Upholstery

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A New England easy chair with its upholstery sectioned New England easy chair.jpg
A New England easy chair with its upholstery sectioned

Upholstery is the work of providing furniture, especially seats, with padding, springs, webbing, and fabric or leather covers. The word also refers to the materials used to upholster something.

Contents

Upholstery comes from the Middle English word upholder, [1] which referred to an artisan who makes fabric furnishings. [2] The term is equally applicable to domestic, automobile, airplane and boat furniture, and can be applied to mattresses, particularly the upper layers, though these often differ significantly in design. A person who works with upholstery is called an upholsterer. An apprentice upholsterer is sometimes called an outsider or trimmer. Traditional upholstery uses materials like coil springs (post-1850), animal hair (horse, hog and cow), coir, straw and hay, hessians, linen scrims, wadding, etc., and is done by hand, building each layer up. In contrast, today's upholsterers employ synthetic materials like dacron and vinyl, serpentine springs, and so on.

History

Armchair, designed in 1869 by George Jacob Hunzinger and patented on March 30, 1869. Wood, original upholstery. Brooklyn Museum George Jacob Hunzinger, American, born Germany, 1835-1898. Armchair, designed 1869 patented March 30, 1869. Wood, original upholstery.jpg
Armchair, designed in 1869 by George Jacob Hunzinger and patented on March 30, 1869. Wood, original upholstery. Brooklyn Museum

Upholder is an archaic term used for "upholsterer", but it appears to have a connotation of repairing furniture rather than creating new upholstered pieces from scratch (cobbler vs. cordwainer). [3]

In 18th-century London, upholders frequently served as interior decorators responsible for all aspects of a room's decor. [4] These individuals were members of the Worshipful Company of Upholders, whose traditional role, prior to the 18th century, was to provide upholstery and textiles and the fittings for funerals. In the great London furniture-making partnerships of the 18th century, a cabinet-maker usually paired with an upholder: Vile and Cobb, Ince and Mayhew, Chippendale and Rannie or Haig.

In the US, Grand Rapids, Michigan, and Hickory, North Carolina, are centers for furniture manufacture along with Long Eaton, Nottinghamshire (England) and many of the best upholsterers can still be found there. Nottinghamshire is also home to Webs training Ltd, a furniture training company that specialises in training apprentices in the furniture manufacturing industry. These artisans continue to create or recreate many antique and modern pieces of furniture.[ citation needed ]

Furniture reupholstery continues to thrive in the UK with several businesses small and large providing these services.

Types

Traditional

Traditional upholstery traces its roots back to ancient civilizations, where the need for comfort and functionality led to the creation of padded seating surfaces. From ancient Egypt to ancient Rome, early upholstery was primarily concerned with providing cushioning and support to chairs, seats, and sofas. However, it was during the Renaissance period in Europe that upholstery began to flourish as an art form in its own right. Skilled craftsmen painstakingly handcrafted upholstery, using techniques passed down through generations. One of the defining characteristics of traditional upholstery is its reliance on manual craftsmanship. Upholsterers, or “upholsterists,” as they are sometimes called, possess a unique set of skills that enable them to transform raw materials into exquisite furniture pieces. [5]

Traditional upholstery is a craft which evolved over centuries for padding and covering chairs, seats and sofas, before the development of sewing machines, synthetic fabrics and plastic foam. Using a solid wood or webbed platform, it can involve the use of springs, lashings, stuffings of animal hair, grasses and coir, wools, hessians, scrims, bridle ties, stuffing ties, blind stitching, top stitching, flocks and wadding all built up by hand. [6]

An upholstered chair ready to be covered with the decorative outer textile. Upholsterychair.jpg
An upholstered chair ready to be covered with the decorative outer textile.

