Southern garden façade of Alupka Palace with a massive central exedra forming an open iwan-like vestibule
The Jama Masjid was the inspiration for Blore's design.[2]
The "Moorish" garden structures built at Sheringham Hall, Norfolk, ca. 1812, were an unusual touch at the time, a parallel to chinoiserie, as a dream vision of fanciful whimsy, not meant to be taken seriously; however, as early as 1826, Edward Blore used Islamic arches, domes of various size and shapes and other details of Near Eastern Islamic architecture to great effect in his design for Alupka Palace in Crimea, a cultural setting that had already been penetrated by authentic Ottoman styles.
By the mid-19th century, the style was adopted by the Jews of Central Europe, who associated Moorish and Mudéjar architectural forms with the golden age of Jewry in medieval Muslim Spain.[3] It has also been argued[by whom?] that Jewish communities adopted this architecture (which in Western eyes was seen as stereotypical of "Islamic" or "Oriental" culture more broadly) for more complex reasons; mainly, as an affirmation or reclamation of the Middle Eastern or Semitic roots of their history and thus as a way of setting themselves apart from the surrounding Western or Christian society.[3][4] This came at time when Jews were gaining more freedoms in some European societies and the construction of ostentatious synagogues was possible for the first time, thus provoking a search for a new distinct style of architecture. Historian John M. Efron of the University of California at Berkeley regards the popularity of Moorish revival architecture among builders of synagogues as a counterpoint to Edward Said's Orientalism, which criticizes European orientalism as inherently imperialist and racist, since the builders chose the style as an expression of admiration for the culture of the Muslim world.[5] As a consequence, Moorish Revival spread around the globe as a preferred style of synagogue architecture for a long period until the early 20th century.[4][3]
In Spain, the country conceived as the place of origin of Moorish ornamentation, the interest in this sort of architecture fluctuated from province to province. The mainstream was called Neo-Mudéjar. In Catalonia, Antoni Gaudí's profound interest in Mudéjar heritage governed the design of his early works, such as Casa Vicens or Astorga Palace. In Andalusia, the Neo-Mudéjar style gained belated popularity in connection with the Ibero-American Exposition of 1929 and was epitomized by Plaza de España (Seville) and Gran Teatro Falla in Cádiz. In Madrid, the Neo-Mudéjar was a characteristic style of housing and public buildings at the turn of the century, while the 1920s return of interest to the style resulted in such buildings as Las Ventasbullring and Diario ABC office. A Spanish nobleman built the Palazzo Sammezzano, one of Europe's largest and most elaborate Moorish Revival structures, in Tuscany between 1853 and 1889.
Lithography of the Moorish Castle, a theater built in Moorish Architecture. Location was Frederiksberg, Denmark
Although Carlo Bugatti employed Moorish arcading among the exotic features of his furniture, shown at the 1902 exhibition at Turin, by that time the Moorish Revival was very much on the wane almost everywhere. A notable exceptions were Imperial Russia, where the shell-encrusted Morozov House in Moscow (a stylisation of the Pena National Palace in Sintra), the Neo-Mameluk Dulber palace in Koreiz, and the palace in Likani exemplified the continuing development of the style.
Another exception was Bosnia, where, after its occupation by Austria-Hungary, the new authorities commissioned a range of Neo-Moorish structures. The aim was to promote Bosnian national identity while avoiding its association with either the Ottoman Empire or the growing pan-Slavic movement by creating an "Islamic architecture of European fantasy".[6] This included application of ornamentations and other Moorish design strategies neither of which had much to do with prior architectural direction of indigenous Bosnian architecture. The central post office in Sarajevo, for example, follows distinct formal characteristics of design like clarity of form, symmetry, and proportion while the interior followed the same doctrine. The National and University Library of Bosnia and Herzegovina in Sarajevo is an example of Pseudo Moorish architectural language using decorations and pointed arches while still integrating other formal elements into the design.
Other notable example in the region is the building of the Regional historical museum in Kardzhali, Bulgaria build in the 1920s, combining also Central Asian styles.
