Mendicant monasteries in Mexico were among the architectural solutions devised by the friars of the mendicant orders in the 16th century to aid in the evangelization of New Spain. These buildings were designed to serve the religious needs of the vast number of Amerindian indigenous people being evangelized. Over time, due to the policy of reducción (settling indigenous people into centralized communities), these monasteries evolved into social centers for the pueblos de indios. They became hubs for transmitting Western, particularly Castilian, cultural practices, as well as various arts and crafts, healthcare, and even funeral services.
The buildings were based on architectural styles that were already out of use at the time, such as Romanesque and Gothic, and were modeled on the European monastic tradition—particularly the Cluny Abbey. However, they incorporated innovative elements, such as the atrial cross and the capilla abierta (open chapel), and were characterized by various decorative styles as well as a fortress-like appearance. Among these structures, found throughout the central regions of modern Mexico, emerged a distinctive art form known as tequitqui or Indochristian art. This style was created by indigenous artisans who worked on the buildings, blending European patterns under the guidance of the friars with their own artistic sensibilities.
The mendicant friars expressed their vision through the architecture, sculpture, and paintings of their buildings, drawing inspiration from millennialism, Joachinism, and the Counter-Reformation. These influences, though distant in time and space, reflected their aspiration to reestablish and renew the Church in the New World. [1] Entrusted with the task of evangelizing the recently conquered Mesoamerican indigenous peoples, the friars designed monasteries as comprehensive ensembles of didactic and symbolic elements. These structures featured iconographic programs and diverse components that encapsulated the beliefs and experiences the mendicants had accumulated from similar missions in Europe, Asia, and Africa.
The monastic buildings incorporated a deliberately medieval and archaic appearance, with an intentional nod to ancient styles. The builders drew inspiration from architectural influences that had been used centuries earlier in Europe but adapted them with the construction techniques of the 16th century.
The mendicant buildings of the 16th century share a similar layout in their basic elements with European monasteries, as well as comparable decorative and structural characteristics. These structures were constructed under the direct supervision of friars using manuals from the Old World. The builders maintained symmetrical designs and proportions that echoed, in an intentionally archaic manner, the layout of the 4th-century Benedictine monastery. These buildings featured the same war-inspired stereotomy, with thick walls, prominent buttresses, significant height emphasizing an ascensional direction, and merlons. These elements mirrored European monasteries, which often served as military strongholds against Moors or Saracens.
The construction and arrangement of the buildings were designed with the intention of returning to the ideals of the primitive Church, incorporating solutions and spaces specifically created to uphold the Regula of St. Benedict of Nursia.
The atrium was a unique architectural solution in New Spain, developed by the friars to serve as a large open square for the celebration of Mass. Over time, as described by priest Diego de Valadés in his Rhetorica Christiana, the atrium evolved into the primary social space for the indigenous population. It became a central hub for the transmission of Western civilization, where European arts and crafts, the Spanish language, and religious and civil precepts were taught.
The primary function of the atrium was to host various religious celebrations in addition to Mass, including processions and theatrical performances, such as edifying theater, which the indigenous people enjoyed as a didactic form of teaching. The indigenous population readily accepted outdoor ceremonies for Mass, as conducting rituals in open spaces was a common practice in Mesoamerican culture.
At the center of the atrium, serving as a symbolic and geographical marker of the town's foundation, a stone cross was erected on a base. This cross featured elements representing the attributes of the Passion of Jesus.
The atrial space was enclosed by an atrial wall, which also served as a reminder of the coatepantlis found in the ceremonial centers of Mesoamerican peoples. The wall was typically adorned with almenados (battlements) and finely crafted decorative finishes. The only exception was the atrium of Molango, Puebla, where a spadaña (bell wall) was placed in the atrial fence, separate from the temple.
One of the most common practices was the mass processions. The route for these processions was defined along the perimeter of the atrial wall, marked by shrubs, small walls, or trees.
