids klädd (Like a Shepherdess, Solemnly Dressed), which begins with a near-paraphrase of the start of Nicolas Boileau-Despréaux's French guide to the construction of pastoral verse. [1]
Pastorales are still played in the regions of Southern Italy where the zampogna continues to thrive. The pastorale can be played by a solo zampogna player, sometimes also accompanied by the piffero (also commonly called a ciaramella, pipita, or bifera), which is a primitive key-less, double-reed, oboe-type instrument.
The oboe is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly 65 cm long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word oboe is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais, or oboe d'amore.
Carl Michael Bellman was a Swedish songwriter, composer, musician, poet and entertainer. He is a central figure in the Swedish song tradition and remains a powerful influence in Swedish music, as well as in Scandinavian literature, to this day. He has been compared to Shakespeare, Beethoven, Mozart, and Hogarth, but his gift, using elegantly rococo classical references in comic contrast to sordid drinking and prostitution—at once regretted and celebrated in song—is unique.
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music that depicts such life in an idealized manner, typically for urban audiences. A pastoral is a work of this genre, also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd.
Zampogna is a generic term for a number of Italian double chantered pipes that can be found as far north as the southern part of the Marche, throughout areas in Abruzzo, Latium, Molise, Basilicata, Campania, Calabria, and Sicily. The tradition is now mostly associated with Christmas, and the most famous Italian carol, "Tu scendi dalle stelle" is derived from traditional zampogna music. However, there is an ongoing resurgence of the instrument in secular use seen with the increasing number of folk music festivals and folk music ensembles.
The siciliana[sitʃiˈljaːna] or siciliano[sitʃiˈljaːno] is a musical style or genre often included as a movement within larger pieces of music starting in the Baroque period. It is in a slow 6
8 or 12
8 time with lilting rhythms, making it somewhat resemble a slow jig or tarantella, and is usually in a minor key. It was used for arias in Baroque operas, and often appears as a movement in instrumental works. Loosely associated with Sicily, the siciliana evokes a pastoral mood, and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale.
The piffero or piffaro is a double reed musical instrument with a conical bore, of the oboe family . It is used to play music in the tradition of the quattro province, an area of mountains and valleys in the north-west Italian Apennines which includes parts of the four provinces of Alessandria, Genoa, Piacenza and Pavia. It is also played throughout Southern Italy with different fingering styles dictated by local tradition.
Ulla Winblad was a semi-fictional character in many of Carl Michael Bellman's works. She is at once an idealised rococo goddess and a tavern prostitute, and a key figure in Bellman's songs of Fredman's Epistles. The character was partly inspired by Maria Kristina Kiellström (1744–1798).
"Tu scendi dalle stelle" is a Christmas carol from Italy, written in 1732 in Nola by Saint Alphonsus Liguori in the musical style of a pastorale. Though found in numerous arrangements and commonly sung, it is traditionally associated with the zampogna, or large-format Italian bagpipe.
Edmund Pascha (Páska) was a preacher, organist and composer. He used the pen name Claudianus Ostern.
Fredmans epistlar is a collection of 82 poems set to music by Carl Michael Bellman, a major figure in Swedish 18th century song. Though first published in 1790, it was created over a period of twenty years from 1768 onwards. A companion volume, Fredmans sånger was published the following year.
Martin Best is an English singer, lutenist, guitarist, and composer. Best has been active mainly in early music including Renaissance music, minstrel songs and the French troubadour traditions, in works related to Shakespeare, such as the sonettes and music to Shakespeare plays, and also in songs of the Swedish ballad tradition. He has often performed in constellations named Martin Best Consort and Martin Best Medieval Ensemble.
Ulla! min Ulla! säj, får jag dig bjuda, is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 71. A pastoral, it depicts the Rococo muse Ulla Winblad, as the narrator offers her "reddest strawberries in milk and wine" in the Djurgården countryside north of Stockholm.
Hvila vid denna källa, is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 82. A pastoral, it depicts the Rococo muse Ulla Winblad, as the narrator offers a "little breakfast" of "red wine with burnet, and a newly-shot snipe" in the Stockholm countryside.
Bröderna fara väl vilse ibland, is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 35.
Blåsen nu alla, "All blow now!", is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 25. It is a pastorale, based on François Boucher's rococo 1740 painting Triumph of Venus.
Liksom en Herdinna, högtids klädd, is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 80.
I går såg jag ditt barn, min Fröja, is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 28. The song describes an attempt to arrest the "nymph" Ulla Winblad, based on a real event. The lyrics create a rococo picture of life, blending classical allusion and pastoral description with harsh reality.
Ge rum i Bröllopsgåln din hund!, is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 40. The song describes an utterly chaotic wedding at a venue with soldiers mixed up with musicians and the wedding-party; the chimney catches fire, and even the priest robs the collection.
Fader Bergström, stäm up och klinga is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 63. The melody is based on a minuet by Carl Envallsson. Bergström was a musician, and the song celebrates dancing and drinking late into the evening.