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Luminism is a late-impressionist or neo-impressionist style in painting which devotes great attention to light effects.
The term has been used for the style of the Belgian (mainly Flemish) painters such as Emile Claus and Théo van Rysselberghe and their followers Adriaan Jozef Heymans, Anna Boch, Évariste Carpentier, Guillaume Van Strydonck, Leon de Smet , Jenny Montigny, Anna De Weert, George Morren, Rodolphe De Saegher, Emmanuel Viérin, Modest Huys, Georges Buysse , Marcel Jefferys , Yvonne Serruys and Juliette Wytsman, as well as for the early pointillist work of the Dutch painters Jan Toorop, Leo Gestel, Jan Sluijters, and Piet Mondriaan.
After Emile Claus died in 1930, his pupil, Anna de Weert continued to paint in the luminist style at her studio near Ghent. [1]
In the Spanish painting the luminism term or Valencian luminism used for the work of a group of prominent Spanish painters led by Joaquín Sorolla, Ignacio Pinazo Camarlench, Teodoro Andreu, Francisco Benítez Mellado and Vicente Castell.
The Belgian and Dutch styles have little in common: Emile Claus's work is still close to that of the great French impressionists, especially Claude Monet, whereas Dutch luminism, characterized by the use of large color patches, is closer to fauvism.
Emile Claus was a Belgian painter.
Ignacio Pinazo Camarlench was a Spanish painter from Valencia. He was one of the most prominent Impressionist painters from late nineteenth century Spain.
Les XX was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years, they held an annual exhibition of their art; each year 20 other international artists were also invited to participate in their exhibition. Painters invited include Camille Pissarro, Claude Monet, Georges Seurat, Paul Gauguin, Paul Cézanne (1890), and Vincent van Gogh.
The Lladró Museum is the family home of the Lladró brothers in Almàssera, a town close to Valencia in Spain. It has two permanent exhibits, the Historic Porcelain Museum and the Painting Collection. The family home is a typical Valencian house with exhibits of earlier artistic works, a patio with a Moorish kiln where its first porcelains were fired, and installations where children can learn activities.
Rodolphe Paul Marie Wytsman was a Belgian Impressionist painter. He trained at the Académie Royale des Beaux-Arts in Brussels, and was one of the founding members of Les XX, a group of avant-garde Belgian artists.
Évariste Carpentier was a Belgian painter of genre scenes and animated landscapes. Over the years, his painting evolved from academic art to impressionism. Alongside Emile Claus, he is one of the earliest representatives of luminism in Belgium.
Despite its size, Belgium has a long and distinguished artistic tradition that goes back to the Middle Ages, considerably pre-dating the foundation of the current state in 1830. Art from the areas making up modern Belgium is called in English Netherlandish up to the separation with the Netherlands from 1570 on, and Flemish until the 18th century.
The Prix Godecharle, also known in English as the Godecharle Prize or the Godecharle Contest, is a contest for art students, the winners of which are granted a scholarship allocated by the Godecharle Foundation. The prize allows young talents, unknown before the award, to become recognized by a panel of experts made up of famous artists. The conditions for participation are that contestants are less than 35 years old, of Belgian nationality, or members of a country of the European Community who have lived in Belgium for at least five years. The renown of the contest is based, amongst other things, upon the reputation of the artists who sit on the jury.
Guillaume Van Strydonck was a Norwegian-born Belgian painter. He was initially a realist, but later turned to impressionism.
Modest Huys was a Flemish impressionist and luminist painter, who is regarded as one of the greatest Belgian painters of the 20th century.
Joaquín Agrasot y Juan was a Spanish painter of the Realistic style who produced many works in the Costumbrismo genre.
Juliette Wytsman was a Belgian impressionist painter. She was married to painter Rodolphe Wytsman. Her paintings are in the collections of several museums in Belgium.
The Museum of Ixelles, also called the (Municipal) Museum of Fine Arts of Ixelles, is a municipal art museum in Brussels, Belgium, focusing on Belgian art from the 19th and 20th centuries.
Alberto Pla y Rubio (1867–1937) was a Spanish painter interested in social issues. He was a professor of the Academy of Fine Arts in Valencia, the Academy of Fine Arts in Cadiz and the La Lonja school in Barcelona.
George Morren or Georges Morren was a Belgian painter, sculptor, Impressionist and engraver.
Anna De Weert, née Cogen; Anna Virginie Caroline De Weert was a Belgian painter. She would paint in the Luminist style.
Charles Mertens, Karel Jozef Mertens or Karel Mertens was a Belgian draughtsman, painter, muralist, etcher and illustrator. He is known for his portraits, landscapes and genre scenes. He painted many scenes with fishermen and fishing boats.
Emmanuel Viérin is a Belgian painter who belongs to the Belgian Luminist current. He was born in 1869 in Courtrai (Kortrijk), Belgium and died in 1954.