Spanish Colonial architecture

Last updated
Calle Crisologo of Vigan, Ilocos Sur, Philippines Calle Crisologo, Vigan, Philippines - One of The New 7 Wonder Cities of The World.jpg
Calle Crisologo of Vigan, Ilocos Sur, Philippines
The colonial Cathedral of Mexico City. Mexico City Metropolitan Cathedral - panoramio.jpg
The colonial Cathedral of Mexico City.
Spanish Baroque architecture of Miagao Church, the Philippines. Miagao Church right side corner (Iloilo-Antique Road, Miagao, Iloilo; 10-21-2022).jpg
Spanish Baroque architecture of Miagao Church, the Philippines.
Spanish styles in Old San Juan, Puerto Rico. San Juan, calles 9.jpg
Spanish styles in Old San Juan, Puerto Rico.
Historic center in Cuenca, Ecuador. CUENCA (32941009965).jpg
Historic center in Cuenca, Ecuador.
Preserved frescoes painted in 1802 depicting hell, by Tadeo Escalante, inside the Church of San Juan Bautista in Huaro (Peru) Fresque eglise huaro.JPG
Preserved frescoes painted in 1802 depicting hell, by Tadeo Escalante, inside the Church of San Juan Bautista in Huaro (Peru)

Spanish colonial architecture represents Spanish colonial influence on New World and East Indies' cities and towns, and it is still seen in the architecture as well as in the city planning aspects of conserved present-day cities. These two visible aspects of the city are connected and complementary. The 16th-century Laws of the Indies included provisions for the layout of new colonial settlements in the Americas and elsewhere. [4]

Contents

To achieve the desired effect of inspiring awe among the Indigenous peoples of the Americas as well as creating a legible and militarily manageable landscape, the early colonizers used and placed the new architecture within planned townscapes and mission compounds.

The new churches and mission stations, for example, aimed for maximum effect in terms of their imposition and domination of the surrounding buildings or countryside. In order for that to be achievable, they had to be strategically located – at the center of a town square (plaza) or at a higher point in the landscape. These elements are common and can also be found in almost every city and town in Spain.

The Spanish colonial style of architecture dominated in the early Spanish colonies of North and South America, and were also somewhat visible in its other colonies. It is sometimes marked by the contrast between the simple, solid construction demanded by the new environment and the Baroque ornamentation exported from Spain.

Mexico, as the center of New Spain—and the richest province of Spain's colonial empire—has some of the most renowned buildings built in this style. With twenty-nine sites, Mexico has more sites on the UNESCO World Heritage list than any other country in the Americas, many of them boasting some of the richest Spanish colonial architecture. Some of the most famous cities in Mexico built in the Colonial style are Puebla, Zacatecas, Querétaro, Guanajuato, and Morelia.

The historic center of Mexico City is a mixture of architectural styles from the 16th century to the present. The Metropolitan Cathedral was built from 1563 to 1813 using a variety of styles including the Renaissance, Baroque, and Neoclassical. The rich interior is mostly Baroque. Other examples are the Palacio Nacional, the restored 18th-century Palacio de Iturbide, the 16th-century Casa de los Azulejos – clad with 18th-century blue-and-white talavera tiles, and many more churches, cathedrals, museums, and palaces of the elite.

Between the late 17th century and 1750, one of Mexico's most popular architectural styles was Mexican Churrigueresque. These buildings were built in an ultra-Baroque, fantastically extravagant and visually frenetic style.

Antigua Guatemala in Guatemala is also known for its well-preserved Spanish colonial style architecture. The city of Antigua is famous for its well-preserved Spanish Mudéjar-influenced Baroque architecture as well as a number of spectacular ruins of colonial churches dating from the 16th century. It has been designated a UNESCO World Heritage Site.

The Ciudad Colonial (Colonial City) of Santo Domingo, Dominican Republic, founded in 1498, is the oldest European city in the New World and a prime example of this architectural style. The port of Cartagena, Colombia, founded in 1533 and Santa Ana de Coro, Venezuela, founded in 1527, are two more UNESCO World Heritage Sites preserving some of the best Spanish colonial architecture in the Caribbean." San Juan was founded by the Spaniards in 1521, where Spanish colonial architecture can be found like the historic Hotel El Convento. [5] Also, Old San Juan with its walled city and buildings (ranging from 1521 to the early 20th century) are very good examples, and in excellent condition.