Regional historical museum in Kardzhali in Bulgaria
In the United States, Washington Irving's fanciful travel sketch, Tales of the Alhambra (1832), first brought Moorish Andalusia into readers' imaginations; one of the first neo-Moorish structures was Iranistan, a mansion of P. T. Barnum in Bridgeport, Connecticut. Constructed in 1848 and destroyed by fire ten years later, this architectural extravaganza "sprouted bulbous domes and horseshoe arches".[7] In the 1860s, the style spread across America, with Olana, the painter Frederic Edwin Church's house overlooking the Hudson River, Castle Garden in Jacksonville and Longwood in Natchez, Mississippi usually cited among the more prominent examples. After the American Civil War, Moorish or Turkish smoking rooms achieved some popularity. There were Moorish details in the interiors created for the Henry Osborne Havemeyer residence on Fifth Avenue by Louis Comfort Tiffany. The most thorough example of Moorish Revival architecture was Villa Zorayda in St. Augustine, Florida, built in 1883 by Franklin W. Smith as a winter home and showplace for the Boston businessman and architectural enthusiast. Today it is a museum, open for tourists. In 1893, The Great Saltair was built on the southern shores of The Great Salt Lake, adjacent to Salt Lake City. Under dozens of Moorish domes and lambrequin, polylobed, and keyhole arches, Saltair housed popular clubs, restaurants, bowling alleys, a hippodrome, rollercoaster, observation deck for the surrounding desert, and what was marketed as the largest dance hall in the world.[8] Like Iranistan before it, Saltair was destroyed by fire in 1925 and again in 1970; the first of which, less than 30 years after opening. The 1914 Pittock Mansion in Portland, Oregon incorporates Turkish design features, as well as French, English, and Italian ones; the smoking room in particular has notable Moorish revival elements. In 1937, the Corn Palace in Mitchell, South Dakota added unusual minarets and Moorish domes, unusual because the polychrome decorations are made out of corn cobs of various colors assembled like mosaic tiles to create patterns. The 1891 Tampa Bay Hotel, whose minarets and Moorish domes are now the pride of the University of Tampa, was a particularly extravagant example of the style. Other schools with Moorish Revival buildings include David H. Zysman Hall at Yeshiva University in New York City. George Washington Smith used the style in his design for the 1920s Isham Beach Estate in Santa Barbara, California.[9]
Immaculate Conception Church (New Orleans), (a.k.a. Jesuit Church) is a striking example of Moorish Revival Architecture. Across the street was the College of the Immaculate Conception, housing a chapel with two stained glass domes. The chapel was disassembled and about half of it (one of the stained glass domes, eleven of the windows) was installed in the present Jesuit High School.
↑ Brett, C.E.B. (2005). Towers of Crim Tartary: English and Scottish architects and craftsmen in the Crimea, 1762–1853. Donington, Lincolnshire: Shaun Tyas. p.65. ISBN978-1-900289-73-3.
↑ Biale, David (June 2017). "German Jewry and the Allure of the Sephardic (book review)". The American Historical Review. 122 (3): 942. doi:10.1093/ahr/122.3.942.
↑ Joseph, Suad; Najmabadi, Afsaneh (2003). Encyclopedia of Women & Islamic Cultures: Economics, education, mobility, and space. Brill Publishers. ISBN9004128204.
↑ John C. Poppeliers, S. Allen Chambers Jr. What Style Is It: A Guide to American Architecture, p. 63. ISBN0-471-25036-8 .
A synagogue, sometimes referred to by the Yiddish term shul and referred to by Reform communities as a temple, is a Jewish house of worship. Synagogues have a place for prayer, where Jews attend religious services or special ceremonies, have rooms for study, social hall(s), administrative and charitable offices, classrooms for religious school and Hebrew school, sometimes Jewish preschools, and often have many places to sit and congregate; display commemorative, historic, or modern artwork throughout; and sometimes have items of some Jewish historical significance or history about the synagogue itself on display.
A Torah ark refers to an ornamental chamber in the synagogue that houses the Torah scrolls.
Synagogue architecture often follows styles in vogue at the place and time of construction. There is no set blueprint for synagogues and the architectural shapes and interior designs of synagogues vary greatly. According to tradition, the Shekhinah or divine presence can be found wherever there is a minyan, a quorum, of ten. A synagogue always contains an Torah ark where the Torah scrolls are kept, called the aron qodesh by Ashkenazi Jews and the hekhal by Sephardic Jews.
The architecture of Bosnia and Herzegovina is largely influenced by four major periods, when political and social changes determined the creation of distinct cultural and architectural habits of the region.
The Leopoldstädter Tempel was the largest synagogue of Vienna, in the district (Bezirk) of Leopoldstadt. It was also known as the Israelitische Bethaus in der Wiener Vorstadt Leopoldstadt. It was built in 1858 in a Moorish Revival style by the architect Ludwig Förster. The tripartite facade of the Leopoldstädter, with its tall central section flanked by lower wings on each side, became the model for numerous Moorish Revival synagogues, including the Choral Temple in Bucharest, which has an almost identical main facade, the Zagreb Synagogue, the Spanish Synagogue in Prague, the Tempel Synagogue in Kraków and the Grand Synagogue of Edirne.
The Jewish people of Bosnia and Herzegovina are one of the minority peoples of Bosnia and Herzegovina, according to country's constitution. The history of Jews in Bosnia and Herzegovina spans from the arrival of the first Bosnian Jews as a result of the Spanish Inquisition to the survival of the Bosnian Jews through the Holocaust and the Yugoslav Wars. Judaism and the Jewish community in Bosnia and Herzegovina have one of the oldest and most diverse histories of all the former Yugoslav states, and is more than 500 years old, in terms of permanent settlement. Then a self-governing province of the Ottoman Empire, Bosnia was one of the few territories in Europe that welcomed Jews after their expulsion from Spain.
