Antebellum architecture (from Antebellum South, Latin for "pre-war") is the neoclassical architectural style characteristic of the 19th-century Southern United States, especially the Deep South, from after the birth of the United States with the American Revolution, to the start of the American Civil War. [1] Antebellum architecture is especially characterized by Georgian, Neo-classical, and Greek Revival style homes and mansions. These plantation houses were built in the southern American states during roughly the 30 years before the American Civil War; approximately between the 1830s to 1860s. [2]
While Antebellum style homes have their roots in Neoclassical architectural styles, several adaptations to were made to compensate for the hot subtropical climate of the southern United States.
The main exterior characteristics of antebellum architecture included huge pillars, a balcony that ran along the whole outside edge of the house creating a porch that offers shade and spot to enjoy a breeze, and a sitting area in the cooler evenings. The evenly spaced large windows ventilated the warm air outside. Most homes had big centered entrances at the front and rear of the house. [3] A hipped or gabled roof are characteristics of antebellum architecture and often feature a cupola. [4] (A cupola is a dome-like structure on top of a building that provides ventilation and serves as decoration. [5] ) These mansions were also often surrounded by grand gardens with geometrically cut bushes that complemented the symmetry of the houses. [6] Antebellum architectural structures often have multiple stories or levels. [7]
The interior of these mansions were just as extravagant as the outside. Common features included enormous foyers, sweeping open stairways, ballrooms, grand dining rooms, and detailed design work. The design work included intricate shapes and patterns made from plaster used to adorn walls and furniture. It was also used to create wood and floor designs. Designs additionally include friezes, large pier glasses, and marble mantels. [4]
Greek revival components apparent in antebellum architecture include doorways, often recessed and flanked by pilastered and entablatured columns. [7]
Similarly, Georgian architecture is illustrated with highly decorated entrances featuring colonnades, including a lunette over the door. [7]
Virginia State Capitol (Richmond, Virginia)
Designed by Thomas Jefferson and James Madison, this building shows the Neoclassical style. Its grand columns and symmetry are all examples of the Classical style, which was widely used in government buildings.
North Carolina State Capitol (Raleigh, North Carolina)
Built in the Greek Revival style, this building features a central dome and classical columns. The design falls largely under the classical indications of Antebellum Architecture with grand columns on the facade among other items.
Monticello (Charlottesville, Virginia)
The home of Thomas Jefferson, Monticello blends Neoclassical and Palladian styles, with its iconic dome and symmetrical design reflecting Jefferson's architectural vision. The plantation relied on enslaved labor for its operation, which is important in understanding its historical and architectural context.
Oak Alley Plantation (Vacherie, Louisiana)
Oak Alley is a Greek Revival mansion, recognized for its long avenue of oak trees leading up to the house. The building's classical features, including columns and symmetry, reflect the style's influence in the Antebellum South.
Fruitland (Augusta, Georgia)
Designed by James Monroe and incorporating both Greek Revival and Palladian elements, Fruitland is a notable example of the architectural relationship between plantation estates and agricultural practices. [8]
The Rosedown Plantation (St. Francisville, Louisiana)
An example of Greek Revival residential architecture, Rosedown features large columns and symmetrical facades. The design is intended to reflect the wealth and status of the owners, which was largely tied to plantation economy.
The Hermitage (Nashville, Tennessee)
Home to President Andrew Jackson, The Hermitage is a Neoclassical style plantation house with distinctive elements like columns and a large portico. The architecture reflects Jackson's personal style and political power during the Antebellum period.
First (Scots) Presbyterian Church (Charleston, South Carolina)
This church is an example of Greek Revival architecture, marked by its large columns and classical proportions. The design reflects the influence of classical architecture in religious buildings during the Antebellum period.
St. Philip's Church (Charleston, South Carolina)
St. Philip's Church blends Georgian and Greek Revival styles, with its notable bell tower and use of other classical elements. The church is an example of how religious architecture during the Antebellum period often incorporated these popular architectural styles.
The Louisiana State Capitol (Baton Rouge, Louisiana)
Though constructed after the Antebellum period, this Art Deco building reflects the continuing influence of classical design elements in the state's architecture, including the use of grand columns and verticality somewhat falling under the umbrella of Antebellum Architecture.