St. Augustine, the first continuously European-occupied city in North America, was established in 1565. Beginning in 1598, quarried coquina from Anastasia Island contributed to a new colonial style of architecture in this city. Coquina is a limestone conglomerate, containing small shells of mollusks. It was used in the construction of residential homes, the City Gate, the Cathedral Basilica, the Castillo de San Marcos, and Fort Matanzas. [6]

According to UNESCO, Quito, Ecuador has the best-preserved, and least-altered historic centre (320 hectares) in Latin America, despite several earthquakes. The historic district of this city is the best preserved area of Spanish colonial architecture in the world.

History of the city grid in the New World

The idea of laying out a city in a grid pattern is not unique to the Spanish. In fact, it never started out with the Spanish colonizers but they implemented it in hundreds of cities in the Americas and Asia. It has been traced back to some ancient civilizations especially the ancient cities of the Aztec and Maya, and also Ancient Greeks. [7] The idea was spread by the Roman conquest of European empires and its ideas were adopted by other civilizations. It was popularized at different paces and in different levels throughout the Renaissance—the French took to building grid-like villages (ville-neuves) and the English under King Edward I did as well. Some[ who? ] argue, however, that Spain was not part of this movement to order towns as grids. Despite its clear military advantage, and despite the knowledge of city planning, the New World settlements of the Spanish actually grew amorphously for some three to four decades before they turned to grids and city plans as ways of organizing space. In contrast to the orders given much later on how the city should be laid out, Ferdinand II did not give specific instructions for how to build the new settlements in the Caribbeans. To Nicolas De Ovando, he said the following in 1501:

As it is necessary in the island of Española to make settlements and from here it is not possible to give precise instructions, investigate the possible sites, and in conformity with the quality of the land and sites as well as with the present population outside present settlements establish settlements in the numbers and in the places that seem proper to you. [8]

City planning: a royal ordinance

Map of the walled city of Intramuros in Manila with elements of colonial planning called Laws of the Indies present Manila 1851.jpg
Map of the walled city of Intramuros in Manila with elements of colonial planning called Laws of the Indies present

In 1513 the monarchs wrote out a set of guidelines that ordained the conduct of Spaniards in the New World as well as that of the Indians that they found there. With regards to city planning, these ordinances had details on the preferred location of a new town and its location relative to the sea, mountains and rivers. It also detailed the shape and measurements of the central plaza taking into account the spacing for purposes of trade as well as the spacing for purposes of festivities or even military operations—occasions that involved horse-riding. In addition to specifying the location of the church, the orientation of roads that run into the main plaza as well as the width of the street with respect to climatic conditions, the guidelines also specified the order in which the city must be built.

The building lots and the structures erected thereon are to be so situated that in the living rooms one can enjoy air from the south and from the north, which are the best. All town homes are to be so planned that they can serve as a defense or fortress against those who might attempt to create disturbances or occupy the town. Each house is to be so constructed that horses and household animals can be kept therein, the courtyards and stockyards being as large as possible to insure health and cleanliness. [9]

La Traza

The traza or layout was the pattern on which Spanish American cities were built beginning in the colonial era. At the heart of Spanish colonial cities was a central plaza, with the main church, town council (cabildo) building, residences of the main civil and religious officials, and the residences of the most important residents (vecinos) of the town built there. The principal businesses were also located around this central plan. Radiated from the main square were streets in at right angles, a grid that could extend as the settlement grew, impeded only by geography. [10] About three decades into colonization of the New World, the conquistadores started to build and plan cities according to laws prescribed by the monarchs in the Laws of the Indies. In addition to describing other aspects of the interactions between the Spanish conquerors and the natives they encountered, these laws ordained the specific ways new settlements should be laid out. In addition to specifying the layout, the laws also required a pattern in settlement based on social standing, in which the people of higher social status lived closer to the center of the town, the center of political, ecclesiastical, and economic power. The 1790 census for Mexico City indicates that in the traza that there was indeed a higher concentration of Spaniards (españoles), but that there was no absolute racial or class segregation in the city, particularly since elite households usually had non-white servants. [11]

The grid was not limited to Spanish settlements; however, "Reducciones" Indian Reductions and "Congregaciones" were created in a similar grid-like manner for Indians in order to organize these populations in more manageable units for purposes of taxation, military efficiency and in order to teach Indians the way of the Spanish.