Moorish architecture is a style within Islamic architecture which developed in the western Islamic world, including al-Andalus and what is now Morocco, Algeria, and Tunisia. Scholarly references on Islamic architecture often refer to this architectural tradition by a more geographic designation, such as architecture of the Islamic West or architecture of the Western Islamic lands. The use of the term "Moorish" comes from the historical Western European designation of the Muslim inhabitants of these regions as "Moors". Some references on Islamic art and architecture consider this term to be outdated or contested.
The Tripoli Shrine Temple is a Shriners temple built 1926-28 in the Concordia neighborhood of Milwaukee, Wisconsin. The building's design incorporates Moorish and Indian elements, somewhat resembling the Taj Mahal in India, and is listed on the National Register of Historic Places as Tripoli Temple. It is not a religious building.
Congregation Ohab Zedek, sometimes abbreviated as OZ and formally known as the First Hungarian Congregation Ohab Zedek, is an Modern Orthodox Jewish congregation and synagogue located at 118 West 95th Street, Upper West Side, in Manhattan, New York City, New York, in the United States. The congregation is known for its lively, youthful congregation. Founded in 1873, it moved to its current location on in 1926. The current clergy are Rabbi Allen Schwartz, Senior Rabbi and Rabbi Jack Varon, assistant Rabbi.
Art of Bosnia and Herzegovina refers to artistic objects created by the inhabitants of Bosnia and Herzegovina from prehistory to present times.
Congregation Beth Israel is a Reform Jewish congregation and synagogue, located at 1931 NW Flanders Street, Portland, Oregon, in the United States.
The Temple of Israel is a Jewish house of prayer located on the corner of Fourth and Market Streets in Wilmington, North Carolina, United States. Built in 1876, the Temple of Israel is the oldest synagogue in North Carolina and one of the earliest Reform synagogues in the American South. Temple of Israel is led by Rabbi Emily Losben-Ostrov.
Congregation Rodeph Shalom, is an historic Reform Jewish congregation and synagogue located at 615 North Broad Street, Philadelphia, Pennsylvania, in the United States. Established in 1795, it is the oldest Ashkenazic synagogue in the Western Hemisphere. It is noted historically for its leadership of the Reform movement among American Hebrew congregations, for its spiritual influence upon international Jewry, and for its unique 1927 Byzantine and Moorish Revival synagogue building, with Art Deco finishes, on North Broad Street, listed on the National Register of Historic Places since 2007.
The Temple - Congregation Adath Israel Brith Sholom is a Reform synagogue located in Louisville, Kentucky. Originally the Adath Israel Temple, it adopted its current name following a merger, but is more commonly known by the informal name The Temple. Prior to merging, the congregations resided in several buildings, with the Adath Israel Temple's third synagogue listed on the National Register of Historic Places.
Temple Shalom is a Reform Jewish synagogue located at 23 Bethany Pike, Wheeling, West Virginia, in the United States. The congregation dates from 1849, with the current synagogue building completed in 1957, as the Woodside Temple.
Temple Oheb Shalom is a Reform synagogue in Baltimore, Maryland. The highest point in the city is located in its parking lot.
Congregation Shaarey Zedek is a Conservative synagogue in the Detroit suburb of Southfield, Michigan, in the United States.
Centuries before the Ottoman conquest of Bosnia, Mostar was a small hamlet situated at a strategic crossing of the Neretva river. Its hinterlands consisted of a broad agricultural plain on the west bank and steep terraces on the east bank surrounded by barren mountains. Mostar was a representative multi-ethnic and multi-cultural settlement in Bosnia and Herzegovina, which had possessed an independent political identity since the twelfth century. By the fifteenth century, most of the lands that would later become part of modern Yugoslavia were inhabited primarily by peoples of the same south Slavic heritage.
Karel Pařík was a Czech-born architect in the Austro-Hungarian empire. Pařík spent most of his life in Sarajevo where he designed over seventy major buildings, which are today classified among the most beautiful in Bosnia and Herzegovina. For Bosnians, he is also known as Karlo Paržik and is considered as "The builder of Sarajevo". He died working on his last project, Sarajevo City Hall, which later became one of the symbols of the city. "Czech by birth, Sarajevan by choice" stands encrypted on his gravestone in Sarajevo.
In 1878 the Austro-Hungarian Empire occupied Bosnia and Herzegovina and in 40 years had an immense influence in future urban planning and architecture. Stylistically, Bosnia was to be assimilated into the European mainstream, save for the appearance of the Orientalist style.
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