Charleston City Hall (Charleston, South Carolina)
Built in the Neoclassical style, this building features symmetry and formal design, which were common in government buildings during the Antebellum period, reflecting classical traditions.
The Exchange and Provost Dungeon (Charleston, South Carolina)
This building, part of Charleston's commercial and military history, features both Georgian and Neoclassical design elements. It is a key example of Charleston's role as a major port city, involved in trade and slavery during the Antebellum era.
The features associated with antebellum architecture were introduced by people of European descent who settled in the Southern states during the colonial period and in U.S. territories after the Louisiana Purchase of 1803 along with a wave of immigration from Europe in 1812. [9] Great numbers of Europeans seeking economic opportunities emigrated to America after Napoleon's defeat and the end of the war of 1812. This new wave of entrepreneurs began to dominate not only the economy, but also the architecture of the first half of the 19th century. [10]
A prime example of the influence of immigrants in antebellum architecture is Stanton Hall. The Hall was built by Frederick Stanton, an immigrant from Ireland who made his fortune in trading cotton. The design was based on the Revival style. The Hall also goes to show the increasingly connected national and global economy in which antebellum architecture emerged. The house used mantel pieces from New York, gas-burning chandeliers from Philadelphia, and mirrors from France. Similar to many antebellum homes, Stanton Hall was built using a fortune Stanton made trading cotton. During the Civil War, like many other plantation houses, the Hall was occupied by Union soldiers. [11]
President Andrew Jackson's home, The Hermitage, is another prime example of both antebellum architecture and the social conditions in which it arose. It was built in the Federal Style which, while losing favor in the more trendy East, was still popular in Western slave states like Tennessee. Later, renovations made the house more in line with contemporary styles, adding Doric columns and making it more Classical and Revivalist in appearance. [12] Like other homes of its time, the Hermitage was built in a symmetrical design with equal amounts of corridors and rooms. [12] Not just reflecting the cultural differences between the West and East in this time, the Hermitage also was part of the South's economy. The Hermitage was an active plantation which grew the period's dominant cash crop, cotton.
Antibellum Architecture holds numerous close ties with social and racial structures that existed throughout the Southern United States in the 19th century. Plantations and other grand Antebellum Architecture constructions stood as displays of wealth and power for white Southerners, reflecting the success of the plantation economies, which relied on enslaved labour. The design and placement of these buildings, often in the Greek Revival style, symbolized the control and dominance of the plantation economy. In contrast, enslaved laborers, who worked on these plantations, viewed these structures differently. They largely saw them as representations of oppression and subjugation. [13]
Driskell and Trawalter (2021) explored how perception of Antebellum Architecture varied by race, with white Southerners viewing the buildings as symbols of identity and status, while Black individuals and enslaved people saw them largely as symbols of oppression. These differing perspectives held a role in reinforcing the social structures of the time. The relationship between antebellum architecture and the social hierarchy of the 19th dentury continues to be studied, as modern views of these buildings address both their architectural beauty and their historical associations with slavery. [13]
Georgia's Old Governor's Mansion is one of the finest examples of the High Greek Revival architecture of this period. The mansion, located in Milledgeville, was designed by Charles Cluskey, an Irish immigrant who emigrated to New York City in 1827 where he trained to be an architect under the firm Town and Davis, and was built by Timothy Porter in 1839. Like other antebellum homes, this mansion has Ionic columns, a covered porch, and symmetrically placed windows. For over thirty years, this mansion housed many Georgian chief executives such as George Crawford, Howell Cobb and Joseph E. Brown. It was used as a stage for their speeches, and a place to introduce important guests. This mansion also played a part in the Civil War; General William T. Sherman headquartered in the building in 1864 and it was claimed as a prize in the "March to the Sea." After the war, the mansion was abandoned when Georgia's government was moved to Atlanta. [14]
After the Civil War, the upkeep of these homes was strained. Stanton Hall, for example, was owned by the descendants of Stanton for several decades after the Civil War, but eventually the financial burden was too much and it became the Stanton College for Young Ladies.