In the Middle Ages, domestic interiors were becoming more comfortable and upholstery was playing an important part in interior decoration. The decorations consisted mainly of what we would now consider as "soft furnishings", though there were simple platforms of webbing, canvas or leather for stools, chairs and elaborately decorated coverings that already demonstrated the rudimentary beginnings of upholstered furniture. By the beginning of the 17th century chair seats were being padded, but this form of upholstery was still fairly basic. All sorts of stuffings from sawdust, grass, feathers, to deer, goat or horsehair were used, although in England the Livery Company forbade the use of goat and deer hair and imposed fines for misdemeanors. The stuffing was heaped on a wooden platform and held in place with a decorative top fabric and nails. This produced a simple dome shape sloping towards the seat. Only towards the end of the 17th century did upholsterers start to develop the techniques that would distribute and shape the stuffing into more controlled shapes. Curled horsehair was being used more consistently for stuffing that was easier to hold in place with stitches in twine that were developed from saddlery techniques. Thus layers of stuffing could be distributed evenly and secured to stay in place. On a basic level, squab cushions were made more stable by using tufting ties. Stuffed edge rolls appeared on seat fronts providing support for cushions to be retained and later for deeper stuffing to be held in place under a fixed top cover. [7] :p12

What we now think of as "classic" upholstery shapes and techniques flourished in the 18th century. Frames of elegant line and proportion were sympathetically matched by expertly executed upholstery. By now, the upholsterers' technical knowledge meant that stuffing's could be controlled along upright and sloping lines, giving new levels of comfort and a simply stated elegance. Later in the century, the border was replaced by a single piece of linen or scrim taken over the stuffed seat and tacked to the frame. At the same time the locked blind stitch and top-stitching combination (pulling the side and top surfaces together and bringing the stuffing up to make a firm top edge) had evolved. [7] :p15

In the Victorian era, fashions of opulence and comfort gave rise to excesses of stuffing and padding. Mass production techniques made upholstered furniture available in large quantity to all sections of society. The availability of better-quality steel springs and the development of lashing techniques enabled upholstery to be built up on seats, backs and arms quite independently of the frame shape. Stuffings became even more complex, edges became elaborately shaped into rolls and scrolls and fabrics were folded into soft padded shapes by means of buttoning. [7] :p12

Modern

Modern furniture is more likely to be part or wholly made with cellular Polyurethane foam. This provides structure, resilience (recovery from loading) and most importantly light weight. This is then covered with an outer decorative textile. The synthetic polymer will age and lose performance within a "reasonable" time and be significantly lighter than the traditional fillings.[ citation needed ] (In this context foam is graded by its weight per cubic metre. 50 kg per cubic metre or 5% mass is typical). It is also relevant to include reference to the way furniture has evolved with regard to the recreational use of e.g. television watching and lower cost allows more regular change to take account of such issues as design, moving accommodation and deterioration due to the way it is used. Bed Mattresses may be considered in the same way with appropriate allowance for the different usage although the amount of time in use is probably higher. This brings significant implications for the end of life in time and the end value of the materials used in manufacture. It is also worth noting that all of the above also includes a high availability of air within the article leading to the ignition risk concerns and the introduction of the UK Furniture Fire Regulations (FFR).

While modern advancements have introduced new materials and techniques to the world of upholstery, the artistry and attention to detail that define traditional upholstery remain unparalleled. Although sewing machines and synthetic foams have expedited the manufacturing process, they have not replaced the skill and expertise of the upholsterer. Traditional upholstery continues to thrive as a niche craft, appreciated by discerning individuals who seek timeless beauty and unparalleled comfort in their furniture. [8]

Automobile

Leather-upholstered car seats Ferrari 360 Spider F1 - Flickr - The Car Spy (18).jpg
Leather-upholstered car seats

An automotive upholsterer, also known as a trimmer, coach trimmer or motor trimmer, shares many of the skills required in upholstery, in addition to being able to work with carpet.

The term coach trimmer derives from the days when car frames were produced by manufacturers and delivered to coach builders to add a car body and interior trimmings. Trimmers would produce soft furnishings, carpets, soft tops, and roof linings often to order to customer specifications. Later, trim shops were often an in-house part of the production line as the production process was broken down into smaller parts manageable by semi-skilled labor.

Many automotive trimmers now work either in automotive design or with aftermarket trim shops carrying out repairs, restorations or conversions for customers directly. A few high-quality motor car manufacturers still employ trimmers, for example, Aston Martin.

Commercial

This is the type of upholstery work offered to businesses. Examples would be restaurant seating consisting of booth seats, dining room chairs, bar stools, etc. Also churches, including but not limited to pews and chairs for the congregation, hospitals and clinics consisting of medical tables, chiropractic tables, dental chairs, etc. Also common to this type of upholstery would be lobby and waiting-area seating. Upholstered walls are found in some retail premises.

Marine

A motorboat cockpit. Riva junior.jpg
A motorboat cockpit.