Modern cities in Latin America have grown, and consequently erased or jumbled the previous standard spatial and social organization of the cityscape. Elites do not always live closer to the city center, and the point-space occupied by individuals is not necessarily determined by their social status. The central plaza, the wide streets and a grid pattern are still common elements in Mexico City and Puebla de Los Angeles. It is not uncommon in modern-founded towns, especially those in remote areas of Latin America, to have retained the "checkerboard layout" even to present day.

Mexico City is a good example of how these ordinances were followed in laying out a city. Previously the capital of the Aztec empire, Tenochtitlan was captured and placed under Spanish rule in 1521. After news of the conquest, the king sent instructions very similar to the aforementioned Ordinance of 1513. In some parts the instructions are almost verbatim to his previous ones. The instructions were meant to direct the conqueror—Hernán Cortés—on how to lay out the city and how to allocate land to the Spaniards. It is pointed out, however, that though the king might have sent many such orders and instructions to other conquistadores, Cortés was perhaps the first one to implement them. He insisted on carrying out the building of a new city where the Indian Empire had stood, and he incorporated features of the old plaza into the new grid. Much was accomplished since he was accompanied by men familiar with the grid system and the royal instructions. The point here is that Cortés accomplished the planning and was on his way to finish the building of Mexico City before the royal ordinances addressed specifically to him even arrived. Men like Cortés and Alonso García Bravo (who is also called "the good geometer"),[ citation needed ] played a crucial role in creating a city scape of New World cities as we know them.

Church and mission architecture

Immaculate Conception Cathedral in Comayagua, Honduras CATEDRAL DE COMAYAGUA circa 2008.JPG
Immaculate Conception Cathedral in Comayagua, Honduras

In places of dense indigenous settlement, such as in Central Mexico, the mendicant orders (Franciscans, Dominicans, and Augustinians) built churches on the sites of prehispanic temples. In the early period of the "spiritual conquest", there were so many indigenous neophytes who attended Mass that a large open-air atrium was built, walling off a space within the church complex to create an enlarged sacred space without great expense of building. [12] Indigenous labor was used in construction; since a communities sacred place was a symbol and embodiment of that community, laboring to create these structures was not necessarily an unwanted burden. Since Mexico experienced many sixteenth-century epidemics that drastically diminished the size of the central Mexican indigenous population, there were often elaborate churches with few Indians still living to attend them, such as the Augustinian church at Acolman, Mexico. The different mendicant orders had distinct styles of building. Franciscans built large churches to accommodate the new neophytes, Dominican churches were highly ornamented, while the Augustinian churches were characterized by their critics as opulent and sumptuous. [13]

Mission churches were often of simple design. As mendicants were pushed out of central Mexico and as Jesuits also evangelized Indians in northern Mexico, they built mission churches as part of a larger complex, with living quarters and workshops for resident Indians. Unlike central Mexico, where churches were built in existing indigenous towns, on the frontier where indigenous did not live in such settlements, the mission complex was created. [14] In central america, churches were built once a city was founded where an indigenous town already existed, as in the case of the city of Comayagua in Honduras, which is located in a valley that was densely populated by natives, similar to the case of the Valley of Mexico. The first churches to be built by the Franciscans to evangelize the populations were the Church of San Francisco and the Iglesia de la Merced, and later the cathedral. In the rest of America a similar pattern was followed by the autorities.

Spanish East Indies

Paoay Church in Ilocos Norte, Philippines Paoay Church front left (Marcos Avenue, Paoay, Ilocos Norte; 11-16-2022).jpg
Paoay Church in Ilocos Norte, Philippines
Syquia Mansion in Vigan Syquia-mansion-museum.jpg
Syquia Mansion in Vigan

