Lexicon Iconographicum Mythologiae Classicae

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The Lexicon Iconographicum Mythologiae Classicae (abbreviated LIMC) is a multivolume encyclopedia cataloguing representations of mythology in the plastic arts of classical antiquity. [1] Published serially from 1981 to 2009, [2] it is the most extensive resource of its kind, [3] providing "full and detailed information." [4] Entries are arranged alphabetically, with black-and-white illustrations indexed to their respective entries. [5]

Contents

The work was prepared by international scholars from nearly 40 countries [6] who contributed in their language of choice, resulting in entries written variously in English, German, French, or Italian. [7] LIMC also offers a multilingual online database that is updated independently of the print publication. [8]

LIMC has been called an "indispensable research instrument," [9] "monumental," [10] and "magnificent." [11]

In the United States, LIMC is based at the Alexander Library of Rutgers University. [12]

Volumes

Vol. I: Aara - Aphlad (1981)
Vol. II: Aphrodisias - Athena (1984)
Vol. III: Atherion - Eros / Amor, Cupido (1986)
Vol. IV: Eros (in Etruria) - Herakles (1988)
Vol. V: Herakles - Kenchrias (1990)
Vol. VI: Kentauroi et Kentaurides - Oiax (1992)
Vol. VII: Oidipous - Theseus (1994)
Vol. VIII: Thespiades - Zodiacus et Supplementum (1997)
Indices
1. Museums, Collections, Sites (1999)
2. Literary and Epigraphical Sources mentioning lost Works. Mythological Names (1999)

Related Research Articles

<span class="mw-page-title-main">Cerberus</span> Multi-headed dog in Greek mythology

In Greek mythology, Cerberus, often referred to as the hound of Hades, is a multi-headed dog that guards the gates of the Underworld to prevent the dead from leaving. He was the offspring of the monsters Echidna and Typhon, and was usually described as having three heads, a serpent for a tail, and snakes protruding from his body. Cerberus is primarily known for his capture by Heracles, the last of Heracles' twelve labours.

<span class="mw-page-title-main">Acantha</span> Unattested tale from Greek mythology

Acantha is often claimed to be a minor character in Greek mythology whose metamorphosis was the origin of the Acanthus plant. Acantha's myth however does not appear in any classical source.

<span class="mw-page-title-main">Eurus</span> East wind god in Greek mythology

In Greek mythology, Eurus is the god and personification of the east wind, although sometimes he is also said to be southeast specifically. He is one of the four principal wind gods, the Anemoi, alongside Boreas, Zephyrus and Notus. His Roman equivalent is the god Vulturnus.

<span class="mw-page-title-main">Telephus</span> Son of Heracles in Greek mythology

In Greek mythology, Telephus was the son of Heracles and Auge, who was the daughter of king Aleus of Tegea. He was adopted by Teuthras, the king of Mysia, in Asia Minor, whom he succeeded as king. Telephus was wounded by Achilles when the Achaeans came to his kingdom on their way to sack Troy and bring Helen back to Sparta, and later healed by Achilles. He was the father of Eurypylus, who fought alongside the Trojans against the Greeks in the Trojan War. Telephus' story was popular in ancient Greek and Roman iconography and tragedy. Telephus' name and mythology were possibly derived from the Hittite god Telepinu.

<span class="mw-page-title-main">Orthrus</span> Mythical dog of Geryon

In Greek mythology, Orthrus or Orthus was, according to the mythographer Apollodorus, a two-headed dog who guarded Geryon's cattle and was killed by Heracles. He was the offspring of the monsters Echidna and Typhon, and the brother of Cerberus, who was also a multi-headed guard dog.

<span class="mw-page-title-main">Psamathe (Nereid)</span> Nereid in Greek mythology

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<span class="mw-page-title-main">Tethys (mythology)</span> Ancient Greek mythological figure

In Greek mythology, Tethys was a Titan daughter of Uranus and Gaia, a sister and wife of the Titan Oceanus, and the mother of the river gods and the Oceanids. Although Tethys had no active role in Greek mythology and no established cults, she was depicted in mosaics decorating baths, pools, and triclinia in the Greek East, particularly in Antioch and its suburbs, either alone or with Oceanus.

