Songhai architecture

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Songhai architecture or Zarma architecture refers to the traditional Sahelian architectural style of the Songhai people in West Africa. The architecture typically encompasses mud-brick buildings, flat roofs, and distinctive designs reflecting the cultural and historical aspects of the Songhai civilization. [1] [2]

Contents

City of Timbuktu Donkeys, Timbuktu.jpg
City of Timbuktu
Mosque in Dantiandou, Kollo, Niger Niger, Dantiandou (2), mosque.jpg
Mosque in Dantiandou, Kollo, Niger

In Songhai homelands, rural areas consist of fortified enclosures where a family group known as “windi”lives. A typical rural Songhai house is either round with mud walls or rectangular with walls made of sun-dried mud bricks, often featuring thatched roofs. The Songhai predominantly reside in houses within walled or fenced enclosures, which usually include a main house for the husband and smaller dwellings for each of his wives and their children. Traditional houses are huts called “Bugu.” Social activities commonly occur outside in the compound, where food is prepared and consumed, and people visit each other in the evening. [3] [4]

Historic Songhai-dominated urban centers like Gao, Hombori, Dosso, Timbuktu, and Djenne feature traditional adobe buildings such as the Great Mosque of Djenné, the University of Timbuktu, as well as the Palace of the Djermakoy and Royal palace of Gao-Saney and the Tomb of Askia. In Niamey, where traditional Songhai structures in urban areas often blend modern design with traditional Songhai building techniques. [5]

Rural architecture

Small mosque in Guesselbodi in Tillaberi, Niger Niger, Guesselbodi (14), small mosque.jpg
Small mosque in Guesselbodi in Tillaberi, Niger

Songhai villages exemplify the Sudano-Sahelian architectural style prevalent in West Africa, characterized by mud bricks and adobe plaster construction. The dwellings are marked by arched entrances adorned with intricate, symbolic patterns, crafted using mud mixed with natural pigments. These patterns serve both aesthetic and cultural functions, offering insights into the profound beliefs, values, and identity of the Songhai people who inhabit these homes. [6]

Zarma village with thatched houses, Tillaberi (Niger) Niger, Tillaberi, 2008 65.jpg
Zarma village with thatched houses, Tillabéri (Niger)

The architectural landscape showcases a deliberate fusion of circular and rectangular structures. Circular units, constructed from mud bricks and adobe plaster, densely populate the town, serving diverse purposes such as residential homes and storage facilities. Larger, strategically spaced rectangular buildings fulfill communal roles, serving as mosques, schools, or community centers. [7]

Aerial view of Barkiawal Beri, Tillabery Niger, Barkiawal Beri (01), vue aerienne avec RN25.jpg
Aerial view of Barkiawal Béri, Tillabéry

Towns layout is typically characterized by interconnected paths, a pragmatic response to the dry and arid environment. This design approach not only enhances the overall functionality of the settlement but also underscores a thoughtful consideration of environmental factors of the Sahel. [8]

Traditional round Zarma hut near Niamey, Niger Zagroda Djerma (ok. 90 km na pd-wsch. od Niamey) - Niger - 001193s.jpg
Traditional round Zarma hut near Niamey, Niger
Grain storage sheds in Guesselbodi in Niger (N'Dounga commune, Kollo Department, Tillabery Region) Niger, Guesselbodi (6), village scene.jpg
Grain storage sheds in Guesselbodi in Niger (N'Dounga commune, Kollo Department, Tillabéry Region)

Plastering Techniques

In Zarma villages across Niger and Burkina Faso, women play a primary role in the community's traditional plastering and wall painting. They lead the application of hand-pulled soil mixed with cow dung as the base, followed by layers of kaolin, wheat porridge, ash, and sticky leaf juice. The resulting geometric patterns, depicting animals and characters, along with friezes in natural pigments, enhance the walls both aesthetically and structurally against Sahelien elements. This specific cultural practice highlights the direct involvement of women, emphasizing their crucial role in preserving traditional knowledge and shaping the architectural identity of the villages. [9] [10]

Dosso

The Zarmakoy Palace or Djermakoye Palace, situated in the city of Dosso in the southwestern corner of Niger, is a historical landmark built in 1904 AD by the then ruler of the Dosso Kingdom. This well-preserved structure is encircled by a protective perimeter wall. [11]

Zarmakoy Palace La ville de Dosso 05.jpg
Zarmakoy Palace

The palace was made from banco, a local sun-dried mudbrick, imparts a distinct reddish-brown hue. Adorned with geometric patterns and friezes, some painted white or blue, the palace features horseshoe arches, echoing the Sahel's architectural tradition and underscoring its Islamic heritage while symbolizing the might and prestige of the Djermakoye dynasty.

