Vases were produced on Samos since the Geometric period. At the Heraion of Samos, many Geometric vases were discovered, including high-footed kraters, kantharoi, kotyles, skyphoi and round-mouthed oinochoai. Details such as the diagonally hatched meanders and four-leafed starts betray an Attic influence. Images of birds are very common, as are horses, on Samos typically with a long main, reaching as far as the middle of the back. In one case, a prosthesis is depicted.
Around 560/550 BC, Samian potters began to produce black-figure vessels of types adopted from Attic vase painting. These types are Little-master cups and face-shaped kantharoi. The painting is precise and decorative. Besides Miletus and Rhodes, Samos was one of the main production centres of vases in the Wild Goat style.
Bibliography
Thomas Mannack: Griechische Vasenmalerei. Eine Einführung. Theiss, Stuttgart 2002, p. 81f., 90-94, 134f.. ISBN3-8062-1743-2.
Matthias Steinhart: Schwarzfigurige Vasenmalerei II. Ausserattisch. In: Der Neue Pauly, vol. 11, cols. 276-281.
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it, it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were various specific regional varieties, such as the South Italian ancient Greek pottery.
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.
Red-figure vase painting is one of the most important styles of figural Greek vase painting.
Lydos was an Attic vase painter in the black-figure style. Active between about 560 and 540 BC, he was the main representative of the '’’Lydos Group’’’. His signature, ό Λυδός, ho Lydos, the Lydian, inscribed on two vases, is informative regarding the cultural background of the artist. Either he immigrated to Athens from the Lydian empire of King Kroisos, or he was born in Athens as the son of Lydian parents. In any case, he learned his trade in Athens.
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted.
The Analatos Painter was an Attic vase painter of the Early Proto-Attic style.
Nearchos was an Attic potter and vase painter of the black figure style, active in Athens c. 570 to 555 BC.
Laconian vase painting is a regional style of Greek vase painting, produced in Laconia, the region of Sparta, primarily in the 6th century BC.
Boeotian vase painting was a regional style of ancient Greek vase painting. Since the Geometric period, and up to the 4th century BC, the region of Boeotia produced vases with ornamental and figural painted decoration, usually of lesser quality than the vase paintings from other areas.
The term Kabiria Group describes a type of Boeotian vases decorated in the black-figure technique. The term can also be used describe the artists producing vases of the type.
Euboean vase painting was a regional style of ancient Greek vase painting, prevalent on the island of Euboea.
East Greek vase painting was a regional style of ancient Greek vase painting, produced by the eastern Greeks. In spite of the region's wealth, the pottery was rather unremarkable in comparison to other areas. The clay is red-brown to pink and often contains mica inclusions. Many regional sub-styles of East Greek pottery existed.
The Pontic Group is a sub-style of Etruscan black-figure vase painting.
Etruscan vase painting was produced from the 7th through the 4th centuries BC, and is a major element in Etruscan art. It was strongly influenced by Greek vase painting, and followed the main trends in style over the period. Besides being producers in their own right, the Etruscans were the main export market for Greek pottery outside Greece, and some Greek painters probably moved to Etruria, where richly decorated vases were a standard element of grave inventories.
Pseudo-Chalcidian vase painting is an important style of black-figure Greek vase painting, dating to the 6th century BC.
Thessalian vase painting was a regional style of Greek vase painting, prevalent in Thessaly.
Argive vase painting was a regional style of Greek Geometric vase painting from the city of Argos.
Cycladic vase painting was a regional style of Greek vase painting, produced in the Cycladic islands.
Ionic vase painting was regional style of ancient Greek vase painting.
Campanian vase painting is one of the five regional styles of South Italian red-figure vase painting. It forms a close stylistic community with Apulian vase painting.
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