Sub-Mycenaean pottery

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Late Mycenaean or Sub-Mycenaean small stirrup jar Antikensammlung-Kykladenmuseum 0034.JPG
Late Mycenaean or Sub-Mycenaean small stirrup jar
Lekythos in protogeometric style, Submycenaean Greece, c. 1050 BC Lekythos in protogeometric style, Submycenaean Greece, c. 1050 BC, H 5057 - Martin von Wagner Museum - Wurzburg, Germany - DSC05623.jpg
Lekythos in protogeometric style, Submycenaean Greece, c. 1050 BC
Amphoriskos, Tiryns, c. 1025-900 BC Amphoriskos, Tiryns, 1025-900 BC, AM of Nafplio, 202250.jpg
Amphoriskos , Tiryns, c.1025–900 BC

Submycenaean pottery is a style of ancient Greek pottery. It is transitional between the preceding Mycenaean pottery and the subsequent styles of Greek vase painting, especially the Protogeometric style. The vases date to between 1030 and 1000 BC.


Submycenaean pottery is not very well researched, as only few sites from the period have been discovered so far. The style was first recognised in 1939 by Wilhelm Kraiker and Karl Kübler, based on finds from the Kerameikos and Pompeion cemeteries in Athens and on Salamis. The existence of the style remained disputed among archaeologists until later discoveries in Mycenae clearly showed the existence of separate Late Mycenaean and Submycenaean strata.[ citation needed ]

Submycenaean pottery occurs primarily in contexts such as inhumations and stone-built cist graves. Find locations are widely distributed, suggesting a settlement pattern of hamlets and villages. Apart from the sites mentioned above, Submycenaean pottery is known from locations such as Corinth, Asine, Kalapodi, Lefkandi and Tiryns.

The quality of the vases varies widely. Only few shapes were produced, especially stirrup jars with a pierced shoulder, belly amphorae and neck amphorae, lekythoi as well as jars, some with trefoil-shaped mouths. By the end of the Submycenaean period, the stirrup jar was replaced by the lekythos. Submycenaean decoration is rather simple, the hand-painted motifs are limited to horizontal or vertical wavy lines, single or double hatched and overlapping triangles, as well as single or multiple concentric semicircles. The shoulders of lekythoi, amphorae and stirrup jars bore ornamental decoration. Amphorae, amphoriskoi and jugs were usually painted with one or several thick wavy lines. In general, the style was much shorter and less carefully made than the previous types of pottery, leading one art historian to describe it as "rather unloveable". [1]


  1. Neer, Richard (2012). Greek Art & Archaeology. Thames & Hudson. p. 74.

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Further reading