This article may be too technical for most readers to understand.(August 2019) |
Elizabethan architecture refers to buildings of a certain medieval style constructed during the reign of Queen Elizabeth I of England and Ireland from 1558 to 1603. [1] Historically, the era sits between the long era of the dominant architectural style of religious buildings by the Catholic Church, which ended abruptly at the Dissolution of the Monasteries from c. 1536, and the advent of a court culture of pan-European artistic ambition under James I (1603–1625). Stylistically, Elizabethan architecture is notably pluralistic. It came at the end of insular traditions in design and construction called the Perpendicular style in church building, the fenestration, vaulting techniques, and open truss designs of which often affected the detail of larger domestic buildings. However, English design had become open to the influence of early printed architectural texts (namely Vitruvius and Leon Battista Alberti) imported to England by members of the church as early as the 1480s. Into the 16th century, illustrated continental pattern-books introduced a wide range of architectural exemplars, fueled by the archaeology of Ancient Rome which inspired myriad printed designs of increasing elaboration and abstraction.
As church building turned to the construction of great houses for courtiers and merchants, these novelties accompanied a nostalgia for native history as well as huge divisions in religious identity, plus the influence of continental mercantile and civic buildings. Insular traditions of construction, detail and materials never entirely disappeared. These varied influences on patrons who could favor conservatism or great originality confound attempts to neatly classify Elizabethan architecture. This era of cultural upheaval and fusions corresponds to what is often termed Mannerism and Late Cinquecento in Italy, French Renaissance architecture in France, and the Plateresque style in Spain. [1]
In contrast to her father Henry VIII, Elizabeth commissioned no new royal palaces, and very few new churches were built, but there was a great boom in building domestic houses for the well-off, largely due to the redistribution of ecclesiastical lands after the Dissolution. The most characteristic type, for the very well-off, is the showy prodigy house, using styles and decoration derived from Northern Mannerism, but with elements retaining signifies of medieval castles, such as the normally busy roof-line.
The Elizabethan era saw growing prosperity, and contemporaries remarked on the pace of secular building among the well-off. The somewhat tentative influence of Renaissance architecture is mainly seen in the great houses of courtiers, but lower down the social scale large numbers of sizeable and increasingly comfortable houses were built in developing vernacular styles by farmers and townspeople. Civic and institutional buildings were also becoming increasingly common.
Renaissance architecture had achieved some influence in England during the reign of, and mainly in the palaces of, Henry VIII, who imported a number of Italian artists. Unlike Henry, Elizabeth built no new palaces, instead encouraging her courtiers to build extravagantly and house her on her summer progresses. The style they adopted was more influenced by the Northern Mannerism of the Low countries than Italy, among other features it used versions of the Dutch gable, and Flemish strapwork in geometric designs. Both of these features can be seen on the towers of Wollaton Hall and again at Montacute House. Flemish craftsmen succeeded the Italians that had influenced Tudor architecture; the original Royal Exchange, London (1566–1570) is one of the first important buildings designed by Henri de Paschen, an architect from Antwerp. [1] However, most continental influences came from books, and there were a number of English "master masons" who were in effect architects and in great demand, so that their work is often widely spread around the country.
Important examples of Elizabethan architecture include:
In England, the Renaissance first manifested itself mainly in the distinct form of the prodigy house, large, square, and tall houses such as Longleat House, built by courtiers who hoped to attract the queen for a ruinously expensive stay, and so advance their careers. Often these buildings have an elaborate and fanciful roofline, hinting at the evolution from medieval fortified architecture.
It was also at this time that the long gallery became popular (for the Aristocracy) in English houses. This was apparently mainly used for walking in, and a growing range of parlours and withdrawing rooms supplemented the main living room for the family, the great chamber. The great hall was now mostly used by the servants, and as an impressive point of entry to the house.
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture and neoclassical architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact.
The Jacobethan architectural style, also known as Jacobean Revival, is the mixed national Renaissance revival style that was made popular in England from the late 1820s, which derived most of its inspiration and its repertory from the English Renaissance (1550–1625), with elements of Elizabethan and Jacobean.
Wollaton Hall is an Elizabethan country house of the 1580s standing on a small but prominent hill in Wollaton Park, Nottingham, England. The house is now Nottingham Natural History Museum, with Nottingham Industrial Museum in the outbuildings. The surrounding parkland has a herd of deer, and is regularly used for large-scale outdoor events such as rock concerts, sporting events and festivals.
Montacute House is a late Elizabethan mansion in Montacute, South Somerset, England. An example of English architecture created during a period that was moving from the medieval Gothic to the more classically-inspired Renaissance style, Montacute is one of the few prodigy houses to have survived almost unchanged from the Elizabethan era. The house has been designated as a Grade I listed building, and its gardens are also listed at the highest grade on the Register of Historic Parks and Gardens of Special Historic Interest in England.
The English Renaissance was a cultural and artistic movement in England during the late 15th, 16th and early 17th centuries. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century. As in most of the rest of Northern Europe, England saw little of these developments until more than a century later within the Northern Renaissance. Renaissance style and ideas were slow to penetrate England, and the Elizabethan era in the second half of the 16th century is usually regarded as the height of the English Renaissance. Many scholars see its beginnings in the early 16th century during the reign of Henry VIII. Others argue the Renaissance was already present in England in the late 15th century.