Shopping area in the "Regional Museum of Djermakoye" in Dosso Niger, Dosso (44), museum, shops.jpg
Shopping area in the "Regional Museum of Djermakoye" in Dosso

The thick walls provide insulation against heat, while strategically placed small windows contribute to interior cooling. Additionally, the palace encompasses a fortified royal cemetery. Noteworthy is the Dey Zarmakoye(the well of the Zarmakoye), an ancient well located in the women's courtyard. [12] [13]

Gao

Gao's architecture, including the tenth-century royal palace with stone construction and a stone-built citadel, highlights the city's historical grandeur. Excavations at Gao-Ancient and Gao Saney reveal structures made of rectangular mud bricks, pottery, metal objects, and glass beads. The royal palace's walls, 1.2 meters thick, employ a unique technique without arches, uncommon in West African architecture.

Village between Gao and Timbuktu Mali, rives du Niger, entre Gao et Tombouctou (8439794849).jpg
Village between Gao and Timbuktu

Gao Saney exhibits structures with rectangular mud bricks, featuring painted interiors and advanced architectural features like a bathroom with a drain pipe made of pebbles. Twin cities in Gao, confirmed through large stone buildings in Gao-Ancient, emphasize the city's architectural and urban complexity, including meticulous construction techniques with foundations made of banco.

Gao's architecture provides insights into cultural dynamics, trade routes, and religious influences, reflecting the city's historical landscape. The buildings and labor mobilization suggest a possible citadel or royal residence, aligning with historical sources from the tenth and eleventh centuries. [14]

Tomb of Askia

The Tomb of Askia, a 17-meter pyramidal structure built by Askia Mohamed in 1495 in Gao, symbolizes the Songhai Empire's power and wealth from the 15th to 16th centuries. It exemplifies West African Sahel's monumental mud-building traditions, featuring two flat-roofed mosque buildings, the mosque cemetery, and an open-air assembly ground. Constructed when Gao became the capital of the Songhai Empire, after Askia Mohamed's return from Mecca. [15] [16]

Tomb of Askia, Gao Askia.jpg
Tomb of Askia, Gao

Timbuktu

Timbuktu has many adobe and mud brick buildings but the most famous is the university. The masajids (mosques) of Sankore, Djinguereber, and Sidi Yahya were the centres of learning in medieval Mali and produced some of the most famous works in Africa, the Timbuktu Manuscripts. Timbuktu is a city in Mali with very distinguishable architecture. Most of the architecture present in this region is commentary on the history and evolution of human beings. These architectural mosques are organized in a manner referencing bodily movements. Common materials used in construction are natural, earthen materials that also pay homage to its ancestral presence. The “body acts as an organizational template for a building's interior layout.” Ultimately, these architectural forms are derived from an individual level but align with the cosmos, revealing an intricate spiritual system.

Djingareyber Mosque, Timbuktu Djinguereber Mosque, Timbuktu, Mali.jpg
Djingareyber Mosque, Timbuktu

Structurally speaking, the architecture has been redefined during the Sonhai reign. Protective, strong materials are utilized to protect the sun-brick adobe structures. Under Songhai influence, minarets took on a more pyramidal appearance and became stepped or tiered on three levels, as exemplified by the tower of the Tomb of Askia of Askia Muhammad I in Gao (present-day Mali). In Timbuktu, the Sankoré Mosque (established in the 14th-15th centuries and rebuilt in the 16th century, with later additions

Under the Songhai Empire's influence, minarets took on a more pyramidal appearance and became stepped or tiered on three levels, as exemplified by the tower of the mosque–tomb of Askia al-Hajj Muhammad in Gao (present-day Mali). In Timbuktu, the Sankoré Mosque (established in the 14th-15th centuries [17] and rebuilt in the 16th century, with later additions [18] ), had a tapering minaret and a prayer hall with rows of arches.

Hombori

Linked to the historical trajectory of the powerful Songhai Empire, the Songhai town of Hombori stands out with its unique architecture. In contrast to the prevalent use of stones in nearby Dogon country, Hombori boasts dry stone construction, abundant in the region.

Town near Hombori Mali, dans les rues de Gossi (8439119690).jpg
Town near Hombori

The distinctiveness of Hombori's architecture traces back to its response to the collapse of the Sonni dynasty of the Songhai Empire in the late 16th century. Confronted with anarchy and insecurity during this period, the locals ingeniously constructed multi-story buildings with labyrinthine layouts. These structures, characterized by central courtyards and narrow corridors, served as effective defense mechanisms during raids.