Upholsterers may be called upon to repair or replace seating, cushions, cabin furnishings, headliners and even carpeting on boats.

Marine upholstery differs in that one has to consider dampness, sunlight and hard usage. There are many sources for marine grade vinyls such as Spradling and Morbern and they come in hundreds of colors and styles now.

Each style of marine grade vinyl is rated according to cold crack, rub counts, and mold resistance. Stainless-steel hardware such as staples, screws must be used to prevent rust and early break down of hardware and fasteners. The newest products for fastening vinyl in marine applications are Tenara thread and Monel staples. Any wood used must be of marine quality.

Usually a high-resiliency, high-density plastic foam with a thin film of plastic over it is used to keep out water that might get by the seams. Closed-cell foam is used on smaller cushions which can, sometimes, double as flotation devices.

The evolution of boat seating reflects a journey of creative adaptation and technological advancement. Initially, boaters made do with simple wooden benches or flat surfaces. The advent of more resilient materials like plastic and vinyl in the 20th century revolutionized seat design, offering greater durability and water resistance. This change enabled more diverse and ergonomic designs. In the 21st century, technological progress has ushered in high-end features such as padded cushions, UV-resistant fabrics, and adjustable settings, enhancing comfort. Some contemporary seats even boast luxury features like in-built heating or massaging systems, signifying the transformation of boat seating from a basic element to a sophisticated, comfortable experience.

See also

Materials

Skills

See also

Related Research Articles

<span class="mw-page-title-main">Cushion</span> Soft bag of ornamental material filled with soft material

A cushion is a soft bag of some ornamental material, usually stuffed with wool, hair, feathers, polyester staple fiber, non-woven material, cotton, or even paper torn into fragments. It may be used for sitting or kneeling upon, or to soften the hardness or angularity of a chair or couch. Decorative cushions often have a patterned cover material, and are used as decoration for furniture.

<span class="mw-page-title-main">Chair</span> Piece of furniture for sitting on

A chair is a type of seat, typically designed for one person and consisting of one or more legs, a flat or slightly angled seat and a back-rest. They may be made of wood, metal, or synthetic materials, and may be padded or upholstered in various colors and fabrics.

<span class="mw-page-title-main">Couch</span> Furniture for seating two or more people

A couch, also known as a sofa, settee, chesterfield, or davenport, is a cushioned item of furniture for seating multiple people. It is commonly found in the form of a bench with upholstered armrests and is often fitted with springs and tailored cushion and pillows. Although a couch is used primarily for seating, it may be used for sleeping. In homes, couches are normally put in the family room, living room, den, or lounge. They are sometimes also found in non-residential settings such as hotels, lobbies of commercial offices, waiting rooms, and bars. Couches can also vary in size, color, and design.

<span class="mw-page-title-main">Slipcover</span>

A slipcover is a fitted protective cover that may be slipped off and on a piece of upholstered furniture. Slipcovers are usually made of cloth. Slipcovers slip on and off, they come fresh, and may be removed for seasonal change, cleaning, moving, or storage.

<span class="mw-page-title-main">Webbing stretcher</span> Upholstery tool

A webbing stretcher is an upholstery tool used to stretch webbing.

<span class="mw-page-title-main">Upholstery hammer</span>

An upholstery hammer is a lightweight hammer used for securing upholstery fabric to furniture frames using tacks or small nails.

<span class="mw-page-title-main">Pillow</span> Cushion for the head

A pillow is a support of the body at rest for comfort, therapy, or decoration. Pillows are used in different variations by many species, including humans. Some types of pillows include throw pillows, body pillows, decorative pillows, and many more. Pillows that aid sleeping are a form of bedding that supports the head and neck. Other types of pillows are designed to support the body when lying down or sitting. There are also pillows that consider human body shape for increased comfort during sleep. Decorative pillows used on beds, couches or chairs are sometimes referred to as cushions.

<span class="mw-page-title-main">Mattress</span> Large soft sheet for laying on to sleep

A mattress is a large, usually rectangular pad for supporting a lying person. It is designed to be used as a bed, or on a bed frame as part of a bed. Mattresses may consist of a quilted or similarly fastened case, usually of heavy cloth, containing materials such as hair, straw, cotton, foam rubber, or a framework of metal springs. Mattresses may also be filled with air or water.