At the four corners of the atrium were built four chapels—an original feature of New Spain—vaulted and decorated, which served as places to place or rest the Blessed Sacrament during processions after Mass. These chapels were assigned to the care of each of the town's neighborhoods and were also known as capillas de comunidad or capillas de indios. Examples include the chapels in Huejotzingo and Calpan, Puebla.
In many towns of present-day Mexico, 16th-century churches exist with identifiable architectural characteristics, often rising above the surrounding population due to their height. Many of these churches were built on Mesoamerican teocallis (sacred pyramids), as seen in Texcoco, Tlaxcala, Huejotzingo, Cholula, Tula, and Huexotla. This was done to "disintegrate the old way of life and sustain a new cult over the old one." [2] This was done to "disintegrate the old way of life and sustain a new cult over the old one." It is noteworthy that many monasteries were erected in towns that now have few inhabitants but were once important population centers. This effect was achieved through the ascensional direction of the walls, their thickness, and the use of flying buttresses, buttresses, and a floor plan based on a nave.
Although many monasteries were modified during colonial times with the addition of bell towers, side naves, or a Latin cross floor plan in later centuries, the majority were originally built with a single nave and a rectangular shape, slightly trapezoidal at the apse. They featured a roof made of palm or artesonado (a decorative wooden ceiling), which was later replaced by arched stone barrel vaults, ornamented with ribs attached in a Gothic style—these ribs had no structural function and were intentionally archaic.
Dominicans:
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The historiography on the subject—art historian Manuel Toussaint being the first to use the term—refers to these buildings as "convents-fortresses" due to their defensive features and military-inspired elements. The leading scholar on these buildings, George Kubler, noted in his Mexican Architecture of the Sixteenth Century that the military function of these structures was largely ineffective in the event of a possible indigenous attack, as demonstrated by the attack in Xilitla, San Luis Potosí, in 1548. Historian Arturo Schroeder Cordero [3] emphasized their significance in contrast to other architectural solutions, such as skyscrapers.
Tlaxcala, officially Tlaxcala de Xicohténcatl, is the capital and the largest city of the Mexican state of Tlaxcala and seat of the municipality of the same name. The city did not exist during the pre-Hispanic period but was laid out by the Spanish as a center of evangelization and governance after the Spanish conquest of the Aztec Empire. The city was designated as a diocese but eventually lost that status to Puebla as its population declined. The city still has many of its old colonial structures, including the former Franciscan monastery, and newer civic structures like the Xicohtencatl Theatre.
Cholula, is a city and district located in the metropolitan area of Puebla, Mexico. Cholula is best known for its Great Pyramid, with the Iglesia de Nuestra Señora de los Remedios sanctuary on top, as well as its numerous churches.
Tlayacapan is the name of a town and a municipality located in the northeast part of Morelos state in central Mexico. It is located 60 km east from the state capital of Cuernavaca and about 1.5 hours south of Mexico City. It is a rural area, whose way of life has not changed much over the 20th century, with 90% of its population still partially or fully dependent on agriculture. The town has old mansions, houses with red tile roofs and streets paved with stones. Many ravines crisscross the area and are crossed by numerous stone bridges.
Yecapixtla is a town and municipality located in the northeast of the state of Morelos in central Mexico. Yecapixtla means, Land of men and women with sharp noses. The town is home to one of the monastery complexes associated with the Monasteries on the Slopes of Popocatépetl World Heritage Site. Yecapixtla is famously known for its tasty, high-quality beef, cecina.
The Franciscan missions of the Sierra Gorda of Querétaro are five missions built in Mexico between 1750 and 1760. The foundation of the missions is attributed to Junípero Serra, who also founded the most important missions in California. They were declared a World Heritage Site by UNESCO in 2003.