In the present day, the same corridors that once played a crucial role in defense now serve a different purpose. They facilitate air circulation and provide shaded retreats, demonstrating a harmonious blend of historical resilience and contemporary functionality in Hombori. [19]

See also

Related Research Articles

<span class="mw-page-title-main">Songhai Empire</span> Empire in western Africa from c. 1430s to 1591

The Songhai Empire was a state located in the western part of the Sahel during the 15th and 16th centuries. At its peak, it was one of the largest African empires in history. The state is known by its historiographical name, derived from its largest ethnic group and ruling elite, the Songhai people. Sonni Ali established Gao as the empire's capital, although a Songhai state had existed in and around Gao since the 11th century. Other important cities in the kingdom were Timbuktu and Djenné, where urban-centred trade flourished; they were conquered in 1468 and 1475, respectively. The Akan state of Bonoman was located to the south of the empire. Initially, the Songhai Empire was ruled by the Sonni dynasty, but it was later replaced by the Askia dynasty (1493–1901).

<span class="mw-page-title-main">Songhai people</span> Ethno-linguistic group of West Africa

The Songhai people are an ethnolinguistic group in West Africa who speak the various Songhai languages. Their history and lingua franca is linked to the Songhai Empire which dominated the western Sahel in the 15th and 16th century. Predominantly adherents of Islam, the Songhai are primarily located in Niger and Mali within the Western Sudanic region. Historically, the term "Songhai" did not denote an ethnic or linguistic identity but referred to the ruling caste of the Songhay Empire known as the Songhaiborai. However, the correct term used to refer to this group of people collectively by the natives is "Ayneha". Although some Speakers in Mali have also adopted the name Songhay as an ethnic designation, other Songhay-speaking groups identify themselves by other ethnic terms such as Zarma or Isawaghen. The dialect of Koyraboro Senni spoken in Gao is unintelligible to speakers of the Zarma dialect of Niger, according to at least one report. The Songhay languages are commonly taken to be Nilo-Saharan but this classification remains controversial: Dimmendaal (2008) believes that for now it is best considered an independent language family.

<span class="mw-page-title-main">Great Mosque of Djenné</span> Mosque in Djenné, Mali

The Great Mosque of Djenné is a large brick or adobe building in the Sudano-Sahelian architectural style. The mosque is located in the city of Djenné, Mali, on the flood plain of the Bani River. The first mosque on the site was built around the 13th century, but the current structure dates from 1907. As well as being the centre of the community of Djenné, it is one of the most famous landmarks in Africa. Along with the "Old Towns of Djenné" it was designated a World Heritage Site by UNESCO in 1988.

<span class="mw-page-title-main">Sudano-Sahelian architecture</span> Range of similar indigenous architectural styles in West Africa

Sudano-Sahelian architecture refers to a range of similar indigenous architectural styles common to the African peoples of the Sahel and Sudanian grassland (geographical) regions of West Africa, south of the Sahara, but north of the fertile forest regions of the coast.

<span class="mw-page-title-main">Askia Muhammad I</span> Ruler of the Songhai Empire

Askia Muhammad I (1443–1538), born Muhammad ibn Abi Bakr al-Turi or Muhammad Ture, was the first ruler of the Askia dynasty of the Songhai Empire, reigning from 1493 to 1528. He is also known as Askia the Great, and his name in modern Songhai is Mamar Kassey. Askia Muhammad strengthened his empire and made it the largest empire in West Africa's history. At its peak under his reign, the Songhai Empire encompassed the Hausa states as far as Kano and much of the territory that had belonged to the Songhai empire in the east. His policies resulted in a rapid expansion of trade with Europe and Asia, the creation of many schools, and the establishment of Islam as an integral part of the empire.

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<span class="mw-page-title-main">Sankoré Madrasah</span> Ancient center of learning in Timbuktu, Mali

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<span class="mw-page-title-main">Agadez Mosque</span> Mosque in Agadez, Tchirozerine, Niger

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<span class="mw-page-title-main">Gao-Saney</span>

Located on the Niger Bend in present-day Mali, Gao was the political center of a trading state known to Arab chroniclers as Gawgaw, from the seventh to the thirteenth century CE. Historical accounts indicate that Gawgaw included a trading town called Sarneh, and across the river, a royal town with a palace and mosque, and king whose treasure was salt. Gao-Saney is a large settlement mound seven km distant from the royal town of Gao, and is thought to be the site of the ancient trading center. The site has produced extensive archaeological evidence from its first millennium occupation, with proposed chronology between 700 and 1100 CE. Another archaeology site, Gao Ancien, roughly corresponds with descriptions of the royal town, but further research is needed.

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Askia Daoud was the ruler of the Songhai Empire from 1549 to 1582. Daoud came to power unopposed following the death of his brother Askia Ishaq I in 1549. The Empire continued to expand under Daoud's peaceful rule, and saw little internal strife, until the invasion and interference of the Moroccan forces, which led to the empire's downfall in 1591.

<span class="mw-page-title-main">Songhaiborai</span> Songhai subgroup

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