Rhodian vase painting was a regional style of East Greek vase painting, based on the island of Rhodes.
Especially well known are the Rhodian plates. These were painted in a polychrome (multi-coloured) technique, with some detail incised, as in black-figure vase painting. Between 560 and 530 BC, situlae based on Egyptian models prevailed. They depicted both Greek themes such as Typhoeus, and others inspired by ancient Egyptian tradition, such as Egyptian hieroglyphs and Egyptian athletics.
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Black-figure pottery painting, also known as the black-figure style or black-figure ceramic is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
Red-figure vase painting is one of the most important styles of figural Greek vase painting.
The Analatos Painter was an Attic vase painter of the Early Proto-Attic style.
The Komast cup is a cup shape at the beginning of the development of Attic drinking cups. Komast cups were widespread especially in Ionia and Corinth. Like other vase painters of the time, the Attic painters were under strong influence from Corinthian vase painting.
The Arkesilas Painter was a Laconian vase painter active around 560 BC. He is considered one of the five great vase painters of Sparta.
Boeotian vase painting was a regional style of ancient Greek vase painting. Since the Geometric period, and up to the 4th century BC, the region of Boeotia produced vases with ornamental and figural painted decoration, usually of lesser quality than the vase paintings from other areas.
The term Kabiria Group describes a type of Boeotian vases decorated in the black-figure technique. The term can also be used describe the artists producing vases of the type.
Euboean vase painting was a regional style of ancient Greek vase painting, prevalent on the island of Euboea.
East Greek vase painting was a regional style of ancient Greek vase painting, produced by the eastern Greeks. In spite of the region's wealth, the pottery was rather unremarkable in comparison to other areas. The clay is red-brown to pink and often contains mica inclusions. Many regional sub-styles of East Greek pottery existed.
The Northampton Group was a stylistic group of ancient Greek amphorae in the black-figure style.
The Pontic Group is a sub-style of Etruscan black-figure vase painting.
Pseudo-Chalcidian vase painting is an important style of black-figure Greek vase painting, dating to the 6th century BC.
Thessalian vase painting was a regional style of Greek vase painting, prevalent in Thessaly.
Argive vase painting was a regional style of Greek Geometric vase painting from the city of Argos.
Cycladic vase painting was a regional style of Greek vase painting, produced in the Cycladic islands.
Samian vase painting was a regional style of ancient Greek vase painting; it formed part of East Greek vase painting.
Ionic vase painting was regional style of ancient Greek vase painting.
The modern scholarly term Hâdra vases describes a group of Hellenistic painted hydriai. Apart from late Panathenaic prize amphorae, it is the only substantial group of figurally or ornamentally painted vases in the Greek world of the 3rd century BC.
Klazomenian vase painting was a regional style of ancient Greek vase painting, belonging to the East Greek representations of that form of art.
Paestan vase painting was a style of vase painting associated with Paestum, a Campanian city in Italy founded by Greek colonists. Paestan vase painting is one of five regional styles of South Italian red-figure vase painting.