The Earliest Monasteries on the Slopes of Popocatepetl are sixteen earliest 16th-century monasteries which were built by the Augustinians, the Franciscans and the Dominicans in order to evangelize the areas south and east of the Popocatépetl volcano in central Mexico. These monasteries were recognized by the UNESCO as World Heritage Sites in 1994, because they served as the model for the early monastery and church buildings as well as evangelization efforts in New Spain and some points beyond in Latin America. These monasteries almost uniformly feature a very large atrium in front of a single nave church with a capilla abierta or open chapel. The atrium functioned as the meeting point between the indigenous peoples and the missionary friars, with mass for the newly converted held outdoors instead of within the church. This arrangement can be found repeated in other areas of Mexico as these friars continued to branch out over New Spain.
Portuguese Gothic architecture is the architectural style prevalent in Portugal in the Late Middle Ages. As in other parts of Europe, Gothic style slowly replaced Romanesque architecture in the period between the late 12th and the 13th century. Between the late 15th and early 16th century, Gothic was replaced by Renaissance architecture through an intermediate style called Manueline.
The Basilica of Our Lady of Zapopan and the abbey of the same name are a 17th-century Franciscan sanctuary built in downtown Zapopan, in the state of Jalisco, México.
The Basilica and Convent of San Francisco, commonly known as el San Francisco, is a Catholic basilica that stands in the middle of the historic center of Quito, in front of the square of the same name. It is the oldest and most significant religious site in Ecuador. The structure is the largest architectural complex within the historic centers of all of South America, and for this reason it was known as "El Escorial of the New World". San Francisco is considered a jewel of continental architecture for its mixture of different styles combined throughout more than 150 years of construction. San Francisco is part of the UNESCO World Heritage Site "City of Quito".
Huejotzingo is a small city and municipality located just northwest of the city of Puebla, in central Mexico. The settlement's history dates back to the pre-Hispanic period, when it was a dominion, with its capital a short distance from where the modern settlement is today. Modern Huejotzingo is located where a Franciscan monastery was founded in 1525, and in 1529, the monks moved the indigenous population of Huejotzingo to live around the monastery. Today, Huejotzingo is known for the production of alcoholic apple cider and fruit preserves, as well as its annual carnival. This carnival is distinct as it centers on the re-enactment of several historical and legendary events related to the area. The largest of these is related to the Battle of Puebla, with about 2, 000 residents representing French and Mexican forces that engage in mock battles over four days.
San Andrés Cholula is a municipality in the Mexican state of Puebla in south-eastern Mexico. It forms part of the Metropolitan area of Puebla, and as of 2011, it is the fastest-growing municipality that conforms the Metropolitan Area, partly because the presence of universities and the wealthiest neighborhoods are located in San Andrés Cholula. Along with San Pedro Cholula and Santa Isabel Cholula, it conforms the most ancient still inhabited city in the Americas, Cholula de Rivadabia.
San Pedro Cholula is a municipality in the Mexican state of Puebla and one of two municipalities which made up the city of Cholula. The city has been divided into two sections since the pre Hispanic era, when revolting Toltec-Chichimecas pushed the formerly dominant Olmec-Xicallanca to the eastern side of the city in the 13th century. The new lords called themselves Cholutecas and built a new temple to Quetzalcoatl on the San Pedro side, which eventually eclipsed the formerly prominent Great Pyramid of Cholula, now on the San Andrés side. When the Spanish arrived in the 16th century, the city of Cholula was an important religious and economic center, but the center of power was on the San Pedro side, centered on what is now the main city plaza and the San Gabriel monastery. The division of the city persisted and San Pedro remained the more dominant, with Spanish families moving onto that side and the rest of the population quickly becoming mestizo. Today, San Pedro is still more commercial and less residential than neighboring San Andrés with most of its population employed in industry, commerce and services rather than agriculture. Although Cholula's main tourist attraction, the Pyramid, is in San Andrés, San Pedro has more tourism infrastructure such as hotels, restaurants and bars.
A capilla abierta is considered to be one of the most distinct Mexican construction forms. Mostly built in the 16th century during the early colonial period, the construction was basically an apse or open presbytery containing an altar, which opened onto a large atrium or plaza. While some state that these were constructed by friars because the native peoples of that epoch were afraid to enter the dark confines of European-style churches, the more likely reasons for their construction were that they allowed the holding of Mass for enormous numbers of people and the arrangement held similarities to the teocallis or sacred precincts of pre-Hispanic temples. While open chapels can be found in other places in Spain and Peru, their systematic use in monasteries and other religious complexes, leading to a regularization of architectural elements, is only found in Mexico.
