Kevlar (para-aramid) is a strong, heat-resistant synthetic fiber, related to other aramids such as Nomex and Technora. Developed by Stephanie Kwolek at DuPont in 1965, the high-strength material was first used commercially in the early 1970s as a replacement for steel in racing tires. It is typically spun into ropes or fabric sheets that can be used as such, or as an ingredient in composite material components.
An apron is a garment that is worn over other clothing to cover the front of the body. They may have several purposes, typically as a functional accessory that protects clothes and skin from stains and marks. However, other types of aprons may be worn as a decoration, for hygienic reasons, as part of a uniform, or as protection from certain dangers such as acid, allergens or excessive heat. It can also be used at work stations to hold extra tools and pieces or protect from dust and unwanted materials.
A shirt is a cloth garment for the upper body.
A pocket is a bag- or envelope-like receptacle either fastened to or inserted in an article of clothing to hold small items. Pockets are also attached to luggage, backpacks, and similar items. In older usage, a pocket was a separate small bag or pouch.
A petticoat or underskirt is an article of clothing, a type of undergarment worn under a skirt or a dress. Its precise meaning varies over centuries and between countries.
Fustian is a variety of heavy cloth woven from cotton, chiefly prepared for menswear. It is also used figuratively to refer to pompous, inflated or pretentious writing or speech, from at least the time of Shakespeare. This literary use is because the cloth type was often used as padding, hence, the purposeless words are fustian.
A doublet is a man's snug-fitting jacket that is shaped and fitted to a man's body. The garment was worn in Spain, and spread to the rest of Western Europe, from the late Middle Ages up to the 17th century. Until the end of the 15th century, the doublet was usually worn under another layer of clothing such as a gown, mantle, or houppelande when in public. In the 16th century it was covered by the jerkin. Women started wearing doublets in the 16th century, and these garments later evolved as the corset and stay. The doublet was thigh length, hip length or waist length and worn over the shirt or drawers.
A teddy, also called a camiknicker, is a garment which covers the torso and crotch in the one garment. It is a similar style of garment to a one-piece swimsuit or bodysuit, but is typically looser and sheerer. The garment is put on by stepping into the leg holes and pulling the garment up to cover the torso. It may cover the whole of the torso or partially and may also cover the arms. They may open at the crotch so that the wearer may use the bathroom without taking it completely off. As an undergarment, it combines the functions of a camisole and panties, and may be preferred to avoid a visible panty line. It is also found as lingerie.
Pantalettes are undergarments covering the legs worn by women, girls, and very young boys in the early- to mid-19th century.
A banyan is a garment worn by European men and women in the late 17th and 18th century, influenced by the Japanese kimono brought to Europe by the Dutch East India Company in the mid-17th century. "Banyan" is also commonly used in present-day Indian English and other countries in the Indian subcontinent to mean "vest" or "undershirt".
Fashion in the 1970s was about individuality. In the early 1970s, Vogue proclaimed "There are no rules in the fashion game now" due to overproduction flooding the market with cheap synthetic clothing. Common items included mini skirts, bell-bottoms popularized by hippies, vintage clothing from the 1950s and earlier, and the androgynous glam rock and disco styles that introduced platform shoes, bright colors, glitter, and satin.
A fichu is a large, square kerchief worn by women to fill in the low neckline of a bodice.
Shoulder pads are a type of fabric-covered padding used in men's and women's clothing to give the wearer the illusion of having broader and less sloping shoulders. In the beginning, shoulder pads were shaped as a semicircle or small triangle and were stuffed with wool, cotton, or sawdust. They were positioned at the top of the sleeve to extend the shoulder line. A good example of this is their use in "leg o' mutton" sleeves or the smaller puffed sleeves which are based on styles from the 1890s. In men's styles, shoulder pads are often used in suits, jackets, and overcoats, usually sewn at the top of the shoulder and fastened between the lining and the outer fabric layer. In women's clothing, their inclusion depends on the fashion taste of the day. Although from a non-fashion point of view they are generally for people with narrow or sloping shoulders, there are also quite a few cases in which shoulder pads will be necessary for a suit or blazer in order to compensate for certain fabrics' natural properties, most notably suede blazers, due to the weight of the material. There are also periods when pads intended to exaggerate the width of the shoulders are favored. As such, they were popular additions to clothing during the 1930s and 1940s; the 1980s ; and the late 2000s to early 2010s.
Protective equipment in gridiron football consists of equipment worn by football players for the protection of the body during the course of a football game. Basic equipment worn by most football players include helmet, shoulder pads, gloves, shoes, and thigh and knee pads, a mouthguard, and a jockstrap or compression shorts with or without a protective cup. Neck rolls, elbow pads, hip pads, tailbone pads, rib pads, and other equipment may be worn in addition to the aforementioned basics. Football protective equipment is made of synthetic materials: foam rubbers, elastics, and durable, shock-resistant, molded plastic. Football protective equipment has remained consistent in use for decades with some slight modifications made over the years in design and materials. The assignment and maintenance of football gear belongs to the team equipment manager.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive and both the men and women of lower social classes continued also divided social classes by regulating the colors and styles these various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
Traditional clothing is one of the factors that has differentiated this nation from neighboring countries, dating back as far as the Illyrian era.
Cecil Willett Cunnington was an English medical doctor and collector, writer and historian on costume and fashion. When he died The Times called him the Leading Authority on English Costume. He and his wife Phillis Emily Cunnington (1887–1974) worked together not only in their medical practice but also on their collection and writing. In 1947 the Cunningtons' extensive costume collection was acquired by the Manchester City Art Gallery and the Gallery of Costume at Platt Hall was opened.
A pelerine is a small cape-like garment that covers the shoulders. Historically, the pelerine possibly originated in a type of 15th century armor padding that protected the neck and shoulders by itself, if the padded fabric was reinforced internally with metal, and/or acted as padding between armor and the skin in the neck-to-shoulder region. The pelerine often had fasteners so that pauldrons could be attached.
Phillis Emily Cunnington was an English medical doctor and collector, writer and historian on costume and fashion. She and her husband Cecil Willett Cunnington (1878–1961) worked together not only in their medical practice but also on their collection and writing. In 1947, the Cunningtons' extensive costume collection was acquired by the Manchester City Art Gallery and the Gallery of Costume at Platt Hall was opened.
