Last updated Three Ancient Greek kantharoi vessels in the so-called "West Slope Style", dating from 275 to 260 BC, in the Ancient Agora Museum in Athens
The modern term West Slope pottery describes a type of Greek fine pottery from the Late Classical and Hellenistic periods.
West Slope pottery was especially widespread in the Eastern Mediterranean region. The name was coined in 1901 by Carl Watzinger, based on finds from the western slope of the Acropolis at Athens. West Slope pottery is a subtype of Black-glazed Ware. It was additionally decorated with white, yellow and pink clay slip, incisions, vertical ribbing and imprinted roulette decoration. The type developed during the 4th century BC out of a pottery style with applied yellowish-orange plastic ornaments that imitated gilding.
West Slope pottery is especially well known from Athens, but several other production centres have been identified. Especially Pergamon is noteworthy in this regard. Since Athens had lost its dominant role in the Mediterranean pottery markets by this time, it should not be assumed that the form is a particularly Attic one, but rather that Athens adopted and went along with a generally prevailing trend in pottery production. The most common vessels shapes included pyxis, krater, hydria, amphora, pelike, jug, krateriskos, kantharos, chalice cup, kylix and lebes.
Similar styles developed in the West Mediterranean. For example, the polychrome Gnathia style is closely related. West Slope pottery underwent several stages of development until it went out of production in the second half of the 2nd century BC.
Bibliography
Roald F. Docter: Westabhangkeramik. In: Der Neue Pauly, vol. 11, cols. 487–488.
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard, durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a potter is also called a pottery. The definition of pottery used by the American Society for Testing and Materials (ASTM), is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." In archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and figures of the same material are called "terracottas." Clay as a part of the materials used is required by some definitions of pottery, but this is dubious.
An amphora is a type of container with a pointed bottom and characteristic shape and size which fit tightly against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting.
Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 12th–9th centuries BC to the end of antiquity. This era was immediately followed by the Early Middle Ages and the Byzantine period. Roughly three centuries after the Late Bronze Age collapse of Mycenaean Greece, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic period and colonization of the Mediterranean Basin. This was followed by the age of Classical Greece, from the Greco-Persian Wars to the 5th to 4th centuries BC. The conquests of Alexander the Great of Macedon spread Hellenistic civilization from the western Mediterranean to Central Asia. The Hellenistic period ended with the conquest of the eastern Mediterranean world by the Roman Republic, and the annexation of the Roman province of Macedonia in Roman Greece, and later the province of Achaea during the Roman Empire.
The Greek Dark Ages is the period of Greek history from the end of the Mycenaean palatial civilization around 1100 BC to the beginning of Archaic age around 750 BC.
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it, it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were various specific regional varieties, such as the South Italian ancient Greek pottery.
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
Greek art began in the Cycladic and Minoan civilization, and gave birth to Western classical art in the subsequent Geometric, Archaic and Classical periods. It absorbed influences of Eastern civilizations, of Roman art and its patrons, and the new religion of Orthodox Christianity in the Byzantine era and absorbed Italian and European ideas during the period of Romanticism, until the Modernist and Postmodernist. Greek art is mainly five forms: architecture, sculpture, painting, pottery and jewelry making.
Red-figure vase painting is one of the most important styles of figural Greek vase painting.
Archaic Greece was the period in Greek history lasting from the eighth century BC to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period. In the archaic period, Greeks settled across the Mediterranean and the Black Seas, as far as Marseille in the west and Trapezus (Trebizond) in the east; and by the end of the archaic period, they were part of a trade network that spanned the entire Mediterranean.
Minoan pottery has been used as a tool for dating the mute Minoan civilization. Its restless sequence of quirky maturing artistic styles reveals something of Minoan patrons' pleasure in novelty while they assist archaeologists in assigning relative dates to the strata of their sites. Pots that contained oils and ointments, exported from 18th century BC Crete, have been found at sites through the Aegean islands and mainland Greece, on Cyprus, along coastal Syria and in Egypt, showing the wide trading contacts of the Minoans.
Situla, from the Latin word for bucket or pail, is the term in archaeology and art history for a variety of elaborate bucket-shaped vessels from the Iron Age to the Middle Ages, usually with a handle at the top. All types may be highly decorated, most characteristically with reliefs in bands or friezes running round the vessel.
The economy of ancient Greece was defined largely by the region's dependence on imported goods. As a result of the poor quality of Greece's soil, agricultural trade was of particular importance. The impact of limited crop production was somewhat offset by Greece's paramount location, as its position in the Mediterranean gave its provinces control over some of Egypt's most crucial seaports and trade routes. Beginning in the 6th century BC, trade craftsmanship and commerce, principally maritime, became pivotal aspects of Greek economic output.
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted.
In the Archaic phase of ancient Greek art, the Orientalizing period or Orientalizing revolution is the cultural and art historical period that began during the later part of the 8th century BC, when there was a heavy influence from the more advanced art of the Eastern Mediterranean and Ancient Near East. The main sources were Syria and Assyria, and to a lesser extent also Phoenicia and Egypt.
The Kerch style, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC. The style is characterized by slender mannered figures and a polychromatism given to it by the use of white paint and gilding.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
Mycenaean pottery is an assemblage of terra cotta ceramics and ceramic styles originated, manufactured, or heavily used by the civilization termed Mycenaean in Greek history and prehistory. "Mycenaean" is a culture name rather than an archaeological one. It was originally a neologism of Heinrich Schliemann, a 19th-century archaeologist, who excavated at Mycenae, a geographic location in the northeast Peloponnesus. Believing in the factuality of the first known work of European literature, the Iliad, Schliemann assigned the geographic and cultural names of that work to his archaeological findings. The citadel at Mycenae thus became the capital and seat of the high king of the Achaeans, Agamemnon, who predominated over all the other kings of Hellas, or Greece. The language of the culture was not known at the time. Prophetically, he predicted that it would be Greek, which was finally substantiated long after his death.
Pottery was produced in enormous quantities in ancient Rome, mostly for utilitarian purposes. It is found all over the former Roman Empire and beyond. Monte Testaccio is a huge waste mound in Rome made almost entirely of broken amphorae used for transporting and storing liquids and other products – in this case probably mostly Spanish olive oil, which was landed nearby, and was the main fuel for lighting, as well as its use in the kitchen and washing in the baths.
Gnathia vases are a type of pottery belonging to ancient Apulian vase painting of the 4th century BC.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
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