The Etruscan civilization was an ancient civilization created by the Etruscans, a people who inhabited Etruria in ancient Italy, with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria, and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto, and western Campania.
The Greek Dark Ages were earlier regarded as two continuous periods of Greek history: the Postpalatial Bronze Age and the Prehistoric Iron Age or Early Iron Age, which included all the ceramic phases from the Protogeometric to the Middle Geometric I and lasted until the beginning of the Protohistoric Iron Age around 800 BC. Currently, the term Greek Dark Ages is being abandoned, and both periods are not considered "obscure".
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it, it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic, is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating in the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
Red-figure pottery is a style of ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay.
Archaic Greece was the period in Greek history lasting from c. 800 BC to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period. In the archaic period, Greeks settled across the Mediterranean Sea and the Black Sea: by the end of the period, they were part of a trade network that spanned the entire Mediterranean.
Caere is the Latin name given by the Romans to one of the larger cities of southern Etruria, the modern Cerveteri, approximately 50–60 kilometres north-northwest of Rome. To the Etruscans it was known as Cisra, to the Greeks as Agylla and to the Phoenicians as 𐤊𐤉𐤔𐤓𐤉𐤀.
A pyxis is a shape of vessel from the classical world, usually a cylindrical box with a separate lid and no handles. They were used to hold cosmetics, trinkets or jewellery, but were also used for dispensing incense and by physicians to contain medicine. Surviving pyxides are mostly Greek pottery, but could also be made from a range of other materials: wood, bronze, ivory, marble, terracotta, silver, or stone. The name derived from Corinthian boxes made of wood from the tree puksos ("boxwood"). During the Classical period, the Attic word "kylichnis" was also used to refer to the same shape. The shape of the vessel can be traced in pottery back to the Protogeometric period in Athens, however the Athenian pyxis has various shapes itself.
Jewelry of the Etruscan civilization existed in several eras.
The Tomb of the Roaring Lions is an archaeological site at the ancient city of Veii, Italy. It is best known for its well-preserved fresco paintings of four feline-like creatures, believed by archaeologists to depict lions. The tomb is believed to be one of the oldest painted tombs in the western Mediterranean, dating back to 690 BCE. The discovery of the Tomb allowed archaeologists a greater insight into funerary practices amongst the Etruscan people, while providing insight into art movements around this period of time. The fresco paintings on the wall of the tomb are a product of advances in trade that allowed artists in Veii to be exposed to art making practices and styles of drawing originating from different cultures, in particular geometric art movements in Greece. The lions were originally assumed to be caricatures of lions – created by artists who had most likely never seen the real animal in flesh before.
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages and a little later, c. 1050–700 BC. Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The so-called Greek Dark Ages were considered to last from c. 1100 to 800 BC and include the phases from the Protogeometric period to the Middle Geometric I period, which Knodell (2021) calls Prehistoric Iron Age. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases.
The Protogeometric style is a style of Ancient Greek pottery led by Athens produced between roughly 1050 and 900 BCE, during the Greek Dark Ages. It was succeeded by the Early Geometric period.
The Wild Goat style is a modern term describing vase painting produced in the east of Greece, namely the southern and eastern Ionian islands, between c. 650 to 550 BCE. Examples have been found notably at the sites in Chios, at Miletus and in Rhodes. The style owes its name to the predominant motif found on such vases: friezes of goats. The style developed the technique introduced during the Orientalizing period of rendering the heads of figures in outline by applying it to the whole of a figure. Thus where previously an image was a silhouette, the Wild Goat style allowed a greater representation of detail and marked a step forward in the progress towards naturalism.
Bucchero is a class of ceramics produced in central Italy by the region's pre-Roman Etruscan population. This Italian word is derived from the Latin poculum, a drinking-vessel, perhaps through the Spanish búcaro, or the Portuguese púcaro.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
The Analatos Painter was an Attic vase painter of the Early Proto-Attic style.
The Latial culture ranged approximately over ancient Old Latium. The Iron Age Latial culture coincided with the arrival in the region of a people who spoke Old Latin. The culture was likely therefore to identify a phase of the socio-political self-consciousness of the Latin tribe, during the period of the kings of Alba Longa and the foundation of the Roman Kingdom.
The Latins, sometimes known as the Latials or Latians, were an Italic tribe that included the early inhabitants of the city of Rome. From about 1000 BC, the Latins inhabited the small region known to the Romans as Old Latium, the area in the Italian Peninsula between the river Tiber and the promontory of Mount Circeo 100 km (62 mi) southeast of Rome. Following the Roman expansion, the Latins spread into the Latium adiectum, inhabited by Osco-Umbrian peoples.
The Three Revelers Vase, also known as simply the Revelers Vase, is a Greek vase originating from the Archaic Period. Painted around 510 BCE in the red figure pottery style, the Revelers vase was found in an Etruscan tomb in Vulci, Italy. The painting is attributed to Euthymides. Although the vase is in the amphora shape, its purpose is more decorative than functional. The painting itself shows three nude partygoers and Hector arming on the reverse. The work is remarkable because of the early use of foreshortening as opposed to conventional profile and frontal views. The Revelers Vase currently resides in the Staatliche Antikensammlungen in Münich, Germany.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
