The Shuvalov Painter was an Attic vase painter of the red-figure style, active between 440 and 410 BC, i.e. in the High Classical period (Parthenon period) in Magna Graecia.
Most of some eighty works ascribed to the Shuvalov Painter were discovered in Italy, mainly in Campania and Lucania. He mainly painted smaller vessels. The Shuvalov Painter is considered the successor of the Mannheim Painter at the same workshop. He appears to have worked in the same workshop as Aison, the painter of the Alexander Group and the Eretria Painter. His paintings depict lively small figures, often with intense gazes. His works, whether depicting mythological scenes or themes from everyday life, are counted among the best of their time. John Boardman argues that his paintings have a tendency to be somewhat shallow and facile.
John Beazley: Attic red-figure vase-painters. 2nd ed. Oxford 1963.
Adrienne Lezzi-Hafter: Der Schuwalow-Maler. Eine Kannenwerkstatt der Parthenonzeit, Mainz 1976.
John Boardman: Rotfigurige Vasen aus Athen. Die klassische Zeit, von Zabern, Mainz 1991 (Kulturgeschichte der Antiken Welt, Vol 48), especially p. 101f. ISBN3-8053-1262-8.
Martin Maischberger: Weinkanne des Schuwalow-Malers: Liebespaar, in: Andreas Scholl (ed.): Die Antikensammlung: Altes Museum. Pergamonmuseum, von Zabern, Mainz 2007, S. 76f., ISBN978-3-8053-2449-6.
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic, is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
Red-figure pottery is a style of ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay.
Epiktetos was an Attic vase painter in the early red-figure style. Besides Oltos, he was the most important painter of the Pioneer Group. He was active between 520 BC and 490 BC. His name translates as "newly acquired", which is most probably a reference to his slave status.
The Antimenes Painter was an Attic vase painter of the black-figure style, active between circa 530 and 510 BC.
The Providence Painter is the conventional name given to a painter of the Attic red-figure style. He was active around 470 BC.
The Dinos Painter was an Attic red-figure vase painter who was active during the second half of the 5th century BC. The Dinos Painter stood in the tradition of the Kleophon Painter, but was less serious. One or few figures are depicted as the centre of an event; the frieze-like depiction of the course of the event seen in earlier styles is absent. His paintings initiate the "Rich Style" of the following generation; he already uses an increased amount of white to stress details. The technique of using white to depict Eros and furniture is an innovation of the Dinos Painter; a generation later it formed part of the standard repertoire.
The Eretria Painter was an ancient Greek Attic red-figure vase painter. He worked in the final quarter of the 5th century BC. The Eretria Painter is assumed to have been a contemporary of the Shuvalov Painter; he is considered one of the most interesting painters of his time. Many of his best works are painted on oinochoai and belly lekythoi. His paintings often depict many figures, moving in groups across all available surfaces. He also painted such vessels as figure-shaped vases or head-shaped kantharoi. Even as the vase shapes he painted on are unusual, his themes are conventional: athletes, satyrs and maenads, and mythological scenes. There are also some careful studies of women. He also painted white-ground vases. A lekythos in New York shows a funeral scene, typical of white-ground painting: Achilles is mourning Patroclus; the nereids bring him new weapons. The Eretria Painter's drawing style influenced later artists, e.g. the Meidias Painter and his school.
The Meleager Painter was an ancient Greek vase painter of the Attic red-figure style. He was active in the first third of the 4th century BC. The Meleager Painter followed a tradition started by a group of slightly earlier artists, such as the Mikion Painter. He is probably the most important painter of his generation. He painted a wide variety of vase shapes, including even kylikes, a rarity among his contemporaries.
The Marsyas Painter was an ancient Greek vase painter of the red-figure style active in Attica between 370 and 340/330 BC. The Marsyas Painter is sometimes considered the best of the Attic red-figure painters of the late 4th-century Kerch Style.
The YZ Group is an assumed group of ancient Greek Attic vase painters of the red-figure style.
The Oinochoe by the Shuvalov Painter in the collection of Antikensammlung Berlin is an erotic depiction from ancient Greek vase painting.
The Foundry Painter was an ancient Greek Attic red-figure vase painter of the Late Archaic period. His real name is unknown; the conventional name is derived from his most famous work, the Berlin Foundry Cup.
The Painter of Berlin A 34 was a vase painter during the pioneering period of Attic black-figure pottery. His real name is unknown, his conventional name derived from his name vase in the Antikensammlung Berlin. He is the first individual vase painter of the style in Athens recognised by scholarship. His works are dated to circa 630 BC. Two of his vases were discovered in Aegina. Since the 19th century, those pieces were on display in Berlin, but they disappeared or were destroyed during the Second World War.
The Bellerophon Painter was one of the first Attic black-figure vase painters. His period of activity is dated between 630 and 600 BC.
The KX Painter was an Attic black-figure vase painter. He was active between 585 and 570 BC. Besides the KY Painter, the KX Painter was the main representative of the Comast Group, which succeeded the Gorgon Painter. His conventional name was allocated by John Beazley. He is considered the better and chronologically somewhat earlier representative of the group. He was the first painter in Athens to occasionally depict komasts on his vases, a motif adopted from Corinthian vase painting. He mainly painted skyphoi, lekanes, kothones and Komast cups. In contrast to later representatives of the group, he still mostly painted animals, in a more careful and powerful style than the Gorgon Painter. Some mythological scenes by him are also known. Especially famous are his small-fornat mythical scenes placed within animal friezes. The KX Painter can be considered the first Attic painter to achieve a quality at par with that reached in Corinth, then the dominant centre of Greek vase painting. Imitations of his works are known from Boeotia.
The Panther Painter was a vase painter of the Attic black-figure style. He was probably active at the same time as the Nessos Painter, or shortly thereafter. Both shared a predilection for interlace patterns. The Panther Painter's vases have so far only been found in Attica, but outside Athens, at Vari. It is therefore assumed that he did not live and work in Athens, but only produced for a small local market in Attica. He mainly painted lekanis with animal friezes.
The Anagyros Painter or Anagyrus Painter was a vase painter of the early Attic black-figure style, active in the first quarter of the 6th century BC. His works have only been found in inland Attica, mainly at Vari, but not in Athens itself. It is thus assumed that he was not active within the city and only produced for a very limited rural area. In contrast to many of his contemporaries, he did not paint lekanes but various large formats, such as amphorae, kantharoi, chalices, oinochoai and plates.
The Painter of the Dresden Lekanis is the common name for a vase painter of the Attic black-figure style, active around 580–570 BC. He emigrated to Boeotia and is in fact identical with the Boeotian Horse-bird Painter.
The Polos Painter was a vase painter of the Attic black-figure style. His works date to c. 575 to 565 BC.
The Daybreak Painter was an Attic black-figure vase painter, active in the late sixth and early fifth centuries BC. His real name is not known.
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