Sonic Arts Union | |
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Also known as | Sonic Arts Group |
Genres | Experimental |
Years active | 1966 | –1976
Past members |
The Sonic Arts Union was a collective of experimental musicians that was active between 1966 and 1976. [1] The founding members of the group were Robert Ashley, David Behrman, Alvin Lucier and Gordon Mumma, all of whom had worked together in the instrumental performances of the ONCE festivals. [2] They initially toured under the name Sonic Arts Group, until, at Ashley's suggestion, the name was changed to Sonic Arts Union.
Inspired by the success that John Cage and David Tudor had in touring and designing their own equipment, The Union toured Europe and the United States, though each contributor was performing his own work, either by himself or occasionally with help from other members where required. [2] [3] On some tours, the Union expanded to include Mary Ashley, Shigeko Kubota, Mary Lucier and Barbara Lloyd, who contributed their own works. The element uniting these individual works, according to David Behrman, was the desire to create pieces "in which established techniques were thrown away and the nature of sound was dealt with from scratch." [2] [4]
David Eugene Tudor was an American pianist and composer of experimental music.
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Christian G. Wolff is an American composer of experimental classical music.
Alvin Lucier is an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University, Lucier was a member of the influential Sonic Arts Union, which included Robert Ashley, David Behrman, and Gordon Mumma. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media.
Robert Reynolds Ashley was an American contemporary composer, who was best known for his television operas and other theatrical works, many of which incorporate electronics and extended techniques. His works often involve intertwining narratives and take a surreal multidisciplinary approach to sound, theatrics and writing, and have been continuously performed by various interpreters during and after his life, including Automatic Writing (1979) and Perfect Lives (1984).
Mercier Philip "Merce" Cunningham was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He was notable for frequent collaboration with artists of other disciplines, including musicians John Cage, David Tudor, Brian Eno, and graphic artists Robert Rauschenberg, Bruce Nauman, Andy Warhol, Roy Lichtenstein, Frank Stella, and Jasper Johns; and fashion designer Rei Kawakubo. Works that he produced with these artists had a profound impact on avant-garde art beyond the world of dance.
Joan Linda La Barbara is an American vocalist and composer known for her explorations of non-conventional or "extended" vocal techniques. Considered to be a vocal virtuoso in the field of contemporary music, she is credited with advancing a new vocabulary of vocal sounds including trills, whispers, cries, sighs, inhaled tones, and multiphonics.
David Behrman is an American composer and a pioneer of computer music. In the early 1960s he was the producer of Columbia Records' Music of Our Time series, which included the first recording of Terry Riley's In C. In 1966 Behrman co-founded Sonic Arts Union with fellow composers Robert Ashley, Alvin Lucier and Gordon Mumma. He wrote the music for Merce Cunningham's dances Walkaround Time (1968), Rebus (1975), Pictures (1984) and Eyespace 40 (2007).
Gordon Mumma is an American composer. He is known most for his work with electronics, many devices of which he builds himself, and for his performances on horn.
Lovely Music is an American record label devoted to new American music. Based in New York City, the label was founded in 1978 by Mimi Johnson, an outgrowth of her nonprofit production company Performing Artservices Inc. It is one of the most important and longest running labels focusing exclusively on new music and has released over 100 recordings on LP, CD, and videocassette.
Mimi Johnson is a New York City-based arts administrator.
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Experimental music is a general label for any music that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements.
Ron Kuivila is an American sound artist from Boston, MA. He is primarily known for his sound installations, performances, and recorded materials that make use of computers, and for his contributions to the SuperCollider audio programming language.
Source: Music of the Avant-Garde – also known and hereafter referred to as Source Magazine – was an independent, not-for-profit musical and artistic magazine published between 1967 and 1973 by teachers and students of the University of California, Davis, California. It emerged from the flourishing Californian musical experimentalism of the late 1950s-early 1960s, at UC-Davis and Mills College. The 11 issues document new music practices of the period like indeterminacy, performance, graphic scores, electronic music and intermedia arts.
Live electronic music is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace.
The Aesthetic Research Centre (A.R.C.) was a Canadian publisher of academic books, scientific journals, LP recordings and graphic scores in the field of sound sculpture, Avant-garde music and process music, as well as neurofeedback in the arts.
Mary Ashley was an important early video artist and performance artist, painter, and a founding member of the influential ONCE Group, together with her then-husband, the composer Robert Ashley. She was later active in the Correspondence Art scene, collaborating with Fluxus artists including Dick Higgins and George Brecht. She is credited with introducing the Ozalid process, an ammonia-based technique for the reproduction of industrial drawings, to the art world.
On the Other Ocean is the debut studio album by American composer David Behrman, released in 1978 by Lovely Music, Ltd.. Considered a pioneering work in the genre of computer music, the album pairs computers with live players.
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