The arrival of the Spaniards in 1571 brought in European colonial architecture to the Philippines. Specifically suited for the hot tropics of the new Far East territory, European architecture was transposed via Acapulco, Mexico into a uniquely Filipino style. The nipa hut or bahay kubo of the Indigenous Filipinos gave way to the bahay na bato (stone house) and other Filipino houses collectively called Bahay Filipino (Filipino houses) and became the typical houses of Filipinos in the past. The Bahay Filipino houses followed the nipa hut's arrangements, such as open ventilation and elevated apartments. The most obvious difference between Filipino houses would be the materials that were used to build them. The bahay na bato has Spanish and Chinese influences. Its most common appearance is like that of a stilt nipa hut standing on Spanish-style stone blocks or bricks as foundation instead of just wood or bamboo stilts. It would usually have solid stone foundations or brick lower walls, and overhanging, wooden upper story/stories with balustrades, ventanillas and capiz shell sliding windows, and a Chinese tiled roof or sometimes a nipa roof which are today being replaced by galvanized iron roofs. Today these houses are more commonly called ancestral houses, due to most ancestral houses in the Philippines being bahay na bato. [15]

Cathedral of Vigan, Philippines Vigancathedral.jpg
Cathedral of Vigan, Philippines

Earthquake Baroque is a style of Baroque architecture found in the Philippines, which suffered destructive earthquakes during the 17th century and 18th century, where large public buildings, such as churches, were rebuilt in a Baroque style. [16] In the Philippines, destruction of earlier churches from frequent earthquakes have made the church proportion lower and wider; side walls were made thicker and heavily buttressed for stability during shaking. The upper structures were made with lighter materials. [17]

Bell towers are usually lower and stouter compared to towers in less seismically active regions of the world. [18] Towers have thicker girth in the lower levels, progressively narrowing to the topmost level. [17] In some churches of the Philippines, aside from functioning as watchtowers against pirates, some bell towers are detached from the main church building to avoid damage in case of a falling bell tower due to an earthquake.

See also

Related Research Articles

<span class="mw-page-title-main">Baroque architecture</span> 16th–18th-century European architectural style

Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Empire and the Spanish and Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.

The culture of the Philippines is characterized by cultural and ethnic diversity. Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, their cultures were all shaped by the geography and history of the region, and by centuries of interaction with neighboring cultures, and colonial powers. In more recent times, Filipino culture has also been influenced through its participation in the global community.

<span class="mw-page-title-main">Spanish Colonial Revival architecture</span> Architectural style

The Spanish Colonial Revival style is an architectural stylistic movement arising in the early 20th century based on the Spanish colonial architecture of the Spanish colonization of the Americas.

<span class="mw-page-title-main">Intramuros</span> Historic walled city and district of Manila, Philippines

Intramuros, is the 0.67-square-kilometer (0.26 sq mi) historic walled area within the city of Manila, the capital of the Philippines. It is administered by the Intramuros Administration with the help of the city government of Manila.

<span class="mw-page-title-main">Colonial architecture</span> Architectural style in former imperial colonies

Colonial architecture is a hybrid architectural style that arose as colonists combined architectural styles from their country of origin with design characteristics of the settled country. Colonists frequently built houses and buildings in a style that was familiar to them but with local characteristics more suited to their new climate.

<span class="mw-page-title-main">Church architecture</span> Branch of architecture focused on church buildings

Church architecture refers to the architecture of buildings of churches, convents, seminaries etc. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the birth of Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along simpler lines, showing great regional diversity and often demonstrating local vernacular technology and decoration.

<span class="mw-page-title-main">Sangley</span> Archaic terms used in the Philippines

Sangley and Mestizo de Sangley are archaic terms used in the Philippines during the Spanish colonial era to describe respectively a person of pure overseas Chinese ancestry and a person of mixed Chinese and native Filipino ancestry. The Sangley Chinese were ancestors to both modern Chinese Filipinos and modern Filipino mestizo descendants of the Mestizos de Sangley., who were mestizos under the Spanish colonial empire, classified together with other Filipino mestizos.

<span class="mw-page-title-main">Neoclassical architecture</span> 18th–19th-century European classical revivalist architectural style

Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy, France and Germany. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes.

<span class="mw-page-title-main">Churrigueresque</span> Baroque architecture style in Spain

Churrigueresque, also but less commonly "Ultra Baroque", refers to a Spanish Baroque style of elaborate sculptural architectural ornament which emerged as a manner of stucco decoration in Spain in the late 17th century and was used until about 1750, marked by extreme, expressive and florid decorative detailing, normally found above the entrance on the main facade of a building.

