The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be 'tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns.
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.
An oil lamp is a lamp used to produce light continuously for a period of time using an oil-based fuel source. The use of oil lamps began thousands of years ago and continues to this day, although their use is less common in modern times. They work in the same way as a candle but with fuel that is liquid at room temperature, so that a container for the oil is required. A textile wick drops down into the oil, and is lit at the end, burning the oil as it is drawn up the wick.
The Blue Mosque in Istanbul, also known by its official name, the Sultan Ahmed Mosque, is an Ottoman-era historical imperial mosque located in Istanbul, Turkey. It was constructed between 1609 and 1617 during the rule of Ahmed I and remains a functioning mosque today. It also attracts a large number of tourists and is one of the most iconic and popular monuments of Ottoman architecture.
A chandelier is an ornamental lighting device, typically with spreading branched supports for multiple lights, designed to be hung from the ceiling. Chandeliers are often ornate, and they were originally designed to hold candles, but now incandescent light bulbs are commonly used, as well as fluorescent lamps and LEDs.
A prayer rug or prayer mat is a piece of fabric, sometimes a pile carpet, used by Muslims, some Christians, especially in Orthodox Christianity and some Baha'i during prayer.
Thuluth is an Arabic script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines. In Thuluth, one-third of each letter slopes, from which the name comes. An alternative theory to the meaning is that the smallest width of the letter is one third of the widest part. It is an elegant, cursive script, used in medieval times on mosque decorations. Various calligraphic styles evolved from Thuluth through slight changes of form.
The Verse of Light is the 35th verse of the 24th surah of the Quran (Q24:35).
Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts.
Iznik pottery, or Iznik ware, named after the town of İznik in Anatolia where it was made, is a decorated ceramic that was produced from the last quarter of the 15th century until the end of the 17th century. Turkish stylization is a reflection of Chinese porcelain.
Turkish or Ottoman illumination refers to non-figurative painted or drawn decorative art found in manuscripts or on sheets in muraqqa. In Turkish it is called “tezhip”, meaning “ornamenting with gold”. The Classical Islamic style of manuscript illumination combines techniques from Turkish, Persian, and Arabic traditions. Illumination was central to the traditional arts of the Ottoman Turks, who developed a style of illumination distinct from earlier traditions.
The Aqsunqur Mosque (Arabic: مسجد آق, Turkish: Aksungur Camii; also known as the Blue Mosque or the Mosque of Ibrahim Agha is located in Cairo, Egypt and is one of several "blue mosques" in the world. It is situated in the Tabbana Quarter in Islamic Cairo, between Bab Zuweila and the Citadel of Cairo. The Aqsunqur Mosque also serves as a funerary complex, containing the mausoleums of its founder Shams ad-Din Aqsunqur, his sons, a number of children of the Bahri Mamluk sultan an-Nasir Muhammad and that of its principal restorer, Ibrahim Agha al-Mustahfizan.
Fatimid art refers to artifacts and architecture from the Fatimid Caliphate (909–1171), an empire based in Egypt and North Africa. The Fatimid Caliphate was initially established in the Maghreb, with its roots in a ninth-century Shia Ismailist uprising. Many monuments survive in the Fatimid cities founded in North Africa, starting with Mahdia, on the Tunisian coast, the principal city prior to the conquest of Egypt in 969 and the building of al-Qahira, the "City Victorious", now part of modern-day Cairo. The period was marked by a prosperity amongst the upper echelons, manifested in the creation of opulent and finely wrought objects in the decorative arts, including carved rock crystal, lustreware and other ceramics, wood and ivory carving, gold jewelry and other metalware, textiles, books and coinage. These items not only reflected personal wealth, but were used as gifts to curry favour abroad. The most precious and valuable objects were amassed in the caliphal palaces in al-Qahira. In the 1060s, following several years of drought during which the armies received no payment, the palaces were systematically looted. The libraries were largely destroyed and precious gold objects were melted down, with a few of the treasures dispersed across the medieval Christian world. Afterwards, Fatimid artifacts continued to be made in the same style, but were adapted to a larger populace, using less precious materials.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque, using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy, consisting of religious texts with stylized appearance, used both decoratively and to convey meaning. All three often involve elaborate interlacing in various mediums.
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures.
Misbah is a Muslim Arabic name meaning "lamp" or "light". This name has originated from The Qur'an from Ayatu-n-Nur, also known as the Ayat of light, from the following verse:
The Juyushi Mosque is a historic monument in Cairo, Egypt. The mosque is dated to 1085 CE, during reign of the Fatimid Imam-Caliph al-Mustansir Billah. Its construction was sponsored by Badr al-Jamali, the vizier of al-Mustansir, who was Amir al-Juyush. It is located on the Muqattam hills above the Southern Cemetery of Cairo.
A sabil or sebil is a small kiosk in the Islamic architectural tradition where water is freely dispensed to members of the public by an attendant behind a grilled window. The term is sometimes also used to refer to simple unmanned fountains with a tap for drinking water, though other names often exist for such fountains.
Enamelled glass or painted glass is glass which has been decorated with vitreous enamel and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass.
Mahya lights are decorative lights which are strung up between the minarets of Turkish mosques to form illuminated words or pictures on festive occasions such as Eid al-Fitr, Eid al-Adha, on Kandil nights, and throughout the holy month of Ramadan.
