Giuseppe Caletti or Calletti (c. 1600 - c. 1660) was an Italian painter and engraver of the Baroque period, active in Ferrara and Cremona. He often painted religious themes in a genre like dress and surroundings, including the theme of Bacchanalia like Titian.
Born in Cremona, also called il Cremonese. He is described by Laderchi as masterless, and of irregular life, always in trouble... disquieted, and untameable. Like Dossi, the figures are generally smaller than life, and often placed in fantastic locales such as ‘’wild boars in the sea, and dolphins in the forests". He painted the Four Doctors of the Church, and the Miracle of St. Mark, both for the church of San Benedetto at Ferrara. He engraved twenty-four plates characterized by a peculiar manner of treatment, consisting of the employment of bold parallel strokes without any cross-hatching. Among the more important of them are: David, whole-length, with the head of Goliath; David half-length, with the same.; Samson and Delilah; The Beheading of St John; St Roch kneeling; and Portraits of the Dukes of Ferrara.
His models have been variously listed as Guercino, Titian, and Dosso Dossi. He apparently befriended Antonio Randa, a Bolognese painter, but became involved in brawls and had to flee Bologna. Some of his works are found in churches of Ferrara, including the church of St. John the Baptist, where he collaborated with Francesco Naselli. Caletti died in Ferrara.
Dosso Dossi was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
Benvenuto Tisi was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, Garofalo, may derive from his habit of signing some works with a picture of a carnation.
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The Feast of the Gods is an oil painting by the Italian Renaissance master Giovanni Bellini, with substantial additions in stages to the left and center landscape by Dosso Dossi and Titian. It is one of the few mythological pictures by the Venetian artist. Completed in 1514, it was his last major work. It is now in the National Gallery of Art in Washington D.C., which calls it "one of the greatest Renaissance paintings in the United States".
Gabriele Cappellini was an Italian painter of the Renaissance. He was also called il Caligarino or il Calzolaretto, from his having first pursued that trade. He was born in Ferrara, and there trained under Dosso Dossi, he was active c. 1520. For the church of San Francesco, Ferrara he painted a St. Peter and St. James and for San Giovannino the principal altar-piece, representing The Virgin and Infant with several Saints.
Events from the year 1542 in art.
The Tribute Money is a panel painting in oils of 1516 by the Italian late Renaissance artist Titian, now in the Gemäldegalerie Alte Meister in Dresden, Germany. It depicts Christ and a Pharisee at the moment in the Gospels when Christ is shown a coin and says "Render unto Caesar the things that are Caesar's, and unto God the things that are God's". It is signed "Ticianus F.[ecit]", painted on the trim of the left side of the Pharisee's collar.
The Pinacotecta Nazionale is an art gallery in Ferrara, Emilia-Romagna, Italy. It is located on the piano nobile of the Palazzo dei Diamanti, a work of Renaissance architecture by Biagio Rossetti, commissioned by Leonello d’Este in 1447. Not to be confused with the Civic Museum on the lower floor, which has hosted temporary exhibitions of contemporary art since 1992, the Pinacoteca houses a collection of paintings by the Ferrarese School dating from the thirteenth to the eighteenth centuries. It was founded in 1836 by the Municipality of Ferrara after Napoleon's widespread dissolution of churches threatened the protection of important public artworks. The gallery is formed as much around notable northern Italian painters as it is around the exquisite interior decoration of the palace itself, together with remnants of frescoes from local churches and later acquisitions from the Sacrati Strozzi collection.
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