The Jacobean era was the period in English and Scottish history that coincides with the reign of James VI of Scotland who also inherited the crown of England in 1603 as James I. The Jacobean era succeeds the Elizabethan era and precedes the Caroline era. The term "Jacobean" is often used for the distinctive styles of Jacobean architecture, visual arts, decorative arts, and literature which characterized that period.
The architecture of England is the architecture of modern England and in the historic Kingdom of England. It often includes buildings created under English influence or by English architects in other parts of the world, particularly in the English and later British colonies and Empire, which developed into the Commonwealth of Nations.
An English country house is a large house or mansion in the English countryside. Such houses were often owned by individuals who also owned a town house. This allowed them to spend time in the country and in the city—hence, for these people, the term distinguished between town and country. However, the term also encompasses houses that were, and often still are, the full-time residence for the landed gentry who dominated rural Britain until the Reform Act 1832. Frequently, the formal business of the counties was transacted in these country houses, having functional antecedents in manor houses.
Robert Smythson was an English architect. Smythson designed a number of notable houses during the Elizabethan era. Little is known about his birth and upbringing—his first mention in historical records comes in 1556, when he was stonemason for the house at Longleat, built by Sir John Thynne. He later designed Hardwick Hall, Wollaton Hall, Burton Agnes Hall, and other significant projects. Historically, a number of other Elizabethan houses, such as Gawthorpe Hall and Chastleton House, have been attributed to him on stylistic grounds.
The Jacobean style is the second phase of Renaissance architecture in England, following the Elizabethan style. It is named after King James VI and I, with whose reign it is associated. At the start of James' reign, there was little stylistic break in architecture, as Elizabethan trends continued their development. However, his death in 1625 came as a decisive change towards more classical architecture, with Italian influence, was in progress, led by Inigo Jones. The style this began is sometimes called Stuart architecture, or English Baroque.
The Tudor architectural style is the final development of medieval architecture in England and Wales, during the Tudor period (1485–1603) and even beyond, and also the tentative introduction of Renaissance architecture to Britain. It followed the Late Gothic Perpendicular style and, gradually, it evolved into an aesthetic more consistent with trends already in motion on the continent, evidenced by other nations already having the Northern Renaissance underway Italy, and especially France already well into its revolution in art, architecture, and thought. A subtype of Tudor architecture is Elizabethan architecture, from about 1560 to 1600, which has continuity with the subsequent Jacobean architecture in the early Stuart period.
Tudor Revival architecture, also known as mock Tudor in the UK, first manifested in domestic architecture in the United Kingdom in the latter half of the 19th century. Based on revival of aspects that were perceived as Tudor architecture, in reality it usually took the style of English vernacular architecture of the Middle Ages that had survived into the Tudor period.
Renaissance Revival architecture is a group of 19th-century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture 19th-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles that can be identified as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later 19th century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present.
The Banqueting House, on Whitehall in the City of Westminster, central London, is the grandest and best-known survivor of the architectural genre of banqueting houses, constructed for elaborate entertaining. It is the only large surviving component of the Palace of Whitehall, the residence of English monarchs from 1530 to 1698. The building is important in the history of English architecture as the first structure to be completed in the classical style of Palladian architecture which was to transform English architecture.
In architecture, a long gallery is a long, narrow room, often with a high ceiling. In Britain, long galleries were popular in Elizabethan and Jacobean houses. They were normally placed on the highest reception floor of English country houses, usually running along a side of the house, with windows on one side and at the ends giving views, and doors to other rooms on the other. They served several purposes: they were used for entertaining guests, for taking exercise in the form of walking when the weather was inclement, for displaying art collections, especially portraits of the family and royalty, and acting as a corridor.
The architecture of the United Kingdom, or British architecture, consists of a combination of architectural styles, dating as far back to Roman architecture, to the present day 21st century contemporary. England has seen the most influential developments, though Ireland, Scotland, and Wales have each fostered unique styles and played leading roles in the international history of architecture. Although there are prehistoric and classical structures in the United Kingdom, British architectural history effectively begins with the first Anglo-Saxon Christian churches, built soon after Augustine of Canterbury arrived in Great Britain in 597. Norman architecture was built on a vast scale throughout Great Britain and Ireland from the 11th century onwards in the form of castles and churches to help impose Norman authority upon their dominions. English Gothic architecture, which flourished between 1180 until around 1520, was initially imported from France, but quickly developed its own unique qualities.
Prodigy houses are large and showy English country houses built by courtiers and other wealthy families, either "noble palaces of an awesome scale" or "proud, ambitious heaps" according to taste. The prodigy houses stretch over the periods of Tudor, Elizabethan, and Jacobean architecture, though the term may be restricted to a core period of roughly 1570 to 1620. Many of the grandest were built with a view to housing Elizabeth I and her large retinue as they made their annual royal progress around her realm. Many are therefore close to major roads, often in the English Midlands.
John of Padua was an elusive figure of the English Renaissance who was employed at the courts of Henry VIII and his successor, Edward VI, during a period in which numerous foreign architects and artisans arrived in England, bringing with them the new concepts and evolutions of the Italian Renaissance as it spread across Europe. He disappears from the records after 1557.
The Rotherwas Room is an English Jacobean room currently in the Mead Art Museum, in Amherst College.
Perpendicular Gothic architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British-Irish Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.