<span class="mw-page-title-main">Bahay kubo</span> Type of Filipino stilt house

The bahay kubo, kubo, or payag is a type of stilt house indigenous to the Philippines. It often serves as an icon of Philippine culture. The house is exclusive to the lowland population of unified Spanish conquered territories. Its design heavily influenced the colonial-era bahay na bato architecture.

<span class="mw-page-title-main">Spanish Baroque architecture</span> Architecture of the Baroque era in Spain and its former colonies

Spanish Baroque is a strand of Baroque architecture that evolved in Spain, its provinces, and former colonies.

<span class="mw-page-title-main">Santa Cruz, Manila</span> District of Manila, Metro Manila, Philippines

Santa Cruz is a district in the northern part of the City of Manila, Philippines, located on the right bank of the Pasig River near its mouth, bordered by the districts of Tondo, Binondo, Quiapo, and Sampaloc, as well as the areas of Grace Park and Barrio San Jose in Caloocan and the district of La Loma in Quezon City. The district belongs to the 3rd congressional district of Manila.

<span class="mw-page-title-main">Architecture of the Philippines</span> Architectural styles and elements found in the Philippine archipelago

The architecture of the Philippines reflects the historical and cultural traditions in the country. Most prominent historic structures in the archipelago are influenced by Austronesian, American architectures.

Colombia's architectural heritage includes Spanish colonial architecture, such as Catholic churches. Its modern architecture represents various International Style architecture. In the postmodern architecture era, a wave of innovate and striking buildings have been designed.

<span class="mw-page-title-main">Architecture of Mexico</span> Overview of the architecture in Mexico

The architecture of Mexico reflects the influences of various cultures, regions, and periods that have shaped the country's history and identity. In the pre-Columbian era, distinct styles emerged that reflected the distinct cultures of the indigenous peoples of Mexico, particularly in the architecture of Mesoamerica. During the colonial era, the region was transformed by successive styles from Europe. With the foremost style during this era being Mexican Baroque.

<span class="mw-page-title-main">Colonial architecture of Indonesia</span> Dutch East Indies architectural style

The colonial architecture of Indonesia refers to the buildings that were created across Indonesia during the Dutch colonial period, during that time, this region was known as the Dutch East Indies. These types of colonial era structures are more prevalent in Java and Sumatra, as those islands were considered more economically significant during the Dutch imperial period. As a result of this, there is a large number of well preserved colonial era buildings that are still densely concentrated within Indonesian cities in Java and Sumatra to this day.

<span class="mw-page-title-main">Andean Baroque</span>

Andean Baroque is an artistic movement that appeared in colonial Peru between 1680 and 1780. It is located geographically between Arequipa and Lake Titicaca in what is now Peru, where rules over the highlands and spreads over the entire altiplano. From the Portuguese word barrueco meaning impure, mottled, flamboyant, daring, the most striking example of Andean Baroque art is in religious architecture, where criollo and indigenous craftsmen together gave it a unique character, as happened in the New Spanish Baroque.

<span class="mw-page-title-main">Betis Church</span> Roman Catholic church in Pampanga, Philippines

The Parish Church of Saint James the Apostle of Betis, commonly known as Betis Church, is a Baroque-style church located in the Betis District of Guagua in Pampanga, Philippines under the Roman Catholic Archdiocese of San Fernando. The church was established in 1607 and dedicated to Saint James the Greater, the Apostle. It was declared a National Cultural Treasure by the National Museum and the National Commission for Culture and the Arts.

