Restoration style, also known as Carolean style from the name Carolus (Latin for 'Charles'), refers to the decorative and literary arts that became popular in England from the restoration of the monarchy in 1660 under Charles II (reigned from 1660 to 1685) until the late 1680s.[1] Similar shifts appeared in prose style.[2]
The return of the king and his court from exile on the Continent led to the replacement of the Puritan severity of the Cromwellian style with a taste for magnificence and opulence, and to the introduction of Dutch and French artistic influences. These are evident in furniture in the use of floral marquetry, walnut instead of oak, twisted turned supports and legs, exotic veneers, cane seats and backs on chairs, sumptuous tapestry and velvetupholstery, and ornate carved and gilded scrolling bases for cabinets.
The growing power of the English East India Company resulted in increased imports of exotic commodities from China and Japan, including tea, porcelain and lacquer, and chintzes from India. This led to a craze for chinoiserie, reflected in the development of imitation lacquer (Japanning), blue and white decoration on ceramics, flat-chased scenes of Chinese-style figures and landscapes on silver, and new forms of silver such as teapots, as well as colourful Indian-style crewelwork bed-hangings and curtains.
Other developments in the Restoration period were the emergence of the English glass industry, following the invention of lead glass by George Ravenscroft around 1676, and the manufacture of slipware by Thomas Toft.
Art Deco, short for the French Arts décoratifs, is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s, and flourished in the United States and Europe during the 1920s to early 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look, Art Deco has influenced bridges, buildings, ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects including radios and vacuum cleaners.
Furniture refers to objects intended to support various human activities such as seating, eating (tables), storing items, working, and sleeping. Furniture is also used to hold objects at a convenient height for work, or to store things. Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal, plastic, and wood. Furniture can be made using a variety of woodworking joints which often reflects the local culture.
The Stuart Restoration was the re-instatement in May 1660 of the Stuart monarchy in England, Scotland, and Ireland. It replaced the Commonwealth of England, established in January 1649 after the execution of Charles I, with his son Charles II.
Marquetry is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial panels appreciated in their own right.
Thomas Chippendale was an English cabinet-maker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs in a trade catalogue titled The Gentleman and Cabinet Maker's Director—the most important collection of furniture designs published in England to that point which created a mass market for furniture—upon which success he became renowned. According to the Victoria and Albert Museum, "so influential were his designs, in Britain and throughout Europe and America, that 'Chippendale' became a shorthand description for any furniture similar to his Director designs".
Lacquerware are objects decoratively covered with lacquer. Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved. The lacquer can be dusted with gold or silver and given further decorative treatments.
Chinoiserie is the European interpretation and imitation of Chinese and other Sinosphere artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of chinoiserie has been expressed in different ways depending on the region. It is related to the broader current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical, and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and the rest of East Asia.
Lacquerware is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and interior design. Important centres for design included London and Glasgow.
The forms of Chinese furniture evolved along three distinct lineages which date back to 1000 BC: frame and panel, yoke and rack and bamboo construction techniques. Chinese home furniture evolved independently of Western furniture into many similar forms, including chairs, tables, stools, cupboards, cabinets, beds and sofas. Until about the 10th century CE, the Chinese sat on mats or low platforms using low tables, but then gradually moved to using high tables with chairs.
French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities distinct from the metropolis. There was also a conservative artisanal rural tradition of French country furniture which remained unbroken until the advent of the railroads in the mid-nineteenth century.
The Queen Anne style of furniture design developed before, during, and after the time of Queen Anne, who reigned from 1702 to 1714.
John (Jean)Pelletier (fl. ca 1681 – 1704) was a French Huguenot carver and gilder, who emigrated from Paris, where he had trained, and worked in London. He provided high-style Baroque furniture for the court of William III and Mary II, specializing in carved, gessoed and gilded furniture of the highest quality. He was also employed in providing carved and gilded picture and looking-glass frames and in gilding the work of other carvers.
Italian Rococo interior design refers to interior decoration in Italy during the Rococo period, which went from the early 18th century to around the 1760s.
What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, Kingdom of England, Kingdom of Scotland and Kingdom of Ireland, and later in England's American colonies. It was a transitional style between Mannerist furniture and Queen Anne furniture. Sturdy, emphasizing both straight lines and curves, and featuring elaborate carving and woodturning, the style was one of the first to imitate Asian design elements such as japanning.
The furniture of the Louis XV period (1715–1774) is characterized by curved forms, lightness, comfort and asymmetry; it replaced the more formal, boxlike and massive furniture of the Louis XIV style. It employed marquetry, using inlays of exotic woods of different colors, as well as ivory and mother of pearl.
The furniture of Louis XIV was massive and lavishly covered with sculpture and ornament of gilded bronze in the earlier part of the personal rule of King Louis XIV of France (1660–1690). After about 1690, thanks in large part to the furniture designer André Charles Boulle, a more original and delicate style appeared, sometimes known as Boulle work. It was based on the use of marquetry, the inlay of pieces of ebony and other rare woods, a technique first used in Florence in the 15th century, which was refined and developed by Boulle and others working for the King. Furniture was inlaid with thin plaques of ebony, copper, mother of pearl, and exotic woods of different colors in elaborate designs.
Louis XVI furniture is characterized by elegance and neoclassicism, a return to ancient Greek and Roman models. Much of it was designed and made for Queen Marie Antoinette for the new apartments she created in the Palace of Versailles, Palace of Fontainebleau, the Tuileries Palace, and other royal residences. The finest craftsmen of the time, including Jean-Henri Riesener, Georges Jacob, Martin Carlin, and Jean-François Leleu, were engaged to design and make her furniture.
A china cabinet is a piece of furniture, usually with glass fronts and sides, used to hold and display porcelain ("china") or other ceramics. Typical china held in such cabinets often includes cups, plates, bowls, and glasses. Along with a table, chairs, and a sideboard, the china cabinet is one of the most typical elements of a traditional dining room in the Western world, though they may be placed in any room. Historically, they were used for especially highly decorated cabinet cups, that were too expensive and perhaps fragile for regular use, and made for collectors or to be given as presents.
Furniture and furnishings in early modern and late medieval Scotland were made locally or imported, mostly from Flanders and France. Although few pieces of furniture survive from the early part of the period, a rich vocabulary and typology is preserved in inventories and wills. This documentary evidence in the Scots language details the homes of the wealthy and aristocratic. Textiles and beds belonging to Mary, Queen of Scots are very well documented. Scottish wooden furniture was often carved with the initials of married couples.
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