Today most antebellum buildings serve as museums. These museums, especially the museums located at former plantations, often attempt to show both sides of the architectural style. While celebrating the beauty of the buildings, they also tell the story of the slaves who worked the land. Boone Hall is a prime example of modern antebellum museums. The museum uses nine of the original slave cabins built between 1790 and 1810 as part of its "Black History in America" exhibit. In the exhibit, each cabin presents different aspects of slave life on the plantation. While the style's history remains controversial, exhibits like these are important in exposing the public to America's history with slavery. [15]
Antebellum Architecture in the Southern United States is largely associated with various buildings largely made up of the Greek Revival Style that fills much of the South. Regional variations can be found such as in Middle Georgia which reveal how variables such as local resources, climate, and numerous other factors can influence the architectural style.
The architecture of Middle Georgia, particularly in the Oconee region, is one example of this, with distinct adaptations to the local conditions. Aspects of the local architecture that diverge from the standard style include the materials used and other modifications reflecting the local climate. The iconic plantation homes of the antebellum style were largely faithful to the original design but incorporated locally sourced brick, which acted as an insulator against the hotter summer climate. [16]
The regional variations also differ due to local economic conditions, with the economy being primarily based on cotton cultivation and farming. The buildings were constructed as demonstrations of wealth and power, with these key aspects serving as central design elements. The buildings showcased the material success of local plantations, which were the primary examples of antebellum architecture in the region. [16]
An estimated 20% of antebellum mansions remain intact in the south today due to many being burned during the Civil War, natural disasters, and their neglect. Many antebellum homes are now museums; Georgia's Old Governor's Mansion is an example of this. The mansion belongs to Georgia College, and is its most treasured structure. In 2001, the structure began its restoration, and now serves as a museum that exhibits artifacts and gardens that showcase its history. Tours are available today that focus on the history of the building, gardens, and artifacts. The mansion was declared a National Historic Landmark in 1973. [14]
In 2005, Hurricane Katrina struck Louisiana and Mississippi. Its effects damaged or destroyed many antebellum buildings throughout the South. This destruction once again raised the question of whether or not these buildings, as symbols of a wealthy society propped up by slavery, should be preserved. For example, Grass Lawn, an antebellum mansion in Gulfport, Mississippi, was totally destroyed by the hurricane. As the community began to raise funds to rebuild the mansion, it faced resistance from parts of the community who opposed the symbolism of the mansion. [17] Though it eventually passed through city council, the bill funding the reconstruction was at first even voted down.
Many prime example of antebellum architecture did not receive the same support as Grass Lawn. In the wake of Katrina, cleanups of cities often did not follow the guidelines of the National Historic Preservation Act. Hundreds of properties were destroyed with little hope of being reconstructed or commemorated. [10] There are movements however, to preserve these historic properties. FEMA (Federal Emergency Management Agency) for example helps to preserve important architectural properties, especially those affected by Katrina. [18]
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan, and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns.
Greek Revival architecture was a style that began in the middle of the 18th century but which particularly flourished in the late 18th and early 19th centuries, predominantly in northern Europe, the United States, and Canada, and Greece following that nation's independence in 1821. It revived many aspects of the forms and styles of ancient Greek architecture, including the Greek temple. A product of Hellenism, Greek Revival architecture is looked upon as the last phase in the development of Neoclassical architecture, which was drawn from Roman architecture. The term was first used by Charles Robert Cockerell in a lecture he gave as an architecture professor at the Royal Academy of Arts in London in 1842.
The architecture of the United States demonstrates a broad variety of architectural styles and built forms over the country's history of over two centuries of independence and former Spanish, French, Dutch and British rule.
Robert Mills was an American architect and cartographer best known for designing both the first Washington Monument in Baltimore, Maryland, as well as the better known Washington Monument in Washington, D.C. He is sometimes said to be the first native-born American to be professionally trained as an architect. Charles Bulfinch of Boston perhaps has a clearer claim to this honor.
The Italianate style was a distinct 19th-century phase in the history of Classical architecture. Like Palladianism and Neoclassicism, the Italianate style combined its inspiration from the models and architectural vocabulary of 16th-century Italian Renaissance architecture with picturesque aesthetics. The resulting style of architecture was essentially of its own time. "The backward look transforms its object," Siegfried Giedion wrote of historicist architectural styles; "every spectator at every period—at every moment, indeed—inevitably transforms the past according to his own nature."
Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy, France and Germany. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer, more complete, and more authentic classical style, adapted to modern purposes.
