Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire, usually dated from 330 AD, when Constantine the Great established a new Roman capital in Byzantium, which became Constantinople, until the fall of the Byzantine Empire in 1453. There was initially no hard line between the Byzantine and Roman Empires, and early Byzantine architecture is stylistically and structurally indistinguishable from late Roman architecture. The style continued to be based on arches, vaults and domes, often on a large scale. Wall mosaics with gold backgrounds became standard for the grandest buildings, with frescos a cheaper alternative.
The Church of Saint Sava is a Serbian Orthodox church which sits on the Vračar plateau in Belgrade, Serbia. It was planned as the bishopric seat and main cathedral of the Serbian Orthodox Church. The church is dedicated to Saint Sava, the founder of the Serbian Orthodox Church and an important figure in medieval Serbia. It is built on the presumed location of St. Sava's grave. His coffin had been moved from Mileševa Monastery to Belgrade. The coffin was placed on a pyre and burnt in 1595 by Ottoman Grand Vizier Sinan Pasha. Bogdan Nestorović and Aleksandar Deroko were finally chosen to be the architects in 1932 after a second revised competition in 1926–27. This sudden decision instigated an important debate in interwar Yugoslavia which centered around the temple's size, design and symbolic national function. This was accompanied by a sizeable increase in the base area of the ambitiously conceived project. The new design departed from the competition guidelines issued in 1926, and was to replicate the dimensions and architecture of Hagia Sophia.
Konstantin Andreyevich Thon, also spelled Ton was an official architect of Imperial Russia during the reign of Nicholas I. His major works include the Cathedral of Christ the Saviour, the Grand Kremlin Palace and the Kremlin Armoury in Moscow.
Romanesque Revival is a style of building employed beginning in the mid-19th century inspired by the 11th- and 12th-century Romanesque architecture. Unlike the historic Romanesque style, Romanesque Revival buildings tended to feature more simplified arches and windows than their historic counterparts.
Alexander Nevsky Cathedral may refer to the following :
The Baroque Revival, also known as Neo-Baroque, was an architectural style of the late 19th and early 20th centuries. The term is used to describe architecture and architectural sculptures which display important aspects of Baroque style, but are not of the original Baroque period. Elements of the Baroque architectural tradition were an essential part of the curriculum of the École des Beaux-Arts in Paris, the pre-eminent school of architecture in the second half of the 19th century, and are integral to the Beaux-Arts architecture it engendered both in France and abroad. An ebullient sense of European imperialism encouraged an official architecture to reflect it in Britain and France, and in Germany and Italy the Baroque Revival expressed pride in the new power of the unified state.
St. Alexander Nevsky Cathedral is a Bulgarian Orthodox cathedral in Sofia, the capital of Bulgaria. Built in Neo-Byzantine style, it serves as the cathedral church of the Patriarch of Bulgaria and it is one of the 50 largest Christian church buildings by volume in the world. It is one of Sofia's symbols and primary tourist attractions. St. Alexander Nevsky Cathedral in Sofia occupies an area of 3,170 square metres (34,100 sq ft) and can hold 5,000 people inside. It is among the 10 largest Eastern Orthodox church buildings. It is the largest cathedral in the Balkans. It is believed that up until the year 2000 it was the largest finished Orthodox cathedral.
The Russian Church, officially known as the Church of St Nicholas the Miracle-Maker, is a Russian Orthodox church in central Sofia, Bulgaria situated on Tsar Osvoboditel Boulevard.
Alexander Nikanorovich Pomerantsev was a Russian architect and educator responsible for some of the most ambitious architectural projects realized in Imperial Russia and Bulgaria at the turn of the 20th century. An accomplished eclecticist, Pomerantsev practiced Art Nouveau, Byzantine, Russian Revival styles and collaborated with leading structural engineers of his period in creating new types of commercial buildings.
The Russian Revival style is a number of different movements within Russian architecture that arose in the second quarter of the 19th century and was an eclectic melding of Byzantine elements and pre-Petrine architecture.
Eastern Orthodox church architecture constitutes a distinct, recognizable family of styles among church architectures. These styles share a cluster of fundamental similarities, having been influenced by the common legacy of Byzantine architecture from the Eastern Roman Empire. Some of the styles have become associated with the particular traditions of one specific autocephalous Eastern Orthodox patriarchate, whereas others are more widely used within the Eastern Orthodox Church.
David Ivanovich Grimm was a Russian architect, educator and historian of art specialising in the Byzantine Empire, Georgia and Armenia. Grimm belonged to the second generation of Russian neo-Byzantine architects and was the author of Orthodox cathedrals in Tbilisi, Chersonesos and smaller churches in Russia and Western Europe. Grimm was a long-term professor at the Imperial Academy of Arts and chaired its department of architecture in 1887–1892.
The architecture of Serbia has a long, rich and diverse history. Some of the major European style from Roman to Postmodern are demonstrated, including renowned examples of Raška, Serbo-Byzantine with its revival, Morava, Baroque, Classical and Modern architecture, with prime examples in Brutalism and Streamline Moderne.
Russian-Byzantine architecture is a revivalist direction in Russian architecture and decorative and applied arts, based on the interpretation of the forms of Byzantine and Ancient Russian architecture. As part of eclecticism could be combined with other styles.
Alexander Nevsky Cathedral is the Eastern Orthodox Cathedral in Novosibirsk, Russia, named in honor of Saint Alexander Nevsky.
Architecture of Belgrade is the architecture and styles developed in Belgrade, Serbia. Belgrade has wildly varying architecture, from the centre of Zemun, typical of a Central European town, to the more modern architecture and spacious layout of New Belgrade. The oldest architecture is found in Kalemegdan park. Outside of Kalemegdan, the oldest buildings date only from 19th century, due to its geographic position and frequent wars and destructions. The oldest public structure in Belgrade is a nondescript Turkish türbe, while the oldest house is a modest clay house on Dorcol, the House at 10 Cara Dušana Street from 1727.
The Cathedral of Saint Andrew also called Cathedral Church of Saint Andrew or simply Hagios Andreas is a Greek Orthodox basilica in the west side of the city center of Patras in Greece. Along with the nearby old church of St. Andrew, it constitutes a place of pilgrimage for Christians from all over the world. It is dedicated to the First-called Apostle of Christ, Saint Andrew.
The Modern Serbo-Byzantine architectural style, Neo-Byzantine architectural style or Serbian national architectural style is the style in Serbian architecture which lasted from the second half of the 19th century to the first half of the 20th century. This style originated in the tradition of medieval Serbian-Byzantine school and was part of international Neo-Byzantine style.
Romanian Revival architecture is an architectural style that has appeared in the late 19th century in Romanian Art Nouveau, initially being the result of the attempts of finding a specific Romanian architectural style. The attempts are mainly due to the architects Ion Mincu (1852–1912), and Ion N. Socolescu (1856–1924). The peak of the style was the interwar period. The style was a national reaction after the domination of French-inspired Classicist Eclecticism. Apart from foreign influences, the contribution of Romanian architects, who reinvented the tradition, creating, at the same time, an original style, is manifesting more and more strongly. Ion Mincu and his successors, Grigore Cerchez, Cristofi Cerchez, Petre Antonescu, or Nicolae Ghica-Budești declared themselves for a modern architecture, with Romanian specific, based on theses such as those formulated by Alexandru Odobescu around 1870:
"Study the remains – no matter how small – of the artistic production of the past and make them the source of a great art (...) do not miss any opportunity to use the artistic elements presented by the Romanian monuments left over from old times; but transform them, change them, develop them ..."