<i>Bahay na bato</i> Style of Filipino house architecture

Bahay na bato, also known in Cebuano as balay na bato or balay nga bato and in Spanish as casa Filipino, is a type of building originating during the Spanish colonial period of the Philippines. It is an updated version of the traditional bahay kubo of the Christianized lowlanders, known for its use of masonry in its construction, using stone and brick materials and later synthetic concrete, rather than just full organic materials of the former style. Its design has evolved throughout the ages, but still maintains the bahay kubo's architectural principle, which is adapted to the tropical climate, stormy season, and earthquake-prone environment of the whole archipelago of the Philippines, and fuses it with the influence of Spanish colonizers and Chinese traders. It is one of the many architecture throughout the Spanish Empire known as Arquitectura mestiza. The style is a hybrid of Austronesian, Spanish, and Chinese; and later, with early 20th-century American architecture, supporting the fact that the Philippines is a result of these cultures mixing. Its most common appearance features an elevated, overhanging wooden upper story standing on wooden posts in a rectangular arrangement as a foundation. The posts are placed behind Spanish-style solid stone blocks or bricks, giving the impression of a first floor. Still, the ground level contains storage rooms, cellars, shops, or other business-related functions. The second floor is the elevated residential apartment, as it is with the bahay kubo. The roof materials are either tiled or thatched with nipa, sago palm, or cogon, with later 19th-century designs featuring galvanization. Roof styles are traditionally high pitched and are include the gable roof, hip roof, East Asian hip roof, and the simpler East Asian hip-and-gable roof. Horses for carriages are housed in stables called caballerizas.

<span class="mw-page-title-main">Architecture of Bolivia</span>

The architecture of Bolivia is closely related to its history, culture and religion. Bolivian architecture has been constantly changing and progressing over time. Subject to terrain and high altitudes, most of Bolivia's Pre-Columbian buildings were built for housing, mainly influenced by Bolivian indigenous culture. The arrival of Spanish settlers brought many European-style buildings, and the Spaniards began planning to build big cities. After Independence, the architectural style became Neoclassical and many churches and government buildings were built. In modern Bolivia, like many countries, skyscrapers and post-modern buildings dominate, and of course there are special styles of architecture to attract tourists and build.

References

  1. Elena Phipps; Joanna Hecht; Cristina Esteras Martín (2004). The Colonial Andes: Tapestries and Silverwork, 1530–1830. New York: Metropolitan Museum of Art. p. 106. ISBN   030010491X.
  2. Santiago Sebastián López (1990). El bárroco iberoamericano. Mensaje iconográfico. Madrid: Ediciones Encuentro. p. 241. ISBN   9788474902495.
  3. Ananda Cohen Suarez (May 2016). "Painting Beyond the Frame: Religious Murals of Colonial Peru". MAVCOR of the Yale University.
  4. "Art of Colonial Latin America | Art | Phaidon Store". Archived from the original on 2013-02-08.
  5. "Hotel El Convento: Making Over a Nunnery". Architectural Digest. Retrieved 23 March 2014.
  6. "The Conservation and Preservation of Coquina: A Symposium on Historic Building Material in the Coastal Southeast". December 2000. Retrieved 2019-06-11.
  7. Stanislawski, Dan (Jan 1946). "The Origin and Spread of the Grid-Pattern Town". Geographical Review . 36 (1): 105–120. doi:10.2307/211076. JSTOR   211076. Author page (Dutch) at Dan Stanislawski
  8. Stanislawski, Dan (Jan 1947). "Early Spanish Town Planning in the New World". Geographical Review . 37 (1): 94–105. doi:10.2307/211364. JSTOR   211364. Author page (Dutch) at Dan Stanislawski
  9. Nuttall, Zelia (May 1922). "Royal Ordinances Concerning the Laying Out of New Towns". The Hispanic American Historical Review. 5 (2): 249–254. doi:10.2307/2506027. JSTOR   2506027.
  10. James Lockhart and Stuart Schwartz, Early Latin America, New York: Cambridge University Press, 66–68.
  11. Dennis Nodin Valdés, "The Decline of the Sociedad de Castas in Mexico City." PhD Dissertation, University of Michigan 1978.
  12. John McAndrew, The Open Air Churches of Sixteenth-Century Mexico: Atrios, Posas, Open Chapels and other Studies, Cambridge: Harvard University Press 1965.
  13. Ida Altman, Sarah Cline, and Javier Pescador, The Early History of Greater Mexico. Pearson, 2003, p. 119.
  14. Altman et al., Early History of Greater Mexico, pp. 130–31.
  15. The Spanish Colonial Tradition, Philippine Architecture, pp. 5-13.
  16. "Antigua’s Environs – Antigua, Guatemala". BootsnAll Indie Travel Guide. Retrieved on 2011-07-06.
  17. 1 2 "The City of God: Churches, Convents and Monasteries". Discovering Philippines. Retrieved on 2011-07-06.
  18. Finch, Ric. "Antigue Guatemala-- Monumental City of the Americas". Rutahsa Adventures. Retrieved on 2011-07-06.