The Ex-monastery of Santiago Apóstol is located in the town of Cuilapan de Guerrero in the Mexican state of Oaxaca. The fortress-like complex is easily seen from the highway as one travels south from the capital city of Oaxaca on the road leading to Villa de Zaachila, and it is visited by both Mexican and international tourists. The complex is located on a small hill which gives it a view of much of the valley area. It is one of the most extravagant and elaborate colonial era constructions in Oaxaca, but it is often overlooked in favor of churches and monasteries located in the Mexico City area. Built of green quarried stone and river rocks, it is a quiet place where footsteps can echo in the hallways. The extravagances of the site, including the tall basilica, the elaborate baptismal font, the Gothic cloister and murals remain as national treasures. The decorative work of the monastery, especially its murals, are important because they show a systematic blending of indigenous elements into the Christian framework, done in order to support the evangelization process in the local Mixtec and Zapotec peoples. The single-naved church is used for worship but the roofless basilica and cloister are under the control of INAH, which uses many of the second-floor rooms of the cloister as workshops for restoration projects and runs a small museum with important liturgical items from the 16th century.
The Cuernavaca Cathedral is the Roman Catholic church of the Diocese of Cuernavaca, located in the city of Cuernavaca, Morelos, Mexico. The church and its surrounding monastery is one of the early 16th century monasteries in the vicinity of the Popocatepetl volcano inscribed as a World Heritage Site by UNESCO, built initially for evangelization efforts of indigenous people after the Spanish conquest of the Aztec Empire. By the 18th century, the church of the monastery began to function as the parish church of the city and in the late 19th century, it was elevated to the rank of a cathedral. Unlike many cathedrals in Mexico, this one does not face the city's main square, but rather is located just to the south, in its own walled compound, which it shares with a number of other structures. Unlike the other monastery structures from its time, the importance of this church provoked a number of renovation projects, the last of which occurred in 1957. This one took out the remaining older decorations of the interior and replaced them with simple modern ones. This renovation work also uncovered a 17th-century mural that covers 400 square metres (4,300 sq ft) of the interior walls and narrates the story of Philip of Jesus and twenty three other missionaries who were crucified in Japan.
San Bernardino de Siena Church is the parish church of the borough of Xochimilco in Mexico City. The church and former monastery complex was built in the 16th century over a former pre-Hispanic temple as part of evangelization efforts after the Spanish conquest of the Aztec Empire. Since its construction, it has been the center of much of Xochimilco’s history and social life, including ceremonies related to is famous image of the Child Jesus called the Niñopa. The interior of the church contains a rare 16th-century altarpiece in Plateresque style with no columns or other supports. The only other altarpiece like it is in Huejotzingo, Puebla.
The Church and Convent of San Nicolás de Tolentino is the Catholic church and parish house of the people of Actopan. It has always belonged to the Diocese of Tulancingo in Mexico. This church is located in the center of city. This colonial building is a monument of great architectural importance which has lasted until today in the State of Hidalgo.
Church of San Francisco Acatepec is a colonial religious building, characteristic of the Mexican Baroque architecture, especially recognized for its facade of Talavera mosaics combined with red brick. It is located in the town of San Francisco Acatepec in San Andrés Cholula, Metropolitan area of Puebla, in the state of Puebla, Mexico, and it was one of the first churches founded in the region.
The San Gabriel Franciscan Convent or San Gabriel Friary is a church and friary in Cholula, Metropolitan area of Puebla City, Mexico.
An atrial cross is a large cross placed in the capilla abierta, atrium, or large open space in front of Mexican church buildings. Most from recent centuries are in stone, with extensive ornamental carving in relief. They are a distinctive element of religious architecture in Mexico.