A plantation house is the main house of a plantation, often a substantial farmhouse, which often serves as a symbol for the plantation as a whole. Plantation houses in the Southern United States and in other areas are known as quite grand and expensive architectural works today, though most were more utilitarian, working farmhouses.
Destrehan Plantation is an antebellum mansion, in the French Colonial style, modified with Greek Revival architectural elements. It is located in southeast Louisiana, near the town of the same name, Destrehan.
Belle Grove, also known as Belle Grove Plantation, was a plantation and elaborate Greek Revival and Italianate-style plantation mansion near White Castle in Iberville Parish, Louisiana. Completed in 1857, it was one of the largest mansions ever built in the Southern United States, surpassing that of the neighboring Nottoway, today cited as the largest antebellum plantation house remaining in the South. The masonry structure stood 62 feet (19 m) high and measured 122 feet (37 m) wide by 119 feet (36 m) deep, with seventy-five rooms spread over four floors.
Stanton Hall, also known as Belfast, is a Greek Revival mansion within the Natchez On-Top-of-the-Hill Historic District at 401 High Street in Natchez, Mississippi. Built in the 1850s, it is one of the most opulent antebellum mansions to survive in the southeastern United States. It is now operated as a historic house museum by the Pilgrimage Garden Club. The house was declared a National Historic Landmark in 1974; a pivotal property inside the Natchez On-Top-of-the-Hill Historic District in 1979; and a Mississippi Landmark in 1995.
Nottoway Plantation, also known as Nottoway Plantation House is located near White Castle, Louisiana, United States. The plantation house is a Greek Revival- and Italianate-styled mansion built by enslaved African people and artisans for John Hampden Randolph in 1859, and is the largest extant antebellum plantation house in the South with 53,000 square feet (4,900 m2) of floor space.
Millford Plantation is a historic farmstead and plantation house located on SC 261 west of Pinewood, South Carolina. It was sometimes called Manning's Folly, because of its remote location in the High Hills of Santee section of the state and its elaborate details. Designated as a National Historic Landmark, it is regarded as one of the finest examples of Greek Revival residential architecture in the United States. The house has been restored and preserved along with many of its original Duncan Phyfe furnishings.
Rose Hill Plantation State Historic Site is a historic site in Union County, South Carolina, that preserves the home of William H. Gist (1807–1874), the 68th governor of South Carolina. Gist helped instigate a Secession Convention in South Carolina, which led to the creation of the Ordinance of Secession that preceded the Civil War.
Ashland Plantation, also known as the Belle Helene or Ashland-Belle Helene Plantation, is a historic building, built in 1841, that was a plantation estate and home of Duncan Farrar Kenner. Located in Darrow, Louisiana, in Ascension Parish. The manor house is an example of antebellum Greek Revival architecture.
William Nichols, Sr. was an English-born architect who emigrated to the United States and became most famous for his early Neoclassical-style buildings in the American South. He designed statehouses for North Carolina, Alabama and Mississippi.
In the United States, the National Register of Historic Places classifies its listings by various types of architecture. Listed properties often are given one or more of 40 standard architectural style classifications that appear in the National Register Information System (NRIS) database. Other properties are given a custom architectural description with "vernacular" or other qualifiers, and others have no style classification. Many National Register-listed properties do not fit into the several categories listed here, or they fit into more specialized subcategories.
Plantation complexes were common on agricultural plantations in the Southern United States from the 17th into the 20th century. The complex included everything from the main residence down to the pens for livestock. Until the abolition of slavery, such plantations were generally self-sufficient settlements that relied on the forced labor of enslaved people.
The architecture of Jacksonville is a combination of historic and modern styles reflecting the city's early position as a regional center of business. According to the National Trust for Historic Preservation, there are more buildings built before 1967 in Jacksonville than any other city in Florida, though few structures in the city center predate the Great Fire of 1901. Numerous buildings in the city have held state height records, dating as far back as 1902, and last holding a record in 1981.
Charles Blaney Cluskey was an Irish architect active from the 1830s to the start of the Civil War, and therefore he is recognized as an antebellum architect. He is reputed to be the initiator of the Greek Revival–style in the south, and his commissions, both public and private, can still be seen in Augusta, Milledgeville and Savannah, Georgia.