Unknown. Named from the circumstance that the first vase of the style was found in Piraeus, Athens.
Before 630 BC
Died
About 600 BC
Nationality
Probably Greek
Knownfor
Vase painting
Notable work
Amphorae and other pottery decorated with animal figures of much higher quality than the human figures.
Movement
Black-figure style
The Piraeus Painter was one of the first Atticblack-figure vase painters. He was active between 630 and 600 BC.
The Piraeus Painter was a contemporary of the Nessos Painter, whose importance and artistic class he did not reach. His name vase, a neck amphora in Athens, National Archaeological Museum 353, was found at Piraeus. The most noteworthy feature of that vase is the snout of the depicted lion, stylised into the shape of a volute. Images of lions were quite popular at the time, as in the works of the Lion Painter and the Gorgon Painter. Except his animal figures, which display a safe intuition for design and proportions, his other figures appear very stiff and awkward.
Bibliography
John Beazley: Attic Black-figure Vase-painters. Oxford 1956, p.2-3.
John Boardman: Schwarzfigurige Vasen aus Athen. Ein Handbuch, von Zabern, 4. Edn., Mainz 1994 (Kulturgeschichte der Antiken Welt, Vol 1) ISBN3-8053-0233-9, p.18.
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic, is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
Red-figure vase painting is one of the most important styles of figural Greek vase painting.
Sophilos was an Attic potter and vase painter in the black-figure style. Sophilos is the oldest Attic vase painter so far to be known by his true name. Fragments of two wine basins (dinoi) in Athens are signed by him, indicating that he both potted and painted them. In total, 37 vessels are ascribed to him, mostly amphorae, dinoi, kraters, as well as three pinakes. Apart from his work for the domestic market, he was also one of the masters of major significance in the process of supplanting the dominance of Corinthian vase painting in the markets of Etruria, and Southern Italy, the most important export area for Greek vases. His works were exported as far as the Black Sea region, Syria and Egypt (Naukratis).
Lydos was an Attic vase painter in the black-figure style. Active between about 560 and 540 BC, he was the main representative of the '’’Lydos Group’’’. His signature, ό Λυδός, ho Lydos ", inscribed on two vases, is informative regarding the cultural background of the artist. Either he immigrated to Athens from the Lydian empire of King Kroisos, or he was born in Athens as the son of Lydian parents. In any case, he learned his trade in Athens.
The Affecter was an Attic black-figure vase painter, active in Athens around 550 to 530 BCE.
Psiax was an Attic vase painter of the transitional period between the black-figure and red-figure styles. His works date to circa 525 to 505 BC and comprise about 60 surviving vases, two of which bear his signature. Initially he was allocated the name "Menon Painter" by John Beazley. Only later was it realised that the artist was identical with the painters signing as "Psiax".
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted.
The Kerch style, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC. The style is characterized by slender mannered figures and a polychromatism given to it by the use of white paint and gilding.
The Nessos Painter, also known as Netos or Nettos Painter, was a pioneer of Attic black-figure vase painting. He is considered to be the first Athenian to adopt the Corinthian style who went on to develop his own style and introduced innovations. The Nessos Painter is often known to be one of the original painters of black-figure. He only worked in this style, which is shown on his name vase in the National Archaeological Museum in Athens. Most of the known Nessos Painter ceramics were found in funerary settings such as cemeteries and mortuaries.
The Painter of Berlin A 34 was a vase painter during the pioneering period of Attic black-figure pottery. His real name is unknown, his conventional name derived from his name vase in the Antikensammlung Berlin. He is the first individual vase painter of the style in Athens recognised by scholarship. His works are dated to circa 630 BC. Two of his vases were discovered in Aegina. Since the 19th century, those pieces were on display in Berlin, but they disappeared or were destroyed during the Second World War.
The Bellerophon Painter was one of the first Attic black-figure vase painters. His period of activity is dated between 630 and 600 BC.
The Lion Painter was one of the earliest Athens black-figure vase painters. He was active between 630 and 600 BC.
The Cerameicus Painter was one of the first Attic black-figure vase painters. He was active around 600 BC.
The Painter of the Dresden Lekanis is the common name for a vase painter of the Attic black-figure style, active around 580–570 BC. He emigrated to Boeotia and is in fact identical with the Boeotian Horse-bird Painter.
Nearchos was an Attic potter and vase painter of the black figure style, active in Athens c. 570 to 555 BC.
The Xenokles Painter was an Attic vase painter in the black-figure style, active around the middle of the 6th century BC. His real name is unknown. His conventional name is based on the fact that he often painted vases made by the potter Xenokles, with whom he may be identical. In artistic terms, he did not reach the talent of comparable painters, such as the Tleson Painter. Characteristic of his work is his habit of cramming lip cups with figures, comparable to the normal decoration of Siana cups.
The Rycroft Painter was an Attic late black-figure vase painter, active in the final decade of the sixth century BC. His real name is not known.
The term Perizoma Group describes a group of Attic black-figure vase painters and a type of vase. They were active approximately 520–510 BC.
The Euphiletos Painter was an Attic black-figure vase painter active in the second half of the sixth century BC.
The Lysippides Painter was an Attic vase painter in the black-figure style. He was active around 530 to 510 BC. His conventional name comes from a kalos inscription on a vase in the British Museum attributed to him; his real name is not known.
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