<span class="mw-page-title-main">Aita</span> Etruscan underworld deity

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<span class="mw-page-title-main">Arsu</span> Ancient deity from Syria and Arabia

Arsu was a god worshipped in Palmyra, Syria.

<span class="mw-page-title-main">Aion (deity)</span> Deity in Hellenistic mythology

Aion is a Hellenistic deity associated with time, the orb or circle encompassing the universe, and the zodiac. The "time" which Aion represents is perpetual, unbounded, ritual, and cyclic: The future is a returning version of the past, later called aevum. This kind of time contrasts with empirical, linear, progressive, and historical time that Chronos represented, which divides into past, present, and future.

In Greek mythology, Areto was an Amazon.

In Greek mythology, Iphito was an Amazon who served under Hippolyte. Her name is only known from inscriptions.

<span class="mw-page-title-main">Aura (mythology)</span> Divine personification of the breeze in Greek and Roman mythology

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<span class="mw-page-title-main">Roman mythology</span> Traditional stories pertaining to ancient Romes legendary origins and religious system

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<span class="mw-page-title-main">Polybotes</span> Giant in Greek mythology

In Greek mythology, Polybotes was one of the Giants, the offspring of Gaia (Earth), and Uranus (Sky). He fought Poseidon during the Gigantomachy, the war between the Giants and the gods.

<span class="mw-page-title-main">Creusa (wife of Aeneas)</span> In Greek mythology, daughter of Priam

In Greek and Roman mythology, Creusa is the wife of Aeneas, and the mother of Ascanius. According to Apollodorus, she is the daughter of Priam and Hecuba. A number of sources describe her presence during the sack of Troy, with her often fleeing the city alongside her husband. In Virgil's Aeneid, Creusa is lost in the confusion while their family is trying to escape, leading Aeneas to turn back to look for her; there he is met with her shade, which foretells of his future journey to Hesperia, where he is told he will marry a different woman.

<span class="mw-page-title-main">Lilly Kahil</span> French-Swiss archaeologist & scholar

Lilly Louise Kahil was a Swiss-French archaeologist and classicist of Egyptian-German descent. She was the founder of the Lexicon Iconographicum Mythologiae Classicae, an encyclopedia of ancient Greek, Etruscan and Roman mythology.

<i>Lovatelli urn</i> Ancient funerary urn

The Lovatelli urn is an early Roman imperial period or 1st century CE marble funerary urn. It is thought to depict Persephone, Demeter and Triptolemus, the triad of the Eleusinian mysteries, however, there are several different competing interpretations about the figures and their meaning in the literature.

<span class="mw-page-title-main">Rhodanthe (mythology)</span> Supposed character in Greek mythology

Rhodanthe is the name of a supposed Corinthian queen in Greek mythology who attracted a great number of suitors due to her beauty. Her story however is not attested in any ancient Greek or Roman source, and is instead a case of pseudo-mythology.

References

  1. Pura Nieto Hernández, Mythology: Oxford Bibliographies Online Research Guide (Oxford University Press, 2010), p. 45.
  2. LIMC-France.  : database (Ancient objects)
  3. William Hansen, Classical Mythology: A Guide to the Mythical World of the Greeks and Romans (Oxford University Press, 2004), p. 344.
  4. Robin Hard, The Routledge Handbook of Greek Mythology (Routledge, 2004), p. 691.
  5. Hansen, Classical Mythology, p. 344
  6. Boyd Collins et al.,Building a Scholarly Communications Center: Modeling the Rutgers Experience (American Library Association, 1999), p. 73.
  7. Hansen, Classical Mythology, p. 344.
  8. "Presentation of the databases," LIMC
  9. Hernandez, Mythology, p. 45.
  10. Hansen, Classical Mythology, p. 14.
  11. Hard, Routledge Handbook, p. 691.
  12. Collins et al.,Building a Scholarly Communications Center, p. 73.