Architectural revivalism is the use of elements that echo the style of a previous architectural era that have or had fallen into disuse or abeyance between their heyday and period of revival. Revivalism, in a narrower sense, refers to the period of and movement within Western architectural history during which a succession of antecedent and reminiscent styles were taken to by architects, roughly from the mid-18th century, and which was itself succeeded by Modernism around the late 19th and early 20th centuries. [1] Notable revival styles include Neoclassical architecture (a revival of Classical architecture), and Gothic Revival (a revival of Gothic architecture). Revivalism is related to historicism.
Western architecture of the 19th century, including Victorian architecture, is an example of Revivalism.
The idea that architecture might represent the glory of kingdoms can be traced to the dawn of civilisation, but the notion that architecture can bear the stamp of national character is a modern idea, that appeared in the historical and philosophical writing of the 18th century and was given political currency in the wake of the French Revolution. As the map of Europe was repeatedly changing, architecture was used to grant the aura of a glorious past to even the most recent of nations. In addition to the credo of universal Classicism, two new, and often contradictory, attitudes on historical styles existed in the early 19th century. Pluralism promoted the simultaneous use of the expanded range of style, while Revivalism held that a single historical model was appropriate for modern architecture. Associations between styles and building types appeared, for example: Egyptian for prisons, Gothic for churches, or Renaissance Revival for banks and exchanges.[ citation needed ] These choices were the result of other associations: the pharaohs with death and eternity, the Middle Ages with Christianity, or the Medici family with the rise of banking and modern commerce.
Whether their choice was Classical, medieval, or Renaissance, all Revivalists shared the strategy of advocating a particular style based on national history, one of the great enterprises of historians from the mid-18th to early 19th centuries. Only one historic period was claimed to be the only one capable of providing models grounded in national traditions, institutions, or values. Issues of style became matters of state. [2]
The most well-known Revivalist style is the Gothic Revival one, that appeared in the mid-18th century in the houses of a number of wealthy antiquarians in England, a notable example being the Strawberry Hill House. German Romantic writers and architects were the first to promote Gothic as a powerful expression of national character, and in turn use it as a symbol of national identity in territories still divided. Johann Gottfried Herder posed the question 'Why should we always imitate foreigners, as if we were Greeks or Romans?'. [3]
Modern-day revival styles are frequently placed under the heading of New Classical architecture. Revivalism is not to be confused with complementary architecture, which looks to the previous architectural styles as means of architectural continuity.
Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes more specifically, from De architectura by the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until World War II. Classical architecture continues to inform many architects.
The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia.
The following outline is provided as an overview of and topical guide to classical architecture:
An oculus is a circular opening in the center of a dome or in a wall. Originating in classical architecture, it is a feature of Byzantine and Neoclassical architecture.
The architecture of England is the architecture of modern England and in the historic Kingdom of England. It often includes buildings created under English influence or by English architects in other parts of the world, particularly in the English and later British colonies and Empire, which developed into the Commonwealth of Nations.
The culture of Europe is diverse, and rooted in its art, architecture, traditions, cuisines, music, folklore, embroidery, film, literature, economics, philosophy and religious customs.
Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy, France and Germany. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer, more complete, and more authentic classical style, adapted to modern purposes.
Plateresque, meaning "in the manner of a silversmith", was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century, and spread over the next two centuries. It is a modification of Gothic spatial concepts and an eclectic blend of Mudéjar, Flamboyant Gothic and Lombard decorative components, as well as Renaissance elements of Tuscan origin.
The history of architecture traces the changes in architecture through various traditions, regions, overarching stylistic trends, and dates. The beginnings of all these traditions is thought to be humans satisfying the very basic need of shelter and protection. The term "architecture" generally refers to buildings, but in its essence is much broader, including fields we now consider specialized forms of practice, such as urbanism, civil engineering, naval, military, and landscape architecture.
Churrigueresque, also but less commonly "Ultra Baroque", refers to a Spanish Baroque style of elaborate sculptural architectural ornament which emerged as a manner of stucco decoration in Spain in the late 17th century and was used until about 1750, marked by extreme, expressive and florid decorative detailing, normally found above the entrance on the main façade of a building.
Renaissance Revival architecture is a group of 19th-century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture 19th-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles that can be identified as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later 19th century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present.
Spanish architecture refers to architecture in any area of what is now Spain, and by Spanish architects worldwide. The term includes buildings which were constructed within the current borders of Spain prior to its existence as a nation, when the land was called Iberia, Hispania, or was divided between several Christian and Muslim kingdoms. Spanish architecture demonstrates great historical and geographical diversity, depending on the historical period. It developed along similar lines as other architectural styles around the Mediterranean and from Central and Northern Europe, although some Spanish constructions are unique.
Portuguese architecture refers to both the architecture of Portugal's modern-day territory in Continental Portugal, the Azores and Madeira, as well as the architectural heritage/patrimony of Portuguese architects and styles throughout the world, particularly in countries formerly part of the Portuguese Empire.
Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states until 1861. This has created a highly diverse and eclectic range in architectural designs. Italy is known for its considerable architectural achievements, such as the construction of aqueducts, temples and similar structures during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th century, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the United Kingdom, Australia and the United States of America during the late-17th to early 20th centuries.
Historicism or historism comprises artistic styles that draw their inspiration from recreating historic styles or imitating the work of historic artists and artisans. This is especially common in architecture, where there are many different styles of Revival architecture, which dominated large buildings in the 19th century. Through a combination of different styles or the implementation of new elements, historicism can create completely different aesthetics than former styles. Thus, it offers a great variety of possible designs.
Rundbogenstil is a nineteenth-century historic revival style of architecture popular in the German-speaking lands and the German diaspora. It combines elements of Byzantine, Romanesque, and Renaissance architecture with particular stylistic motifs. It forms a German branch of Romanesque Revival architecture sometimes used in other countries.
This timeline shows the periods of various architectural styles in the architecture of Italy. Italy's architecture spans almost 3,500 years, from Etruscan and Ancient Roman architecture to Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, Art Nouveau, Fascist, and Italian modern and contemporary architecture.
The Peruvian colonial architecture, developed in the Viceroyalty of Peru between the 16th and 19th centuries, was characterized by the importation and adaptation of European architectural styles to the Peruvian reality, yielding an original architecture.
This is an alphabetical index of articles related to architecture.