<span class="mw-page-title-main">Upholstery frame</span>

In furniture-making, the upholstery frame of a piece of furniture gives the structural support and determines the basic shape of the upholstered furniture. The frame may be a basic piece of wooden furniture prior to its being upholstered. Like a finished piece of furniture prior to the upholstering, the frame establishes the final quality, including its durability, and sets limits upon the final design, padding, cushioning, or cover.

Upholstery coil springs are an important part of most modern upholstery. The consumer usually never sees the construction features of an upholstered piece. The overall quality of the materials and construction dictate the comfort level of an upholstered piece and its ability to satisfy the consumer over the long term. A basic upholstered piece may be composed of a frame, springs, foam, cushioning, padding, and textiles.

<span class="mw-page-title-main">Zabuton</span> Japanese cushion

A zabuton is a cushion for sitting that is commonly used in traditional Japanese settings. Zabuton is a Japanese loanword that is also sometimes used in Western culture to describe the zaniku, a flat mat that a zafu is placed on.

<span class="mw-page-title-main">Ticking</span>

Ticking is a type of cloth, traditionally a tightly-woven cotton or linen textile. It is traditionally used to cover tick mattresses and bed pillows. The tight weave makes it more durable and hinders the stuffing from poking through the fabric. To make it even tighter, ticking could be waxed, soaped, or starched. Tick materials designed to hold foam may be knit, or more porous. In English-speaking countries ticking commonly has a striped design, in muted colors such as brown, grey or blue, and occasionally red or yellow, against a plain, neutral background.

<span class="mw-page-title-main">Morris chair</span> Early type of reclining chair

A Morris chair is an early type of reclining chair. The design was adapted by William Morris's firm, Morris & Company, from a prototype owned by Ephraim Colman in rural Sussex, England. It was first marketed around 1866.

Stuffed article is a legal or industry term describing items such as mattresses, beds, upholstery, pillows, plush toys, teddy bears etc., i.e.: fabric items stuffed with an inert, resilient material, such as cotton, kapok, or polyurethane foam. Such articles sold as new in the United States usually are required to have a tag called a law label describing the fabric and stuffing used.

<span class="mw-page-title-main">Club chair</span>

A club chair is a type of armchair, usually covered in leather. It was created and made in France. Before it came to be known under its current name, it first appeared as the fauteuil confortable, the 'comfortable armchair'. It was given this name to distinguish it from the fauteuil de style, which had straighter lines and was less enveloping.

Charles Randolph Pollock was an industrial designer who created sleek furniture, most notably an office chair held together by a single aluminum band that became known as a Pollock Chair. This iconic chair, introduced in 1963 and still in production, became a staple of executive offices in the United States in the 1960s and can be seen, appropriately, in the period television show, Mad Men, as well as institutions such as the Smithsonian Institution and the Metropolitan Museum of Art.

<span class="mw-page-title-main">Conservation and restoration of wooden furniture</span> Preservation of heritage collections

The conservation and restoration of wooden furniture is an activity dedicated to the preservation and protection of wooden furniture objects of historical and personal value. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer. Furniture conservation and restoration can be divided into two general areas: structure and finish. Structure generally relates to wood and can be divided into solid, joined, and veneered wood. The finish of furniture can be painted or transparent.

<span class="mw-page-title-main">Turkeywork</span> A knotted-and-cut pile furnishing textile produced in England

Turkeywork is a knotted-and-cut pile furnishing textile produced in England from the sixteenth to the mid-eighteenth centuries. Turkeywork was used for table carpets, cupboard carpets, cushions, and especially for matched sets of upholstery for chair seats and backs.

References

  1. Partridge, Eric (1977). Origins: A Short Etymological Dictionary of Modern English. Routledtge. p. 3633. ISBN   978-0-415-05077-7. New edition of 4th Revised edition (5 Sep 1977)
  2. "upholder and upholdere - Middle English Compendium". quod.lib.umich.edu. Retrieved 2021-01-05.
  3. OED
  4. James, Upholstery, p.13
  5. "News Entry - The Chaise Longue Co". www.thechaiselongueco.co.uk. Retrieved 2023-06-09.
  6. "Traditional Upholstery Techniques". Plumbs. Retrieved 30 November 2015.
  7. 1 2 3 Gates, Dorothy, Essential Guide to Upholstery, Merehurst Press, 2000
  8. "News Entry - The Chaise Longue Co". www.thechaiselongueco.co.uk. Retrieved 2023-06-09.

Bibliography